Raw Material

The art of building: West Cork Arts Centre on opening day

The art of building: West Cork Arts Centre on opening day

On the last day of January (traditionally the last day of winter and St Brigid’s Eve) the new West Cork Arts Centre opened its first exhibition in Skibbereen. We have taken a great interest in this building during its construction: the very strong architecture has aroused a lot of negative comment in the community, but now that it is virtually complete the general view of it seems to be mellowing a little. For my pennyworth this bold, modern insertion into the townscape has provided Skibbereen with a new visual focus and with great potential for a successful future.

A specially commissioned glass sculpture by Michael Ray graces the entrance hall, and incorporates the names of sponsors of the building

A specially commissioned glass sculpture by Michael Ray graces the entrance hall, and incorporates the signatures of sponsors of the building

The name of this new building is Uillinn – it means ‘elbow’, a reference to the angled plan of the building and its cantilevered location over a bend in the Caol Stream that snakes through the town’s back yard. Dublin based Architects Donaghy and Dimond won the international design competition in 2009: have a look at their plans for the building here.

One of the exhibits is titled ‘Flying Colours’ and is a project by the West Cork Education Centre in collaboration with local Primary School children: stairways and circulation spaces in the new centre are alive with colour and creativity. How wonderful that these children can feel they have played such a significant part in this new venture.

The fabric of the building is lively and well considered

The fabric of the building is lively and well considered

This building simmers with potential: the gallery spaces and facilities are impressive and architectural elements are well detailed. Skibbereen has been given a high quality civic building that will last for generations: it’s now got to be used creatively.

Sam Thorne

Sam Thorne

It’s no coincidence that one of the speaking guests at the opening was Sam Thorne, artistic director of the Tate St Ives Gallery in Cornwall. Comparison between West Cornwall and West Cork is inevitable: both regions have a history of attracting artists because of the very particular light that comes from close proximity to the Atlantic coastline. Also, artists have been drawn to these places because of enduring lifestyles that are simple, basic and close to nature. Thorne made the perhaps surprising statement that West Cork is home to more artists per capita than both Paris and London.

'Blinkers' - Angela Fulcher 2015

‘Blinkers’ – Angela Fulcher 2015

Sam Thorne said that having a community of artists contributes all kinds of different aspects to a region. One of the simple ones is tourism. “That’s been a really important thing in St Ives over the past two decades,” he said. “The gallery contributes £11m (€14.6m) every year to the local economy in St Ives – three times that which was anticipated when the gallery opened… So there’s a very real powerful impact that having artists there, having art there, creates for the community.” He added that the St Ives Gallery now needs to extend its buildings and anticipates over £80m coming into the local coffers over the next few years.

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Phenomenal success: the Tate Gallery, St Ives, Cornwall

I spent many years in Cornwall and watched the development of the Tate Gallery in St Ives. It has become a year-round tourist destination: in all seasons – and in all weathers – the streets of the little town are crowded with visitors who are, of course, using the local shops, b + bs and restaurants. It has also created problems: overloaded car parks, strained infrastructure. But surely this is better than closed shops and failing businesses?

Of course, Skibbereen is not St Ives – and our Arts Centre doesn’t have the backing of a body like the Tate, with its enormous resources of historical art. But there are great possibilities nevertheless: Ireland has a wonderful art heritage, much of which is seldom seen outside of the big city galleries. And there are strong links between Irish artists and Britain which could be delved into. Think of the Newlyn School artists – Alexander Stanhope Forbes and Norman Garstin were both Irish; Cornwall was also home to Breon O’Casey and Tony O’Malley. Other artists moved from Cornwall to the west of Ireland, including Nancy Wynne-Jones, Conor Fallon and – mentioned above – Michael Ray.

Impressive gallery spaces call for dynamic works

Impressive gallery spaces call for dynamic works

The St Ives Tate works so well because it is able to show the ‘big names’ – but it also encourages young and local artists, whose output often interacts with the historically established works. There is no reason why the Skibbereen centre couldn’t build on similar links: wouldn’t it be wonderful if we could see paintings by the likes of Jack B Yeats, Paul Henry, Sara Purser or Daniel Maclise on our doorstep – complimented, of course, by the very best of home grown talent? The ‘big names’ would be the crowd-pullers – at least initially: these are the building blocks for forging a lasting reputation.

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Works in progress: the centre contains studios and workshops

The new building still awaits its official opening: this will happen in the summer and the President of Ireland – Michael D Higgins – will have that honour: a scoop for Skibbereen! The Board of the West Cork Arts Centre – and the sponsors and donors – have moved mountains to realise the vision of this building. Now it’s down to creativity and dynamism from the team – and to enthusiasm and encouragement from us, the visitors, whose support is vital to this building’s future success.

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Off to Skibbereen!

Newlyn Harbour, Cornwall

Newlyn Harbour, Cornwall

What’s the link between Newlyn in Cornwall – where I had a fisherman’s cottage for 20-odd years – and Skibbereen, our nearest town here in West Cork? The answer is ‘art’, and the painting below by Alexander Stanhope Forbes sums it up: Off to Skibbereen from Newlyn.

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Stanhope Forbes was born in 1857 in Dublin and worked in the en plein air technique of painting, first in Brittany and then in Cornwall, where he settled and founded the Newlyn School of artists. He died in Newlyn (a day or two short of my first birthday) in 1947. If you want to see a collection of Newlyn School paintings visit the Penlee Gallery in Penzance: they are superbly detailed depictions of everyday life in a working fishing community during the late nineteenth and early twentieth centuries. En plein air was all about light, sun and clarity: the artists chose places where the light was at its best, usually close to the sea. My cottage looked out over Mounts Bay in West Penwith, on the far south western tip of Britain. Like the lugger in the picture I have crossed the Celtic Sea from Cornwall, and I now live on the far south western tip of Ireland.

View from my cottage in Cornwall

View from my cottage in Cornwall

I am intrigued by the Off to Skibbereen painting. It tells a story, but we can’t guess that story. It’s presumably PZ 614 that’s on its way to Ireland, and not the ladies in a small open punt with a basket of sandwiches… But why Skibbereen? Records show that from the 1820s Newlyn fishermen were chasing the Herrings off the coast of County Cork. On the whole the fishermen of Newlyn were active most of the year. In January and February they fished for Mackerel off South Devon, following the shoals westwards to Mounts Bay for the next couple of months. Then they moved to Irish waters for the Herring season, returning in July to catch Pilchards until December. They were away from home for weeks at a time so a departure could be a poignant time for their families.

Skibbereen at the end of the 19th century: can you spot the cat?

Skibbereen at the end of the 19th century: can you spot the cat?

Skibbereen was a settlement served by water. The River Ilen is tidal and in the early 19th century boats of up to 200 tons could navigate to Oldcourt, within two miles of the town centre. From there goods were transferred into ‘lighters’ (unpowered barges) and then brought into the quays where there were warehouses and a Customs House. Now, sadly, Skibbereen’s waterfront is a bit neglected and its active past shipping history is no longer obvious. Five historic quays have been identified along the river: Steam Mill Quay, Long Quay, Levis Quay, Minihane’s Quay and Chapel Quay. The Skibbereen Town Development Plan has this to say about them:

…Historic Quays – Comprising of old disused stone quays along the town side of the River Ilen between the two road bridges, these quays were once the primary means to transport goods and people in and out of Skibbereen. Some of the quays are in private ownership, others are unrecognisable and some have been blocked with stone and deposits. However,what is unquestioned is the historic significance and value of the quays and therefore their protection should be considered as part of this plan. In the past, communities and public bodies turned their back on water bodies but now the tide is turning in this regard. Therefore an opportunity presents itself … by ensuring that the quays are redeveloped as part of any proposal on adjoining land…

Building work progresses in Skibbereen

Building work progresses in Skibbereen

There is a new development going up in the centre of Skibbereen right now, just by the old Levis Quay. It’s on the site of a rather bleak four-storey warehouse structure (now demolished) known most recently as Wolfe’s Bakery. This new building is all about art – rather neatly for my thesis on the artistic links between West Cornwall and Western Ireland.

WCAC_north_view_final-sized

Competition Winner – Skibbereen’s new Arts Centre

The people of Skibbereen are very fortunate to have secured funding for a major arts building, especially in the present climate of austerity. The West Cork Arts Centre will house exhibition space and studio space for artists and social spaces for the community, including enhanced workshop, dance, performance and film club facilities providing a ‘centre for excellence’ in the visual arts at local, national and international levels. The building occupies the ghost of the earlier warehouse and is on five storeys, all fully accessible. Valuable extra space is cleverly gained by cantilevering a portion of the main block out over the Caol Stream. An international design competition was held for the design of the new centre, and this was won by Architects Donaghy and Dimond of Dublin. Visually the building is stunningly contemporary – and this works well in a small town with a diverse architectural language spanning many centuries. So often, new buildings are not allowed to be ‘of their time’ and resort to pastiches of older styles with the result that present day town centres can lack any dynamic character.

The building is being clad with a material known as ‘Corten‘. It’s actually rusted steel! It’s an attractive and durable finish which matures and stabilizes as time goes on. The appearance of a large rusty steel box in the centre of town is exciting some comment but – as always with anything new – judgement is best reserved until the project is completed. In my opinion it will add to the attractions of Dear Old Skibbereen and provide very welcome new facilities in the heart of this creative community. Well done Skibbereen!

Taking Shape - 21 May 2014

Taking Shape – 21 May 2014

Here’s an idea: several of the Newlyn School artists were Irish – or had Irish connections. Perhaps in West Cork we should put on an exhibition highlighting artistic links – old and new – between Cornwall and Ireland?

Wolfe’s Bakery – site of the new Arts Project