Exactly two years ago I wrote a piece for this Journal – A Moment in Time – remarking on the very specific changes that we become aware of at the end of the summer: the holiday homes being closed up and shuttered; the boats being taken off their moorings and stored away in the boatyard; the shorebirds returning to their winter quarters. I finished up by pointing out that our own summers never end: we enjoy living in Cappaghglass just as much in the darker, colder days at the turning of the year as we do when the sun is high in the heavens.
Top – starting point: Rossbrin Cove on a gray day. Bottom – The Old Mine Road wearing its raincoat
It is an idyllic life and we are privileged to have the quiet boreens to ourselves in all weathers. We have talked about Rossbrin Cove so often, in its many seasonal variations: for today’s post I’m taking the upward road through the townland, the route that I call The Old Mine Road. This road – or more accurately this series of lanes and byways – will take the traveller from the Cove into the little town of Ballydehob, and will pass through an old copper mining district which, two hundred years ago, saw heavy industry, intermittent employment, smoke, noise, pollution and desperate human working conditions where now ‘peace comes dropping slow’ with only the crying of the Choughs over an undisturbed backdrop of rock, heather and coarse grasses – and the occasional jumble of stones showing where there were once buildings, shafts and crumbling walls marking the old mine complex.
Top – the landscape of The Old Mine Road: Mount Gabriel dominates the horizon to the west. Bottom – looking from the road towards Roaringwater Bay: in the foreground is the site of old mine workings, now reclaimed by nature, with one of the two Mine Captain’s Houses in the centre and the stump of an old mine chimney on the right
A walk along The Old Mine Road on a benign late September day will be rewarding because of the good air, the distant views to the Mounts Gabriel and Kidd, and with the bays of Roaringwater and Ballydehob below. You will find medieval history in the form of towerhouse castles, modern economy delineated by distinctive lines of mussel ropes spilling over the water and always alongside you the immediate wildness of a natural, undisturbed landscape. Views change as the way winds and dips – always interesting, always different, however many times you follow these routes.
Top – mussel ropes abundant in the Bay. Middle -waves of grass in the wild landscape to the north of the road. Bottom – ruins of old mine buildings can still be seen from the road
Autumn brings with it a certain melancholy. Time passes, our lives move relentlessly forward. We enjoy the changing of the seasons but we want to know that there will be so many more seasons to see. Each one will bring us unique experiences.
Top – wildflowers in abundance on the boreens of Cappaghglass. Bottom – signs of old workings in the fields below the road
As I walk the old road, I can’t help trying to picture the scenes there from other times. I wonder what feelings the hard working miners had – did they take in the changing light and the views? Did they see the way the grasses moved with the wind, creating waves on the landscape? Did they have any time to notice nature’s fine details – the incredible variety, colours and designs of the wild flowers? Or was theirs just a drudging commute from cottage to workplace at dawn and dusk?
The end of the road: Ballydehob Wharf, which would have seen great activity (intermittedly) when the mines were in full swing. Cappagh Mine was operating between 1816 and 1873, with its maximum output of about 400 tons of ore being produced in 1827
The poet Seamus Heaney has much to say about the hardship – and order – of a physical working life; his own father had worked the land and the poet was infected with memories of his younger days. This poem – Postscript – has a different emphasis but strikes me as a similar commentary on encounters with the landscape, although it’s concerned with another geography:
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightning of a flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully-grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you’ll park or capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open…