Equinox!

Ken Williams - capturing the moment

We’ve just passed the Equinox – one of the two moments in the year when day and night are of equal length. This happens once in the spring and once in the autumn. This year that moment was March 20th at 9:01AM, but it can fall between the 19th and the 21st, depending on the year. The autumn equinox this year falls on Sept 22, but it can range from the 21st to the 24th.

Prehistoric monuments in West Cork often have an orientation – the most famous of course is Drombeg stone circle (above in 2020). It’s a multiple stone, ‘axial’ circle, with two portal stone opposite a recumbent stone. On the winter solstice (this year on Dec 21st) the sun sets behind the recumbent, diametrically across from the portal stones (this is the ‘axis’). Attending this event is always great fun as well as an opportunity to join in a celebration that is thousands of years old.

There is a rhythm to the year provided by these four solar events – the longest day (summer solstice), the shortest day (winter solstice) and the equal-length days (equinoxes). Add to that the cross-quarter days – the points half way between the solstices and equinoxes, and we have a natural calendar of eight divisions.

The cross-quarter days, by the way, are the ones that track most closely to the great ancient Festivals in Ireland of Imbolc, Bealtaine, Luanasa and Samhain. Although nowadays these tend to be celebrated on the 1st day of February, May, August and November, in fact the dates would have varied and in 2025, the accurate dates for the cross quarter days are Feb 3, May 5, Aug 7 and Nov 7. This is important to know as various solar events happen on cross-quarter days, and if you want to see them, you have to turn up on the right day! See this post on Boyle’s Bealtaine for a good example of this – the photo above was taken on May 5, 2018.

Ken and Robert: getting ready for sunset at Bohonagh

A few years ago, we met up with Ken Williams of Shadows and Stone, to photograph the equinoctial sunset at Bohonagh Stone Circle, near Rosscarbery. Ken is the undisputed master of prehistoric photography in Ireland. His website contains high-quality images of many different kinds of monuments, he supplies photographs for all the best publications, and he was our partner in the Rock Art Exhibitions we mounted in the Cork Public Museum and in Schull.

flashes strategically deployed

Ken’s work on rock art is astounding. We know first hand how difficult it is to get good photographs of the carvings. Many of them are covered in lichen, obscuring all the detail, and can really only be discerned in long slanting light, such as at sunrise or sunset. Ken uses both natural and artificial lighting to capture his excellent images and when we first met first we asked him how he packed all those lights up to the remote locations in which a lot of rock art is found. He grinned and opened his backpack. “This is my equipment,” he said, “It’s all I use.” Essentially his gear consists of a camera, flashes, and tripods – strategically deployed in the photograph above. If you want to see the difference between what Ken captures and what us ordinary mortals manage to do, take a look at the first two images in the post Revealing Rock Art.

it was a beautiful evening – perfect conditions to see the sun sink behind the recumbent stone. Bohonagh (above) is a complex site. Not only do we have a stone circle, there is also a boulder burial, featuring a rather spectacular quartz supporting stone and cupmarks on the upper surface of the boulder, as well as a cupmarked stone hidden in the undergrowth between the boulder burial and the stone circle. It’s been excavated.*

Looking over the recumbent
Looking over the recumbent

It was a treat to see a master photographer at work and to have Ken explain how he gets those amazing shots. From previous attempts, I knew how difficult it was to portray a scene when you’re aiming directly into the glare of the setting sun. This time I concentrated on capturing the photographer at work. Ken, meanwhile, worked his usual magic – and here’s the result, included with his permission. Not only can you see everything, including the still blue sky, but his picture captures the mysterious ambiance of the setting and the occasion.

BohonaghEquinox15-12

Our thanks to Ken for an inspirational photo shoot.

Thanks, Ken!

* A stone circle, hut and dolmen at Bohonagh, Co. Cork, by EM Fahy, 1961

Old Stones

A classic piece of Rock Art - on display in Dublin's National Museum

A classic piece of Rock Art – on display in Dublin’s National Museum

As we enter October, we begin to look towards the dark part of our year – and to think of the Cailleach who, in these western parts of Munster, is known as The Hag of Beara: in early tales she is pictured as a prolific figure responsible for shaping the landscape by carrying huge stones in her apron and dropping them to form hills and outcrops, as well as ancient standing stones, circles and alignments. She is also seen wielding a great hammer with which she sculpts and refines her geological creations. She has had seven periods of youth, one after another, so that every man who lived with her came to die of old age. Her grandsons and great grandsons are so many that they make up entire tribes and races. She falls asleep on Bealtaine (May 1st) and wakes again on Samhain (November 1st) – we will be looking forward to the storms which will herald her coming. Until then she rests on a hillside overlooking Coulagh Bay, beyond Allihies on the remote Beara Peninsula, where her rocky incarnation depicts her as both a young maiden and an old crone.

Monuments in the mist: The Hag of Beara and Drombeg Circle

Monuments in the mist: The Hag of Beara and Drombeg Circle

Ireland is stuck in a stream of warm air coming up from the tropics at the moment: this makes temperatures two or three degrees higher than the norm for early autumn, but also causes a damp landscape shrouded in fog: we have missed our view of the Fastnet for several days.

Standing stones

Some West Cork standing stones

The weather hasn’t hindered our exploration of Ireland’s old stones – the terrain created by the Hag. Yesterday we went to Drombeg Circle: a popular site for tourists. Many visitors will fail to notice the rock art carved on the recumbent stone that points out this megalithic monument’s alignment with the winter solstice. At the foot of another stone we found some enigmatic markings which I readily interpreted as a dancing Hare.

Drombeg Rock Art - and a mysterious Holy Well in Rossbrin Cove

Drombeg rock art – and a mysterious holy well in Rossbrin Cove

Bishops Luck - a megalithic close by Nead an Iolair: according to local legend, a

Bishop’s Luck – a megalith close by Nead an Iolair: according to local legend, a bishop is buried under this!

Ireland’s history is written in stone: the natural landscape; megalithic monuments; buildings – cottages, castles, farms, churches, lighthouses; every townland is rich in examples. Building material, track surfacing, grave marker and artists’ canvas (perhaps): stone has been a resource to aid human occupation for thousands of years.

Stone in context: Galley Head Lighthouse

Stone in context: Galley Head Lighthouse

The ultimate stone monument - Newgrange Passage Grave, County Meath - the spectacular quartz facing is a conjectural reconstruction

The ultimate Neolithic stone monument – Newgrange Passage Grave, County Meath – the spectacular quartz facing is a conjectural reconstruction