Yellow furniture vans – Nat Ross of Cork – carted your possessions off, through Cork itself, westward through the town that people call “Clonakilty God Help Us”, to Skibbereen, the back of beyond . . .

William Trevor, one of Ireland’s most celebrated writers of short stories and novels, grew up in Skibbereen. His father worked for the Bank of Ireland, and the family was frequently moved to pastures new, but Trevor’s memories of our own West Cork town are amongst his earliest, encompassing his first schooldays and all the traumas of that ‘learning experience’.

Where and when did my writing life begin? I suppose it was in a small schoolroom in Skibbereen when, as an alternative to parsing and analysis, I was occasionally required to compose six sentences on such random subjects as A Wet Afternoon or A Day in the Life of a Dog. I did my best, but even at seven I believe I probably guessed that there was more to words and what you did with them than recording rainfall or reporting that our smooth-haired fox terrier was infatuated by our cat . . .

The way to school? Bridge Street, Skibbereen today. William Trevor’s family lived a mile and a half out of town, so we are not really sure what path his daily journey took

William Trevor was born in Mitchelstown, County Cork, in 1928, and moved to the town before he began to go to school, so he would have known what the Skibbereen of the 1930s looked like. He provides wonderfully descriptive word-pictures of his memories of the time in Excursions in the Real World, autobiographical sketches published in 1993 but now out of print. I have used some of his descriptions from this work and others from various sources – including a 2001 school exam paper – to make a narrative in his own words. I have illustrated this with some of my own present day images of the town, and some historic material. In fact I have as yet found no photographs from 1930s Skibb! But – reading between his lines (and, remember, he was renowned as a storyteller) – we can get a good feel for the place and those times.

A bit too early for William Trevor . . . This photograph of the Square with the Maid of Erin statue was taken in 1912. It has in fact changed very little even in the present day: the statue has been moved backwards but the visible buildings (that’s the Post Office in the background) are recognisable, so this is a good picture of what the writer is likely to have seen

My world at that time was not extensive. There was memory, as far back as it would go, and the modest reality of Skibbereen, which afterwards became memory also. A mile and a half it was, the journey to school, past Driscoll’s sweetshop and Murphy’s Medical Hall, and Power’s drapery, where you could buy oilcloth as well as dresses. Pots of geraniums nestled among chops and ribs in butchers’ windows. A sunburnt poster advertised the arrival of Duffy’s Circus a year ago. Horses trudged slowly, carts laden with a single churn for the creamery. On fair-days, farmers stood stoically by their animals, hoping for the best; there was a smell of whiskey and sawdust and stout . . .

This photo of Main Street was taken before the Maid of Erin statue was moved – and while Skibereen’s main streets were two-way (and also while sign-posts were still in miles)- so it must be pre-1988

In the town’s approximate centre, where four streets meet, a grey woman still stands, a statue of the Maid of Erin. E O’Donovan, undertaker, still sells ice-cream and chocolate. The brass plate of Redmond O’Regan, solicitor, once awkwardly high, is now below eye-level. In the grocers’ shops the big-jawed West Cork women buy bread and sausages and tins of plums, but no longer wear the heavy black cloaks that made them seem like figures from another century. They still speak in the same West Cork lisp, a lingering careful voice, never in a hurry. I ask one if she could tell me the way to a house I half-remember. “Ah, I could tell you grand,” she replies. “It’s dead and buried, sir.”

Extract from the 6″ Ordnance Survey map showing Skibbereen town centre during the first half of the twentieth century. The Station and railway to Baltimore can be seen on the left (it closed in 1961); the Bank of Ireland where Trevor’s father worked is outlined in blue, and Trevor went to a school that was ‘next to the Methodist Church’ – outlined in pink. Note the ‘Urinal’ usefully marked on the map!

You made the journey home again at three, the buying and selling over, the publican’s takings safely banked, the last of the dung sliding to the gutters. If you had money you spent it on liquorice pipes or stuff for making lemonade that was delicious if you ate it as it was. The daughters of Power’s drapery sometimes had money. But they were always far ahead, on bicycles because they were well-to-do. Or their mother drove them home in the Hillman car because of the dung.

Upper – the Maid of Erin statue and the Town Hall clock tower, both familiar elements in the Sklibbereen streetscape, both in William Trevor’s time, and today. Lower – the facade of the Methodist Church still stands, although the building was converted to a restaurant in 2005. Trevor’s school adjoined the church, although we are not sure on which side

The door beside the Methodist church, once green, is purple. The church, small and red-brick, stands behind high iron railings and gates, with gravel in front of it. Beyond the door that used to be green is the dank passage that leads to Miss Willoughby’s schoolroom, where first I learnt that the world is not an easy-going place. Miss Willoughby was stern and young, in love with the cashier from the Provincial Bank. Like the church beside her schoolroom, she was a Methodist and there burnt in her breast an evangelical spirit which stated that we, her pupils, except for her chosen few, must somehow be made less wicked than we were. Her chosen few were angels of a kind, their handwriting blessed, their compositions a gift from God. I was not one of them . . .

Upper – an anonymous building stands at the back of the former Methodist church – a possible site for Miss Willoughby’s school? Lower – the impressively gaunt Bank of Ireland building in Skibbereen – unchanged externally since William’s father worked there. Although we know that his father became a Bank Manager in his career, it probably wasn’t when he was in Skibbereen, otherwise William would have lived with the family in the rooms above the bank. Instead, we know that he walked a mile and a half to school in the town

On the gravel in front of the red-brick church, I vividly recall Miss Willoughby. Terribly, she appears. Severe, and beautiful, she pedals against the wind on her huge black bicycle. ‘Someone laughed during prayers,’ her stern voice accuses, and you feel at once that it was you, although you know it wasn’t. V poor she writes in your headline book when you’ve done your best to reproduce, four times, perfectly, Pride goeth before destruction. As I stand on the gravel, her evangelical eyes seem again to dart over me without pleasure. Once I took the valves out of the tyres of her bicycle. Once I looked in her answer book. ‘Typical,’ her spectre says. ‘Typical, to come prying.’ I am late. I am stupid. I cannot write twenty sentences on A Day in the Life of an Old Shoe, I cannot do simple arithmetic or geography. I am always fighting with Jasper Swanton. I move swiftly on the gravel out on to the street and into the bar of the Eldon Hotel: in spectral form or otherwise, Miss Willoughby will not be there . . .

In Shannon’s grocery there is a man who breeds smooth-haired fox-terriers. He gave us one, a strange animal, infatuated by our cat. The man was tall and thin, and behind the counter now he’s only different because he’s old. Other faces, forgotten and now remembered, are different in that way too. But Barbara, the belle of Miss Willoughby’s schoolroom, eldest daughter of Power’s drapery, is nowhere to be found. She runs a café in the main street, I’d heard, with an exotic African name, where every morning at coffee-time she presides. Perhaps I dreamed it, for the café in the main street has no name at all, and trades mundanely in lunchtime fare of stewed meat and vegetables. I peer through the window, and through the diners seated at chromium-legged tables, but the soft-haired Barbara is not there. No figure stands there as gracious as the Lady of Shallott, no face recalls the nine-year-old beauty of Class III. Can she really be one of those hurrying women with trays? A man consuming turnips wags his head at me. A message in the window says someone has found a purse . . .

William Trevor, photographed by Jerry Bauer, Bauer (1934-2010), often called “the author’s photographer,” made portraits of an endless list of writers

Biographical note – William Trevor died on 20 November 2016, aged 88. His full name was William Trevor Cox, but he always wrote under ‘William Trevor’. Although his first career was as a sculptor he is known only for his considerable literature output: he had published fifteen novels, three novellas and twelve volumes of short stories, and he won numerous awards for his work. He described the Irish family he was born into as ‘lace curtain’ middle class Protestants. He left Ireland in 1954 and spent the rest of his life in England, settling near Crediton in Devon.

With thanks to Philip O’Regan and Skibbereen Heritage Centre for alerting me to William Trevor’s local connections

Illusions fall fast in the narrow streets of Skibbereen, as elsewhere they have fallen . . .