Inish Beg Estate: Ancient Woods and New Discoveries

Craving a woodland walk, we took ourselves to Inish Beg this week – and found a lot more than bluebells!

This is a cillin, down beside the river. There are lots of stories associated with it

Inish Beg abounds in both the wild and the tame. That’s not such an easy balance to maintain and it’s a real tribute to the team on the ground that manages and nurtures the estate. Mostly, of course, it’s down to the vision and hard work of Paul and Georgiana Keane who bought the place in 1997 when it was crumbling and neglected. The house, Georgie told us, was close to collapse and had to be completely re-done – new roof, plumbing, electrics and a complete re-furbishment. It’s hard to believe now, when you see the beautiful place it has become.

Paul and Georgie run it now as a hotel and wedding venue and it is totally set up for it. In fact it must be one of the most romantic venues in Ireland, ideally situated on an island on the Ilen River, accessible by an old stone bridge. It was originally O’Driscoll territory, but owned by the McCarthy family. When James Morrogh inherited it from a McCarthy relative in the 1830s he changed the family name to McCarthy Morragh – such stipulations were not unusual then.

In the 1890s the family built the grand house, and it is this house that is associated with its most famous inhabitant, Kay Summersby. A noted beauty, she was Eisenhower’s secretary in London during the war, and may (or may not) have had an affair with him.

She describes her early life at Inish Beg thus:

Our home, Inish Beg, was a somewhat run-down estate on a small but lovely emerald island in a river in County Cork. Our favourite pastime (I had a brother and three sisters) was to sail down that river four miles, to the Atlantic. There was a succession of governesses, hunts, spatting parents, riding in the fields and along the long avenue fringed with old trees . . . the usual pattern of life in that obsolete world.

The ‘usual pattern’ for some, perhaps – to me it sounds like a life of breathtaking privilege. However, like many such estates, it became difficult to sustain and by time the Keanes took it over it desperately needed their infusion of enthusiasm and capital. And what a magnificent job they have done with not only the house but the grounds as well.

There’s a walled garden (above) that’s full of organic goodies for the estate kitchens, and also features an indoor swimming pool! Tony O’Mahony, the head gardener, practises an organic philosophy and does not feel the need to eliminate wildness from the garden, which results in a delightful mix of plant life.

But we were here mainly for the woodland walks and we were certainly not disappointed. You could spend several hours wandering the trails here and right now the undergrowth is glorious. Bluebells were in abundance along with every wildflower that contributes to that colourful spring carpet that is so dear to our senses.

There are trails for the kids – pirates and a wildlife search are part of the system, as well as little fairy houses here and there.

There are lovely views (above) across the Ilen to the ruined church at Aughadown – burial place of the Tonsons that I wrote about in New Court Bridge – a Hidden Wonder. Surprisingly, beyond the church, you can see Mount Gabriel. I mention this because of its significance with our next find – a previously unrecorded cupmarked stone!

Regular readers know of our involvement with Prehistoric Rock Art – Neolithic or Bronze Age carvings on open air boulders and outcrops. The cupmark is the basic motif of all Irish Rock Art – a semi-spherical cup-shaped hollow (see more about Rock Art here and here and specifically about cupmarks here). Robert has an amazing eye for slight differences in rock surfaces and has developed a habit of examining every stone we come across for cupmarks. This time he struck gold! At least four cupmarks on the back of a stone along one of the trails.

We like to warn people that rock art can be a little underwhelming. I know these cupmarks don’t look like much, but they were probably carved several thousand years ago as part of a ritual we now know nothing about

The stone has been moved there from somewhere on the estate and the Keanes will try to track down where this was. It’s always important to see a rock like this in its context, of corse, but we are also curious to know if Mount Gabriel was visible from the location, as it is from so many of our West Cork Rock Art sites. We will be returning to do a proper record and see if we can add more information to the story before we send it in to be included in the National Monuments database.

There’s also a boulder burial on the estate, visible as you are leaving. It’s a pretty tumbledown affair, but still recognisable, and we found cupmarks on the capstone too. These may be already recorded, but we will let National Monuments know in case they aren’t.

Fabulous woodland walks, my fill of wildflowers, lovely vistas across the Ilen – and a new archaeological find. Too much excitement for one day!

Diving for Petroglyphs

Finola unravels the mysteries of Rock Art

Finola unravels the mysteries of Rock Art at Knockdrum

Our friends Chris and Gill from Devon are staying with us at the moment, so we took them on the mandatory Rock Art tour: be warned, anyone who comes to see us…

The Rock of the Rings at Ballybane West

The Rock of the Rings at Ballybane West

Visible signs of newly discovered Rock Art

Visible signs of newly discovered Rock Art: note the building on the right

There have been rumours of a new discovery in the Ballybane West area – not far from the Rock of the Rings and the piece on Danny and Gill’s land (and within spitting distance of the Derreennaclogh find), so we set out to track it down. And discover it we did: a distinct but unexciting single ring, right beside a newly built timber studio in someone’s garden. For me this was all fine and neat and tidy: we measured and photographed it and I was ready to move on to the next location without any loss of dignity. Finola, however, was like a dog with a bone – you’ve heard of Truffle Hounds: Finola is like a Petroglyph Hound with a bone – she won’t let it go. She was convinced there was more of the Rock Art – underneath the building! Of course not, said I, uncomfortably eyeing the very small space between the timber framed walls and the muddy wet rock underneath. But too late! Within seconds all you could see were Finola’s feet sticking out from the foundations and muffled shouts of enthusiasm from some deep and murky place. I gingerly stuck a few fingers in the crevice and quickly realised that I have always suffered badly from claustrophobia. Chris, however,  smartly and snazzily dressed as always in something totally unsuitable for pot-holing was away down there in no time, and we soon heard calls for torches, paper and measuring tape.

Finola goes underground

Finola goes underground

We will have to go back another time to somehow accurately measure and record this example, but Finola and Chris emerged mud-encrusted but triumphant with some photographs and sketches of another unusual panel containing circles, rectangles and cup-marks. These are very much in the style of the panels at Derreennaclogh and Ballybane West, themselves atypical of the more usual cups and circles which show a pattern of Bronze Age carving extending through the Atlantic seaboard from Scotland, Britain, Ireland to the Iberian coast, and pose so many questions on the culture and communications of those times.

The find: a piece of carving with similarities to motifs seen at Derreennaclogh (below)

The find: a piece of carving with similarities to motifs seen at Derreennaclogh (below)

derreennacloghBut this discovery does highlight the vulnerability of Rock Art – perhaps the ‘poor relation’ of archaeology in Ireland. Examples can go unnoticed (as in this case), can become overgrown, and can be so easily damaged or obliterated by weather or human intervention. They can also be underwhelmingly low key: a few circles or marks faintly visible on a rock surface. Farming practices are changing, and the transformation of rocky rough land into ‘pasture’ through grants which encourage large scale rock-breaking is a great potential threat to examples of petroglyphs which have only a paper protection through being listed on the Archaeological Survey of Ireland. As yet, we are unsure of how we can best look after this heritage: this is clearly an area of discussion for the future.

Trophy: Chris produced a valuable sketch of the 'hidden' motifs

Trophy: Chris produced a valuable sketch of the ‘hidden’ motifs