Autumn at Lough Hyne

Wild West Cork: a rugged landscape of mountains, a myriad patchwork of pastures; inlets, coves, spruce plantations and an archipelago of mostly unwooded offshore islands. Where are the deciduous trees? This is what we ask ourselves when autumn comes and we want to see the changing colours; the wistful season of autumn at its best. The answer, for us, is Lough Hyne!

It’s just a skip and a jump to this tucked-away corner of our world. Once there, we are in a unique environment. It is Ireland’s first Marine Nature Reserve – international recognition for the ecology of this special place where not only the (salt) water is important both above and underneath the lake’s surface, but the immediate surroundings are hopefully sacrosanct for all time. These environs include woodlands which are just at this moment on the threshold of turning gold: we know gales are on the way which will tear and disperse them as winter sets in. Here’s a little tour of the paths on the edge of the water, featuring – above all – colour and texture: a feast for our eyes!

While the leaves are our main focus, everything else is worth a pause. The colour of the lake itself, certainly the wildlife it supports, but also the juxtaposition of boats, stone walls, shadows and sky are all brought to life by the early November sun.

I can’t resist quoting William Makepeace Thackeray’s description of his travels through ‘The City of Skibbereen’ to Lough Hyne, which we find in his Irish Sketch Book, published in 1843. Thackeray, the English writer best known for Vanity Fair and Barry Lyndon, spent four months travelling around much of the country and – although he appeared to enjoy himself – he didn’t have many good words to say about Ireland or the Irish . . .

THAT light four-inside, four-horse coach, the “Skibbereen Perseverance,” brought me fifty-two miles to-day, for the sum of three-and-sixpence, through a district which is, as usual, somewhat difficult to describe. A bright road winding up a hill; on it a country cart, with its load, stretching a huge shadow; emerald pastures and silver rivers in the foreground ; a noble sweep of hills rising up from them, and contrasting their magnificent purple with the green; in the extreme distance the clear cold outline of some far-off mountains, and the white clouds tumbled about in the blue sky overhead.

* * *

Of all the wonderful things to be seen in Skibbereen, Dan’s pantry is the most sublime: every article within is a makeshift, and has been ingeniously perverted from its original destination. Here lie bread, blacking, fresh butter, tallow-candles, dirty knives — all in the same cigar-box with snuff, milk, cold bacon, brown-sugar, broken teacups and bits of soap. No pen can describe that establishment, as no imagination could have conceived it. But – lo! – the sky has cleared after a furious fall of rain — and a car is waiting to carry us to Loughine . . .

Thackeray – Irish Sketch Book 1842

ALTHOUGH the description of Loughine can make but a poor figure in a book, the ride thither is well worth the traveller’s short labour. You pass by one of the cabin-streets out of the town into a country which for a mile is rich with grain, though bare of trees; then through a boggy bleak district, from which you enter into a sort of sea of rocks, with patches of herbage here and there. Before the traveller, almost all the way, is a huge pile of purple mountain, on which, as one comes nearer, one perceives numberless waves and breaks, as you see small waves on a billow in the sea; then clambering up a hill, we look down upon a bright green flat of land, with the lake beyond it, girt round by grey melancholy hills. 

* * *

The water may be a mile in extent; a cabin tops the mountain here and there; gentlemen have erected one or two anchorite pleasure-houses on the banks, as cheerful as a summer-house would be on a bleak plain. I felt not sorry to have seen this lonely lake, and still happier to leave it. There it lies with crags all round it, in the midst of desolate flatlands: it escapes somewhere to the sea; its waters are salt: half-a-dozen boats lie here and there upon its banks, and we saw a small crew of boys splashing about and swimming in it, laughing and yelling. It seemed a shame to disturb the silence so . . .

THACKERAY – IRISH SKETCH BOOK 1842

Thackeray’s Irish Sketch book is something we will return to in this journal, as it provides an unusual and, sometimes, surprising perspective on pre-Famine Ireland. But I can’t agree with him on Lough Hyne: grey melancholy hills . . . in the midst of desolate flatlands . . . Clearly, he cannot have visited on an autumnal day, and neither was he favoured by the sun. Perhaps there is a poetic justice there, somehow: we embrace everything that Ireland – and West Cork – has to offer; possibly his acute and carping scrutiny of the detail removes from him the more rewarding overview? For us, Lough Hyne was idyllic!

Our wonderful Skibbereen Heritage Centre has comprehensive information on Lough Hyne – and much more!

Showing the Way

Loiugh Hyne signage

I’ve always been impressed with Ireland’s boldness when it comes to modern design – whether it be buildings, townscape or – today’s subject – signage. That’s probably because my working life was spent designing architecture mainly in England where the brief, too often, seemed to be to produce something that would look as if it had been around for a hundred years… I could never bring myself to turn out pastiche and, consequently, suffered many frustrations with clients and planning committees.

We have just been to see one of the new signs marking ‘Signature Points’ on the Wild Atlantic Way: it’s at Lough Hyne, a marine nature reserve just outside Skibbereen which we have mentioned many times before in our posts. The Lough was a freshwater lake until rising sea levels flooded it with salt water – probably during the time when the Bronze Age inhabitants were carving their rock art in the area. The lake is now fed by tidal currents that rush in from the Atlantic through Barloge Creek. It’s one of the places that we take our visitors to: it has a quiet, rugged beauty – and a fair share of holy wells in its vicinity.

Lough Hyne panorama

Island on Lough Hyne

The new sign is everything I would want from a 21st century waymarker: it’s simple but distinctive – completely of its time; well made from a long-lasting modern material – corten steel (mentioned in a previous post). It could still be around for archaeologists of the future to discover a few thousand years from now as the surface will use the natural rusting process to create a permanently stable and very attractive patina. It’s a contemporary monument and – like the landscape around it – rugged.

The design incorporates the Wild Atlantic Way logo – very simply but subtly using a W, an A and a W. I commend Fáilte Ireland and their consultants in this project, Red&Grey Design. It’s worth looking at their website for a detailed description of the identity proposals and the way it all works.

I believe the new signs have received some bad press, with complaints that they are ugly and detract from the natural environments that they advertise. Generally, however they are being placed where there are already car parks, cars, railings, seats, litter bins etc: human activity. I don’t see any problem in adding distinctive and practical pieces of sculpture in such settings – a grand Irish initiative!

Hyne sign

 

Lough Hyne Holy Wells

sea shell Local tradition (and there is no better source of knowledge!) has it that you can relieve any eye problems with the waters from  Tobarín Súl – one of the holy wells close by Lough Hyne. The name is Irish for Little Well of the Eyes and, if proof were needed of the efficacy of the cure, you will find hanging from the branches of the trees around the well white canes and spectacles presumably left behind by modern day pilgrims who are no longer in need of them after visiting the well.

There is no doubt that Tobarín Súl and its near neighbour – Skour Well – are actively visited: offerings abound. Most commonly, rags and ribbons adorn the surroundings of a well. According to Anna Rackard (Fish Stone Water – Holy Wells of Ireland, Atrium 2001):

…Traditionally, rags were used to wash the afflicted part of the body with water from the well and were then tied to the tree or bush. As the rag deteriorated, the pain faded away. In some parts of Ireland, when the rag is tied to the tree, the tree itself ‘takes on’ the pilgrim’s pain…

The Eye Well decorated

The Eye Well decorated

Tobarín Súl is set beside a narrow lane which winds up Knockomagh Hill in the townland of Highfield, to the north of Lough Hyne. The Skour Well is a little way further up the same hill. Nobody seems to know the origin of the name: one suggestion is that the word Skour comes from the Irish ‘sceabhar’ meaning ‘slope’ or ‘slant’, indicating its position on the side of a hill. Whatever the origin, it’s another colourful well, also adorned but with a more religious flavour – rosary beads, candles and statuettes.

Christian iconography at Skour Well

Christian iconography at Skour Well

Some sources suggest that this well is dedicated to St Brigit, but I think that is a confusion with two more holy wells which are reputed to be close beside an ancient ruined church dedicated to her on the south side of the lake. Skour Well, however, is clearly devoted to Mary and ’rounds’ are performed here: it’s said that pilgrims drop white pebbles into the water on completing each circuit. On May Eve the local priest conducts a mass at the roadside here.

Inscription at Skour Well

Inscription at Skour Well

White pebbles in Skour Well

White pebbles in Skour Well

So here we have a fascinating meeting of beliefs: two wells almost side by side, one seemingly an ancient centre for traditional cures and the other a Christian site. Both are powerful places.

Lough Hyne

Lough Hyne

We have mentioned the lake itself in previous posts. We have yet to visit St Brigit’s little church to try and find the other wells (the Archaeological Survey database says they are no longer visible) but we must look for the place where St Brigit knelt and left imprints of her knees in the rock!

St Brigit knelt here!

St Brigit knelt here!

Amanda found St Brigid’s knee prints“…The forecast being good I decided an adventure was needed. We headed out for Lough Hyne – I had read that there was an ancient church, holy well and cross slab in the vicinity. It looked do-able on the map. We parked and set forth. Quite a long walk down a small road skirting the lough, so green and leafy with sheer rocky sides dripping with moisture. We got to where the smaller road should have been leading onto a peninsula jutting out onto the lake but it seemed to go onto private land and there were big gates. Suddenly a woman came out to check her post and I was over there like a flash. Once she’d got over her amazement that anyone should know about this obscure church she was very helpful. The whole headland was her land and it was brimming with interesting things. She gave us firm instructions and allowed us to venture forth. The boreen down was long and green and so beautiful – full of the most amazing variety of wildflowers – primroses, buebells, anemones, violets, Irish spurge. We found the church – teeny, roofless with a beautiful arched doorway. Her husband was buried close by – his epitaph had him down as a philosopher. Her instructions to the holy well were exact – climb up onto a stone and approach on your knees, – for safety rather than holy reasons I imagined, but maybe not. A teeny, two pooled well with lovely fresh water – and the knee prints of St Brigid on each side! Really. I tested. Perfect fit…” (taken from Amanda’s Blipfoto description) Amanda mentions the cross slab – there’s a story about this in Brigid: Goddess, Druidess and Saint by Brian Wright – The History Press 2009:

…There are traditions from many parts of Ireland and Britain of stones that return to their original spot when moved and an example of such a ‘homing stone’ involves St Brigid’s Church, Lough Hyne, Co Cork. There, about 150ft north east of the church is a piece of a broken pillar about 18 x 15in bearing an incised cross. One Day this was carried away by a fisherman who took it to his house, but the very next morning he found it had gone and it was discovered back in its original spot. The fisherman drowned shortly after and everyone knew he had been punished for daring to remove this holy stone…

Homing stone? The ancient cross by St Brigid's Church

Homing stone? The ancient cross by St Brigid’s Church

Starlight Bliss

Lough Hyne twilight

Lough Hyne twilight

Have you ever had one of those experiences where you float home afterwards, totally blissed out, knowing that something very special just happened to lucky you? Yes, I suppose the day you meet The One would qualify, but here’s another one – kayaking under the stars on a West Cork lake to the strains of baroque music. Let me explain…

Lough Hyne is a unique ecosystem. A partially landlocked seawater lake, it is filled by the incoming tide and then empties twice a day, through a stretch of water called The Rapids. Aquatic marine plants and animals flourish in the warm protected waters – many not found elsewhere in Ireland. It’s also a beautiful and peaceful place, steeped in archaeology and history.

In a kayak for the first time in years!

In a kayak for the first time in years!

Jim Kennedy and his family run Atlantic Sea Kayaking and a couple of times a year, to coincide with local festivals, they offer a special kayaking trip on Lough Hyne called the Starlight Serenade. I was disappointed to have missed the first offering earlier in the summer so as soon as they announced a second one, during the Taste of West Cork Festival, I signed up to go with my friend Sheena Jolley.

We're off!

We’re off!

After a brief introduction to basic paddling techniques we were off, a group of about 20 of us, mostly local. Jim led us first to The Rapids, pointing out the birdlife along the way. It was an unusually high tide and the water was thundering in. We rafted up in a sheltering eddy, trying not to be too intimidated by the tidal surge. Jim explained the ecology of the constant filling and draining of the lake and then he pushed us out into the rushing water. Hanging  on to each other’s kayaks, we swirled giddily in the torrent, gradually swinging back into the calmer waters of the lake.

Loght Hyne with the islands. The Rapids are at the top right. Photo by 'Riekeshieldmaiden' at en.wikipedia

Lough Hyne with the islands. The Rapids are at the top left. (Photo by ‘Riekeshieldmaiden’ at en.wikipedia)

As dusk closed in the next stop was the island, and stories of an O’Driscoll warlord who once ruled supreme in Baltimore but who lived out his final days in this remote place. Then Jim told us to head ‘towards the light’ and pointed to the far shore. As we got closer the ‘light’ began to resolve itself. Several steps led down to a tiny quay and on each step and all over the quay were candles – dozens of them. Then we heard the music. Two violinists were playing Bach. One by one we drifted in, rafted up as silently as we could, and then lay back in the kayak seat and just listened. The Milky Way arced across the sky, the music floated to us from the little quay, we dangled fingers in the warm water and each of us felt in our own way that surely heaven couldn’t hold much better than this.

The Serenade

The Serenade

The concert continued – some Telemann, a song composed by Jessie (these were two members of the Vespertine Quintet I reported on at the beginning of August), something gentle and minimalistic, more Bach – and then it was ‘follow the light’ again: this time the light was on the helmet of the lead guide. But before we started, Jim asked us to look down into the water and to dip our hands in. Suddenly, the stars were beneath us: bioluminesence shimmered and shook from our fingers. As we paddled back every stroke of the blade struck sparks from the water: flash on the right, flash on the left, flash, flash, flash, flash.

Starlight repast

Starlight repast

It was hard to leave the magic that was happening on the water. Sheena and I walked back to where the cars were parked, breathless with the wonder of what we had just experienced. But wait…here were more candles and luminarias, and a table groaning with wonderful food, and grinning guides handing out cups of tea and glasses of wine, and Maria Kennedy presiding over a homemade feast of organic goodies: smoked salmon, seaweed scones (delicious!), salads from her garden, cheeses and biscuits and cake and chocolates. We sat or stood in the warm night air, munching contentedly, unable to utter much more than superlative heaped on superlative.

luminarios

Words are inadequate tools to fully convey the essence of an evening like this. I can’t tell you. You have to do it too.