Mount Gabriel is, I believe, a rarely regarded topographical prominence on the Mizen. Yet it is impossible to ignore: the summit can be seen from most parts of this western peninsula. And, for those visitors who do notice it – and make the effort to scale its heights, it presents the most spectacular of views over rugged landscapes to the oceans beyond.
Brian Lalor has chosen to make this peak the centrepiece of his new exhibition, which opened in Schull’s Blue House Gallery at the weekend: Thirty-Six Views of Mount Gabriel. You have to see it. The works are for sale, so it will be impossible, probably, to assemble them as one entity ever again. (Unless, perhaps, in a hundred years time – if there is still an intellectual world in existence – Brian’s genius will be fully recognised and appreciated, and an astute curator will raid collections from all over the world in order to put this canon back together as a centenary project).
The works themselves draw attention to some of Brian’s many artistic talents: conté crayon drawings, exquisite watercolour sketches and linocut prints. They make an impressive whole on the walls of Schull’s eccentric gallery, which is a jumble of smallish rooms, a staircase and landing, with a minimalist shop-window frontage. Circumnavigating the spaces is a revealing and stimulating experience.
Returning to the subject matter of the work, Brian – General Editor of Gill & Macmillan’s mammoth 2003 volume The Encyclopaedia of Ireland – and considered a prime authority on Ireland’s art heritage and its place in world culture, is familiar with artists’ legacies from many other domains. He grew up in a household which contained significant pieces of Japanese art and was au fait from a young age with the concept of ukiyo-e – the floating world. His early awareness of the arts of Japan provided the source of inspiration for this exhibition: Katsushika Hokusai’s Thirty-Six Views of Mount Fuji, woodblock prints which date from the early 1830s. Here are Fine Wind, Clear Morning (upper) and Inume Pass (lower) from the series:
Fuji is one of Japan’s Holy Mountains. Brian’s juxtaposition is brilliant: our Mount Gabriel has to be a holy place. It is named after an Archangel, who is said to have descended to the mountain top to view the unsurpassed beauty of West Cork’s landscapes, the reputation of which had reached to Heaven even back in those days. In so doing he left behind his footprint, which is still to be seen on the summit.
The Archangel was not the only biblical character to visit Gabriel: Satan himself touched down, but stumbled on a large rock. In a fit of temper he picked up the rock and threw it far off into the sea beyond. This caused such a hazard to shipping that we have had to erect a lighthouse on it. Here is Finola’s photographic view of The Fastnet, taken at sunset. For me, it has a suitably print-like quality . . .
Legends attached to Gabriel include many that attribute Irish heroes to activities on the summit. Finn MacCool, for example, is also credited with throwing large rocks from the mountain, including this fine boulder burial at Rathruane:
Brian’s observation and humour are not missing from this exhibition. He has included a cabinet of ‘artefacts’ distilled from his own explorations on the mountain. These make reference to the ancient history of the site and its connection with copper extraction in the Bronze Age and in medieval times, and also the twentieth century manifestations of air traffic control technology (known as ‘Gabriel’s Balls’) . . .
I am particularly taken with Brian’s linocut series – a limited edition of only ten of each print. They provide the ‘fine detail’ in the overall assemblage, and work so well together on the back wall of the largest room.
The detail print, above, shows Brian’s representation of archaeological finds connected with ancient copper mining which have been found during excavations on the mountain.
As ‘Guest Curator’ of this exhibition I was delighted to introduce it to an eager audience on the opening night in Schull (above). The show only runs until the 3rd of August, so please rush over in order not to miss it. It is (for me) the highlight of West Cork’s summer offerings!
The gallery also has on show some work by other West Cork artists, well worth exploration, so don’t miss them when you go. I can’t resist finishing with one of them: this work (below) by Keith Payne – Sego Canyon. Keith has always been fascinated by ‘Rock Art’ in all parts of the world, and painted this based on his visit to a collection of petroglyphs on a cliff-face in Utah. It’s very apt, I think, to see this work in the context of the Brian Lalor exhibition. Below it is our own photograph of 5,000 year old Rock Art at Derreenaclough, West Cork – discovered only a few years ago. I am personally of the opinion that the siting of this rock in full view of ‘sacred’ Mount Gabriel is purely intentional!
A fully illustrated catalogue is available to purchase in the gallery
It certainly does! But this post is – literally – about rock: the hard, knobbly kind that is underneath us, surrounds us, and which has historically built our environment. In the picture above, taken on a clear February day during the most severe Covid lockdown, Finola is walking through beautiful West Cork. Beyond her is the great, gaunt outcrop of Mount Gabriel. Beside her is a traditional stone wall: its design unchanged over centuries. In the landscape all around her are rocks – large and small – scattered in the rough pasture.
In the distance, of course, is the coast: there are very few places in West Cork where you cannot, at least, catch a glimpse of the sea – and so many where you can immerse yourself in it, or stand on its shore and admire the infinite textures which those same rocks display. It’s mostly Old Red Sandstone: that’s the correct geological term. It was laid down in the Devonian period – a while ago now: between 400 and 300 million years, in fact. This followed an era during which our mountains were built, known as the Silurian times. Continents were shifting and separating, and what was to become Ireland was a great arid desert – deserted: there was no-one around to see it!
Old Red Sandstone: in fact it varies in colour depending on its local history. Broadly, some of the mountain rocks are purple-grey, while those closer to the sea could be greeny-red, but that is probably far too wide a generalisation. The sheer beauty is in the infinite shapes and colours. What artist needs any finer palette?
In those deserted times, an ‘Old Red Sandstone Continent’ extended over what is now northwest Europe, but it is worth noting that in ‘our’ part of it – the Munster Basin, covering today’s Kerry and Cork – we have one of the densest masses of this rock in the world: at least 6 kilometres thick. And we have to appreciate what it has given to us – high mountain spines sweeping steeply down to an indented shoreline of coves, creeks and inlets, with the myriad mottled islands that we oversee. An unparalleled, unfolded world.
After the ‘desert’ period, but much later – only about a million and a half years ago – came the Pleistocene Epoch. the word is from the Greek polys and cene – meaning ‘most recent’ – and that brings us almost up to date. That was a time of great climate events: deserts were inundated and then covered in ice sheets 3 kilometres thick, while moving glaciers tore up the rock surfaces, advancing and retreating several times. Eventually, what had been desert became arctic tundra. It is supposed that the ancestors of our present day life forms happened along during this epoch, and managed to survive. But we don’t find any traces of them until after the last ice sheet retreated in our part of the world – only about 12,000 years ago. The landscape that was left behind was inundated by rising sea levels, and the very last land bridge (between Cornwall and the eastern tip of Wexford) was washed away after that, but not before the Giant Elk and its mammal relations had got a foothold on the western side. The snakes, however, didn’t make it. And what of the humans?
Well, the humans embraced the rocky landscape. They made their marks on the outcrops; then they moved the rocks about, and made architecture from them. We can still see their efforts, some 5,000 years later.
These Neolithic carved motifs could be the earliest human interventions on the natural Irish landscape: they might date from 3,000 BC. These examples are from West Cork, and were only discovered a few years ago. Finola wrote the definitive thesis on Rock Art when she studied at UCC in the 1970s, and we have staged exhibitions and given talks on the topic.
A couple of thousand years later, Irish people started to build things with the stones they found around them. This wedge tomb under the backdrop textures of Mount Gabriel at Ratooragh has rested here since the Bronze Age. Finola’s post today uncovers the fascinating folklore stories that generations have told about such artefacts. But restlessly working the fabric of the landscape – Old Red Sandstone – into walls, shelters, tower houses, temples and towns has never ceased.
While references to Fionn MacCumhaill (or Finn McCool) occur in many of the old legends about Mount Gabriel, more often a generic ‘giant’ is identified as having lived on or near Mount Gabriel. Giants were, apparently, given to fighting each other and to hurling rocks through the air. Here’s a good example from Jeremiah Mahony of Crookhaven:
Giants are a familiar motif of folklore – just across the sea many of the same stories are told about the effects the Giant, Bolster, had on the landscape of Cornwall.
The rock that was seized and thrown didn’t always become the Fastnet; prominent rocks on the landscape were also identified, including what we know now as Boulder Burials (for more on this class of archaeological monument see my post Boulder Burials – A Misnamed Monument?). Here is Cornelius Moynihan from Derreenlomane School (long since closed), telling a tale he got from his grandfather of the same name, then aged 75.
In my grandfather’s land in Rathravane there is a stone called “The Giant’s Stone”. A legend says that it was thrown from Mount Gabriel by a giant long ago. Those who believe this point out the print of a knee and prints of three fingers. It looks as if one end was lifted by human agency as it is supported at that end by three stones arranged regularly.
In an unusual piece of cross referencing, Tessie Coughlan from Dunbeacon School, on the other side of Mount Gabriel, tells of the same rock landing in Moynihan’s field (above, and below with Mount Corrin in the background).
The old people of this locality say that two giants once lived at the top of Mount Gabriel near the place where the lake now lies. One of them was much taller than the other but the smaller had two heads and was cleverer and stronger than the other. It is said that they killed any person who cut a tree on the mountain side and then they cast their bodies into the lake.
One day a dispute arose between the two as to which was the stronger and it was agreed upon that they should both lift a stone and throw it as far as they could. The two giants lifted stones of equal weight and threw them over the land together. The small giant threw his stone much farther than the other did and it fell in Rathravane in a field owned by Mr C Moynihan. The other stone fell in Dreenlomane and it is still to be seen.
The stone in Rathravane is oval shaped and it bears the five prints of the giant’s fingers. It rests on a height. The stone in Dreelomane is not shaped like the one in Rathravane but it is the shape of a coffin and bears the print of one of the giant’s fingers. The old people say that it is a real coffin and that a landlord is buried in it or under it. Several people have gone to break the stone, but owing to tradition they never struck it.
Perhaps this (above) is the other rock – it’s not in Derreenlomane but not far, on the slopes of Mount Corrin. Another student from Derreenlomane school, Rita Helen, tells a similar story in her piece titled Local Monuments, and goes on to describe several others.
There is a glacial stone in Mr. Young’s field and another in Mr. Moynihans field. The one in Mr. Moynihan’s field seems to have been lifted up at one end by some persons, as three stones have been placed under this end. People say there is a print of five fingers on the one in Mr. Moynihan’s field and that a giant threw the stone from the top of Mount Gabriel over into the field.
In this photograph of the Rathruane boulder burial, perhaps you can see the knee imprint and one of the finger holes. That’s Mount Gabriel in the background.
There is a cairn on top of Mount Corrin (Cnoc an Chairn).
There are two pillar stones in the townland called the Gallauns, parish of Schull, W.D.W. Carbery, Co Cork.
In another part of the townland there are six pillar stones forming part of a circle.
The only stone circle in the vicinity is in Dunbeacon, on the slopes of Mount Corrin, but Mount Gabriel is visible from it, as you can see in the photo above. Rita was from Rathruane, although she spells it as it is pronounced locally, Rathravane. It’s interesting that she also says There are no stones in the district with peculiar markings or strokes on them, since there is indeed rock art in Rathruane, quite close to the boulder burial. It’s an excellent example of prehistoric Rock Art, AKA cup-and-ring art.
Hannah Hayes, also from Derreenlomane has her own version of Local Monuments:
There are two large stones in Rathravane :- one in Mr. Young’s field and one in Mr. Moynihan’s field. It is said a giant threw the stone from Mount Gabriel to Mr. Moynihan’s field, and those who believe this say there is the print of five fingers in it. There are pillar stones called Galláin standing in the ground in the townland of Coolcoulachta. There are no ornamented stones in the locality.
Here are the Coolcoulaghta galláns or pillar stones – they constitute a type of monument known as a standing stone pair.
Here’s a piece from an unnamed student at Gloun School. It refers to “a kind of grave” and we wonder if this is the beautiful little wedge tomb in Ratooragh
In the western side of the Glaun hill up east of Timothy Driscoll’s there is a kind of grave. Long ago there was a chieftain living here and people say he was buried there and some treasure buried with him. On top of the clay there is a heap of stones and there is a fairly large stone standing in the centre and there is some writing carved on it.
This writing is nearly blotted out now. It was read by many people in olden times. No one ever tried to find the treasure.
No sign now of any clay or writing but the National Monuments record does reference traces of a mound which may have covered the wedge tomb originally but is impossible to make out now. There are panoramic views from this wedge tomb, not only to Mount Gabriel and Mount Corrin (above), but west to the sea as well (below).
We know you’ll want to be out and about as soon as we all can, doing your own exploring. As an enticement, here’s a story about buried treasure, courtesy of Caitlín Ní Árnéidig of the Convent of Mercy in Skibbereen.
Under a huge stone on the slope of a hill in my father’s farm, there is said to be hidden treasure.
It is said that one day “Athach Mór”, a great giant, was challenged to throw this huge stone (at least one ton and a half weight) from Mount Gabriel to that spot on the hill. First the giant seemed unwilling to try this feat but when he began to lift the stone it seemed of no weight, and he suceeded in landing it exactly on the spot.
Under it there is said to be an unusual thing (a nest containing seven golden eggs each seven inches in diameter and filled with sovereigns).
About four perches due west of this stone is another stone, under which a similar treasure is hidden.
An old man of the vicinity recently revealed that in order to find the treasure one must draw a straight line from one stone to another, then standing near the middle of the line hold a cord in the hand and lift it an eastward direction, so that it will [words missing] the stone and a light will be seen over the spot where the treasure is.
My uncle, having heard the story, decided to prove this, so he set to work at the mysterious stone. Having drawn the line he stood near the centre and cast the string eastward. Then to his astonishment he noticed a ray of light over a small portion of the stone.
He tried to split the stone but failed though still engaged at the work he finds it impossible to do.
All you have to do is figure out the location and , crucially, what the student meant to say where the words are missing. Good luck!
The second set of stories about Mount Gabriel (the first set was Legends of Mount Gabriel: The Bottomless Lake) also relate to physical features on the landscape and how they came to be there. Most involve the prowess and deeds of giants, including Fionn MacCumhaill/Finn McCool. Fionn MacCumhaill was the mythical hero/warrior of the Fenian Cycle, a set of stories dating back to the seventh century and added to during the whole of the Early and Later Medieval periods. The stories tell of his boyhood, how he acquired the gift of knowledge, his pursuit of the beautiful Gráinne and her lover Diarmuid, his son Oscar and Oscar’s son, Oisin. Fionn, you must know, is not dead – he merely sleeps and will awake again when somebody sounds his hunting horn, to defend Ireland during her hour of greatest need.
This image depicts a man stumbling upon the sleeping Fianna in a Donegal cave. It is by Beatrice Elvery and is one of her illustrations for Heroes of the Dawn by Violet Russell, 1914, available at archive.org
But somehow, in popular folklore Fionn, the mighty hero of the ancient sagas, transformed into the giant, Finn McCool, a genial leviathan capable of feats of prodigious strength. All over Ireland places are named for this enormous figure (e.g. Seefin – Finn’s Seat, is the name of several mountains) and tales are handed down about his effect on the landscape. Perhaps the most well-know story is about the Giant’s Causeway in Antrim, but there is hardly a spot in Ireland that doesn’t have similar stories. Mount Gabriel is no exception.
A distant view of the Fastnet Rock and Lighthouse
We’ve already seen one of those stories in The Bottomless Lake in which Fionn took a handful of rock and threw it out into the Atlantic Ocean where it is now as the Fastnet Rock or Carraig Aonair – leaving the hole of Poll an Oighin. That story was from the pen of an unidentified student in the long-abandoned school of Gloun. The student spells it Glaun, it’s identified as Gleann in the School’s Collection and as Glan on OS maps and it’s usually given locally as Gloun. The school is pictured below as it looks now.
The student had more stories about Fionn, arising from the geological formation of Mount Gabriel.
The name of the townland in which I live, and in the which this school is situated, is Glaun. It is in the parish of Schull about three miles from the village in the county of Cork, in the Barony of West Carbery. It is bounded on the north by the Glaun river, on the east by Mount Gabriel, on the south by “Fionn’s Ridge” and on the west by the Lios a Catha river. . .
Fionn’s Ridge separates Glaun from Gubbeen. It is a ridge of rock with seams resembling the furrows made by a plough and it is said that Fionn Mac Cumhail ploughed it with two rams and a wooden plough. Of course it is only a story as the surface was torn off by masses of ice moving south to the hollow below leaving the rock bare like a ridge.
A variation on this story is given by another student, also unnamed, in Schull.
Fionn Mac Cumhaill’s Ridge
There is a curious formation of rock at the western side of Mount Gabriel. It resembles a furrow ploughed into the rock. It is called Fionn’s Ridge. The people of the locality say that it was Fionn Mac Cumhaill ploughed this furrow with two goats.
When we moved here first we met local electrician and theatre scholar, Ger Minihane. At the time we were trying to track down a cup-marked stone in the townland of Derreennatra and having no luck. But Ger told us where to find it – in his own garden! And he told us the legend of how it got there, thrown from the top of Mount Gabriel by Fionn MacCumhaill, a story passed down through the generations in his family.
Was this the coat hook of the anonymous student at Gloun School?
While many of the stories of rocks hurled from Mount Gabriel (more on those another time) refer generically to the actions of ‘giants’, local people understand that it was Fionn MacCumhaill himself that was doing the hurling and his name has become strongly associated with the mountain. During the Millennium celebrations a group in Schull took on the task of creating colourful street theatre to honour those legends and we are fortunate that a record remains of what must have been the most fun, engaging and dramatic events ever to happen in Schull – including the image used as my lead photograph of Fionn striding through Schull*. This movie documents the planning and effort that went into The Battle of Murrahin, which pitted the O’Mahony clan against their ancient rivals, the O’Driscolls. Towards the end of the video we meet up with Fionn.
The story that is told in this re-enactment is the local one that the Fastnet rock originated when Fionn threw a rock from Mount Gabriel into the sea, where it settled and became An Carraig Aonair, The Lone Rock. However, the group’s research also showed up an old Irish name for it which translates as ‘The Swan of the Jet-black cairn bereft of light in the dark’ and this explains the appearance of the black swan.
Related to the idea of the Fastnet as a swan is this local legend from a Schull student.
There is an old story told among the people about it. It is said that when St Patrick was banishing Paganism out of Ireland the devil was in such a rage that he pulled a piece of rock out of Mount Gabriel and flung it into the Atlantic ocean some miles west of Cape Clear. This lone rock had been many years there and several ships were wrecked on it until close on one hundred years ago a big lighthouse was built on it. This rock was called the Fastnet rock and the lighthouse got the same name. In Irish it is called Carraig Aonair. This lighthouse is situated on one of the greatest trade routes in the world..
It is said that on every May morning the Fastnet Rock leaves its place and sails around Cape Clear and northwards to three rocks called the Bull, Cow and Calf, and returns to the place again before sun-rise.
*Thanks so much to Karen Minihan for providing images and links from SULT Schull, the Millennium projects. Wish I’d been there!
It’s the most visible and significant feature on the West Cork landscape, so of course there are lots of legends about Mount Gabriel. A surprising number of stories revolve around a tiny pool near the top of the mountain, labelled on the historic OS maps as Poulanenine. The most likely etymology for this is Poul an Oigheann – the Pool of the Cauldron (oigheann also means oven, but cauldron seems a more likely translation).
Reading these stories in Dúchas* and finding the pool on the maps, I knew that we had to see it for ourselves. Fortunately, Mount Gabriel (looming over Schull, above) is within our 5k limit and luckily necessitates no human interaction (as a people person, that’s a phrase I never thought I would write) so we set off yesterday to find it. Yes, your intrepid bloggers stop at nothing to bring you the best of West Cork arts and culture!
Having made a couple of wrong decisions as to the best way to get there, at one point we found ourselves edging backwards over a slippery cliff, clinging to bits of heather and wondering just how foolish we would look when the Search and Rescue Team had to be called out to save a couple of septuagenarians who claimed to be looking for a fairy tale location.
But we made it – and there it was, a tiny remnant of the Ice Age, the Cauldron Pool! It’s referred to as a lake in the stories and there are several versions of how it was made. Here’s an admirably succinct one:
There is a little lake on the top of Mount Gabriel called Poll an Oighin. There is a saying that Fionn Mac Cumhail took a handful of rock and threw it out into the Atlantic Ocean where it is now as the Fastnet Rock or Carraig Aonair – leaving the hole of Poll an Oighin. Another saying is that if a stick was thrown into Poll an Oighin it would come out in Schull harbour.
The fact that there is an underground route from the lake to Schull Harbour is born out by this story too:
But not all versions assign the origin of the lake to Finn McCool.
Long ago the devil was flying over Mount Gabriel and he was flying so low that he hit his wing against a rock. He got so cross that he took a bite out of the rock. When he had gone eight or nine miles from Mount Gabriel, he left the rock fall into the sea. The rock was so large that a part of it remained over the water and it is on that rock the lighthouse is built on now and it is known as the Fastnet Rock. There is a large lake where he took the bite and the water in that lake is of a black colour.
The black water
However, the most charming, and longest story belongs to an entry from Macroom, far away from Mount Gabriel. The school girl, Julia Creedon, got it from Dan O’Sullivan, also of Macroom, although undoubtedly Dan knew the story from his youth so must have been from the area around Schull. I am reproducing it in full, and readers will recognise many elements familiar to such legends everywhere. One of the most striking aspects of this story is its use of familiar names and places to fix the story in this exact locality.
Near the village of Schull, is Mount Gabriel whose peak rises 1,000 feet above sea level. The unspoiled charm of the magnificent view from its summit is unsurpassable.
The Meenvane road leads you out of the village and on to the gap road; which runs between two high cliffs on the east side of the mountain known as “The Gap of Mount Gabriel”, From here you have a view of nature’s splendour: a number of Carberys Hundred Isles scattered over the great expanse of the Atlantic which amply repays you for the stiff climb. It has been compared to a post card album, you study, as it were, one lovely post card, on turning a leaf you get an entirely different, yet, equally beautiful view to gaze upon, but here you simply turn your head.
Facing south you see on the Coosheen hill the ruins of the old white castle once the seat of the O’Mahoneys. Turning north the Hungry Hill can be seen in the distance. The beautiful country of the valley reflecting every mood of nature runs down to Dunbeacon Castle, once the home of Chieftain O’Sullivan, whose ruins now stands at the edge of Dunmanus Bay, beneath the shadow of Mount Gabriel. Sir H. De La Béche** says in his History of Cork “It was as striking of its kind as any he had seen in Switzerland.”
Chieftain’s Daughter
Following the road and keeping to the left, you find a patch on the north side of the mountain which leads you to the bottomless lake, situated almost on the top of the mountain. There are many beautiful traditions of this picturesque locality, still amongst the older peasants of the district, one of which is: –
“The Legend of the Bottomless Lake” is as follows: Chieftain O’ Sullivan, of Dunbeacon Castle, had one child, a daughter, Rosaleen. So beautiful and fair was she that the poets described her as “The Rose of the Valley”. She had a lover, one, Owen O’Mahoney, of the White Castle. When O’Sullivan heard of his daughter’s friendship with O’Mahoney he was very angry as Owen could never hope for more than a younger son’s share. Notwithstanding this, the young lovers were ideally happy.
What’s left of Dunbeacon Castle
One evening as Rosaleen returned home after a walk with her lover, she was brought into the presence of her father’s guest, Chieftain O’Driscoll of the Three Head Castle. He was known to Rosaleen, who thoroughly disliked him, as an elderly bachelor, who drank a lot of rich wines, boasted a lot of his castles, of the men he had killed, and the women who loved him. When Rosaleen heard he had come that day, to ask her in marriage, and that her father gave his consent, she was horrified. Outwardly calm, she explained to her father and O’Driscoll that she loved Owen O’Mahoney, and would marry no other. Her love for Owen was far dearer to her than her life. Her father listened not to her pleading; he settled the day for her wedding to O’Driscoll giving “The Rose of the Valley” just one week to get used to the idea and to forget Owen O’Mahoney.
During that week her father saw to it that she was kept a prisoner in his castle. But love finds a way. The beautiful Rosaleen got a letter sent to her lover telling him of her plight.
Three Castle Head
The Escape
All the notable chieftains for miles round were invited to Dunbeacon Castle. There was great feasting and merry-making on the day preceding the date fixed for the wedding.
The night before the wedding when all were merry and gay Rosaleen received that for which she had being praying, a letter from Owen. Following his instructions she made her escape from the castle, and was met by her lover. Helping her on to his horse, he sprang up behind her, and faced for his father’s castle in Coosheen.
Fearing Rosaleen’s escape would be discovered, they left the road and took the path over the mountains. It was a bright moonlight night. Looking back they saw no trace of pursuit.
Rosaleen saw a little spring well, she dismounted and knelt and drank from the spring. Her face reflected in the water, was so beautiful that the “Good People” in the well, desired to get her for themselves. Rosaleen jumped to her feet when she saw the water, rising round her. She ran towards her lover the water ran after her until a small lake was formed.
Owen seeing her plight, lifted her on to his horse and springing behind her, once more he made his way down the other side of the mountain. The “Good People” seeing they were beaten in their attempt to capture the beautiful “Rose of the Valley” got very angry, and reversed the flow of the spring. Down, down, down went the bottom of the lake until its waters flowed into Schull Harbour.
Some hours after O’Driscoll went in pursuit of his bride and muddled with drink, drove his horse over the mountain. Taking the sheet of water for a flat rock in the moonlight, he drove straight into it and disappeared under the surface of the lake. His men following behind reigned up and waited for their chieftain to re-appear Seeing no trace of him, they rode back with all haste to acquaint O’Sullivan with news of the disaster that had overtaken O’Driscoll. Chieftain O’Sullivan, believing that his daughter had met with the same fate as O’Driscoll, was filled with remorse. He tore his hair in grief for his beautiful lost daughter.
White Castle (Ardintenant Castle) from the sea, Mount Gabriel behind
Reconciliation
Great was his joy when he heard that she was safe and well married to Owen O’Mahoney and dwelling at the White Castle.
He rode immediately to Coosheen and asked Owen’s forgiveness. He promised him Dunbeacon Castle and all his estate if only he would bring her back “The Rose of the Valley”.
I can’t help wondering about Julia Creedon. Although she may have faithfully reproduced the essence of the story she heard from Dan O’Sullivan, her own abilities are very evident in this story, as is her immersion in reading other stories in this genre. Did she become a seanachaí (a story teller), or a teacher or a writer? She has two other stories in the Schools Collection as well, including a long one about the River Lee, just as precociously written in the same lovely cursive, with headings underlined in red ink. If she were still alive, she would be in her late 90s now.
The story of this bottomless pool has an even older history than the 1930s. In 1780 Philip Luckombe published his A Tour Through Irelandand tells of the same lake when describing a journey from Bantry. Luckombe was one of our earliest plagiarists – he took his accounts almost verbatim from even earlier books and there is no evidence that he was ever even in Ireland. From our point of view this means that the story predates 1780 so it has an impressive pedigree indeed.
Next time, more about some of the other legends that have accrued to Mount Gabriel.
It’s further than it looks
* Dúchas is the National Folklore Archive and within this is The Schools Collection: “For the duration of the project, [1937-39] more than 50,000 schoolchildren from 5,000 schools in the 26 counties of the Irish Free State were enlisted to collect folklore in their home districts. This included oral history, topographical information, folktales and legends, riddles and proverbs, games and pastimes, trades and crafts. The children recorded this material from their parents, grandparents, and neighbours.” The Collection is online and is searchable at https://www.duchas.ie/en/cbes. I have done a little minor editing to the entries above for consistency in punctuation and spelling.
**This is a reference to Sir Henry De la Beche, founder of the Geological Survey of Great Britain and Ireland.
There seems to be a thread going through our recent posts: my Mizen Mountains and Signal Tower projects take us to high places, and today Finola reports on her exploration of hilltop crosses dating from the 1950 Holy Year. Our travels have brought us to many peaks and pinnacles in and beyond West Cork. I must say there’s nowhere I would rather be than far away from the crowds up on an Irish eminence which – without fail – provides us with the most spectacular views across the topography of this greenest of all lands.
After lockdown restrictions were eased, we made a little trip up to County Wicklow to see family and friends, and took full advantage of the many trails that cross the granite outcrops between Bray and Greystones. The header picture looks south-west from Bray Head towards the Great Sugar Loaf, part of the Wicklow mountain range which, at 501 metres, is significantly higher than our own Mount Gabriel in West Cork at 404m, but which nevertheless provides this view (above) towards the coast of Roaringwater Bay, and looks out over Carbery’s 100 Isles.
Travellers through Wicklow have, since ancient times, oriented themselves using the high peaks. Pilgrims going to the holy city of Glendalough and keeping to the coastline south out of Dublin might have followed the routes which, today, pass over Bray Head. A modern way of doing it, at least in part, is on the railway line that hugs the cliffs between Greystones and Bray – a feat of engineering laid out by Isambard Kingdom Brunel in the 1850s and surviving to this day, although it has had to be realigned six times because of erosion and rockfalls. It has even been described as one of the world’s most picturesque train journeys – something of an exaggeration, perhaps, but it’s well worth taking the trip if you are in the area. The photos above show (from upper) the public trail leading from Windgate up to the Bray Head Cross; the railway line seen from the cliff path that runs close to the route – note the abandoned tunnel on the far right; the view from Bray Head looking south to Greystones with Dunbur Head, south of Wicklow town, far beyond.
Back in West Cork we have no end of high places to choose from. Our latest escapade was a climb to the 1950 cross at Dromore, between Bantry and Drimoleague, which provides the two views above and this one, below, from which you can see the high peak of Gabriel in the distant west.
We have shared with you some of our favourite high journeys in our own part of the country, including the remarkable Borlin Valley road, which crosses the County border between Cork and Kerry:
Climbing to the summit of Knockaphuca gave us this striking view over the Mizen village of Goleen and out to the ‘Wild’ Atlantic beyond it:
Heights still to be scaled: in the picture above I’m walking on a very old roadway which leads out to a ruined Napoleonic signal station perched right above Mizen Head. To my left is the distinctive Mizen Peak. Both sites will feature in future posts, and both reveal dramatic views over this western edge of the land.
We couldn’t complete any account of high places in the west of Ireland without mention of one of our favourite destinations: the Beara Peninsula. Above is the view north from the top of the Healey Pass, looking into Kerry. Below is a dizzying view into the heart of the Beara: look at the farmsteads and cottages below the ancient field system, dwarfed by the power of the mountains.
We will continue to share with you our experiencing of the landscapes here, and not just the high places, of course. We have many years of exploring Ireland under our belts, and look forward to lots still to come.
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