Electrification of Ireland

Rural Electrification – Process and Effect

Above – on the left is the old Vaughan’s Hall in Ballydehob. Local historian Eugene McSweeney tells this tale:

. . . This hall in Ballydehob ‘had the Electricity’ around 1951-52. UK Queen Elizabeth II was crowned in 1953 – June 2 – and a film was made by the BBC. This film was sent around to be shown in village halls etc all over Britain, but also in Ireland. Vaughan’s Hall was able to borrow a projector, and an evening was set aside to show the coronation film. There were ‘some local lads’ who felt that good Irish citizens shouldn’t be gawking at this English Royal event. They brought some heavy chains, and threw them over the new electric wires connecting into the hall. This caused a short circuit and the lights – and the film – went out! Ballydehob had to wait for another day to see the coronation . . .

Eugene McSweeney, Ballydehob

During the 1930s most towns in Ireland were connected to the National Grid. The outbreak of World War II in Europe led to shortages of fuel and materials and the electrification process in Ireland came to a virtual halt. In the early 1950s the Rural Electrification Scheme gradually brought electric power to the countryside, a process that was completed on the mainland in 1973 – not without some Herculean efforts by the on-site crews . . .

. . . While battling with the rocks in the Schull/Ballydehob fastnesses, blasting our way to our goal, we were informed that our next area was Castletownbere. No stick of exploding gelignite could produce more of a stunning effect in the Area Office than when the news reached us. Then we knew we were being accepted and acknowledged as mountainy men, men of steel and gelignite, capable of shaking still further the serenity of the West Cork mountains whose calm had not been disturbed by the noise of men and clash of steel since O’Sullivan Bere . . .

ESB ARCHIVES – AO Report 1951

Above – the pegging teams faced an onerous task when they moved over to the Beara Peninsula. Here are extracts from the reports of the Area Officer when works set out towards Castletownbere in late 1951:

. . . In November 1951 I left Ballydehob to visit Castletownbere area, the future scene of our endeavours. Looking at the country between Glengariff and Castletownbere I wrote off the battle of the Schull area as a skirmish, as I felt that the real battle was here. Here were crags, crevices, canyons, woods, bogs, etc, which defied all exaggeration. W Trusick, the pegging engineer, was very much depressed at the thought of what lay ahead of him as we climbed up the winding road from Glengarriff to the heights of Loughavaul and beyond again to Coolieragh. However, when we topped the climb at Coolieragh the vista of mountain and sea that met our eyes gave us a temporary respite from our morose reflections . . .

ESB ARCHIVES

Extract from the reports of the Area Officer when works set out towards Castletownbere in late 1951:

. . . Here was a scene that is hard to equal anywhere else in Ireland. Ahead of us lay the country of O’Sullivan Beara. Away in the distance lay Beara island like a sleeping monster resting on the sea, protected on the northern side by the massive bulk of Hungry Hill, and farther west by a ring of mountains whose western slopes dip down into the Atlantic Ocean. Behind us we looked across Bantry Bay at Bantry away in the distance sheltered by the bulk of Whiddy island. Nearer to us was Glengariff with its myriad of islets and heavily wooded hinterland, cosy and comfortable looking, secure in the shelter of its encircling mountains. On a cold November day in the weak wintry sunshine people do not stay long admiring scenery from such a dank vantage point as Coolieragh, and so we continued our journey westwards along by Adrigole, close to the Healy Pass, skirting the foot of Hungry Hill with its silver streak waterfalls and finally we arrived at the capital of the Beara Peninsula, Castletownbere . . .

ESB Archives

. . . Mr O’Driscoll and his crew in Dromahane, had apparently two major obstacles: First, the landed gentry who vehemently objected to the “beastly sticks” being put anywhere on their land: the second being a van which objected to moving under any circumstances whatever. Of the original 320 economic acceptances, 57 were ‘backsliders’, most of these being cottagers and small farmers. As an offset, 20 new consumers were gained, mostly having large premises, with the result that the total revenue was increased by £2. Only 20 premises were wired for outside light, due, in general, to the speed with which the contractors wanted to move from one house to another, and to their telling their clients that outside wiring could be done after they had been connected to the supply lines. Principal items sold in the area were 20 cookers, 30 irons, 20 kettles and 11 Milking Machines. Milking Machines are becoming increasingly popular in this area, solving as they do, the problem of milking on a Sunday when, normally, labour is not available. Mr O’Driscoll is doubtful if post development will meet with any marked success . . .

ESB Archives – DromAhane, Co Cork

It’s intriguing that the reports in the ESB Archives from the time of installation so often represent negative views about the ‘success’ or otherwise of the rural electrification project (Mr O’Driscoll is doubtful if post development will meet with any marked success). It’s as if this ‘new fangled’ technology is never going to take the place of the way traditional life is lived in remoter places. With this viewpoint, the drudgery of manual tasks such as bringing in water from an outside source, cooking, washing clothes is likely to continue, with the housewife / farmer’s wife and their children having maximum input. It’s just as well that a more enlightened attitude prevailed in some places – here’s an early taker of the benefits of an electric egg sorting machine (ESB Archives):

In urban areas, there was certainly enthusiasm for the improvements which ‘modern living’ offered (below). The new devices must have appeared exotic at first, but no doubt their benefits were instantly apparent to those who set their minds positively.

The heroes were the riggers and the geligniters, braving the elements and the raw landscape, to eventually bring power to the furthest reaches of rural Ireland (a task not completed, it could be said, until 1991, when Cape Clear – off our own West Cork coast – was connected to the National Grid). After those heroes came the dealers and traders. Someone had to provide all the water heaters, pumps, milking machines, refrigerators, cookers, washing machines . . . It was big business.

Above – an ESB salesman exercising persuasion on a willing customer. The man looks on! Below – interesting juxtaposition . . .

. . . Once a community was connected, or about to be connected, the ESB held public demonstrations of household appliances. These were then sold bringing electric irons, kettles, stoves to homes. The demonstration evening in Glenamaddy was held in January 1951. The handwritten report records that it took place “in the very fine Esker Ballroom”; these events were social occasions that brought communities together. The Glenamaddy evening “was attended by about 90, including 50 women. As is usual, the women appeared to be more keen than the men and more inclined to ask questions (and to argue). After the demonstration, a melodeon player turned up and an impromptu dance got under way” . . . Small towns and rural townlands became brighter and winters less harsh and Christmas more special as the fairy lights began to shine. It also gave rise to a rural Irish icon as every house had the Sacred Heart picture with the (electric) red lamp: many didn’t get a kettle and washing machine until later on . . .

ESB ARCHIVES

(Above) Seán Lemass – Minister for Industry and Commerce – performing the formal ‘switch-on’ in Ballinamult Creamery (Co Waterford) on 1st March 1954. This was the Electricity Supply Board’s 100,000th customer. Also in attendance are Mr R F Browne, ESB Chairman, and The Very Rev Father Walsh, PP Ballinamult.

Above: “As the last rays of sun leave the hills, the lights go on at Ballinamult Creamery, the Board’s 100,000th Rural Consumer”

. . . In November, Miss Crowley of the ICA toured Sherkin Island and lectured in nearby Skibbereen giving her ideas on modern home-making and sponsoring the use of electricity to a great extent. The area demonstration at the end of November was very well attended and sparked off a keen interest in the various appliances on show, just as the connections in the area were commencing. ESB sales in the area are now in the region of £1,300 while contracts are on hands for six pumping installations . . .

ESB ARCHIVES

Thanks once more to Michael Barry for inspiring this brief study. Also to the ESB Archives, The Irish Story and Eugene McSweeney. Roaringwater Journal is always pleased to receive comments and contributions on any subject we take up.

Previous posts on Ireland’s Electrification:

Night’s Candles are Burnt Out

Electrifying West Cork

Electrifying West Cork

The traditional Irish village: Lusk, Co Dublin, in 1954 (photo from ESB Archives). Thatched buildings, the village pump, bicycles: a man sitting on the stone smoking his pipe. The intrusions are the poles and the overhead lines bringing the modern world into rural Ireland. Lusk was connected to the new grid close to the beginning of a project that spread out from the major conurbations from the late 1920s, taking some fifty years to embrace the whole state.

Rural Electrification arrives in Dromiskin, Co Louth, in 1949. Cork Electric Supply Co Ltd was in operation in Cork City before 1927. It supplied 4,225 homes and businesses in 1929, rising to 5,198 by March 1930, before being acquired by ESB in April 1930. Close neighbouring communities began to receive connections from 1930 onwards; Skibbereen and Bantry waited until 1937, while Schull and Ballydehob were without until works crept into furthest West Cork in 1952.

Above – family Life in 1950s rural Ireland (photo by Robert Cresswell). When I was a boy in 1950s England, I was probably fortunate to live in a house where electricity had been connected: my parents were quite progressive in that respect. I well remember the brown bakelite switches and plugs (two sizes: small and large). However, I often visited my Granma who lived in a house without any of it. It was a bit like the one above (which is in Kinvara). Gas globes hung from the ceilings: they had to be lit with tapers while pulling down on a lever. Cooking and heating came from a black coal range, and there was one cold tap in the scullery. There was no bathroom or shower, only a toilet outside in a shed. But there was a large wireless set – just like the one shown above. It was powered by an ‘accumulator’ which had to be taken to the shop up the road to be refilled with acid every few weeks. My Granma lived and died without ‘electrics’.

Above – Ballydehob before electrification. The ESB Archives are alive with colourful descriptions of the Rural Electrification works arriving here and in neighbour Schull. Reports from the on-site engineers are droll . . .

Schull Rural Area, April 1952 . . . Mr O’Driscoll opens his post-construction report in almost poetic terms and then to show that he is not bound to one form of art, proceeds to give us a word picture of the terrain in Schull, which is even more realistic than the deepest purples that Paul Henry ever used. We gather that pegging was, at times, a highly arduous and dangerous task and it would appear that among the wonders of the modern world, the greatest (in the view of the pegging team), was how this Area was ever selected for electrification . . .

ESB Archives

‘Pegging’ is a term in common use in the ESB Archives. It refers to the art of raising poles and stringing them with wires across the country. Evidently, the ‘landed gentry’ unkindly described them as “those beastly sticks”. Over 1 million poles were erected eventually, with 78,754km of wire used and a total of 2,280lbs of gelignite consumed during construction. The overall cost was some £36m (equivalent to €1.5bn today).

. . . We had very few wayleave difficulties. Sometimes an argument would develop with a local farmer whether the patch of grass where we put a peg was a field or not. If he convinced us it was a field, which he usually did by showing us the welts on his hand, we shifted the peg. It would seem too much like taking the bread from the mouth of a child to destroy his farm and livelihood by one pole . . .

ESB ARCHIVES

Above – Celebrations came with the connection of the 100,000th premises in 1954. Now we return to our own West Cork:

. . . It is interesting to note, and perhaps might be taken as a headline, that the early switch-in of the villages of Schull and Ballydehob (1952) had an excellent reaction on the more outlying areas and could not be denuded of all credit for the extra consumers eventually connected . . . There was an amusing revival of an ancient rivalry between the two villages. Ballydehob, looking with pride at their 100kVA transformer, were inclined to be scornful of Schull where a 50kVA transformer was erected; but the Schull people not to be out-done, countered by pointing out that there were many more poles in their “Town” than in Ballydehob “Village”. . . Only 8 houses remained to be wired when the gang left the area, 3 of these were parochial property and 4 were under the control of the Board of Works . . .

ESB ARCHIVes

The mention of “parochial property” in the paragraph above – from the ESB Archives – is of significance. The term would be applied to churches and schools, certainly. As outlined in last week’s post, Seán Keating was scornful of his view of the clergy position on Electrification: his Night’s Candles painting shows the priest still reading by the light of a candle while the world moves on around him. We can find differing views on the attitude of the Church.

. . . Throughout the length and breadth of Ireland politicians of all political shades lobbied the ESB for their area to be electrified. It wasn’t just politicians who tried to exert their influence: in July 1957, the parish priest of Ballycroy, County Mayo, wrote to the Rural Electrification Office. He said that his parishioners were anxious and that they believed he could influence decisions at the Dublin head office. “Sometimes people get an idea that the PP isn’t taking any interest in these matters. I need not add that I have a very deep enthusiasm for the light coming to Ballycroy” . . .

The Irish Story.com

Above – celebration in Dublin St Patrick’s Day Parade 1954. Here in Ballydehob I was pleased to hear some reminiscence from retired schoolmaster Noel Coakley pertaining to the ‘parochial property’ which remained to be wired when the gangs left the area:

. . . Having had the luxury of the electric light when growing up in Bantry town in the 1940s and 50s, rural electrification was a subject of which I was blissfully unaware until my first teaching post, 60 years ago next month in Tragumna National School near Skibbereen. Though the building was wired for electricity and rural electrification had already arrived in the area, the school wasn’t connected to the grid. On checking the reason, the reply I received from the then School Manager, the local Parish Priest, was, ‘Why would a school need electricity?’ End of the matter! Indeed, I should have known better because my own alma mater, Bantry Boys’ NS which was on the Hospital Road, wasn’t even wired for electricity. In fact, it wasn’t connected until the autumn of 1970 during the 2 year experiment, 1969-71, on having Summer Time all year round. Back teaching in Bantry by then, teachers and pupils had to endure almost pitch dark classrooms for the first year of the trial. Coming to Ballydehob in February 1971 was going from darkness into light because the school here could even boast of having electric sockets into which we could plug new fangled machines like tape recorders, while Bantry Boys’ had only being upgraded to two 100w single bulbs per classroom. Regarding Rural Electrification in Ballydehob, I think the village was connected around 1954. I do recall that the area around the townland of Knockroe, bordered between Bantry Road and Skibbereen Road, didn’t get connected until the 1970s because the majority of residents refused connection when the rest of the district was being electrified . . .

Noel Coakley, Ballydehob – personal communication

Above – a network of ‘pegs’ crossing the north side of the Mizen today.

Once again, I am grateful to Michael Barry for pointing me in the direction of some of this information, and for switching on the lights for me in respect of the extensive ESB Archives. I also appreciate the contributions of Noel Coakley and Eugene McSweeney, Ballydehob. Are there any other stories out there? More to follow next week!

Night’s Candles are Burnt Out

There’s a wealth of tales to be told about the first decades of independent Ireland. The 1920s and 1930s saw a flourishing of confident projects portraying a nation on the cusp of change, establishing itself in Europe and beyond. One such was the hydro-electric scheme at Ardnacrusha on the River Shannon. Foundations were laid in 1925 and works completed within four years, providing the young country with what was then the world’s largest power station. The intention was to enable everyone in Ireland to avail of the most trendsetting modern commodity: electricity.

The documentary photo above looks like a scene from a science-fiction film: it’s the control station at Ardnacrushsa, shortly after the completion of the project. This, and many other of the illustrations which I will refer to, are taken from the excellent ESB Archives: I am very grateful to them for the use of these. The building of the huge dam and power station was documented in fine detail – and not just in words and photographs. The notoriously outspoken and visionary artist – Seán Keating – chose to record the accomplishments in his own medium, painting.

This is one of Keating’s works from the time: Night’s Candles are Burnt Out. (Thanks to Gallery Oldham). It is, perhaps, the finale of his series drawn and painted during the construction of the works – which he undertook on site under his own initiative and without a sponsor. Art historian (and biographer of Keating) Dr Éimear O’Connor suggests:

. . . Keating went down to Ardnacrusha because he knew that the construction project was emerging history. It was all happening around where he was born and raised. The machinery was going to carve up this landscape that he saw as ‘a medieval dungheap’, that was how he described it in later years. And this was a metaphor for him, the whole thing was all about Ireland moving forward into modernity. Night’s Candles features the dam at Ardnacrusha, but also includes a group of figures in the foreground, all of whom represent different aspects of what Keating saw as the Ireland of the day. When he showed it at the Royal Hibernian Academy in Dublin, it was called ‘the problem painting of the year,’ which Keating thought was hilarious. They couldn’t get their heads around this idea of what he was trying to do at all . . .

O’Connor: Seán Keating: Art, Politics and Building the Irish Nation, 2013 (Irish Academic Press)

In this detail from the painting we see Keating himself (top right) together with his wife and sons, pointing to the vision of Ireland’s future. On the left of the full painting is Keating again, inspecting a hanging skeleton, perhaps reminiscent of the Famine. Most significantly, perhaps, at the bottom right is a priest reading by the light of the candle. O’Connor is clear about this portrayal:

. . . It tells you an awful lot about Keating and his attitude to the Church at the time. Like many others in the cultural sphere in Ireland, he was disappointed with post-Treaty Ireland, with successive governments and the Church, who were in cahoots, if you know what I mean. He knew well that the whole country was tied up with them, and with that kind of organized religion that was deeply conservative. And Night’s Candles is very much an expression of that disappointment, I think . . .

O’Connor: Seán Keating: Art, Politics and Building the Irish Nation, 2013 (Irish Academic Press)

It’s worth dwelling on this painting a little longer, and viewing Keating’s thought processes, through O’Connor’s eyes:

. . . What Keating was trying to do was reflect upon a country on the brink of change. It was in those years, in the 1920s, that the term ‘gombeen man’ came into being. We all know that it means the kind of businessman or politician who’s making money off the backs of everybody else. And that’s the gombeen man in the middle of the painting. I think it’s quite clear that Keating’s hope was that modernity, as represented by Ardnacrusha, would end all that stage-Ireland paddywhackery that had prevailed for years . . .

O’Connor: Seán Keating: Art, Politics and Building the Irish Nation, 2013 (Irish Academic Press)

Above – posters from the time of the construction work at Ardnacrusha (ESB Archives). It was certainly the most exciting project in Ireland’s young days, and tourism was encouraged. Hand-in-hand with the major works themselves went a crucial publicity campaign to encourage people to embrace the coming of a readily available electricity supply to homes and businesses. The steps taken to try and ‘get the message across’ was an uphill task. Considerable funds were expended – and a large sales force garnered – to tour the country and persuade the population to buy into the project.

The visuals, humour and underlying psychology of this Ardnacrusha construction-era promotional poster really appeal to me. In case you can’t read the ‘small print’, this is the message that’s being pushed:

. . . 90,000 Horse Power of energy will be available from the Shannon Electrical Power Station next year for Irish Industry and Irish homes . . . The American workman is the most prosperous on earth, because he has, on average, three horse-power, the equivalent of thirty human slaves, helping him to produce. No wonder he can toil less and be paid more than the workman of other lands. He is not a toiler, he is a director of machinery . . .

Post-Famine, America was always seen as the ‘golden land of opportunity’ for Irish emigrants. Now, in 1930, we are being told that Ireland will have the capability to match those fabled fortunes!

. . . Shannon Electricity will lift the heavy work of industry from human shoulders to the iron shoulders of machines . . .

The coming of electricity across Ireland opened up markets for retailers to vend a host of innovative gadgets. This mobile electricity showroom from the 1950s (ESB Archives) covers the gamut of lighting, cooking, refrigerating, water supply to sinks using pumps, milking machines and labour-saving devices for farms. In a future post I want to focus on Rural Electrification, which was a long haul: taking poles and wires out into the extensive hinterland. This was – arguably – the most heroic part of the process of electrification, and we can’t help wondering whether the following somewhat iconic ESB print of the first ‘peg’ being raised at Kilsallaghan, on 5 November 1946 was inspired by the famous Iwo Jima Victory photograph taken by Associated Press photographer Joe Rosenthal on February 23 1945 (lower pic). Both portray a moment of triumph.

Many thanks are due to Michael Barry who referred me to material from the ESB Archives covering our own West Cork areas. Watch out for our commentary on this in a forthcoming post!