Hare

A Hare’s Tale

A country for hares . . . The idyllic landscape that surrounds us is a haven for Nature in all her moods and varieties, including the human intervention of agriculture (above). Regular non-human visitors to our garden at Nead an Iolair which is, after all, just a slightly tamed piece of the natural landscape, provide a constant source of interest and entertainment, as we have demonstrated in previous posts, including this one.

This summer of 2018 has been exceptionally dry – our usually green sward, and the view beyond (above), turned the colour of straw instead of verdant green. When the rains started a couple of weeks ago it didn’t take long for things to get back to normal (below), and the fresh green shoots of grass attracted an unusual, but most welcome, visitor.

Here he is: Berehert the Hare. He’s young, probably about half adult size, but completely independent. Leverets are born fully developed – furred with open eyes, and lead a mainly solitary life. Hares can run faster than any other European land mammal – an amazing 37 body lengths a second. For comparison, Cheetahs can only manage 23 body lengths per second. It’s their speed that can keep them safe: they can easily outrun a single greyhound but, unfortunately, humankind makes the odds most unfair by setting two or more dogs against them in hunting and coursing which, unbelievably, are legal in Ireland, even though the conservation prospects of the Irish Hare are considered ‘very poor’ under the Berne Convention and EU Directive 92/43 Annex V see page 104. There have been attempts to change this bizarre situation – so far unsuccessful: you might like to tackle your own TD next time there’s an election coming up.

Berehert (have a look here to see where his name comes from) stayed around our garden for three days, and this provided an unprecedented opportunity (for me, anyway) to closely observe the animal’s characteristics and behaviour. In the picture above, where he’s looking a little glum on our terrace in the rain, you can see his wonderful russet colouring and his very long legs, particularly the hind ones. These enable him to take great leaps – fully grown he can jump four and a half metres from a standing start in any direction. This is another protection mechanism: if a hare is approached or surrounded by predators – usually dogs – he’ll wait until they close in on him and then jump that distance and run off. The dogs, which rely on scent more than sight, are completely confused and by the time they sort out where he’s gone, he has (hopefully) vanished.

Fortunately, Nead an Iolair’s resident greyhounds (which came with the house) wouldn’t be much use in the chase: they certainly didn’t seem to deter our visiting hare. Young Berehert did everything which was expected of him while I was watching. He allowed me to get quite close to him – and was perfectly aware that I was there, then suddenly he leapt up and was away, a gangly confusion of legs and ears. But he only went as far as the next patch of new green shoots. Here he is, nibbling away . . .

Hares are restless animals: they don’t stay in one place for very long, and it’s quite normal for them to range over 2km at a time when foraging. Berehert is still out there somewhere, and I’m hoping that he will revisit us occasionally. I’d rather not dwell on the fairly short average life span of hares in the wild (four to nine years) and the fact that only one in five leverets survives their first year. For our continuing education in the natural world of wild West Cork we will have to rely on our more regular and stable visitors: Finnbarr the Pheasant’s family and the myriad of small birds who populate our feeders, not to mention the wide variety of insect life and, in these shortening evenings, the colony of Common Pipistrelle Bats who are busily out hunting: if you think you don’t like bats, just bear in mind that each one can eat around 3,500 small insects, such as midges, in one night.

Thank you, Finola, for all those excellent photographs of Berehert: not the easiest of animals to capture on film!

The Turning Year in Rossbrin

We are fortunate to live in a rural idyll: our immediate environment is immersed in the natural world. In fact, I suppose it is ‘Nature tamed’ – as we have pasture all around us as well as banks of gorse and rock: even a few trees which manage to cling on to the shallow soil all through the winter gales and (occasional) summer droughts. As the years go by we feel we become more closely entwined with the cycle of everything around us – we get to know personally the fox, pheasants and rabbits that pass by our window, and the myriad of birds that feed here, forage in the Cove or just show themselves to us on memorable occasions – Spioróg the Sparrowhawk is so handsome when she is resting on our terrace wall while on her deadly missions, and our choughs frequently perform wild dances in the air to entertain us. This year was special for me because, for the first time, I saw a hare amble around the house, alert with erect ears, before loping off into the next door field.

I have written about Rossbrin Cove many times before: look at A Moment in Time, Tide’s Out and Words on Roaring Water, for example. That sheltered natural harbour and the old mine road up on the hill above probably give us the most pleasure because we visibly see the year change and turn every time we walk there. Just now the days are rapidly shortening, and the autumnal influx of wading birds is returning. One we keep a particular eye out for is the curlew – a threatened breeding species here in Ireland. We see many on and close to the water, particularly at low tide, but these are probably migrants rather than resident breeders.

The year is turning – from late summer into early autumn, and the colours are changing from rich reds and purples – fuschia and heathers – to the more sombre yet equally attractive yellows and browns of furze and fern. Finola has closely followed the wildflowers right through from the spring – she is still finding and identifying every imaginable species – it’s a complete world of its own!

We have been seeing some exceptionally high and low tides here in Rossbrin. I’m always fascinated to see the mud-flats revealing bits of discarded history, while I am convinced that the huge remnants of dressed stonework on the north-east shore are the vestiges of once-busy quays, dating either from the medieval period, when Sir William Hull and the Great Earl of Cork owned the lands around here and set up thriving fish-processing ‘palaces’, or – at the latest – when the copper mines were active up on our hills and on Horse Island in the nineteenth century.

The real turning point comes at the end of October – Samhain – when the old calendar enters the ‘dark year’ (the ‘light year’ begins on May 1st – Lá Bealtaine). We know we have long, dark nights to come – time to huddle down by the stove – but there will be bright days as good as any in the year for walking, exploring and breathing in the Atlantic breezes. And the Rossbrin sunsets will be magnificent!

Hares in Abundance

exhibition poster

“And now, Sir Hare, good-day to you. God guide you to a how-d’ye-do with me…” (from the Middle English poem – Names of the Hare – translation by Seamus Heaney)

You may know that I am a Hare fanatic. Every day as I travel along through West Cork – driving, cycling or walking – I am scouring the fields and hedgerows in the hope of seeing one of these shy and elusive animals: very occasionally my watchfulness is rewarded. Last year I kept a Hare Diary… on the last day of December I counted up: I had seen only six, and two of these were in other parts of Ireland. Yet, when I first visited Ballybane West – just over the hill from here – back in the early 1990s I saw them on most days; one early morning then I looked out of the window and there was a whole luck of Hares running around the field beyond the house – at least ten of them.

felt hares

A luck of Hares by Christina Jasmin Roser, feltmaker

Where have all the Hares gone? I can’t answer that, but I can tell you that there are a whole lot of Hares in the Heron Gallery, Ahakista at the moment: Annabel Langrish and her husband, Klaus have mounted an excellent exhibition of art and craft works based around images of the Hare.

The exhibition brings together the work of several artists from the West of Ireland: paintings, drawings, feltwork, fabrics, papier mache, jewellery and ceramics. The whole makes a really attractive assemblage, but any one of the works on display – all of which are for sale – would be an elegant addition to your own art collection! I would readily bring them all here to Nead an Iolair but – as we already have numerous images of Hares around the house – Finola has put an embargo on further Hare imports (just for the moment).

Robert talking

Yours Truly was asked to say a few words about Hares at the exhibition opening: a wonderful portait of William the Hare by Sylvia Parkinson looks on

All the works in the Heron Gallery show bring out the magical qualities of this special animal. Mostly it is Lepus Timidus Hibernicus which is depicted: the Irish Hare. This belongs to the Mountain Hare species, related to Arctic Hares. Irish Hares don’t turn white in the winter but they do moult to a paler colour, and sometimes they have white patches then. There are also Brown Hares in Ireland: these were imported from Britain to add to the game stock on landlord estates from medieval times onwards.

Three ceramic Hares by Annabel Langrish, from the exhibition

Although the Irish Hare has been ‘legally protected’ since 1930 – and is listed as a protected species under EU legislation – it can be hunted under license, and Hare coursing is still permitted. This seems anomalous to me: those who support Hare coursing claim that the animals do not suffer. They are captured from the wild, caged (usually for several weeks), and released onto a course where they are chased by muzzled Greyhounds. After this they are put back into the wild. As their name would suggest (Lepidus Timidus), Hares are nervous animals and there can be little doubt that they do suffer stress through the ordeal. Many die before being released. Coursing has been banned in the UK since 2005. There have been moves to have Hares fully protected in Ireland.

The Hare’s Revenge: Dean Wolstenholme’s painting of Greyhounds coursing a Hare (right), while in the medieval woodcut (left) a Hare plays a tabor. The tabor is the forerunner of the Irish bodhran: I am reliably informed that the best skin to use for a bodhran is that of the Greyhound!

bugs_bunny_by_nightwing1975The Hare is a most ancient animal. Fossils have been found dating from Pleistocene times showing that the Hare has not changed or developed in three million years: presumably it is just so perfectly integrated to its environment. It also occupies a prime place in our own mythology. Hare is the archetypal Trickster figure in many cultures – helping to create the world, to bring fire to humans, generally being mischevious and getting into hopeless scrapes, but always coming out on top: just like Warner Brothers’ Bugs Bunny in fact – who is, of course, a Hare! Bugs (my favourite cartoon character) is loosely based on the Br’er Rabbit stories by ‘Uncle Remus’ – collected in the 1870s by Joel Chandler Harris from the oral tradition of the plantation slaves in the Southern United States. Br’er Rabbit (in America Hares are known as Jackrabbits) has his origin as a Trickster figure in African folk tradition.

I have gleaned most of my Hare lore from this much thumbed edition of The Leaping Hare by George Ewart Evans and David Thomson – published by Faber – which I acquired when it first came out in 1972. If you have an evening or three to spare I will happily regale you with tales of Hares gathered from far and wide and recorded in these pages.

pendants

Jewellery by Alison Ibbs

When I lived in Devon, on Dartmoor, I was fortunate to have around me many examples of a symbol known as The Tinners’ Rabbits. Chagford was a Stannary Town – a place where refined tin was assessed, coined, and sold and there was a story that the symbol was a badge of the tin miners. It depicts three Hares (not Rabbits) in a circle: each Hare has two ears, yet there are only three ears in total. A bit of a riddle, perhaps – but one which has been found all over the world, as a project carried out by Chris Chapman reveals. In Chagford’s medieval church (and in several others in Devon and elsewhere) there is a roof boss carved with the image.

There doesn’t seem to be any real evidence to connect the Tinners’ Rabbits symbol to the tin miners – however, there is a surviving superstition in Cornwall and in Ireland that if you meet a Hare while on your way to the mine (or, in some places, when you are going fishing) you turn around and go home!

Some of Annabel’s Hares in the exhibition (left) and (right) our own view of the Hare in the Moon seen from Nead an Iolair last week

Part of the universal folklore of Hares reminds us that it’s the Hare in the Moon we are seeing above us, not the Man in the Moon. And… I know you thought it was an Easter Bunny that brings the chocolate eggs – in fact it’s the Easter Hare! The Saxon spring festival of Ēostre celebrated a hero-Goddess who had a Hare as a companion… Well, that’s one of the many interpretations you will find of this moon-based festival.

Hare eggs and Hare ceramic by Etain Hickey

It’s not Easter now – it’s July – but you can go and see this exhibition on the Sheep’s Head for the rest of this month, and enjoy the beautiful gardens there as well. If, like me, you are a Hare fan, then don’t miss it!

Looking on

March Miscellany

shovel

Another selection of Irish ‘normalities’ which have caught my English eye over the last few months (the previous selection is here). They have amused me, surprised me and sometimes baffled me. I have the greatest respect for their ‘Irishness’ – a unique outlook on life and culture from a small island which has made a big mark on the world. Mostly the images need no commentary but I have provided a little information for the curious at the end of the post.

them jobs

holy water

scrap

sprigging

ford hare

red light

shrine

luckyhouse

posterity

till he comes

walker

walking

offerings

Most of the images are from our own neighbourhood, but the spectacular wells and shrines – including the one above (to St Brigid) were seen on our trip to Clare. Can’t resist just one more image: it’s the view we enjoy every day from Nead an Iolair, constantly changing and always arresting.

panorama

Making Friends

One of the joys of our sojourn here is being in communion with a whole world of wild creatures. The house, Ard Glas, is wonderfully situated, looking down over a sheltered inner stretch of Roaringwater Bay where there occurs rapid tidal movement creating – twice a day – mud flats teeming with waders, shorebirds, divers and seals.

Ard Glas

To date the spotting scope has shown up everything we might have expected – Curlews and Oystercatchers seeming the most prolific – and some surprises, including pure white Little Egrets, which are not supposed to be here at all! I’m sure I saw a Great Northern Diver, although it’s not impossible to mistake the profile and behaviour of a Cormorant for one of these most magical of birds. In the Canadian myth-time ‘Loon’ (as she is called over there) shares a high place in the panoply of Gods – or assistant Gods – close to the great creator, transformer and trickster Raven. It was Loon who helped the Great Spirit to recreate land after the all-consuming deluge because poor Loon was lonely: she missed the company of Human and Animals, who had all lived, worked and conversed as one race before the punishment of the flood was brought upon the world, largely through Man’s misdemeanours.

Loon

The Fox (or Foxes) frequently visit Ard Glas and the lanes around the townland, as do errant Cows who are either adept jailbreakers or who are being informally grazed on the ‘long acre’ – as Finola so aptly describes the Irish verges. This necessitates that we keep the gates closed, to preserve our neat lawn – whose pristine sheen we have already disturbed by installing a bird-table: a very Irish bird-table finely executed by our friend Danny and painted a most appropriate green. It has yet to receive a feathered visitor – but it’s early days…

Up in the hills – on the Sheep’s Head Way – the quest for friends continues: rewarded, yesterday, by a glimpse of one tenth of a Hare – the first seen to date on this visit. The one tenth was its backside and tail as it disappeared into the bracken: the tail was long and black striped, thus confirming the sighting as a Brown Hare, rather than an Irish Hare. Another excitement on that walk was an ‘almost certain’ Snow Bunting – distinctively white bodied and black winged in its adult male plumage: a rarity in Ireland, and in all likelihood just passing through: the species only breeds in northern Scotland, Iceland and Scandinavia.

I am always on the lookout for more Hares: they are my passion. I’m rather afraid that I won’t see them in the fields around Ard Glas, as there is a large Rabbit population established here – and Hares don’t like land which is used by Rabbits.

But there is rough and seemingly Rabbitless land up behind us, and I am optimistic that some sightings are to be had over the next few months. I have enjoyed many such sightings in the past around Danny’s townland of Ballybane West: I have seen groups of ten or a dozen racing around a field for no apparent reason (Haring?). They do seem to be animals which have a very strong will to confound and confuse, evidenced by a great lack of logical or consistent behaviours and by a whole wealth of folklore, some examples of which I might recount in future posts.