We are so lucky to live in a place where the arts are valued as a necessary part of life and where we can attend art exhibitions, concerts, theatre, readings, film screenings. It all comes together every year at the Skibbereen Arts Festival. It somehow manages to combine fun, entertainment, wonder and beauty (like this West Cork seascape by Harriet Selka, above).
The Irish Memory Orchestra also enthralled us one evening – they play traditional and commissioned pieces entirely by memory.
Last time we wrote about this festival we said it was ‘hitting its stride’. This time the phrase that came to me was ‘it’s going from strength to strength.’ What a marvellous line up it was! You can see the whole program online and look at the sheer variety of experiences that we lucky West Cork folk got to pick from. A standout for us this year was the concert lineup, the art exhibitions and the poetry events.
Roseanne Cash and John Leventhal
It started off with Roseanne Cash, daughter of Johnny. You might think – what? Country Music? I know that’s not everyone’s taste, although I have a soft spot for it myself. But Roseanne sings a wonderful mix of Appalachian Folk, bluesy ballads and her own material along with the classics of country. She has a gorgeous voice and a husband accompanist and they both play a mean guitar. Here she is singing one of her father’s songs along with a touching tribute.
Skibbereeen was only her only other Irish stop besides Dublin and she came because of a line in Johhny’s song Forty Shades of Green (did you know her wrote that? I didn’t) that refers to Skibbereen. Watch him singing it at a concert in Dublin back in the days of Big Hair. It was Roseanne’s closing number, and predictably it brought the house down. She was in tears. We were in tears.
Something completely different a couple of nights later – The Chronicles of the Great Irish Famine is from the formidable talents of singer-songwriter Declan O’Rourke, backed up by an excellent group of musicians that includes John Sheahan of The Dubliners. Declan has been working on this song cycle for years. He describes it “an attempt to bring fresh air to an unhealed wound, and to remind the Irish people of what we have overcome.” There’s a good overview of the project here and you’ll witness Declan’s unique voice and engaging personality. The subject matter was tough – we are in the middle of a major Famine commemoration event here this summer and we are becoming more familiar every day with its horrifying stories. Having written about the Coming Home Exhibition and the 110 Skibbereen Girls Project already, we found this concert to be poignant and powerful.
Lúnasa have long been recognised as one of the best Irish groups performing traditional music today and we’d been looking forward to this one very much. The bonus was the addition of Natalie Merchant as their special guest. I’ve been a fan for a long time and it was a great pleasure to see her in person. That voice! Take a listen.
She sang this one for us and Lúnasa transformed before our eyes into this amazing back up band. Imagine a version where instead of just guitars the harmonies are provided by a flute, an uillinn pipes, a fiddle, a guitar and a double bass. Magic.
Jim Turner’s ceramic pieces catch the eye at Anseo
We took a day to do the Art Trail. There’s a couple of large exhibitions including one curated by Catherine Hammond that Robert wrote about a couple of weeks ago. The other large show was called Anseo (on-shuh meaning ‘here’). Each artist was asked to write a statement addressing how he/she responds to living/being in West Cork and it was revelatory how different each one was – both the statement and the art.
Helen O’Keefe’s Neighbours – Long Island
But there were also hidden gems all over the place – in converted empty stores, in back rooms and unused office space. I enjoyed Sonia Bidwell’s quirky pieces constructed from fabric and found materials, upstairs in Lisheen’s House. Her Veronica is below.
School children had participated in a ‘City’ project where they explored design and architecture and built their own cities. It was fun and relevant and, in fact, mighty impressive what they had accomplished!
A local group of fabric artists, Wild Threads, had taken over a space near the supermarket to mount an exhibition of sea-themed work called ‘Littoral.’ As expressed in the program – ‘For some this means intimate vignettes of everyday views and for others it is the colourful explosions that Mother Nature throws at us.” It had never occurred to me that you can paint with fabric until I encountered the work of this group. It’s both a constraining and liberating medium, and the results were varied, imaginative and beautiful!
Piece by fabric artist Sam Healy
I can’t finish without a word on the poetry. While there were several events, the one that made the most impact on me was the launch of two new books by Pól Ó’Cólmáin and James Harpur. I’ve written about Pól before and used his poem in my post Pagan and Pure. This time it was a book, The Silence Unravelling, of Haiku and Tanka – just a few words to capture a moment, a feeling. I hope to use some of them in a future post – they’re brilliant.
Pól Ó Colmáin – here not reciting his poetry but performing some of his songs
James Harpur is one of Ireland’s most distinguished poets. He’s a member of the Aosdána, an affiliation of artists whose election is based on a distinguished, creative and considerable body of work. He read from his new book The White Silhouette. Here is an extended quote from his Book Of Kells series of poems, this section dealing with Gerald of Wales, Geraldus Cambrensis, who comes to see the book.
Beauty is not so much a thing
as a moment, unrepeatable,
although the moment needs the thing
as a flame needs a wick
or images a page.
Or it’s a streak of lightning
connecting heaven to earth
whereby in a flash we breathe
the enormity of something Other
beyond our tiny grasping selves
and fill our lungs with it,
before the dark returns again.
The soul expands with beauty –
it cannot help itself; our task in life
is to prevent it shrinking back.
Roaringwater Journal 