New Rock Art Find in West Cork

“I’ve found a funny rock carving and a friend told me to ring you” – that’s my favourite type of call to get! It doesn’t always work out: sometimes the marks are machine-made, or a natural geological feature of the rock. But the anticipation is always there that this time it will be the real thing.

And it was! Our caller was John Minihane, a retired harbour master and a Harley enthusiast, living in a beautiful traditional farmhouse near Union Hall, once the home of his grandmother. He had been tidying up the back garden and pulled ivy off what seemed to be just a big rock in a bank separating his property from a neighbours. It turned out to be a standing stone with prehistoric rock art on it.

Not all rock art is spectacular – some of it can be underwhelming, consisting of only a few cupmarks. Take a look at some of our previous posts on rock art (C2 on our Navigation Page) to see some of the examples, from simple to complex, we have written about. The one (below) is possibly one of the most iconic pieces of rock art in Ireland – it’s from Derrynablaha in Kerry.

This photograph (above) shows the rock art panel in its location, high in the Kerry Mountains, overlooking a beautiful valley and lake. The image is by Ken Williams, used with his permission. Ken is Ireland premier photographer of archaeological subjects – read more about him here or better yet visit his amazing website.

The latest thinking about Atlantic Rock Art (it occurs all down the Atlantic Coast, from Portugal to Scotland) is that it is Neolithic – that is, about 5,000 years old. In its elemental, form, the humble cupmark, it persists into the Bronze Age, sometimes occurring on Wedge Tombs and Boulder Burials. So this standing stone, with cupmarks and grooves, might be anywhere from 5,000 to 2,500 years old.

Most rock art is found on bedrock (like Derreennaclogh, above) or earth-fast boulders, but in West Cork, we do have other examples of rock art on standing stones. Two can be found about 9km east near Rosscarbery, both in the townland of Burgatia and both with cupmarks and cup-and-ring marks. Another is located on the townland boundary between Knockanoulty and Barnabah, about 14km to the SW. I’ve shown that one below, both as a photograph and as a drawing.

When I was a student (back in the dawn of time) and recording rock art, the conventional method was to chalk in the carvings, trace it all on to clear film, re-trace it in paper using Indian ink, and then have that photographically reduced. That’s how I produced the drawings above. Robert has used his architectural drafting skills to produce drawings more recently – below is his rendering of the cupmarked stone a local farmer showed us quite near where we live.

Mostly, nowadays, archaeologists favour techniques that do not interfere with the rock surface, and that usually means a photographic technique known as photogrammetry. The idea is to take lots of photos (150 in this case), moving at a steady rate and distance across the surface of the rock, load these into a program that can create a 3D image, and see what comes out.

We are very grateful to Nick Hogan of the University College Cork  Department of Archaeology who used their sophisticated software to create the 3D image. It’s been fun to play with the files he sent us, which are the best way of seeing what’s actually on the rock surface. 

You can set up a grid, or rotating axes, and turn the model so that the light hits it in different ways. This can help you to discern small cupmarks that don’t show up well in photographs. In the case of this rock, the thing that was hard to make out was the exact shape of the groove, and the 3D model shows this up well. If you turn it sideways it looks like an owl – but this is purely a chance occurrence – this art was strictly non-representational (although there’s a chance we might find a  deer or an axe some day, but that’s another story).

It’s always exciting to find a genuine piece of undiscovered archaeology! Thank you, John Minihane, for inviting us over to see your find and allowing us to record it. And thank you, Nick Hogan for the 3D modelling. A most satisfying project all round.

Nine beans rows will I have there, and a piece of prehistoric rock art!

Dunmanus Castle 2: The Castle

Dunmanus Castle stands guard over a natural harbour on the north side of The Mizen Peninsula and is one of the largest of the still-standing Castles of Ivaha.

All of the O’Mahony castles (or tower houses as the archaeologists prefer to call them) were the raised entry type, where the door that gave access to the living quarters of the chief was on the first, rather than the ground floor. There is an entrance on the ground floor, but it allowed access only to the lowest level. While at some of the castles of Ivaha, the raised entry was immediately above the ground-floor entry, at Dunmanus, it is above and to the left of the ground-floor entry: this offset placement probably allowed easier access to the lower entrance.

Dunmanus is the only O’Mahony Castle (as far as we know – several have disappeared) to have an additional turret, this one located at the south west corner. In fact the only other castle like it in this part of West Cork is Kilcoe Castle – see my post about its Magnificent Reconstruction. Jeremy Irons’ restoration also allows us to see what Dunmanus Caste would have looked like in its heyday. 

After the false start at Knockeens (see Dunmanus Castle 1: The Cliff-Edge Fort) the tower house was constructed on the site of an earlier fortification probably called Dún Manus, or the Fort of Manus. It was built by Donagh Mór, a chief of the O’Mahony Fionn (the Fair-Haired) sept, sometime in the 15th century. Donagh Mór had been elected Táiniste (next in line to become Taoiseach, or Chief) but he had to wait over 40 years, until 1473, for his brother to die before he succeeded, and then he only lived two more years. This timeframe fits with the architecture of the castle, which is firmly fifteenth century gothic – the window style below is typical.

Like all the O’Mahonys at this time he was very wealthy, riches that came from his control of both the fisheries in Dunmanus Bay and the resources of the hinterland behind his castle. He could therefore afford to indulge his taste for a high-status residence. While the castle may not have been warm or bright (no fireplaces and small windows) it was certainly a statement in the landscape, designed to impress upon all who saw it that this was the centre of power in this part of the world.

The Castle originally had two floors (ground and first) and a mezzanine under a vault in the main tower. Above this was the principle chamber and above that were the roof and battlements. The floors of the turret (foreground, above) did not line up with the floors of the main tower, but were offset and reached by a series of stairs.

The ground floor was probably used for storage and perhaps public business. It had a wooden ceiling that formed the floor of the room above it (first floor). You can also see the corbels that supported the beams that formed the base for the floor, as well as the large sockets into which the beams were set. If this castle followed the pattern of others, there was no access from the ground floor to any floor above it – no stairway or ladder.

Still visible are the bar holes for the door as well as the spud stone and hanging eye – this was how the door was hung and how it turned. Can you make them out just to the left of the arch above – the spud stone is close to the ground and the hanging eye is level with the top of the arch.

The first floor was a more complex room and it had a mezzanine (you can see the corbels for it) under the vault. From the outside, a set of steps ascended to the raised entry and once you were at this door you could go straight ahead into the first floor room, or turn left and ascend a mural staircase to the floor above the vault. That staircase became spiral further up.

In this first floor room were two other doorways. The first (above), on the west side, was to a mural chamber that included the first floor garderobe or toilet (fifteenth century indoor plumbing!) – more on that later. The second (below) gave onto a short flight of steps leading downward to a vaulted chamber in the turret.* 

This chamber is one of the most interesting features of Dunmanus Castle, because in the floor is a hatch or trap-door which is the only access to yet another small, vaulted windowless cell below.

We know about this cell because there’s a hole in the wall that allows us to see into it – and even go into it. 

Once you’re inside, you realise that originally you would have been in the pitch black and that the only way in or out was the trapdoor in the ceiling. Was this a dungeon? An oubliette? It certainly could have functioned as such, and there are historic accounts of prisoners being confined in such spaces in Irish castles. 

But there are other possible explanations. Mark Samuels, in his Tower Houses of West Cork, speculates that this is in fact a cistern, fed from below, filled in over the years with debris so that it is now impossible to see how deep it went. There are identical features, he says, at Kilcoe and Monteen tower houses. It would have been a significant advantage, especially during a siege, to have a source for water.

However, the best evidence for the use of rooms like this comes from the excavations of Barryscourt Castle, near Carrigtwohill, east of Cork City. Here’s what the authors of this section of the report, Dave Pollock and Conleth Manning conclude about its function.

The ground floor, originally accessed only through a trapdoor in its vault, has in the past been regarded as a prison or dungeon. The more likely explanation is that it was a safe vault or basement strongroom, where cash and records were kept securely, and could be accessed with the aid of a ladder when required. The room above this, referred to variously in other cases as the accounting room or counting house, was where an officer of the Manor called the receiver or cofferer worked. He documented all produce and commodities coming into the castle and made payments as necessary. At Barryscourt this room was only accessible through a small external doorway . . . It is interesting that good examples of accounting rooms with basement strong rooms under them, accessed through trap doors, are found in some late 14th century great towers in England such as Bolton Castle and Warkworth Castle.


Barryscourt Castle Co Cork, Archaeology, History and Architecture, Dave Pollock, ED.
Published by the National Monuments Service, 2017,

There is, of course, no access nowadays to the upper floors of Dunmanus Castle, but we know that the top floor was the ‘solar’ – the largest and most commodious chamber reserved for the Chief and his family. It was also where he entertained, and there are accounts of the lavishness with which guests were received. Take a look at my post, Illustrating the Tower House: A Guest Blog (sort of) to see how the brilliant artist JG O’Donoghue, has managed to show us the internal layout of a tower house. Here is his image of the upper floors and wall walk.

From that chamber, a set of stair led up to the battlements, where a wall walk would have surrounded the pitched roof. The wall walk was protected by a set of stepped merlons and crenels in the style known as Irish Crenellations – Kilcoe gets these exactly right.

My final note is on the garderobe, or rather, garderobes, since there was one off the first floor and another at the level of the solar. The chute which served both of them, was divided down the middle by a set of perpendicular slabs set into the inner wall (above and below). 

When I photographed Dunmanus in 2016 these perpendicular slabs were in place. However, as you can see below, by five years later two of them have fallen.

While these particular slabs may not be integral to the cohesion of the building, every stone that falls or slips weakens the overall structure and is another step towards ruination. It would be very sad indeed if Dunmanus Castle is not here in its current state for future generations.

*I am grateful to a friend who shall remain nameless (but who is a relative of Spiderman) for the photographs of the turret room and staircase. Do not attempt to access these spaces.

An Evanescent Signal Tower – Glandore Head

This is a bit of an epilogue to my Signal Success in Irish Engineering series (although that is not yet complete!). Here is the site of a Napoleonic-era Signal Tower in West Cork – but the tower itself has completely vanished! It’s no 28 on the map which accompanies Bill Clements’ book – Billy Pitt Had Them Built – Napoleonic Towers in Ireland (The Holliwell Press 2013) and it is given the name Glandore Head. We recently visited friends who have a house in the townland of Reenogrena, which is south-east of the village of Glandore and its extensive natural harbour. The topography of the area is soul-stirring – that’s probably an understatement: look at the view of the coastline there, above, and the distant views both west and east, below.

We were fortunate with the day we had. The benign weather gave us a possibly false sense of security as we explored a wild, riven coastline. We could well imagine how exposed we might feel there in one of West Cork’s severe storms: our climate-changing extremes are becoming ever more prevalent. But on this occasion we were confident enough to venture to the very edges of the land, always conscious that humans had settled in these remote places many generations before us.

There is nothing left of the signal tower at Glandore Head, which would have been constructed between 1801 and 1804. The site has now been taken over by a recently built house which enjoys the excellent views in all directions. In the picture below it seems that the tower was located in the area of the earth-sheltered garage. We know more or less where it was because it appears on the earliest Ordnance Survey maps from around 1840. Even by then the structure itself had lost its original function, as the threat of Napoleonic invasion had passed, but it is labelled as a ‘Telegraph’. On the later 25″ map – dating from the late 1800s – the site is marked as ‘Tower in ruins’.

Centre – the earliest 6″ OS map; lower – the later – and far more detailed – 25″ OS map. It’s interesting to compare the two versions. The accuracy of the later map in terms of topographical detail and humanly constructed features – buildings, trackways etc is very noticeable. Below is the contemporary aerial view. 50 years separate the two OS maps, while the satellite image is 100 years later again.

The reason why I like to examine and compare the mapped information is my interest in reading the history of a place through its landscape, and this particular vignette of West Cork is a prime example of the process. Firstly, the signal tower location was chosen because of visibility to other significant places on the coastline which are in view: the towers at Toe Head to the west and Galley Head (Dunnycove) to the east (below).

Next, look at the ‘Coastguard Station’ site. This is marked on the c1840 OS map, but not on the later 25″ map. But that later map does show a number of buildings on that site. As you can see from the aerial view, there are only the remnants of buildings now. Also the older map shows no roadway or track accessing the ‘Coastguard Station’ – it could only be reached by crossing fields. Here’s a closer look at this group of ruined buildings today, followed by some of our photos.

While it is likely that there are old coastguard buildings amongst these ruins, it seemed to us equally possible that we were also looking at the earlier remains of a settlement – cottages and cabins. Records of the area are scant. There’s nothing we found – apart from the OS maps – to give any further light on what we were scrutinising. Surprisingly, very little information is available on the early years of the Irish Coast Guard service, other than its establishment as the Water Guard, or ‘Preventative Boat Service’ in 1809, initially under Navy control but from 1822 part of the Board of Customs. From this we might assume that its purpose was to intercept smuggling operations, rather than to give any assistance to seafarers. Incidentally, it is important to note that in Ireland the name has always been two words: Coast Guard.

It’s easy to see that this hostile coastline – which would not be benign to small fishing boats – would nevertheless attract subversive landings. The only nearby access to the water is Siege Cove, to the east of the Coast Guard site. The upper photo depicts the curiously named Cooscookery inlet – not a good landing point, while the lower is Siege Cove – itself a difficult climb to the fields from sea level. The names of the topographical features would be a good study in themselves – and might reveal some hidden history: Coosnacragaty, Black Hole, Rabbit Cove, and Niladdar. The small burial ground is known as Kilcarrignagat (it means the ‘church at the rock of the cat’). That’s the overgrown trackway leading to it, below. It is of particular interest – partly because you wonder what communities it served, but also because it seems to have been established in a previously existing ring-fort or cashel.

Further yet to the east, and directly above Siege Cove, are the distinct remains of a defensive structure, partly taking in natural outcrops but also built up with stone. This is likely to be indications of the first habitation in this area – perhaps a thousand years ago. There seems to be at least one promontory fort here, and Finola will take up that subject in this locality in future posts (she has already tackled examples elsewhere). It seems to me that this whole coastal region would be worthy of a detailed archaeological study – UCC take note! Meanwhile, we can only express our gratitude to friends Michael and Jane for introducing us to the many wonders of their own territory.

Addendum: After I had published this post I discovered an excellent photograph of Siege Cove and the coastline in this area taken from the sea. I cannot find a contact for the photographer. I do know his name is Tim, and that he publishes an occasional diary of his journeys in a boat (an Ilur based, I believe, In Glandore). I hope he won’t mind me publishing this and including a link to his website.

Dunlough, or Three Castle Head

It’s actually amazing that in all the years we’ve been writing Roaringwater Journal (since 2012), we’ve never written before about Three Castle Head in detail, although we’ve mentioned it lots and visit it often. I consider it to be one of the most beautiful places in West Cork, perhaps in Ireland, and certainly one of the most interesting. It’s one of The Castles of Ivaha.

To come over the brow of the hill on a sunny day and catch your first glimpse of Three Castle Head is breathtaking, so let’s describe first what you actually see in front of you. Instead of three distinct castles, what you see is a long wall, known as a curtain wall, punctuated by three towers. The wall stretches from a precipitous cliff on the south west to a lake on the north east end, and it is this lake that gives this place its Irish name of Dunlough (from Dún Loch, or Fort of the Lake).

The lake may have been held back at one point at the north east end where it drains into the sea – a long wall stretches partly across it here – or this wall may have been part of the fortification system for the whole promontory. 

The curtain wall would have constituted a formidable defence for the area behind it – the cliff makes it impregnable on the west side, while the lake forms a barrier on the east. Our old friend Thomas J Westropp visited Dunlough in about 1914, when there was more to see on the ground of the pre-curtain wall fortifications, wrote up his observations, and supplied a drawing.* More on his conclusions later. For convenience, I will use his terminology for the three towers, although they are not necessarily what a modern medieval historian would use. He called the largest tower, located more or less in the middle of the wall, the Keep; the one immediately to the east the Turret, and the one closest to the lake the Gatehouse. You might like to have a good read of the posts Tower House Tutorial Part I and Part II to help you make sense of what follows.

The wall and the three towers are very finely built, using the rubble construction method, where both sides of the wall are shaped with stones carefully chosen for their straight edges, and the interior is filled with rubble. Mark Samuels, in his discussion of the construction of this tower says:

A proper lime mortar, quite hard, white and capable of adhering to the stones was used in the basebatter. However, at second-floor level, the mortar was little more than earth and the building stands entirely by virtue of the careful laying of the stones. The unusual drystone construction gives it a ‘vernacular’ air which is a peculiarity of this stronghold.

The Tower Houses of West Cork by Mark Wycliffe Samuel, 1998

There is evidence of little mortar being used where the interior of the curtain walls can be seen, so this was a very skilful job indeed of ‘dry stone’ construction. Where mortar is discernible, however, it appears to be the local blue till, rendered into a kind of mud, rather than limestone-based mortar, and this has robbed the walls of some cohesion, so that they crumble more quickly once they start deteriorating. For a fairly thorough outline of what’s involved, see my post Building a Stone Wall. The curtain wall is likely to have had a rampart or wall walk, but no sign of this remains. Our budding archaeologist companions on our recent visit are taking a good look at the construction, below.

The Keep is the kind of tower house that the O’Mahonys were building all over Ivaha (The Mizen) in the 15th century and is typical of those towers, with a few interesting variations. There are two entrances, one above the other, denoting that this was, in common with all the other O’Mahony tower house, a ‘Raised Entry’ castle. However, unlike the others, the entries are surrounded by a small forecourt. Typically, the ground-level entry gave access only to the ground and first floors and there was no access to the upper, or residential floors (those above the vault) from it. The residential floors were accessed by means of a staircase inside the raised entry: it runs inside the wall to the right of the doorway.

Above that floor is the vault, which would have separated the lower floors from the upper floors where the household of the chieftain lived or where they would have entertained visitors. Some of the O’Mahony Castles, where they survive sufficiently to asses them, had a continuous vault, such as the one at Dunmanus. However, in others, and this is the case in the Keep at Dunlough, the Vault is formed by archways, upon which great slatey slabs have been laid to form the floor above. In the Keep, you can still see the impression in the mortar overlaying the arches of the wicker used to build these wicker-centred arches.

There would have been at least one and probably two more floors above the arch/vault – the residential floors. These were not comfortable dwellings – there were no fireplaces and the windows, although bigger than the lower floors, would not have let in much light. Above the top floor, a wall walk would have patrolled by look-outs. 

Westropp christened the middle tower (below) the Turret as it is the slimmest of the three. There is no evidence of a stairway so the floors were reached by means of ladders. Unlike the other two towers, which were built straddling the curtainwall, this one has three of its sides outside the wall, with the entrance through the wall on the north side.

The gatehouse is perhaps the most complex of the three towers. At its base is an arched passageway, now with the collapse of ages completely blocking it.

Because it’s difficult to really see this tower now, I will give you Westropp’s description of it from his 1914 visit:

The entrance had inner and outer arches, which were closed and barred from the inside, I presume lest anyone should get into the enclosed hill, hide till night, and then open the gate treacherously. The outer gate is 6 feet 10 inches wide, the inner, 6 feet 3 inches and 9 feet 8 inches apart ; they have slightly pointed arches. From the interspace a small door opens into a little court, or rather passage, round the other two sides of the gate tower. This turret has a vaulted basement 9 feet by 9 feet 9 inches, and walls 4 feet thick, with a loophole, commanding the outer face of the gate. There are two stories or lofts, reached by a ladder through a trap-door and under another vault. The second floor has slits in each face ; the third, one to the south, and a torn gap westward above the gate. Over the upper vault is a little gabled attic, with an ope overlooking the lake. A small stair runs spirally up the north-west corner. The walls having been very thin there, have fallen, or been broken, down to the basement vault. A short wall runs from the gatehouse out into the lake. 

Westropp, 1915 (see footnote)

The small spiral staircase can be clearly see where the outer wall has fallen away (above).

Several sources tell us that this is the oldest of the O’Mahony Castles, built in 1207 by Donagh the Migratory O’Mahony – there are references in Annals to a ‘castle at Dun Locha’. Modern scholarship on castles tends to agree that there were structures called castells before the coming of the Normans, but it is clear that they did not look like these tower houses. It may be that the reference in the annals is to Dunloe in Kerry, but it may also be that there was indeed a castell here in 1207. If there was, it was not what we are looking at now: any analysis of its construction places it firmly in the fifteenth century. 

Once again, we turn to Westropp. When he  visited Dunlough in about 1914 there was more to see on the ground of the pre-curtain wall fortifications, and he wrote up his observations, and supplied a drawing (above). This was an ancient promontory fort, he said, dating to well before the  castle-building era, and he traced the line of the fort bank through the remains of fosses, or ditches, vestigial but still visible. The next phase was the building of a wall, and this may well have been the castell of 1207. It follows a line south-west to north-east, at a different angle to the curtain wall. He was able to make out a gate feature near the cliff. This was demolished, he said, to build the curtain wall we see today.

I agree with the broad strokes of Westropp’s analysis. Yes this is an old stronghold of the O’Mahony clan – and what you are looking at today was not built in 1207, but built on top of the 1207 fortifications. The O’Mahonys went on a castle-building spree in the 1400s and the Dunlough curtain wall and towers, in terms of their architecture and their similarity with all the other O’Mahony castles, fits with that timeframe. 

But all of that is dry as dust – who can worry about a dating timeframe when what presents itself to your view is so beautiful, so perfectly situated and so hopelessly romantic? So let’s take a vote – is this Ireland most beautiful castle? Hands up who agrees with me!

One last word – for many years Three Castle Head was off limits as a private farm. In recent years the owners have been welcoming visitors and this is gratefully acknowledged. However, the increased footfall is coming with a cost in wear and tear. Look at the walls above – these are fragile ruins: knocking off one loose stone can have a catastrophic effect on the building envelope.

It’s also dangerous to go clambering over unstable ruins like this. So, a heartfelt plea – if you visit, and I hope you do, PLEASE STAY OFF THE WALLS! I was pleased to see a new notice up about this on our most recent visit, and indeed visitors seemed more respectful than they had when I was last there (above). If we stay away from the walls, hopefully they will stand to delight us for more generations to come.

*Fortified Headlands and Castles in Western County Cork. Part I. From Cape Clear to Dunmanus Bay by Thomas Johnson Westropp Source: Proceedings of the Royal Irish Academy: 1914 – 1916, Vol. 32 pp. 249-286, (accessed at: https://www.jstor.org/stable/25504178

The Castles of Ivaha

Ivaha was the name for the West Cork peninsula that was the traditional territory of the O’Mahonys. The modern name for the peninsular – the Mizen – appeared on maps as early as the 17th century but it is unclear how the name change came about. Ivaha (sometimes Ivahagh or Ivagha) is a corruption of Uibh Eachach Múmhan (pronounced Iv Ahok Moo-en), the Clan Eochy of Munster. Eochy Mac Erc was one of the mythical High Kings of Ireland, from whom the clan claimed descent, acquiring the name O’Mahony from Mahon, son of Cian, an eleventh century chieftain.

Ardintenant Castle was built on/within an existing ringfort

This expansive territory with its complex coastline was defended and controlled by a series of raths (earthen ring-forts), cashels (stone ring forts), cliff-edge and promontory forts until the 15th century, when wealthy chieftains and high-status individuals (such as bards and brehons) adopted the new style of stone fortification which we now call tower houses, or simply castles.

Rossbrin Castle. The arrow points to the location of the remaining wall of the tower house on Castle Island

And the O’Mahonys were certainly wealthy. Control of maritime resources was ensured by castles commanding all harbours and with sight-lines out to sea and to other castles, as well as by fleets of ships. The waters around Ivaha teemed with herring and pilchards, one of the staples of the Medieval European diet, once salted and processed in ‘palaces’ owned by the chieftains. Fishing dues were a lucrative source of income, as were exports of fur and wool and control of vast herds of swine which fed on the mast in the all-surrounding forests.

Several of the castles deserve an individual post (all in good time, although Robert has certainly written often about Rossbrin, see for example here and here) but for this introduction I want to lay out exactly how many O’Mahony Castles there were and how many we can see in the landscape now. Let’s start with the total number, each one underlined in red.

As you can see, there are fourteen locations indicated on the map*. Some of these may be familiar to you from previous posts we have written about the history and archaeology of West Cork, and some of them may look strange.  Dough? I hear you say – Never heard of it! Not to mention Knockeen, or Meighan.

The castles underlined in blue are certainly in O’Mahony territory, but may not have been built, or owned or occupied by O’Mahonys. There is some suggestion, and some local belief, that the tower on Castle Island may have been owned by the O’Driscolls, built for the purpose of keeping an eye on their neighbours. However, on the whole this seems highly implausible, since it is so deep within O’Mahony lands  and indeed within sight and easy reach of both Ardintenant, where the clan chieftain, (or Taoiseach) resided and Rossbrin, where the next-in-line to the chieftaincy, (known as the Táiniste) had his stronghold. 

This is the site of the graveyard and ancient church at Lissagriffin – the castle would have a short distance to the west but with the same commanding view

Lissagriffin, Castlemehigan and Doagh Castle may have been built for or by the Mehigans, the traditional bards to the O’Mahonys. According to John O’Mahony,** A well-endowed hereditary family of Bards was considered to be an indispensable appendage of every considerable Chieftain’s establishment. Canon O’Mahony goes on to say

In process of time, if not from the beginning of the new chieftaincy, the western O’Mahony employed another Bardic family, that of O’Mehigan, and endowed them with some three hundred acres of land in Kilmoe (as appears from the Inquisition of Dermod O’Mehigan taken in 1623), and with the wardership of a castle―Castle Mehigan―built by the Chieftain, as, of course, it could not have been built from their own limited resources.

Other authorities posit that the O’Mehigans had not one but three castles of their own. The arrow below indicates the approximate location of Castle Mehigan.

Finally, there is Dunkelly. This one is traditionally associated with the pirate, Canty, and you can read all about him and his exploits in Robert’s post, Canty.

The view from where Dunkelly Castle was sited, looking up Dunmanus Bay

Some of these castles may be unfamiliar to those of you who already know most of these sites. That’s because there is nothing left of them. Besides the O’Mehigan and Canty castles, which have totally disappeared, there is now no longer any trace of the O’Mahony castes at Knockeen, Ballydivlin and Crookhaven. Knockeen, across the bay from Dunmanus Castle, may never have been completed. According to ‘Finnerty’ writing in the Southern Star in 1935, a ‘wise stranger’ came along as the castle was being built and warned that it would fall into the sea – so all operations were moved across the bay to the current location of Dunmanus Castle.

The two red dots on the north side of Dunmanus Harbour mark the site of Knockeen Castle, which was built (or started) on an existing cliff-edge fort. The red dot on the south side is Dunmanus Castle

Ballydivlin, sometimes called Ballydesmond,  was still standing, according to Healy, until the middle of the nineteenth century when it was demolished and its stones used for road making. Likewise, Bishop Dive Downes, visiting Crookhaven in 1700 described the walls of an old castle in the middle of what is now the village. Both Crookhaven and Ballydivlin (the photograph below shows where it was) followed the pattern of strategic siting to dominate the entrances to harbours.

Of those we have left, Dunbeacon and Castle Island are vestigial – only parts of one or two walls remain. Dunbeacon is my lead photograph – you can see not only how little is left, but also how strategically sited it was, with views right down Dunmanus Bay.

Rossbrin is in a perilous state, having been battered by storms over the years and with cracks and holes in its walls (above). And so we are left with seven of the original fourteen castles – the ones underlined in green, below.

But the final four castles of Ivaha – Ardintenant (White Castle), Dunmanus, Leamcon (Black Castle) and Dunlough (Three Castle Head) are all relatively intact, and Leamcon (below) has been stabilised and preserved by its dedicated owner. 

Future posts will describe the defining characteristics of the Castle of Ivaha and explore what we can learn from those that can still yield information.

Three Castle Head

*map, and information where noted, based on James N Healy’s The Castles of County Cork, Mercier Press, 1988

**A History of the O’Mahony Septs of Kinelmeky and Ivagha, Rev Canon John O’Mahony, Glenville, Crookstown, Journal of the Cork Archaeological and Historical Society, various issues, 1906-10

Kerry Leftovers

We spent a couple of days in Kerry a week before midsummer, and gave you some account of our discoveries on Church Island, Lough Currane, and up in the hills at Caherlehillan – both memorable Early Christian sites. Our adventures did not end there: we managed to take in, also, some other ancient treasures, a couple of Kerry characters, and some stunning scenery – hard to match – as we travelled back to West Cork along the Ring of Kerry road (above).

Firstly, here are Charlie Chaplin and Michael Collins (above), both familiar figures in Waterville. The Hollywood star spent his summer holidays in the coastal town for many years with his family and is commemorated by a bronze statue, while Michael can be found on most days in this much photographed location, always ready to entertain with Kerry polkas and slides on his accordion.

Here’s a much earlier Kerry musician: he’s known as ‘The Fiddler’, and is an unusual medieval representation of an instrumentalist found in the romanesque ruin on Church Island, Lough Currane. I was pleased to find this photograph in the Royal Society of Antiquaries of Ireland Notes from 1908 by P J Lynch as it shows the carving as it was found by the OPW when they took over the site. Now the original, which had suffered accelerated weathering, is kept protected in a museum while a well-worn replica is in place on the site. I believe the carving is a good representation of a medieval bowed lyre, an instrument with six strings which survives today in some cultures, although Lynch gave the following commentary:

. . . The interest in this stone centres in the musical instrument. The examples of ancient carving in Ireland representing stringed instruments are few, and confined to harpers. The photograph illustrates this instrument very clearly. It is the ancient cruit or fidil, said to be the parent of the violin. There are six strings indicated by sunken lines in the stone. The figure appears to wear a kind of tight-fitting tunic. Dr O’Sullivan states that the word fidil being a teutonic version of the original name vièle, it may be concluded that the original instrument was introduced through the Anglo-Saxons, and not through the Normans. He adds that up to the eleventh century it consisted of a conical body, and after that it became oval. If this be a portion of the twelfth-century instrument, the older pattern must have survived. The Kerry people were probably as unwilling to change in those days as they are at present . . .

P J Lynch – Some notes on church island – RSAI 1908

Our trip out to Church Island (above) was accompanied by moody weather, but we were fortunate with other expeditions which included the discovery of ancient sites in the townland of Srugreana (Srúbh Gréine in Irish, which is translated variously as sunny stream, gravelly stream or – my favourite – snout of the sun: Kerry certainly offers some tricky pronunciations for those unfamiliar with the area, or the language!).

This extract from the 6″ OS map, dating from the mid-1800s, shows one area we explored on our Kerry day. It throws up some enigmas: Killinane Church (the church of Saint Lonan or Lonáin) is often referred to as Srugreana Abbey, but this is a separate site indicated further to the north-west on the early plan.

The church site at Srugreana is remarkable in many ways. A 2012 survey commissioned by Kerry County Council Heritage Office found there are at least 1,290 unhewn, uninscribed gravemarkers around the medieval church, and a significant number of ‘house type’ tombs, some of which are ‘two-storey’, like the one above. The concentration of graves – many of which cannot be dated – suggests how populous this now remote area was at one time.

The main purpose of our visit to Srugreana was to search out a holy well dedicated to Saint Gobnait (above). The expedition was led by Amanda, who runs the Holy Wells of Cork and Kerry website. You need to read her comprehensive article on this particular saint here. Interestingly, while we were visiting the well we met the new owner of the land on which it sits. She had no idea that there was a holy well here, and also was unaware of its apparently recent renovation! Note the crosses carved on the stones by visiting pilgrims, above.

From the above accounts, and our two previous posts, you can tell that we had a most productive time exploring just one small area in the ‘Kingdom’ of Kerry. I am rounding off this entry with some more photographs of our journey back along the coast. The weather gave of its best for this county which is our neighbour, and we will continue to explore it and look for more archaeological gems. Keep reading!