Clonfert, St Brendan – and the Ghost of British Fascism

yew walk 2016

Clonfert, Yew Walk

The yew walk at Clonfert  – ‘a great cathedral of natural growth’ – which Tom and Angela Rolt found so impressive on their visit to Clonfert, Co Galway, in 1946, during their travels around the waterways of Ireland. Their photograph is above; 70 years later we followed in their footsteps and took the picture at the top of the page

We were following the Rolt’s journey described in the book Green & Silver – this post is the sixth instalment of the Travel by Water series. We would certainly have included Clonfert in our own itinerary, as we could not have missed the incredible 12th century doorway of Clonfert Cathedral, a high point of Hiberno Romanesque architecture – that deserves a future post of its own. The Rolts walked to Clonfert from their mooring on the Grand Canal at Shannon Harbour, a round journey of over a dozen miles; we drove to Clonfert and managed to get thoroughly lost in the maze of tiny roads in that part of rural County Galway.

st brendan's grave inscription

The twelfth century doorway to Clonfert Cathedral – a medieval architectural masterpiece – and the grave of St Brendan which it faces

…Close behind the cathedral and sheltering with it among the fine trees which make Clonfert an oasis in the bogland, stands the Bishops Palace, now a lay residence. Having been courteously granted permission to explore the grounds, we found Clonfert’s celebrated yew walk which is reputed to date back to early medieval times. The yews have attained unusual stature, and their interlacing branches curve outward and then upward towards the light to form a series of those ogee curved arches beloved of the Gothic revivalists of the Strawberry Hill period. As the main walk runs from east to west with two short transepts radiating from a central crossing, the effect is truly remarkable and represents nothing so much as a great cathedral of natural growth. Moreover, the light within was appropriately dim and religious, the dark foliage excluding most of the light from the overcast sky. We found the silent twilight of this great nave of ancient trees strangely impressive, more so, in fact than the man-made cathedral close by. In spite of the difficulty involved we decide to make this the subject of our pictorial record of Clonfert rather than the often-photographed west doorway… (LTC Rolt, Green & Silver, George Allen and Unwin 1949).

nuns walk sign

Tom Rolt, the navigator of canals, devotes several passages in his book to Saint Brendan ‘the navigator’ and his many voyages all over the world until …having completed ninety three years… Brendan set out fearfully and alone upon his last voyage while his body was brought home to Clonfert for burial… (Green & Silver): …There is much evidence to support the belief that Brendan reached America nearly a thousand years before Columbus, that Newfoundland was his first landfall, and that he sailed from thence down the coast to the Bahamas and the everglades of Florida… Rolt goes on to admire the conjectured boat which Brendan and his small party of monks would have used: …The hull of this vessel of AD 551 bears a remarkable resemblance to that of an ice-breaker boat which I saw re-timbered at the yard of an English canal company in AD 1943. She was massively built of oak, iron fastened to the ribs, with a high prow and a whaleboat stern equipped with a steering paddle (the rudder had not then been invented). She was decked fore and aft, while the mast stepped in the well amidships bore a single lug sail. Her timbers were possibly skin-covered as the wooden curraghs of Inishbofin are today covered with canvas. She had considerable freeboard, and she shipped no oars but depended on sail alone. In this small but stoutly built craft, of which the Galway Pookawn of to-day is probably the direct lineal descendant, Brendan set forth to sail into the sunset…

Fascinating and curious juxtapositions in the offerings left at St Brendan’s Tree in Clonfert

The Rolts did not mention St Brendan’s Tree, which we encountered on our way to the yew walk. We don’t know how ancient or how recent this manifestation might be. It’s a horse chestnut and it is festooned with all the offerings one would find at a holy well – and more! In addition to statues, rosaries, cards, coins and ribbons there were toys, musical intruments, shoes – and underwear. We were guided to the yew walk by a forester working nearby: we expressed curiosity at the tree, wanting to know its history and efficacy but his response was pragmatic: “I’m Church of Ireland myself and wouldn’t be knowing anything about this sort of goings-on”.

Brendan made several voyages. Rolt continues the story: …It was upon Brendan’s return from his second voyage that he founded his monastery and college at Clonfert – Cluain Fearta Breannain or the meadow of Brendan’s Virtus. This was destined to become a great European University of three thousand students rivalled only by the similar institutions of Clonard and Bangor. Clear thinking was the liberal aim of education at this period… Fifteen years elapsed before Brendan once more set sail to Scotland, and Wales, visiting the great Welsh scholars Gildas the Wise and Cadoc of Llancarvan, and from thence to Brittany and the Cornwall of King Arthur… Where Brendan voyaged after this is uncertain, but rumour and legend associate the name of this indefatigable traveller with the Canary Islands, Teneriffe, Egypt, Palestine and the Isles of Greece. Yet the patron saint of seafarers returned to Ireland to die in the convent of his sister Brigh at Annaghduin…

Bishops Palace

Palace Interior

We found the Bishop’s Palace, which Rolt mentioned as being a ‘lay residence’ – presumably in good order – in 1946. 70 years later it is ruinous. We were intrigued and I determined to seek out its recent history. In doing so I chanced upon a whole section of Irish and British relationships which startled me, and seemed somehow to make entirely poignant the time span of 70 years which I have been observing in this series.

Discarded robin

A poignant moment – discarded robin and broken statue in Clonfert graveyard

I quote from an article in The Dublin Review, issue No 26, Spring 2007. This is an excellently written and comprehensive account of matters well beyond the remit of this little post, but I commend anyone who is interested in history – and the state of the world today – to read it. This extract continues the story of the Palace at Clonfert:

…In 1951, John Arthur Burdett Trench – obsessive huntsman since the age of eight, polo player and, in his mid sixties, possessor of a memory of having ridden home the winner of the Grand National at Fairyhouse at a time when English officers could still relax in the grandstand – sold Clonfert Palace near Eyrecourt in Co. Galway to an English family not long arrived in Ireland. The house had belonged to the Trenches for generations and had once been the residence of Church of Ireland bishops. It stood on the flood plain of the Shannon, a short walk from Clonfert Cathedral, hidden away behind its famous avenue of yew trees, an inconspicuous island of Ascendancy civility on the frontier of the vast bog. Like many other ancient mansions, its comforts and refinements had not survived the privations of the twentieth century and it was badly in need of restoration. Every day for months the new lady of the house would drive across the bogland roads from her temporary accommodation in Tipperary to supervise the installation of bathrooms, electricity and central heating, an Aga in the kitchen. Word spread that Clonfert Palace was being returned to its former glory and that there was work to be had from the new owners. They turned the ballroom into a drawing room and brought a carpenter from Banagher to build bookshelves that covered an entire wall. They filled the once-dilapidated rooms with fine furniture, replaced the broken sash cords on the windows, draped curtains made to measure in Dublin and hung paintings of their ancestors on the wall. They recruited a gardener, a housekeeper and a cook. Occasionally the lady’s husband would arrive in a large, exotic Buick driven by a French chauffeur.

Soon, it became known that the family bringing Clonfert Palace back to life was Sir Oswald and Lady Diana Mosley and their two sons. On the fifteenth of February 1952, the Westmeath Independent carried a short item entitled ‘Distinguished Residents’, disclosing that the previous Friday the Mosley family had ‘moved into occupation’ of the palace. ‘Sir Oswald and Lady Mosley, who have a large staff, are charmed with Ireland, its people, the tempo of its life and its scenery,’ the paper related, dutifully informing readers in a final sentence that ‘Sir Oswald was the former leader of a political movement in England’…

Frightening reminders of a world in chaos – less than a lifetime ago. Left – a poster from 1939 (Oswald Mosley led the British Union of Fascists) and – right – Mussolini and Mosley meet in Italy in 1936 (image from http://www.panorama.it/)

After the war, the Mosleys were virtually outcasts from Britain. Neutral Ireland seemed to offer them a retreat and a measure of civility. The Dublin Review continues:

…Sir Oswald would take his breakfast in bed. The Irish Times and Financial Times would be delivered from Eyrecourt. Lady Mosley would give her orders for the day to Mrs Swan, the cook. When Sir Oswald surfaced he might go for a long walk along the Shannon, passing the barges hauling cargoes of porter, coal or flour. On return he would set to work in his study. Nicholas Mosley has written about his father’s attachment to ‘the hierarchical … classless patterns of life … in the semi-feudal grandeur’ of the estate where he grew up in Staffordshire; in Clonfert Mosley seems to have replicated this idyll. Just as his grandfather had produced wholemeal bread, Sir Oswald supervised the growing of vegetables and ploughed the paddock to plant lucerne, a clover-like plant used for fodder…

bishops palace from neswpaper

This newspaper photograph of the Bishop’s Palace at Clonfert could have been taken around the time of the Rolt’s visit (1946) or after restoration by the Mosleys

The ‘idyll’ did not last too long. The Dublin Review again:

…One foggy night a few weeks before Christmas 1954, while Diana was visiting London, the Mosleys’ neighbours the Blake-Kellys were woken just before two o’clock by the whinnying of a pony in their stables. From their window they could see flames and smoke billowing from the Palace next door. Mrs Blake-Kelly sent her son to bang on the Mosleys’ front door and within minutes Sir Oswald, Alexander and their servants were standing on the lawn watching the flames consume their house. A French maid, Mademoiselle Cerrecoundo, rushed back into the house to fetch some clothes and was trapped at an upstairs window. Sir Oswald, Alexander and the chauffeur, Monsieur Thevenon, held a blanket under the window and she leaped to safety, hurting her back and her hand. Monsieur Thevenon drove to the Garda station in Eyrecourt and from there fire brigades were summoned from Ballinasloe and Birr. It took an hour and a half for the engines to arrive and by then more than half the house was lost to the blaze. The firemen cut through the roof with their axes to create a barrier to the advancing flames…

The story does not quite end there: as if some sort of retribution of biblical proportions were needed, even the land was punished. The Dublin Review concludes:

…By morning, when the firemen had finished their work and stood gazing at the hole rent through the roof of the house, cold westerly winds were gathering strength. It was the beginning of the worst storm in the midlands for a hundred years. Rain, sleet and snow poured down on the smouldering ruins of Clonfert and the winds reached hurricane force, knocking trees across the roads and felling the electricity wires that had been strung only in the last few years. Within a few days thousands of acres of land by the Shannon were flooded. The army came to evacuate farmhouses which were under three or four feet of water and drive cattle to high ground. Stone outhouses were washed away, corn stooks submerged and the swollen bodies of cows and pigs that could not be saved were left bobbing in the water…

protect

I was born in 1946, just when Tom and Angela Rolt were planning their exploration of Ireland’s waterways, but also directly after the turbulence of an awful global war which caused the deaths of over seventy million people. One of the elements which led to that war was the rise of fascism in Europe. In my lifetime to date I have seen fascism largely invalidated and the creation of a European Union whose members have worked towards common and positive aims. For seventy years there has been ‘peace in Europe’. Now – in 2016 – I have reason to worry about our children’s future; some things which should have been buried forever in the pages of history seem to be stirring. I desperately hope my foreboding is misplaced.

brendan stamp

Wild Beasts of Ireland

tiger at feet st canice

There are wild beasts all around us!  Animal, fish, serpent or fowl, real or mythical, carved, painted – imagined. This is my second ‘Menagerie’ – previously we explored the Honan Chapel in Cork, and I was struck by all the wildlife representations there, as set out in this post from over two years ago.

2 deer cashel

Deer and antlers on a memorial plaque in the Cathedral at Cashel – one of the earlier representations here, dating from 1574. Top picture – believed to be a tiger, this fine beast lies at the feet of a medieval knight in St Canice’s Cathedral, Kilkenny

Our travels take us around many of Ireland’s historic sites, and I’m always on the lookout for Creatures – they are abundant everywhere. Countless stories of the saints involved animals: they are common symbols on tombs and heraldic plaques, but we can’t resist also using them today – for inns, shop signs or just decoration on the streetscape. Have a look around you – you might be surprised how many you can see…

toucan guiness

Inhabited streetscapes: top – two Kilkenny Cats undoubtedly belonging to Dame Alice Kytler and, above – there are plenty of these toucans still around in Ireland! They originate from a ‘zoo’ advertising campaign for Guiness begun in 1935 (abeted by Dorothy Sayers who wrote captions and verses); the toucan campaign flourished until 1982

Nobody has ever claimed the toucan as an Irish bird, but pelicans were certainly not uncommon in medieval carvings here. That’s because the pelican in early Christianity symbolises atonement as it was believed to wound itself in order to feed its young with its own blood.

2 birds shield cashel

fish lid st canice

Christian symbolism: top – medieval pelicans at Cashel, and below – a fish incorporated in a modern lid to the ancient font in St Canice’s Cathedral, Kilkenny. The Greek ΙΧΘΥΣ is an acrostic for ησοῦς Χριστός, Θεοῦ Υἱός, Σωτήρ, literally translating as Jesus Christ, Son of God, Saviour

Also in Christian symbolism the lamb represents Jesus – the Lamb of God – who was sacrificed in order to atone for human sin.

lamb with pennant kilkenny

ihs lamb detail
Top picture – not a wild beast, perhaps, but a pascal lamb mosaic in St Mary’s Cathedral, Kilkenny. Lower picture – this strange creature is also a lamb, from a graveyard memorial in Killeen, Co Meath

Lions are popular animals in Britain and Ireland, possibly because they appeared on royal crests and were therefore associated with status and dignity. I was surprised to find bears and eagles well represented.

All the lions (graphic tiles and wistful memorials) are from the Collegiate Church in Youghal. The stained glass is from St Peter’s Church, Bandon, Co Cork and shows off bears (from crests of the Earls of Bandon – their motto was Bear & Forbear), eagles, another lion and – for good measure – a fine serpent

Some of the most splendid and oldest carved stonework in Ireland is to be found at Cormac’s Chapel, Cashel and at Clonfert Cathedral, both dating from the twelfth century. The Hiberno Romanesque doors and arches display arrays of human heads but also numerous creatures.

Heads cormacs chapel

Upper pictures – a small selection from the riotous carvings at Clonfert Cathedral, Co Galway and – lower picture – ambiguous creatures from Cashel, Co Tipperary: all are around 900 years old

I’ll round off for now with some more cat-like creatures and a Kilkenny pig. Oh – and a carving we found in the Cashel museum, titled ‘Elephant and Castle’. Both the carving and the name are enigmatic, as the creature with a castle on its back (wherein resides another creature – a gryphon?) looks to me like a boar with feathers!

pig dores kilkenny

Elephant + Castle

 

Memento Mori

Fanlobbus

It’s Halloween – what better time to take a wander round an old graveyard! Fortunately, we’re well endowed with them in Ireland, in varying states of preservation and decay.

Old graveyard, near Dunmanway

Except for the wealthy, who could afford to erect tombs and decorate churches with effigies of themselves and carved wall plaques, most people who died in Ireland up to the 1700s lie in unmarked graves. However, in the 18th century the practice of erecting carved headstones become commonplace for those who could pay for it. Styles of headstone carving evolved over time. Local craftsmen used the symbols in vogue, interpreting them according to their own ideas and their level of skill. The result can best be described as folk art.

Bridget Sweeney Kilmallock

Bridget Sweeney’s grave in Kilmallock Co Limerick is memorialised with a great example of a nineteenth century carved headstone

One recurring theme is the passion, or crucifixion of Christ, and a headstone we saw recently in Kilmallock, Co Limerick, is an excellent example of the crucifixion and other symbols.

Bridget Sweeney Closer

Top: Not only a crucifixion image,  but various other symbols feature on the headstone, such as a chalice (eucharist) and a rooster (awakening or time). Below: close up of the two angels: left is Michael blowing his trumpet and bearing a set of scales (reflecting his role of weighing souls at the gates of heaven); right is another angel bearing a book (in which might be recorded a person’s good and bad deeds) and keys (to the gates of heaven?)

Denis Sheehan, Kilmallock

Another crucifixion headstone, also in Kilmallock: harder to make out, but full of interesting elements

You may have noticed the letters IHS on Bridget Sweeney’s grave. Ubiquitous on old gravestones, on its own, accompanied by a simple cross, or as part of a more elaborate decoration, IHS stood for the name of Jesus. For a full explanation, see this post from the always excellent Pilgrimage in Medieval Ireland.

Thomas Donahoe Clonfert

Another favourite symbol was a head with wings, usually representing the soul on its flight to heaven, but perhaps also an angel. 

Alice Bolster, Kilmallock

A particularly fetching angel/soul on the grave of Alice Bolster, Kilmallock

St Michael, blowing his trumpet to welcome that soul to heaven, was a favourite motif. We found one behind a bank of ivy in the old Aughadown graveyard near us, down by the Ilen River.

Aughadown

AughadownCan you make out Michael, blowing his trumpet? The enemies of all headstones are ivy and lichen and this one has been overtaken by both

Symbols of mortality decorate some of the earliest Irish headstone – skull and crossbones, hourglasses, books and bells, skeletons, even rotting corpses – all represent the finite nature of life on earth. Memento Mori literally means Remember, you must die. These images were supposed to encourage us, apparently, to lead better lives by reflecting both on the futility of relying on earthly delights and on the reward awaiting us in heaven. Mortality symbols generally date to the 1700s.

Cloondara, Co Longford, no inscription

Top: this slab is in the churchyard at Cloondara Co Longford and has no inscription. The two images below it are from a grave in Castlelands, near Kinsale. These two images are courtesy of our friend Amanda Clarke: she was told by a man doing maintenance work that this was the grave of Anne Bonny the pirate – hence the skull and crossbones!

Sun, moon and star images represent the glories of creation and we’ve seen many instances of sunbursts, often enclosing the IHS lettering. Here’s a nice example, below, from Kilmallock, which also has winged heads and beautiful lettering.

William Jones Kilmallock

Lettering styles varied widely, as did the carver’s ability to spell and to ensure he had left himself enough room. Anyone wanting to invent new fonts (yes, that’s a thing) could well study old headstones and admire the incredible variety of lettering. Carving some of the more elaborately rounded scripts must have been a job for only the most highly skilled.

Dan Linnehan, Cullen, Co Cork

We often see instances where letters and words have to be added above or below the line, where the carver ran out of room

The Lamb of God is another common image – although it can be hard to recognise a lamb in the often lumpen carving at the top of a headstone.

Headstone, Cullen

At an old graveyard in Cullen, Co Cork, there are several stones that appear to be in a local style with a head on either side of the top of the stone

We can’t resist old graveyards – we seldom pass an opportunity for a stroll and an explore. Sometimes we find interesting headstones, sometimes we just soak in the atmosphere, sometimes we worry about the neglect that allows them to slowly disappear into a jumble of brambles and nettles.

Four Children gravestone, Bandon

It’s hard to make out what’s on this old headstone in the churchyard at St Peter’s C of I church in Bandon. The words include a reference to ‘his four children’ so I am tempted to think these four heads representing those little souls.

Here’s some good new – there is an Irish organisation, Historic Graves, that is doing outstanding work in saving our historic graveyards from that fate. In their own words:

The Historic Graves project is a community focused grassroots heritage project. Local community groups are trained in low-cost high-tech field survey of historic graveyards and recording of their own oral histories. They build a multi-media online record of the historic graves in their own areas and unite to form a national resource.

Lissagriffin

Kilmoe churchyard, in LIssagriffin on the MIzen Peninsula, has benefited from a Historic Graves survey

I used information from the Historic Graves survey in my posts about the Stouke Graveyard (Priests and Poets Part 1 and Part 2) and I hope to learn more about their methods and objectives in the future.

Another Historic Graves project was Castlelands, near Kinsale. These photographs are by Amanda Clarke, used with thanks

One thing we have seen is that once a graveyard has been surveyed it’s important to keep it well maintained. The Cloyne graveyard was surveyed in 2013 and many fine old headstones were found and recorded. We visited in May 2014 and loved our walk through the flower-strewn pathways and the newly-revealed headstones. However, earlier this month when we dropped in it had started to resemble a jungle again. 

Cloyne Graveyard

I will leave you with a couple of my personal favourites from graveyard visits – not elaborate, not particularly old, but saying so much. The first is from Castlehaven graveyard in West Cork, the second from Kilbarry, near Dunmanway.

Castlehaven Bridge McCarthy

Crowley Castle St