A joint post by Finola and Robert
On Friday, the Blue House Gallery in Schull launched The Rock Art Show. It included everything that was in the exhibition at the Cork Public Museum, but with more of Ken William’s extraordinary photographs, and with the addition of some exquisite drypoint engravings from Brian Lalor.
The opening night was lovely. It was great to celebrate with friends and the community and to see their reactions to the show.*
Once the show was completely installed we were struck immediately by the way art and archaeology intersected on the walls. It’s designed partly as a museum exhibit, in which you walk around the panels, reading the information and digesting the accompanying illustrations. However, in this iteration, it is much more than that, and has truly turned into a show not just about the rock art per se, but about the power of these ancient and mysterious carvings to inspire an artistic response in others.
Some examples of what we mean…
The first drawing of the Gortnagulla stone was done 40 years ago by Finola, using a tracing technique no longer approved. Brian Lalor’s engraving is of the same piece
Can you recognise the same stone in Ken William’s photograph and Finola’s drawing?
But in the end, images on a wall will only go so far in helping us to appreciate rock art. Ultimately, you have to get out into the countryside and see the rocks in their landscape.
One of Ken’s superb photographs showing how this particular stone sits in its landscape
Only then will you realise how hard they can be to see if the lighting is not good, to how difficult it can be to distinguish between natural and human markings on a rock surface, or how they all seem to be located in beautiful places with panoramic views. Or – to have an experience like this one, in which we made a breathtaking and unexpected discovery about one of our favourite rock art panels, and quite by accident recorded it all on video.
So if you’re in West Cork before the end of September, drop by the gallery. We’d love to see you.
*With grateful acknowledgement of additional photographs of the opening night by Peter Clarke, Amanda Clarke and Miranda Payne.