Our final two Cork churches are a small private chapel and a large public church. Then I will provide some suggestions for where else to go to see Murphy Devitt windows. If you haven’t read them already, Part 1 is here and Part 2 is here.
The private chapel first. It’s in Rochestown, attached to a Cappuchin Franciscan school and Friary* and it dates from 1961. It’s all about St Francis – his life and his famous Canticle. Scenes from St Francis’s life make up the large windows on the right side of the aisle. We see him receiving his stigmata, preaching to the birds, setting up the first Christmas crib scene in Greccia.
The Canticle references occupy smaller clerestory windows. They are a sensitive response to the well-known lines:
Praised be You my Lord through Brother Fire,
Through whom You light the night
and he is beautiful and playful and robust and strong.
Praised be You, my Lord, through Sister Moon and the stars,
In the heavens you have made them bright, precious and fair.
Praised be You my Lord through our Sister, Mother Earth
Who sustains and governs us, producing varied fruits with coloured flowers and herbs.
The Church at Mallow is a large and impressive modern edifice opened in 1967. The windows occupy both side walls, with many abstract panes filling in other spaces.
By 1967 Johnny was teaching full time at the National College of Art and routinely invited his best students to work for the Studios in the summer. In this case, the student was Terry Corcoran, who, while he did some more stained glass windows on his own subsequently, went on to a career mainly as a painter. His website is here.
The design was all Johnny’s, and both Johnny and Róisín provided direction to Terry. As a result, it is hard to distinguish a different hand in these windows – as with all MD windows they are a collaboration, but with the powerful and distinctive look and feel we’ve come to expect from their style.
Compare with this window in Mayfield – the figures have become slightly more stylised
The Last supper – a masterpiece of window design
The Crucifixion window with its sombre blues and greens
The Resurrection window (above in glorious hues of red and orange) was originally immediately to the right of the altar, but in the late 1980s the Parish Priest had it moved to behind the altar, where it had to be back-lit. This left an opening with no stained glass and the priest turned to Murphy Devitt once more. By then, the Studios had been dissolved, but Johnny and Róisín continued to work with Des under a loose arrangement covered by ‘Des Devitt and Associates.’
Róisín Dowd-Murphy’s Assumptions window in full
This window is pure Róisín and is quite at odds with all the other windows in the church. To me, it is a delight, as it showcases Róisín’s style in all its Boticelli-inspired emphasis on costume, hair, flowers and musical instruments. Contrast it with the Assumption window in Mayfield (click here for the image). Although she drew the cartoon for both windows, the Mayfield Assumption had to fit with the overall design for that church, whereas in Mallow she simply followed her own inclinations and what we get is unfiltered Róisín.
Assumption, a closer look
Not everyone is lucky enough to live in Cork, so I want to include a few non-Cork Murphy Devitt windows before I end this series – windows that are open to visit and which are every bit as spectacular as the best of the Cork examples.
Cahir Catholic Church has MD abstract/symbolic windows, including this little window where Johhny’s love of the wobbly and wavy line is clear – also note the unusual glass
The Church of Our Lady and St Brendan in Tralee has two huge representations of its patrons, as well as extensive and beautiful abstract windows.
All the glass in St Michael’s, Dunlaoghaire, is Murphy Devitt, done in the early 70s. Soaring panels of abstract colour punctuate the severe interior and bathe the interior in a warm glow. No photograph – you’ll have to see this one for yourselves. In Limerick, the Dominican Church has a floor to ceiling wall of glass (below) that, among other things, depicts the history of Limerick.
The chapel attached to Newbridge College contains a set of windows based on the Book Of Revelations, an unusual theme for a Catholic Church. My friend and colleague, David Caron, has written a piece on these windows for the Summer 2019 edition of The Irish Arts Review, with brilliant photographs by Jozef Vrtiel. I recommend that article to you, not least for the erudite and highly readable commentary on the iconography, including the Four Horsemen of the Apocalypse, one of whom is below.
That concludes our exploration of this extraordinary Studio, its artists and craftspeople. It’s been a rare pleasure for me to discover them all, and their brilliant windows. Please take a look at the Murphy Devitt website – it’s a work in progress, but it will give you a list of churches and you may find one near you. Let me know!
Brendan, in the Church of Our Lady and St Brendan, Tralee
*Thank you to Fr Sylvester of the Rochestown Cappuchin Franciscan Friary for facilitating my photographing the windows. The chapel is private so these windows are not normally available to view.