Every year we choose your – and our – favourite posts. We assume that your favourites are the ones we see to be ‘most read’. Ours? Well, that’s a more complex algorithm altogether, for which there is no real explanation or formula.
It looks like you love the West Cork posts – anything about local history, archaeology and walks that help you to get to know this part of the world better. Among your favourites this year were several of our Mizen Magic series. In particular you loved the latest additions to the Fastnet Trails – the Lissagriffin Loop (above) and the Gortduv walk (below).
We love exploring small areas of the Mizen in depth – and apparently so do you! Croagh Cove (pronounced as ‘Crew’ locally) and that amazing little pier at Toor (below) really caught all of our imaginations.
We started a new series on Mizen Megaliths – we’re determined to see them all, even if it kills us – which one of them almost did (kidding, but some of them are not for the faint of heart, below). The oldest is the portal tomb at Arderrawinny, which is our lead photograph.
A little further afield from the Mizen, but still in West Cork, Dunworley Promontory Fort proved to be a fascinating piece of history, as did Caheragh Explorer – in fact you can watch Robert talking about this fascinating place in a short documentary by the Skibbereen Historical Society.
I’m not sure what it says about us, but two our most popular posts this year (your and ours) were not our work at all. Karen Minihane’s book Extraordinary, Ordinary Women of West Cork related the untold stories of brave West Cork women, members of Cumann na mBan who played active (and sometimes terrifying) roles during the War of Independence.
Last week’s post The Twelve Arches of Ballydehob proved a most popular subject. Ballydehob’s railway viaduct – dating from the late nineteenth century can’t be ignored. It was fairly easy to put together another dozen pics of the structure, making a good Christmas Day theme to take your minds off turkey and stuffing!
As we have lived not too far from the viaduct over the last ten years, we have seen it – and photographed it – in many of its moods. And it’s a constant backdrop, of course, to life in our West Cork village. Below – here it is, supporting a very ancient tradition, on St Stephen’s Day (that’s me on the right!):
“No Wrens Were Harmed in the Making of this Post!” That was the title of my RWJ article on the Wren Day festivities in Ballydehob in 2019 – pre-Covid. It was great to be out and about in the village, echoing a custom which has been passed from generation to generation. When I grew up in England I joined in the Mummers’ tradition there: I followed it for much of a lifetime, and even now can recite the whole play without a prompt… “Here comes I, Bold Trim Tram: Left hand, press gang – press all you bold fellows to sea…”
Something else which could do with a revival is the Pedalo tradition. Pedalos were brought out of storage for an unique occasion in the summer – a project named Inbhear, an art installation by Muireann Levis. Here is own my post about it.
I was pleased to have this photo of the viaduct in my collection. If the scale looks a little wobbly it could be because this – and the train – are models sited at the West Cork Model Railway Village at Clonakilty. Below – a local company, in Ballydehob, has chosen to use the bridge in its title.
We showed you some of Brian Lalor’s work last week. Here’s another of his drawings. It is dated 1975: he tells me he has plenty more viaduct pics if I write another post in the future.
Atmospherics a-plenty: we have them all the time in Ballydehob. We do live in one of this world’s most inspiring places… Have a very good and atmospheric Christmas, everyone! And – safe journeying if you are out and about.
Angels we have seen on high – in a Harry Clarke Nativity window, soon to be the subject of a post.
It’s been a good year here at Roaringwater Journal. Lots of adventures and explorations, new finds and old friends. Thank you to all our loyal readers – we do it all for you!
As we are approaching the traditional Twelve Days of Christmas I thought it fitting to give you Twelve views of Ballydehob’s iconic viaduct. Our West Cork village of Ballydehob has many claims to fame. It has been the centre of a great Irish art movement in the mid-twentieth century (have a look at this site). But earlier – between 1886 and 1947 – it was an important stop on the Schull & Skibbereen Tramway. This was a three-foot gauge railway line which must have been a great wonder to those who witnessed it in its heyday. There are fragments of it still to be seen, but its most monumental structure remains with us: the twelve-arched viaduct at Ballydehob.
Above: Brian Lalor was one of the creatives who settled in Ballydehob back in the artists’ heyday (he is still here today). The railway viaduct was a great source of visual inspiration to him and to his artist colleagues.
Here (above) is another Lalor work depicting the viaduct (many thanks, Brian). Behind the arches in this print you can see the former commercial buildings on the wharf, now converted to private use. At first glance you might think what a fine masonry structure this is. In fact, most of it is mass concrete. Look at the close-up view of the arches below: they are cast and faced in concrete, albeit the arch-stones are made to look like masonry. Only the facing infills and the parapets are actually of stone. This is quite an innovative construction for its time. Barring earthquake it’s certain to endure.
I was not surprised to find how often images of this engineering feat have inspired artists and others working in creative fields. Here’s a particularly fine example from the days of the artist settlement around the village in the mid-twentieth century (below): this one is a batik by Nora Golden.
I really like this moody photograph by Finola: it demonstrates the elemental nature which repetition and shadow gives to the scene. (Below): we have to see the way over the top, now a public footpath. The railway was a single track narrow-gauge at this point.
The ‘Tiny Ireland’ creator – Anke – has sketched this wonderful caricature of our wharf area, showing the 12-arched bridge in context. Finola has written about Anke. You can buy your own piece of Tiny Ireland through her website, here.
How better to look at the bridge in context than this view from Aerial Photographer Tom Vaughan. Thank you, Tom, for allowing us to use this magnificent image. Here’s the link to his own website. You will find excellent gifts for the connoisseur here. The last of our ‘Twelve Arches’ (for now) has to show us the bridge in its rightful use. I think this postcard – from the Lawrence Archive -dates from the early 1900s. I can’t resist quoting the caption for the rail buffs among you!
. . . A Schull-bound train has stopped especially for the photographer: this is Ballydehob viaduct looking north. The train comprises GABRIEL, bogie coaches Nos 5 and &, brake vans Nos 31, 32 and 38 . . .
The Schull & Skibbereen Railway – James I C Boyd – Oakwood Press 1999
Wedge Tombs belong to the Bronze Age, starting about 2500BC. Of the 115 examples known in Cork, 12 occur on the Mizen, of which the best known is Altar (below).
All wedge tombs share the same basic wedge shape – broader and taller at the western end, which is assumed to be the entrance. All are oriented towards the western sky. To refresh yourself on the essentials of wedge tombs, take a quick read of my post Wedge Tombs: Last of the Megaliths, and then come back here.
For my series Mizen Megaliths, we are trying to visit all the megaliths of the Mizen Peninsula (like our closest one at Kilbronoge, above), so today, I want to concentrate on two we visited this year, both of which are incorporated into field boundaries, Cappaghnacallee and Ballydivlin.
Cappaghnacallee – the name is interesting, the tillage field of the Cailleach. The Cailleach was the wise woman, the Hag of Irish mythology, the bringer of winter, the veiled one. Many placenames include a reference to her, including the largest and most impressive of the Cork wedge tombs, Labbacallee, the Bed of the Cailleach: here’s Robert’s post on this most impressive monument.
It is possible that the presence of the wedge tomb in this townland is the origin of the place name Cappaghnacallee. But if it was once an important local site, the focus of legend and ritual, it’s not easy to recapture that sense of it now. It’s hard to find, hidden in a field boundary (above), overgrown with brambles and long grass. We visited in 2015 and again this year and it’s more overgrown now.
Once you do find it, it is recognisable as a wedge tomb. Here’s what the National Monuments record says about it, and I couldn’t put it better myself.
The monument, incorporated in a stone field wall, consists of a gallery. . . aligned NE-SW. The W end of the monument has collapsed and is obscured by the roofstone and field-clearance material. The S side forms part of the field wall and is represented by three stones that rise in height to the W. Only the E stone of the N side survives and there is no evidence for a backstone. The roofstone. . . rests on the two opposing sidestones forming the E end of the gallery and slopes downwards to the entrance area where it is covered by field-clearance material. The monument appears to have collapsed in antiquity as there is a layer of peat on top of the roofstone below the field-clearance material.
There are views from the site down to Roaringwater Bay, but also to Mount Gabriel (below). We are constantly amazed when we visit prehistoric sites to find that Mount Gabriel is in view and are more and more convinced that it was a sacred mountain.
The second Mizen wedge tomb I’m including in this post is in Ballydivlin, not far from Goleen. Once again, this is a partially collapsed tomb, perhaps in slightly better shape than Cappaghnacallee, but the similarities of situation are striking. Like Cappaghnacallee, this wedge tomb is incorporated into a field boundary or hedge (although locally it would likely be called a ‘ditch.’
Here’s the NM description:
Tomb incorporated in fence; gallery. . . aligned NE-SW. Three erect sidestones on N side; one erect stone, one fallen sidestone on S; backstone visible at E end and another stone closes W end gallery. Stone partly covering W end gallery may be displaced roofstone. No indications of surrounding mound.
This wedge tomb is situated in such a way that it has views of both Mount Gabriel (below) to the east , Mizen Peak (the pyramid-shaped mountain that is the focus of the Altar Wedge orientation) to the west and, in the nearer distance, of Knockaphuca to the north. There are also clear views across the sea to Cape Clear (above).
Setting out to find these obscure wedge tombs is a great way to spend a day on the Mizen. We did it in the winter, when undergrowth is not so luxurious and the ground is hard underfoot, and were blessed with fine weather each time.
We were also blessed with a fine bull at Ballydivlin – fortunately one field over and more interested in his cows that in us.
Rincolisky, also known as Whitehall (the name of the townland in which it stands) was a castle of the O’Driscoll Clan – the fierce, sea-going, fabulously wealthy family whose seats of power were in Baltimore (Dún na Séad, or Castle of the Jewels) and Cape Clear (Dún an Óir, or Castle of Gold).
The siting is interesting. It is in clear view of Kilcoe Castle, built by the McCarthys probably to keep an eye on the O’Driscolls and the O’Mahonys, and Rossbrin Castle would also have been visible battlement-to-battlement. Here’s what Samuel has to say about that in his Tower Houses of West Cork;
The tower house seems to have been located to defend the isthmus between Cunnamore and the mainland; the isthmus would ease the defence of herds of cattle and it is possible that some form of occupation may have existed before the construction of the tower house. The defensive strength of the site seems to have have been deliberately enhanced by the quarrying required for the tower house’s construction. The scarp faces eastward, perhaps because attack from this direction was expected.
The name Rincolisky comes from the Irish Rinn Cuil-Uisce, or Point of the Backwater. It appears to be 15th century, as are many of the castles in this region, and there is one documentary mention of the year 1495 as the year in which is was built. After the Battle of Kinsale and the subsequent subduing of all the West Cork clans, it passed into the ownership of Sir Walter Coppinger, along with the lands, which apparently included a ‘town’ of which no trace now remains. The Coppingers remained in possession throughout the tumultuous 17th century after which time is passed to their relatives, the Townsends. At some point in the 18th century the Townsends abandoned the draughty old tower house in favour of a more comfortable manor house (like the ones described here), styled Whitehall. They may have used stone from the castle (the upper floors) or the bawn walls in its construction. This would explain the total absence above ground of traces of the bawn.
At this point, Rincolisky fell into disuse and became, as is the fate of so many West Cork castles, a convenient place for a local farmer to keep cattle (below, photo by Margaret McCarthy). And so it remained for a couple of centuries, until it found the champion it needed and deserved.
Stephanie Jaax loved this area and spent summers here with her parents who owned the castle. She was determined to bring it back to life and what a daunting proposition that was! Stephanie was also set on doing it properly and this involved getting all the required surveys and assessments done by archaeologists and working to conservation and historical standards at all times. To see how well she has succeeded, take a look at this video, which shows not only the castle, but the surrounding area.
Rincolisky is one of the Raised Entry Castles of West Cork. Similar to Ardintenant and to Black Castle. Black Castle (or Leamcon) has the same layout, in fact, with the raised entry directly above the ground entry.
Rincolisky Castle offers a wonderful opportunity to observe how three spaces could be accommodated beneath the vault.
The main kitchen/dining area at Rincolisky is on the ground floor (unlike at Leamcon where it is on the top floor). Originally this area may have been used for storage and it was self-contained – that is, there would have been no access to any other floor from this level.
Now, however, a wooden stairway leads to the second story, a wooden floor laid on the joists which were stretched between the joist stones in the walls (see Dunmanus Castle for examples of this. From this floor, a spiral stairway leads up to the final floor under the vault, used now as a sleeping space. One surprising things is that the areas under the vault are not as dark as I imagined they would be. given so few, and such small, windows. Partly this is because of the whitewashed lime render which really helps to brighten up the interior, and partly it is the result of clever and subtle lighting.
Access to the second floor in the 15th century would in fact have been from the outside. The raised entry, now repurposed as a window but originally a door, was what separated the public from the private areas of the castle. Ascending the outside steps to the raised entry, you would go straight ahead into the second floor, or turn left to ascend the steep stone stairs to the storeys above the vault.
The second floor may have been used as a public space where the chief met with others and carried out the business of the clan lands. But see also further down – it was possible this kind of business was conducted in an adjacent ‘hall.’
The private areas of the castle – the home of the chief and his family – were accessed by ascending the steep mural staircase which then turned into a spiral staircase within the corner of the castle. Nowadays this brings you to the final floor of the castle, used for sleeping, living and bathing. But originally this would have led up to two more stories and access to the wall walk and roof.
The current top floor is beautifully done – with a bedroom, bathroom and living room. The crowing glory is a sunny terrace with stunning views across the sea and surrounding countryside.
Throughout all her renovations, Stephanie has employed archaeologists to carefully excavate and uncover all the original features and has followed best practice as provided by Cork County Council Planning Department and heritage experts.
The photograph above is of three distinguished medievalists – from the left Con Manning, Margaret McCarthy and Eamonn Cotter – pondering over the most recent excavation.
This, of course, has severely limited what she was able to do and how she had to do it, and made it more expensive. This process continues, as the area around the entrance was excavated this summer by Eamonn Cotter to try to establish what lay immediately outside the ground-level and raised entries. His finding have turned up the original lime render (Above) which would have coated the entire building (leading to the name White Hall), traces of the original bawn wall (found also in the previous excavations) and a complex series of structures which were built, and collapsed, over time.
These structures incorporated what may have been a bread oven and it seems the buildings were attached to the castle, as evidence by traces of a gable wall, now no longer visible. Eamonn posits that the first building may have been a ‘hall’. In his report he says.
At some point in the 17th century the building was roofed with local slate and imported North Devon ridge tile. . .
It is well established from historical sources and from excavations that many, if not all, tower houses had ground-floor buildings attached or adjacent to them, buildings generally identified as halls. . . The building uncovered at Rincolisky may be interpreted as such a hall. Its roof, with imported glazed ridge tile, would certainly suggest it was a high status building. Its location, immediately adjacent to the castle and tucked into a corner of the bawn, is replicated in other tower houses. . .
Halls were for the conduct of business and meetings. This hall was replaced by another building during the 17th or 18th century, but this building has left no clear evidence of its purpose or longevity.
When we see Rincolisky now, it sits alone and isolated. It is hard to imagine that it was a bustling place, surrounded by an enclosed bawn, with other buildings inside the bawn and even attached to the castle, while a nearby ‘town’ carried on all the business of medieval trade. What is not hard to imagine is that, without Stephanie’s dedication, care and attention to detail, this castle would have ended, as so many others have, crumbling into an unrecoverable state. All of us owe her our appreciation and gratitude for salvaging and lovingly restoring such an important part of our heritage.
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