A stained glass window can be labelled a Harry Clarke if it was designed and executed entirely by him, if it was designed and partially executed by him, or if it was designed by him and the execution done under his close supervision. The portrait above was done by his wife, Margaret Crilly Clarke, in 1914 when Harry was only 25 and not yet plagued by the consumption that was to carry him off in 1931 at only 41 years of age. For the last few years of his life, Harry was increasingly hampered by illness, and also busy with illustration work. He employed a very talented group of artists to execute windows of his design and trained them rigorously to reproduce his unique style, for which there was a huge demand. After his death, those same artists continued to work in the Harry Clarke Studios and to produce windows in that style because that’s what people wanted, and so it can be difficult to know whether a window is a true Harry Clarke or a Harry Clarke Studios. For some windows, only research in the extensive Studios archives (housed at Trinity College) can establish the answer for certain. There are excellent reasons to be proud of many Studios windows, and it shortchanges the outstanding artists who worked on them if we keep insisting that everything was done by Harry himself. I want to explore this topic further, but I’d like to start off with a quiz to see if we’re as good as we think we are at recognising a Harry Clarke from a non-Harry Clarke. So polish up your glasses and take the quiz! Answer YES if you think this is a Harry Clarke (according to my definition) and NO if you believe it is not. I might even have thrown in the odd image that is neither Harry Clarke nor Harry Clarke Studios. Answers next Sunday.
Good luck everyone!