Cloondara Mill

The Mill apartments

…Across the canal bridge there was a large corn mill which had seen better days but which I was pleased to see was still at work. Moreover it was not, as our few surviving [British] watermills are, relegated by the milling combine to grinding cattle meal. Cloondara Mill was grinding 100 per cent extraction flour for the village bakeries of the district. As we walked over the bridge a small water-turbine was churning merrily, driving the dynamo which provided electric light for the mill and the miller’s house. But the great undershot wheel which drove the mill from the waters of the Fallan River, a tributary of the Shannon, was still and silent. I knew why because, from somewhere in the dim recesses of the rambling stone building I could hear the chip chip of a mill-bill tapping away like some busy woodpecker. This Irish miller, like the English country millers who I have been fortunate enough to meet, was obviously proud of his mill and was delighted by our interest. Having assured himself that the stones being dressed were out of gear, he insisted upon opening the sluice for our benefit, setting the giant wheel revolving with a rumble and surge that wakened the mill and which, via a complex of wooden gearing, shafts and pulleys, set screens and sieves shaking and revolving to the very top of the building…

(L T C Rolt Green & Silver George Allen and Unwin, London 1949)

millstone dressing

…There were four pairs of stones, two sets of ‘Peaks’ for meal and two sets of French Burrs for wheat. The runner of one pair of Peaks had been swung off the bedstone, and the dresser sat on a sack, legs astraddle, as he tapped away at the worn furrows with his bill. I had expected to find that the language of the miller’s craft was different in Ireland, but this was not so. Thus the stirrup and shoe which feeds the grain into the eye of the runner stone and whose cheerful clink clack contrasts with the rumble of the stones, our miller, like his fellows in England, called the ‘damsel’. In an earlier book I described how the miller of Minshull Mill in Cheshire used apple wood to renew the teeth of the wooden mill gearing. Here beech wood was used for this purpose…

Header photograph: Cloondara Mill, Richmond Harbour, 2016; above, photographs from Windmills & Watermills (John Reynolds, Hugh Evelyn, London 1970) showing a miller and his bills, working much as Rolt described in his book

We spent some weeks in the summer exploring the waterways of Ireland, following in the wake of Tom and Angela Rolt who had made a pioneering voyage in 1946, when the canals were in a state of decline. In fact, the Rolt’s boat Le Coq was the last to make the complete journey through the Royal Canal, which became derelict and finally closed in 1961. When they passed through Richmond Harbour in County Longford – the junction of the Royal Canal with the River Shannon – they paused to visit the corn mill at Cloondara: this mill ceased operations in the 1950s, not long after the Rolts’ visit.

Cloondara Richmond Harbour 1946

Richmond Harbour 2016

Upper photograph by Angela Rolt: Richmond Harbour in 1946 – the single boat is Le Coq. Lower photograph shows the same scene in 2016, seventy years later; the Royal Canal (which closed in 1961) has been fully restored, re-opening in 2010

We found Richmond Harbour to be a thriving small community; a boating centre which has benefitted from the restoration of its canal. Comparing the two pictures above – separated by a span of seventy years – the architecture of the place has hardly changed: only the buildings on the right seem to have been significantly updated, although they retain the structural form of their predecessors.

lock and mill

Forty Sixth Lock

The settlement retains its focus on the water, and there is evidence of some economic activity based around the canal harbour. I was particularly keen to see what had happened to the mill which Rolt describes in such detail; it remains, converted to an apartment complex. This seems to be an ambitious undertaking within such a small community: there are vacant apartments and signs that maintenance is falling behind in places, but it has to be a good thing that the project has respected and built on to the original industrial architecture. The impressive building is largely intact and continues to hold its original character, while some of the machinery has been retained to provide historical visual references.

apartment complex

This series has given me a fascinating project to research and record (there’s more to come!). I only wish the Rolts were still around – I would like to discover their own reactions to the evolution of Ireland’s waterways system in the years since they travelled here.

 

Grand Canal Hotels

rbtstown hotel through bridge

This view of the old hotel on the Grand Canal at Robertstown, Co Kildare, is our best effort to replicate the photo taken by Angela Rolt in 1946 for Green & Silver, Tom Rolt’s book about their Irish waterways adventures exactly seventy years ago:

robertstown

Angela Rolt’s 1946 photograph of the Canal Hotel at Robertstown. We could not get the same view (which must have been taken from their boat) as we were on dry land! By clever manipualtion of her lenses, Finola produced our own version (top picture)

…We had travelled less than a mile along the summit level before we saw ahead, framed by the arch of a bridge, the canal hotel at Robertstown. It is an almost exact replica of the Shannon Harbour hotel, but is in better repair being at the present time a Turf Board hostel for workers on the bogs. Robertstown itself, a whitewashed canal depot, a post office and a shop and ‘select bar’ or two strung along the canal waterfront beside the hotel, is a canal village… There was, for me at any rate, a fascination about Robertstown which I find difficult to define and which our photograph can scarcely convey. A particular atmosphere, melancholy, nostalgic yet captivating, always invests a waterfront no matter whether it is that of some old seaport town, some cliff-walled fishing cove or merely, as in this case, some inland village beside a still canal. It captivates because it is a doorway to the unknown and so appeals to our sense of adventure and that nomadic instinct which lies buried in all of us. It is nostalgic because it recalls memories of places visited and never perhaps to be revisited. It is melancholy because it is redolent with the unnumbered farewells which it has witnessed; a reminder that life, in the words of some poet whose name I cannot recall, is a perpetual farewell… (from Green & Silver, L T C Rolt, George Allen and Unwin, 1946)

canal port

canal in roberstown

The canal village of Robertstown: upper picture – Angela Rolt’s photograph of 1946 sums up the ‘melancholy and nostalgic’ character of the place then. The Rolts’ boat, Le Coq – is seen moored up on the quay: its journey created significant interest as in those days the appearance of a ‘pleasure craft’ was rare. A crowd of small children always materialized out of nowhere to gaze, ask questions and – sometimes – throw stones. Lower picture – Robertstown in 2016

Rolt was a prolific – and often romantic – writer: more than 500 publications are attributed to him, including articles and letters and forty significant books on canals, railways, engineering and philosophy: Green & Silver is the second of these. His summing up of Robertstown as ‘melancholy and nostalgic’ reflects the times in which he lived and travelled on the waterways. The heyday of canal transport was long gone, although the Grand Canal and Shannon were still in commercial use seventy years ago. Carrying then was in severe decline: it would only last another ten years or so and the Rolts’ transit of the Royal Canal was probably the last before the canal became impassable before being formally closed in 1961.

bargehorse robertstown

Horse drawn commercial traffic on the Grand Canal in Robertstown is remembered there in this modern relief carving of a barge horse on the wall of the Garda station

My own journeys on the English canal system during the 1960s could similarly be described as ‘melancholy and nostalgic’ and I certainly shared Tom Rolt’s fascination for what I found. The era of water transport was over and in those days the canals were imbued with an air of neglect and decay, although better times were remembered by the local populations. As did the Rolts, I had difficulties in making a passage through some of the near derelict canals in the English midlands with my little boat (often bow-hauling from the bank was the only answer to the weed and rubbish-choked ‘navigations’); however – like them – I always succeeded. Today, in both Ireland and England the picture is very different: generations of pioneering enthusiasts and campaigners (I was one of them!) have succeeded in reawakening interest in our industrial history and realised the amenity asset of the waterways systems which have generally been brought back in a new incarnation as ‘cruiseways’.

faded elegance robertstown

The Canal Hotel at Robertstown: from a distance it retains its elegant façade but it’s all a sham, and the building is in urgent need of conservation

In both places there is still an architectural and industrial heritage to be acknowledged. A particular example in Ireland is the Grand Canal hotels. There were five constructed originally: Shannon Harbour, Tullamore, Robertstown, Portobello and James’ Street Harbour. All were of a pattern and impressive architecturally. Two have vanished.

portobello-grand-canal-hotel

The former Grand Canal Hotel at Portobello Harbour, Dublin, in the 1940s: it became a nursing home (Jack B Yeats spent his last years there) and is now a private college

rbstown hotel elevation

Robertstown Canal Hotel: a local civic amenity group has painted in the fenestration to improve the look of this significant building in the townscape, but the reality is masked decay and an uncertain future

The other remaining hotel building is at Shannon Harbour, where the Grand Canal meets the mighty river. In the heady days of canal prosperity …the company’s hotels were simply the posting houses of this water-road… (Rolt) …There was considerable interchange of passenger as well as goods traffic at Shannon Harbour. Travellers changed here from the Dublin passage boats into Bianconi’s ‘long cars’ which operated between Birr, Shannon Harbour and Athlone in connection with the boats. Alternatively they might board the paddle steamers The Lady Lansdowne or The Lady Burgoyne which plied between Killaloe pier head and Athlone, calling at a jetty on the river near the mouth of the canal. Smaller craft sailed from Killaloe pier head to the transatlantic port of Limerick, and so the Grand Canal became a link in the route between Dublin and America…

Shannon Harbour, Grand Canal Hotel

shannon harbour view with hotel

Upper picture – Angela Rolt’s view of Shannon Harbour and the intact hotel. Lower picture – the same view in 2016, showing the hotel in a state of near dereliction

The Shannon Harbour hotel today is but a shell: the roof has fallen, the windows are empty sockets. But, like the building at Robertstown, it is a scheduled historic monument. The structure has been stabilised with steel props and there is talk – rumour, at least – of some future project. Even in its distressed state the hotel has a ‘grand’ air: certainly a prominent presence in the minimalist architecture of this small settlement which had a bustling past.

Shannon Harbour canal hotel: a stabilised shell today, recognised as historically and architecturally important for Ireland

It’s hard to imagine what the future could hold for such a monument of a different age, especially in this rural hinterland of County Offaly. Meanwhile, our own adventures continue – we still have some way to go yet to catch up with Tom and Angela Rolts’ voyages. This is the seventh instalment of the Travel by Water series. All the posts to date are available to view by clicking on the blue link.

canal fest robertstown

Travel by Water 2 – A Tale from Trollope

Drumnsa Bridge

If you travel by water on the Shannon, you can still take your boat up to the bridge at Drumsna, Co Lietrim (above). Just below the bridge is a stone wharf which is the present limit of navigation on that part of the river, a great loop which was bypassed in 1848 by a 2.6km canal. The towns of Drumsna and Jamestown were once thriving river ports but went to sleep once the canal was built. When Tom and Angela Rolt arrived in Drumsna in 1946 the quay there was in ruins, and they had to anchor their boat Le Coq in the shallows and row their small dinghy into the village.

Drumsna (Trollope)

drumnsa-2016

Upper picture – Drumsna in 1946, a photograph taken by Angela Rolt. Lower picture – the same scene in 2016; 70 years have passed but there have been few changes in the fabric of the village

The Rolts were interested in Drumsna because of its associations with Anthony Trollope, who readers will remember for his introduction of post boxes into Ireland. While working as a Post Office Surveyor he was stationed in Drumsna during the 1840s, before the Great Famine, and began his writing career with the novel The Macdermots of Ballycloran (published in 1847). It was not a success but he persevered and became one of the most prolific writers of all time, publishing no less than 47 novels and many more short stories and works of non-fiction during his lifetime. He died in London in 1882, aged 67.

1795 battle Drumsna

Drumsna was historically important as one of the crossing points of the Shannon: it was the site of a ford until the stone bridge was built, probably in the 18th century. This bridge, one of the oldest on the river, once had a blind eye arch where prisoners were jailed and, reportedly, a handball alley on the side where many a  famous championship was held. The plaque on the bridge today (above) remembers an uprising from 1795

Trollope was living in Ireland at the time when the canal system was thriving. He was certainly familiar with travelling by water on the canals, as we can see through this excerpt from his second novel, The Kellys and the O’Kellys (also inspired by his experience of life in Ireland and a success – it was published in 1848 and sold 140 copies). Trollope was 33 when he wrote this book and he must have had direct personal experience of the passenger boat services running out of Dublin on the Grand Canal:

…MR MARTIN KELLY RETURNS TO DUNMORE

We will now return to Martin Kelly…. Hstarted for home, by the Ballinasloe canal-boat, and reached that famous depot of the fleecy tribe without adventure. I will not attempt to describe the tedium of that horrid voyage, for it has been often described before; and to Martin, who was in no ways fastidious, it was not so unendurable as it must always be to those who have been accustomed to more rapid movement. Nor yet will I attempt to put on record the miserable resources of those, who, doomed to a twenty hours’ sojourn in one of these floating prisons, vainly endeavour to occupy or amuse their minds. But I will advise any who from ill-contrived arrangements, or unforeseen misfortune, may find themselves on board the Ballinasloe canal-boat, to entertain no such vain dream. The ‘vis inertiae’ of patient endurance, is the only weapon of any use in attempting to overcome the lengthened ennui of this most tedious transit. Reading is out of the question. I have tried it myself, and seen others try it, but in vain. The sense of the motion, almost imperceptible, but still perceptible; the noises above you; the smells around you; the diversified crowd, of which you are a part; at one moment the heat this crowd creates; at the next, the draught which a window just opened behind your ears lets in on you; the fumes of punch; the snores of the man under the table; the noisy anger of his neighbour, who reviles the attendant sylph; the would-be witticisms of a third, who makes continual amorous overtures to the same overtasked damsel, notwithstanding the publicity of his situation; the loud complaints of the old lady near the door, who cannot obtain the gratuitous kindness of a glass of water; and the baby-soothing lullabies of the young one, who is suckling her infant under your elbow. These things alike prevent one from reading, sleeping, or thinking. All one can do is to wait till the long night gradually wears itself away, and reflect that, Time and the Hour Run through the Longest Day.

I hardly know why a journey in one of these boats should be much more intolerable than travelling either outside or inside a coach; for, either in or on the coach, one has less room for motion, and less opportunity of employment. I believe the misery of the canal-boat chiefly consists in a pre-conceived and erroneous idea of its capabilities. One prepares oneself for occupation–an attempt is made to achieve actual comfort–and both end in disappointment; the limbs become weary with endeavouring to fix themselves in a position of repose, and the mind is fatigued more by the search after, than the want of, occupation.

Martin, however, made no complaints, and felt no misery. He made great play at the eternal half-boiled leg of mutton, floating in a bloody sea of grease and gravy, which always comes on the table three hours after the departure from Porto Bello. He, and others equally gifted with the ‘dura ilia messorum’, swallowed huge collops of the raw animal, and vast heaps of yellow turnips, till the pity with which a stranger would at first be inclined to contemplate the consumer of such unsavoury food, is transferred to the victim who has to provide the meal at two shillings a head. Neither love nor drink – and Martin had, on the previous day, been much troubled with both – had affected his appetite; and he ate out his money with the true persevering prudence of a Connaught man, who firmly determines not to be done.

He was equally diligent at breakfast; and, at last, reached Ballinasloe, at ten o’clock the morning after he had left Dublin, in a flourishing condition. From thence he travelled, by Bianconi’s car, as far as Tuam, and when there he went at once to the hotel, to get a hack car to take him home to Dunmore…

Long distance travel within Ireland by inland waterways was the preferred form of transport in the first half of the 19th century. The alternative was the stage coach: this was no faster than canal travel because of the sometimes tortuous routes which roads took, and the conditions of the roads themselves, particularly in the winter. It must be significant that in the early years of stage coach travel only departure times were advertised: the journey would take as long as conditions permitted. Coaches were notoriously uncomfortable. At least the canal packet boats were relatively smooth and passengers had the opportunity to stretch their legs on deck. Everything changed, of course, with the coming of the railways as the century progressed.

Duchess Countess

The last days of the former express passenger boat Duchess Countess, photographed by Angela Rolt in the late 1940s. The Rolts initiated attempts to have the boat preserved, but these were unsuccessful

Rolt mentions passenger packet boats or ‘fly boats’ in England in his later book which was published in 1950. In The Inland Waterways of England, George Allen and Unwin, he describes:

…the miraculous preservation by sinking of the Bridgewater Canal passage boat Duchess Countess (a name recalling the titles of the Bridgewater family). This old boat was eventually raised and, still in substantially original condition even to her cabinwork, began a new lease of life as a houseboat. She was moved on to the Welsh section of the Shropshire Union Canal near Frankton Junction where she is still occupied at the time of writing although, owing to the deterioration of her hull, she has now been drawn out of the water. The Duchess Countess was the last packet boat in regular service. In the heyday of her career as a packet boat she proudly mounted a great curved knife-blade on her bow. This was of much more than symbolic significance, for it was so contrived that it would sever the towline of any boatman who failed to give way to her… …Very soon the Duchess Countess must inevitably disintegrate, and with her passing the last tangible link with these once extensive but little known canal passenger services will be irretrievably lost…

dc_on_water

dcountess_-_line_drawing_boat

Upper picture – a rare photograph of the Duchess Countess still in use  on the canals (courtesy British Waterways Archive – date unknown) and , lower picture – a modern line drawing of the boat. Both images show the blade on the prow which could slice through the towlines of any unfortunate boat which did not get out of the way in time!

Angela Rolt photographed the Duchess Countess on the canal bank and, fortunately, an early photograph of the boat in its working days is preserved. This shows the scythe-like blade on the prow and confirms that the express boat service had priority over all other traffic on the canals. I am not aware that any of the Irish passenger boats were so equipped but, using teams of horses which were frequently changed along the route, they were evidently able to keep up a continuous speed of around 10 miles per hour, which was no mean feat at the time.

trollope-irish-stamp

We will revisit passenger travel on the Irish Canals in a future post continuing this series…

Travel by Water

Ballynacarrigy Bridge

We have been on a voyage of discovery – or, perhaps, rediscovery. You remember that recently I reviewed a book which I received as a school prize in 1963: Green & Silver by L T C Rolt? That was a book about travelling by water through some of the canals and rivers of Ireland. The book was published in 1949 but I found out that the journey was undertaken in 1946 – exactly 70 years ago and, also, the year in which I was born. Tom Rolt was a good travel writer and a good observer, and the book is full of descriptions of the places and people that he and his wife Angela came across: it’s a valuable social document and it is rather significant that three score years and ten have passed since they completed their explorations.

Tom Rolt (left) and Angela and Tom Rolt (right) aboard Le Coq, the boat with which they set sail from Athlone to circumnavigate the inland waterways of Ireland between June and September 1946. The photos are taken on the Grand Canal

Back in my more youthful days I also travelled by water, but around the English canal system, a journey of nearly 2,000 miles, taking several months. I also wrote a book after the journey: Canals and their Architecture. Tom Rolt was to have written the introduction to that book but he was unable to, because of illness. As a tribute to him, and to mark his journey through Ireland, Finola and I have been retracing his steps. We should have travelled by water, too, but that would have impinged overmuch on our busy lives here in West Cork. Instead, we covered in a couple of weeks by car what Tom and Angela had taken three months to achieve. Their’s were difficult times, too, immediately after The Emergency when fuel was virtually unobtainable.

navigable waterways

Map of the journey taken from Green & Silver. We have marked on it the sites which we wanted to visit, either because Angela had photographed them or because there was a ‘story’ about the place in the book

Angela Rolt recorded the journey in her own way – through the lens of her camera. Her wonderfully evocative monochrome photographs illustrate Green and Silver, and provided a goal for each leg of our own travels. Armed with the book and digital scans of all her pictures we set out to retrace the watery steps of Le Coq – the little boat which the Rolts borrowed – and take a new photograph at every place they visited. The aim was to set up each photograph of 2016 to exactly match those of 1946 and, through the lens, to record the differences that have taken place in Ireland during all those years. Of course, there is much more to this exercise than the photos: Rolt’s book contains many stories, of people and places not necessarily illustrated but well described, so we also looked out for those: would anyone today have any memories of the people talked about in the book? And would the descriptions of the places that the waterways served in those days ring true in the present?

harbour town

Tullamore 2016

Just one example of our efforts to retrace the steps of the Rolts and record a changing Ireland. Upper photograph – taken by Angela Rolt in 1946 at Tullamore Harbour, Grand Canal. Lower photograph – taken by Robert at the same site. Although the canal harbour itself is intact today – it is an administrative centre for Waterways Ireland – there have been some significant changes. The fine three storeyed warehouses which faced on to the canal 70 years ago have gone, demolished in the 1960s. The Church of the Assumption beyond the harbour was destroyed by fire in 1983 and has since been rebuilt to a modern design except for the tower, which survived the fire

This project will take a little time to fully document. It might occupy a few blog posts! This one is by way of introduction. One thing that struck me most forcefully is the change which the waterways of Ireland have undergone in seventy years. Now all the navigable waterways of Ireland are administered by a single cross-border authority – Uiscebhealaí Éireann (Waterways Ireland); some of the canals which were derelict or near-derelict in 1946 have been fully restored, and many are equipped with modern electric lock gear – something which the Rolts could never have envisaged in their time. However, the volatile economic situations which Ireland has been subjected to in the late twentieth century, and into the twenty-first, have also had their effects, and we found this reflected in some of the stories which we followed during our travels.

Shannon Erne Waterway

The restored Shannon-Erne navigation links waterways between the Republic of Ireland and Northern Ireland. The 63km canal was constructed originally in the mid nineteenth century but became moribund by 1865. The navigation was reopened in 1994. All sixteen new modern locks are operated electronically by hydraulics: boaters are issued with a key which activates the control panels (above)

Another surprise for me was the quality of the engineering and the scale of the undertakings which Ireland displays on its system of navigations. These were massive construction projects in their day, but they nonetheless manage still to convey a sense of respect for their settings, an appropriateness of all materials used, and a constant appreciation of human scale. The architecture of Ireland’s canals is truly vernacular, something I hope to demonstrate during these explorations.

Mullawornia Lock

Mullawornia Lock, Lock 40, Royal Canal, County Longford. The lock-keeper’s house is an unspoilt example of a vernacular architecture which can be seen across Ireland’s canals

To be continued…