Travel by Water 2 – A Tale from Trollope

Drumnsa Bridge

If you travel by water on the Shannon, you can still take your boat up to the bridge at Drumsna, Co Lietrim (above). Just below the bridge is a stone wharf which is the present limit of navigation on that part of the river, a great loop which was bypassed in 1848 by a 2.6km canal. The towns of Drumsna and Jamestown were once thriving river ports but went to sleep once the canal was built. When Tom and Angela Rolt arrived in Drumsna in 1946 the quay there was in ruins, and they had to anchor their boat Le Coq in the shallows and row their small dinghy into the village.

Drumsna (Trollope)

drumnsa-2016

Upper picture – Drumsna in 1946, a photograph taken by Angela Rolt. Lower picture – the same scene in 2016; 70 years have passed but there have been few changes in the fabric of the village

The Rolts were interested in Drumsna because of its associations with Anthony Trollope, who readers will remember for his introduction of post boxes into Ireland. While working as a Post Office Surveyor he was stationed in Drumsna during the 1840s, before the Great Famine, and began his writing career with the novel The Macdermots of Ballycloran (published in 1847). It was not a success but he persevered and became one of the most prolific writers of all time, publishing no less than 47 novels and many more short stories and works of non-fiction during his lifetime. He died in London in 1882, aged 67.

1795 battle Drumsna

Drumsna was historically important as one of the crossing points of the Shannon: it was the site of a ford until the stone bridge was built, probably in the 18th century. This bridge, one of the oldest on the river, once had a blind eye arch where prisoners were jailed and, reportedly, a handball alley on the side where many a  famous championship was held. The plaque on the bridge today (above) remembers an uprising from 1795

Trollope was living in Ireland at the time when the canal system was thriving. He was certainly familiar with travelling by water on the canals, as we can see through this excerpt from his second novel, The Kellys and the O’Kellys (also inspired by his experience of life in Ireland and a success – it was published in 1848 and sold 140 copies). Trollope was 33 when he wrote this book and he must have had direct personal experience of the passenger boat services running out of Dublin on the Grand Canal:

…MR MARTIN KELLY RETURNS TO DUNMORE

We will now return to Martin Kelly…. Hstarted for home, by the Ballinasloe canal-boat, and reached that famous depot of the fleecy tribe without adventure. I will not attempt to describe the tedium of that horrid voyage, for it has been often described before; and to Martin, who was in no ways fastidious, it was not so unendurable as it must always be to those who have been accustomed to more rapid movement. Nor yet will I attempt to put on record the miserable resources of those, who, doomed to a twenty hours’ sojourn in one of these floating prisons, vainly endeavour to occupy or amuse their minds. But I will advise any who from ill-contrived arrangements, or unforeseen misfortune, may find themselves on board the Ballinasloe canal-boat, to entertain no such vain dream. The ‘vis inertiae’ of patient endurance, is the only weapon of any use in attempting to overcome the lengthened ennui of this most tedious transit. Reading is out of the question. I have tried it myself, and seen others try it, but in vain. The sense of the motion, almost imperceptible, but still perceptible; the noises above you; the smells around you; the diversified crowd, of which you are a part; at one moment the heat this crowd creates; at the next, the draught which a window just opened behind your ears lets in on you; the fumes of punch; the snores of the man under the table; the noisy anger of his neighbour, who reviles the attendant sylph; the would-be witticisms of a third, who makes continual amorous overtures to the same overtasked damsel, notwithstanding the publicity of his situation; the loud complaints of the old lady near the door, who cannot obtain the gratuitous kindness of a glass of water; and the baby-soothing lullabies of the young one, who is suckling her infant under your elbow. These things alike prevent one from reading, sleeping, or thinking. All one can do is to wait till the long night gradually wears itself away, and reflect that, Time and the Hour Run through the Longest Day.

I hardly know why a journey in one of these boats should be much more intolerable than travelling either outside or inside a coach; for, either in or on the coach, one has less room for motion, and less opportunity of employment. I believe the misery of the canal-boat chiefly consists in a pre-conceived and erroneous idea of its capabilities. One prepares oneself for occupation–an attempt is made to achieve actual comfort–and both end in disappointment; the limbs become weary with endeavouring to fix themselves in a position of repose, and the mind is fatigued more by the search after, than the want of, occupation.

Martin, however, made no complaints, and felt no misery. He made great play at the eternal half-boiled leg of mutton, floating in a bloody sea of grease and gravy, which always comes on the table three hours after the departure from Porto Bello. He, and others equally gifted with the ‘dura ilia messorum’, swallowed huge collops of the raw animal, and vast heaps of yellow turnips, till the pity with which a stranger would at first be inclined to contemplate the consumer of such unsavoury food, is transferred to the victim who has to provide the meal at two shillings a head. Neither love nor drink – and Martin had, on the previous day, been much troubled with both – had affected his appetite; and he ate out his money with the true persevering prudence of a Connaught man, who firmly determines not to be done.

He was equally diligent at breakfast; and, at last, reached Ballinasloe, at ten o’clock the morning after he had left Dublin, in a flourishing condition. From thence he travelled, by Bianconi’s car, as far as Tuam, and when there he went at once to the hotel, to get a hack car to take him home to Dunmore…

Long distance travel within Ireland by inland waterways was the preferred form of transport in the first half of the 19th century. The alternative was the stage coach: this was no faster than canal travel because of the sometimes tortuous routes which roads took, and the conditions of the roads themselves, particularly in the winter. It must be significant that in the early years of stage coach travel only departure times were advertised: the journey would take as long as conditions permitted. Coaches were notoriously uncomfortable. At least the canal packet boats were relatively smooth and passengers had the opportunity to stretch their legs on deck. Everything changed, of course, with the coming of the railways as the century progressed.

Duchess Countess

The last days of the former express passenger boat Duchess Countess, photographed by Angela Rolt in the late 1940s. The Rolts initiated attempts to have the boat preserved, but these were unsuccessful

Rolt mentions passenger packet boats or ‘fly boats’ in England in his later book which was published in 1950. In The Inland Waterways of England, George Allen and Unwin, he describes:

…the miraculous preservation by sinking of the Bridgewater Canal passage boat Duchess Countess (a name recalling the titles of the Bridgewater family). This old boat was eventually raised and, still in substantially original condition even to her cabinwork, began a new lease of life as a houseboat. She was moved on to the Welsh section of the Shropshire Union Canal near Frankton Junction where she is still occupied at the time of writing although, owing to the deterioration of her hull, she has now been drawn out of the water. The Duchess Countess was the last packet boat in regular service. In the heyday of her career as a packet boat she proudly mounted a great curved knife-blade on her bow. This was of much more than symbolic significance, for it was so contrived that it would sever the towline of any boatman who failed to give way to her… …Very soon the Duchess Countess must inevitably disintegrate, and with her passing the last tangible link with these once extensive but little known canal passenger services will be irretrievably lost…

dc_on_water

dcountess_-_line_drawing_boat

Upper picture – a rare photograph of the Duchess Countess still in use  on the canals (courtesy British Waterways Archive – date unknown) and , lower picture – a modern line drawing of the boat. Both images show the blade on the prow which could slice through the towlines of any unfortunate boat which did not get out of the way in time!

Angela Rolt photographed the Duchess Countess on the canal bank and, fortunately, an early photograph of the boat in its working days is preserved. This shows the scythe-like blade on the prow and confirms that the express boat service had priority over all other traffic on the canals. I am not aware that any of the Irish passenger boats were so equipped but, using teams of horses which were frequently changed along the route, they were evidently able to keep up a continuous speed of around 10 miles per hour, which was no mean feat at the time.

trollope-irish-stamp

We will revisit passenger travel on the Irish Canals in a future post continuing this series…

Hail the Mail

Rossbrin wall box

The first act of the Irish Free State after independence was to paint all the post boxes throughout the country green. It was a brilliant stroke – royal red replaced by emerald green in one of the most visible and ubiquitous symbols of national administration.

Penfold Skibb

The Penfold post box in Skibbereen, one of only a handful left in Ireland

Ironically, the post boxes themselves did not change, so the royal insignias were simply over-painted by the new colour. The result was a charming mixture of tradition and adaptation that serves as an ongoing reminder of the history of Ireland and its institutions.

A commemorative sheet of stamps which are going on sale to mark 200 years since the birth of Anthony Trollope (Royal Mail/PA)

Special stamps issued by the Royal Mail in 2015 to celebrate the bicentenary of the birth of Anthony Trollope

The first post boxes were introduced to Ireland in the 1850s by the novelist Anthony Trollope, then a Surveyor for the Post Office. Trollope was happy in Ireland and wrote several novels and stories set here, although they are not the works for which he is most remembered.

Trollope Book Cover

We don’t usually think of Anthony Trollope as an Irish novelist but he lived here for almost 20 years, spent working for the Post Office and writing

One of the earliest models for a free-standing post box came to be known as the Penfold, after its designer, J W Penfold. They were manufactured and deployed from 1866 to 1879 and very few have survived in Ireland to this day – only six are known and of these only three are still in operation. Skibbereen has one of those, and very fine it is: one hundred and fifty years old and still in daily use!

Penfold Acanthus Leaf

The hexagonal Penfold designed was apparently inspired by the Temple of the Winds in Athens (although the Temple is octagonal), with the addition of an acanthus leaf on the cap and a smart bud-shaped finial and beading.

BenQ Digital Camera

Photograph of the Temple of the Winds from Wikipedia

Our Skibbereen Penfold is in excellent condition: note the royal insignia and the entwined VR for Victoria Regina.

Penfold Skibb closer

The Penfolds were replaced by round pillar boxes because there were too many complaints that the hexagonal design caused letters to stick. These cylindrical boxes can be seen everywhere in Ireland still, although mostly in towns and cities. The one below is on Grand Parade in Cork.

Cork Post box

Ferguson post box book

In his book The Irish Post Box, which I gratefully acknowledge as the source of much of the information in this blog post, Stephen Ferguson describes the three main types of post boxes that have been developed for use in Ireland: pillar, wall and lamp. In rural areas, such as West Cork, wall and lamp boxes are the most common forms I have encountered.

Skibb wall box

Here’s a representative wall box in Skibbereen. Interestingly, it’s part of a mini-complex of historical markers including the plaque to the Clerke sisters (see my posts From Skibbereen to the Moon Part 1 and Part 2 for more about these remarkable women and their family) and signs for the Skibbereen heritage walking trail, all mounted together on the wall of what was the main bank in Skibbereen during the Famine period.

Skibb post box

The box was manufactured by W T Allen and Co of London and bears the ornately scrolled insignia  and crown of Edward the VII, which places it between 1901 to 1910.

Bantry Wall Box

Here’s another nice one in Bantry, a Victorian one, although this time the VR lettering is simpler than on the Penfold. This one has been painted so often that the embossed POST OFFICE on the protective hood has almost disappeared under the layers.

Bantry Wall Box closer

Lamp boxes were designed for remote areas where a suitable wall might not be readily available. Ferguson explains: 

Lamp post boxes, based on a design used by the United States Postal Service, were first introduced in 1896 in London as a response to calls for more post boxes throughout the city. Affixed to a street lamp, the boxes were used at locations where the expense of a pillar or wall box could not be justified. In Ireland, however, they were often deployed in rural areas where, attached to a telegraph or specially erected pole by metal clips, they were very useful in extending postal collections to remote and sparsely populated regions. Tucked under hedges or used sometimes as a smaller version of a wall box, these post boxes were relatively cheap to make and easy to install and they symbolise…the extraordinary influence and reach of the Post Office as an institution at the height of its powers.

Post box near Barleycove

Driving or walking around rural Ireland, look out for ‘lamp’ boxes. Here’s one from the road near Barley Cove.

Pole Box near Barley Cove

Post_Box_P_T_SE_Washington_Street__Cork.A closer inspection reveals this one bears the P & T logo that was in use between 1939 and 1984, before it was replaced by the brand ‘An Post’. Sometimes the old royal initials were ground off the boxes, or sometimes the doors were replaced with new ones bearing the P&T lettering, but it seems that considerations of cost (always paramount with the careful Post Office) allowed many to simply remain in place as they were. In the early years of the new state, some were embossed with the Saorstát Éireann logo (even sharing the door with a VR insignia) but that practice was relatively short lived and I have found no examples to it yet in West Cork. The website Irish Postal History has this example from Washington Street in Cork.

Most scenic postbox

On Cape  Clear – the most scenic post box in Ireland?

If no lamp post or suitable pole existed, a simple stake was erected to which a box could be attached. Cape Clear Island didn’t get electricity until the 1970s, so this post box (above and below) must predate the advent of poles. The logo, however, is that of An Post, which was established as the new brand in 1984. Perhaps the poles were only erected island-wide after the submarine cable was laid in the 1990s.

Cape Clear post box closer

Not all mail boxes have been retained for active use – so what happens to them? Many simply remain in situ, as a picturesque reminder of times when we actually wrote to each other instead of texting or emailing. The one below at Rossbrin, near Ballydehob, was once attached to the wall outside the old schoolhouse. The first photograph at the start of today’s post shows its location.

Rossbring Wall box 3

And this one, at Ahakista, has been repurposed as a wayside shrine.

repurposed

But even if it’s still in use, sometimes a mail boxes can’t be used for its real purpose, but has more important work to do! I don’t know where this last photograph was taken or whose work this is – it was widely circulated on the internet – but I would be happy to credit the photographer if I knew who it was. Delighted to have this also as an example of a post box from the reign of George V, 1910 to 1936.

Post box birds nest