Roaringwater Bay

Aspects of Baltimore

“…The fish are knocking at our doors but we haven’t a bucket to take them from the water…” – This was Father Charles Davis, Parish Priest of Rath and The Islands, appealing to Queen Victoria shortly after his appointment to the area in the 1860s. He and three Cape Clear fishermen had been granted an audience to explain the near famine conditions that still prevailed in West Cork, and the priest’s proposal to build a fisheries school and establish a new fleet of boats in the town of Baltimore.

Header and above: the huge goods shed and boatbuilding slip that were established in Baltimore following Father Davis’s successful appeal to the Queen

Help came when the Queen directed the appellants to Baroness Burdett-Coutts – the richest woman in Britain: we met her in Flying Foam, my quest to find out as much as I could about the remains of an old fishing boat that lie submerged by the tide in Rossbrin Cove. That quest is ongoing – and has grown in complexity – but today’s little journey takes us to Baltimore, not too far from Rossbrin, especially as the foam flies. We have been to that lively little town many times (not least to enjoy the annual Fiddle Fair – this year’s is coming up at the weekend!), but never before have we taken a close look at the stories surrounding the fishing industry – and the extensive evidence of it which still exists.

I have always been fascinated by Industrial Archaeology, and I’ll search out any remnants of old workings, canals, railways and engineering structures that can be traced in the field, wherever I happen to wander. Baltimore offers a wealth of finds, and most of them can be traced back to Father Davis’s positive influence on the fortunes of the town in the late nineteenth century.

The big slip – where Baltimore’s own fishing fleet was launched and prospered, with the town’s working harbour in the distance: from there boats ply every day to Sherkin and Cape Clear

Prior to the work of Father Charles, Baltimore was a resting place and servicing centre for the large Manx fleet and boats from England and Scotland, all reaping the harvest of the sea on the fringes of the Atlantic. As the century progressed, the priest saw his vision realised: between 1880 and 1926 Baltimore was the largest fishing port in the country and 78 fishing vessels were registered locally. The local economy was also boosted by boatbuilding and net making, as well as providing a hub for the transporting of goods to and from all the inhabited islands of Roaringwater Bay.

Harsh, unpaid work – net making by the boys at the Baltimore Fishery School – later the National School

Father Davis pursued a previously conceived project of establishing a fishing school in Baltimore. A grant of £1,000 was made to this by the  Grand Jury of County Cork, and the Treasury, at the instance of Arthur Balfour, Chief Secretary for Ireland (and later Prime Minister of Britain) granted £5,500 towards the completion and fitting-up of the school. In 1886 the Fishery School was formally opened by Baroness Burdett-Coutts.

From an encyclopedia illustration: the Burdett-Coutts portrayed with the new Baltimore Fishery School in the 1880s. The picture below is of the medieval castle at Oldcourt, further up the Ilen River

Fr Davis was not yet at the end of his labours in connection with the fishing in Baltimore. He was aware that one of the great disadvantages under which the fishermen of the region laboured was the difficulty of transporting the fish to the English markets. This was ordinarily accomplished by steamers from Baltimore to Milford Haven, Wales. However, there were times when these steamers were not available, and it was necessary to send the fish via Dublin and Holyhead. In these cases the fish had to be carted from Baltimore to Skibbereen, with the result that the fish greatly deteriorated in transit. To remedy this problem, Fr Davis set about getting a railway link between Skibbereen and Baltimore. This project, when first started, seemed to have little promise of success, but Fr Davis was not discouraged. He enlisted on his side the sympathies of a great number of Nationalist members of Parliament and of many who were not of Nationalist politics. He also enlisted the powerful aid of Baroness Burdett-Coutts. In the end his efforts were crowned with success when a bill for the Baltimore railway was passed by Parliament. However, he never lived to see the railway line open on the 2nd May 1893.

(Notes from the Diocese of Cork and Ross)

Baltimore Station – the most southerly railway terminus in Ireland – is still intact today, although now deserted and derelict following a previous incarnation as a sailing school. Good Friday, March 31st, 1961, is a date which will be remembered by many in West Cork as the loss of a lifeline to the outside world. Despite ‘the greatest civil protest since the foundation of the State’, the West Cork railways closed down.

The three photographs above are borrowed from the blog Beneath the Summer Growth – an excellent site which has covered many aspects of Irish industrial archaeology. I could not find a direct acknowledgement for these pictures, which are the best I have found on the Baltimore line. Upper – the railway line at its furthest point, on Baltimore Pier (1961); centre – Baltimore Station when it was still working (1961) – on the left is the large goods shed; bottom – Baltimore Station in 1962, when the trackbed was being taken up

In spite of the loss of its railway, and the decimation of its fishing fleet, Baltimore thrives today as a working town – with its ferry terminals serving the Islands – and a popular West Cork tourist destination.

Baltimore Station and its accoutrements still very much in existence today, although now disused and with no plans for the future

At one stage there were seven trains every day out of Baltimore, all carrying fish for the American market. But the good times didn’t last and in the early 1950s the National School (formerly the Fishery School) closed. You may not want to know the full story of this institution: it has been told – starkly – by Alfred O’Mahony – who was a resident there between 1941 and 1947. The story entails abuses of many kinds: beatings, hunger, harsh conditions – the building was unheated and the boys had to endure the winter of 1947, the coldest on record in Ireland. I will quote a single example – the state of the sanitary facilities:

The outdoor lavatories were wedged between the play hall and the laundry. The ten cubicles there had splintered and rotted half-doors hanging from large rusted hinges. The large roundels in the cubicles had once supported the original giant chamber pots which, on becoming rusted and holed, were sometime in the forgotten past discarded and never replaced. Despite our ignorance about these matters, our outside lavatories were called “The Pots”. At a call of nature we mounted the wooden pot supports to bare our bottoms and let go through the roundels, but when the icy blasts of winter blowing through the roundels caused goose pimples and chattering teeth we used the floor until the underfoot conditions forced us to use the open-air compound behind the cubicles. There was no water supply there from any pipe or stream, and no wipes of any kind were available to us; only the falling rains washed the place. When we left the play hall for a call of nature on a rainy wintry night we had to negotiate through the slurry in the unlit lavatory compound; when we returned with soiled clogs we exuded a mighty stench. Once every fortnight Jer the farm labourer shovelled the human waste into a cart, and as the load was pulled by Ned, the institution’s donkey, through the precincts, the pong forced us all to turn away in disgust. Father McCarthy deemed in 1945 that the appearance of our outside lavatories was an eyesore to visitors and ordered the building of a six-foot-high concrete wall, and in doing so he concealed the perfect conditions for a cholera epidemic that could have wiped us off the face of the earth.

(Alfred O’Mahony, The Way We Were Inspire Books, Skibbereen 2011)

It’s probably a good thing that no part of the former Fishery School and National School remains today: the site has been completely redeveloped (above). There is a memorial, a simple carved granite stone which leaves a whole lot unsaid. What makes me shiver is the fact that this maltreatment happened not in the Victorian era of child labour – grotesque and inhumane conditions such as those which Charles Dickens vehemently campaigned to highlight and eradicate in the middle of the nineteenth century – but in my own lifetime.

‘Flying Foam’

A recent post – Fish Palaces and How They Worked – discussed the history of the fishing industry in the south west of Ireland, and focussed on our own Roaringwater Bay. There’s an ‘extra’ story following on from that – well worth the telling, but frustratingly incomplete.

The header picture (courtesy of the National Maritime Museum, Greenwich) shows a ‘dandy-rigged nobby’, a traditional fishing vessel built on the Isle of Man during the second half of the nineteenth century. The photograph above shows such a boat, also from the Isle of Man. ‘Nobbies’ like these came to form the basis of a fishing fleet centred on Cape Clear and Baltimore, provided by the benefice of ‘the wealthiest lady in Victorian Britain’ – Baroness Angela Burdett-Coutts (1814 – 1906). Here she is, below.

Angela Burdett-Coutts was just twenty-three when in 1837 she gained an inheritance of around three million pounds (roughly one hundred and thirty million pounds in today’s money) from her Grandfather, which she immediately directed to good causes. According to the Dictionary of National Biography: 

In 1862 Father Davis, the parish priest of Rathmore, co. Cork (now Baltimore), appealed to her for aid on behalf of the people of the south-west of Ireland, especially in the district of Skibbereen, Crookhaven, and the Islands of Cape Clear, Sherkin, Hare, and the Calves, which had never recovered from the sufferings of the famine years 1848 and 1849 . . . Her chief work was to revive and extend the fishing industry of the south-west coast. She advanced large sums of money, on a well-devised scheme of repayment out of profits, to provide the fishermen of Baltimore and the Islands with the best fishing-boats that could be built, and fitted them with modern and suitable gear. In the course of five years the new fishing fleet of Baltimore was valued at 50,000 pounds . Much of the capital was in due course repaid; and Father Davis used all his influence to keep his parishioners scrupulously to their engagements. In 1884 she paid her first visit to the district and was everywhere welcomed with enthusiasm. With the assistance of Sir Thomas Brady she soon afterwards helped to inaugurate a fishery training school for 400 boys at Baltimore. The school was opened by her on 16 Aug 1887, when she was received with bonfires on the wild hill-sides, and flags flew from every cottage down the coast from Queenstown to Baltimore.

Fish processing on the quay in Cape Clear, nineteenth century

By 1900 fishing in West Cork was in its heyday, with an annual turnover of £100,000. Between 1880 and 1926 Baltimore was the largest fishing port in Ireland and 78 fishing vessels were registered locally. By 1907, after the North Pier had been built, the fleet was so numerous that you could, it was said, walk to Sherkin across the decks of the boats!

Looking across to Sherkin Island from the Cove, Baltimore, today

A further version of the story appeared in Ireland’s Own Magazine, in September 2018, narrated by Eugene Daly:

My father, Mícheál Ó Dálaigh, was born on Cape Clear in 1910, the eldest of four children. When his father Eugene died in 1920, he quickly had to take over the part of breadwinner and at a young age became a fisherman . . . The people of Clear, often known as Capers, had for many generations always been fishermen. On Cape Clear one is aware of the all-embracing sea. In the 1880s, through the work of Father Charles Davis, a £10,000 loan was granted by the English philanthropist, Baroness Angela Burdett-Coutts. With those loans they bought ‘dandies’, 50 to 60 ft long made in the Isle and Man and later in Baltimore Fishery School. By 1920 there were up to forty of these boats fishing out of Trá Chiaráin, the island harbour. Some of the musical names for these boats include Sarah Gale, Guiding Star, Carbery Queen, Jasmine of Downings etc . . .

What is of interest to us is that – according to local tradition – there is the remains of one of the ‘nobbies’ or ‘dandies’ in Rossbrin Cove, just below where we live in Nead an Iolair. You’ll have to look at low tide: you can just make out the scuttled boat in the picture above, on the right in the middle distance. In the view below the wreckage is clear.

It was our near neighbour, Michael John, who told us that this was one of the Burdett-Coutts boats, and that it was named ‘Flying Foam’. He also remembered hearing a poem or recitation about the boat and its fate at some time in the past but – in spite of many enquiries locally – I can as yet glean no further information. Frustratingly, this is where the story is left hanging in the air . . . Perhaps a reader of this journal might have the memory and can enlighten us? We would love to find the poem!

Fish Palaces – and How They Worked

Four years ago I wrote about the fishing industry that once flourished on the shores of Roaringwater Bay (and around much of the west coast of Ireland): according to extant records it was active before 1500, and probably had its heyday in the seventeenth century, when it was heavily invested in by the Great Earl of Cork (Richard Boyle, sometimes described as ‘the richest man in the known world’). In those days, pilchards were the main catch: huge shoals of them came to the comparatively warm, sheltered waters of the islands during the summer months, along with other oily fish such as herring and mackerel. Seine boats were commonly used for this enterprise. Today, pilchards are rare: through a combination of overfishing and changing climate, the bountiful shoals no longer appear.

Header – pilchard curing in St Ives, Cornwall c1890: the pilchards are piled up in layers, forming the huge mound in the centre of the photograph. They are salted and weighted down. Above – curing the fish, Valencia Island, Co Kerry, early 20th century (Reddit / Ireland)

Shooting the Seine:

There were two boats per seine net, the seine and the faller. The seine boat was 27 foot long with a beam close to nine foot. The golden rule on the Northside was to never get into a boat whose beam was less than one third its length. The seine boat had five oars of about 17 foot (bow, Béal-tuile, aft, bloc and tiller oars). The crew of seven had to shoot the seine net; one man shooting the trip rope, another to feed out the bunt rope, four men rowing and the huer (master of the seine and captain of the boat) directing the operation. The faller (or bloc) boat was 24 foot long with a crew of five. Its job was stoning and to carry any fish caught. The largest load a faller could carry would be around 5,000 fish. All boats carried a Crucifix and a bottle of Holy Water.

(from Northside of the Mizen by Patrick McCarthy & Richard Hawkes, 1991)

Twentieth century remains of a seine boat, from Northside of the Mizen

If the fish are gone, remains of the machinery of that industry are still to be seen. In particular, the sites of some of the curing stations – or Fish Palaces – are visible, and are recorded on the National Monuments Archaeological Survey Database. Take a look at the map below: I have drawn green pilchards to show the sites of fish palaces mentioned in the database – eleven in all on this section of the map. Also shown by red pilchards, however, are the sites of another six ‘curing stations’: these are mentioned in a long article by historian Arthur E J Went, Pilchards in the South of Ireland, published in the Journal of the Cork Historical and Archaeological Society in 1949: Volume 51, pages 137 – 157.

Known sites – or historical mention of – fish palaces (curing stations) in the South West of Ireland (information from  National Monuments database and  Arthur E J Went, Pilchards in the South of Ireland 1949)

The active fishing of pilchards on a large scale in Ireland has been discontinued for many years so that, unlike Cornwall, there is little left, apart from published records, to indicate its former importance. There is, however, published information as to the methods of fishing, and a few sites of old curing stations, frequently called pallices, can still be identified.

from Arthur E J Went, Pilchards in the South of Ireland, 1949

Arthur Edward James Went (1910–80), noted fisheries biologist and historian, lived at Sandycove, Co Dublin. In 1936 he was appointed Assistant Inspector of Fisheries in the Department of Agriculture, Dublin, and later was promoted to the position of Scientific Adviser and Chief Inspector of Fisheries

As explorers of all things historic and archaeological – particularly in West Cork – Finola and I couldn’t resist visiting some of the sites of Palaces – or Pallices – documented in these studies. We have always know about the one nearest to Nead an Iolair, in Rossbrin Cove – it’s just down the road: a perfect sheltered harbour, although it does dry out at very low tides. However, there seems to be some debate about exactly where this one is located. It would date from the time of William Hull and the Great Earl of Cork, so how much would be left after 500 years? There is a field on the north shore of the Cove with an old name: The Palleashes which, according to Arthur Went (quoting local tradition), was the site of a curing station for pilchards, operated by the ‘Spaniards’. There seems to be some difference of opinion locally as to which of the many small fields here is the actual site, although it is likely to be close to the large, now modernised quay, as this shows up on the earliest maps.

In the upper picture: the quay at Rossbrin is still used by small fishing boats today. Centre – the field above the present quay may be The Palleashes, and therefore could be the site of the medieval fish palace: there are very overgrown signs of stone walls here. Lower picture – the old 6″ OS map, surveyed around 1840, shows a lane accessing the area above the quay (to the left of the ‘Holy Well’ – that lane is no longer there today) and there are buildings close to the shore which could indicate the palace. In 1840 there was no road running along the north shore of the Cove, but the strand at low tide would have been used as a thoroughfare. Just above the ‘Holy Well’ indicated on the shoreline – and slightly to the right – is a small red dot. This is the area shown by Arthur Went as the possible site of the fish palace (and subsequently marked as such on the Archaeological Database); in my opinion it is more likely to have been directly accessed from the water.

A sure sign of the site of a fish palace is a line of perforations or holes – as can be seen above at Baltimore, where a substantial curing station is recorded (although it may only date from the nineteenth century). Large timbers were inserted horizontally into these holes to form a ‘press beam’ to provide leverage for bucklers to squash out the oil from the salted pilchards, as shown in Arthur Went’s diagram, below:

The ‘Train Oil’ – produced from the compressed pilchards – was a valuable commodity, and was collected to be stored and used for treating leather, and as fuel for lamps. As a by-product of the pilchard industry it was said to be as valuable as the fish themselves.

Palace Strand, in Schull

To continue my researches I went along to Schull, where Arthur Went mentions a ‘Palace House’ on ‘Palace Strand’ – an inlet just to the east of the main harbour. This is right beside the old railway station which was not quite the terminus of the Schull & Skibbereen Railway, as a spur went on from the station to serve the harbour itself. The station buildings and part of the platform are still there – now a private residence. I could not find anything in the area shown on Went’s map at the east end of the strand, but I did find something at the west end.

In the upper picture is a wall on the western boundary of the old station site in Schull. This contains beam holes very similar in size and spacing to those we have seen in fish palaces elsewhere: it’s very tempting to think that this wall – now part of a derelict building – may have had this purpose, as it is well situated close to the shoreline of Palace Strand. If this was a fish palace, it is also likely to date from the nineteenth century, as the early Ordnance Survey maps don’t indicate it. The centre picture shows the old station buildings today, and the lower picture taken at Schull Station in 1939 reminds us of past times: the railway closed in 1947.

This post is a ‘taster’ for a fully illustrated talk I’m giving at Bank House, Ballydehob, on Tuesday 26 February at 8pm: Pilchards & Palaces – 300 years of Fishing in South-West Ireland. It’s part of the Autumn series of Ballydehob’s ‘Talks at the Vaults’

Below – a postcard showing fish curing on Cape Clear in 1906 (from Hely’s, Dublin)

New Year Resolutions 2019

Note of explanation from Finola and Robert: the Blog has taken on a mind of its own and decided he needs to make some resolutions for 2019.  He has asked us, his slaves faithful staff, to record these, as a means of keeping him accountable. Ours not to question why, ours but to do or die, so here goes, in his own words. . .

The Black Valley, Kerry

1. Spend more time in Kerry

It’s only next door, after all, and it’s in Finola’s blood, since her grandmother came from Killarney and she still has lots of lovely family there. So I’m determined they will take me there on outings a bit more often this year. There’s an ulterior motive too – you, my faithful readers, know that I often cosy up to that cheerful little Bloguette Holy Wells of Cork: she’s running out of wells in Cork but is enthusiastic about the idea that we can go jaunting off together on Kerry adventures.

2. Incorporate more music

I have to let you in on a secret – Robert is forever promising to learn new tunes for me, but then he comes up with all kinds of excuses why he’s not getting on with it. He’s too busy, it’s too hard, it’s not in the right key, blah, blah, blah. He’s finally sort-of learned this one, after weeks. We live in the heart of Irish traditional music – come on, people!

Staff member Robert trying to get it right – it’s called Pearl O’Shaughnessy’s Barn Dance, learned from Clare concertina player Mary MacNamara

3. Get on with that Saints and Soupers story

Honestly, that Finola, she leads us deep into this fascinating study of whether or not that Fisher guy was a saint or a souper, and then she goes off on one of her tangents about stained glass or wildflowers or whatever. I’m dying to know what happens next, so I’m going to have to lean on her to put the nose to the grindstone and get back to all those Protestants and Catholics and the actual famine part.

Michael the Archangel fights the devil – a powerful good versus evil metaphor in Altar Church

4. Get out to the Islands

It’s called Carberry’s Hundred Isles, for goodness sake – we can see them from the house (like Sarah Palin and Russia). Time to travel to more of them and get to know them. 

South Harbour on Cape Clear

I’ve been polishing up my Irish (or Blirish, as we Blogs like to say) and I need the practice, so Cape Clear needs to be on the agenda. I hear they have a good Blirish program out there, so ar aghaigh linn!

Staff member Finola and her sister on Cape Clear this summer

5. Finish the Fastnet Trail walks

This is a bit of a hangover resolution from previous years when I vowed to do all the Fastnet trails, but got a bit distracted with other walks and other projects. Besides, they’re adding to them all the time so if I don’t get off my desk and get out there soon the job will just get bigger and bigger.

Kilcoe Castle can be seen from several of the Fastnet Trails

6. Find more places to have breakfast

My staff loves going out for breakfast and I must say I am very partial to a nice plate of avocado toast and smoked salmon, with a good pot of tea to wash it down (although those two insist on lattés). They took me to the Box of Frogs in Bantry recently, and despite my misgivings about the name (I had a bad experience with a toad once) I had to admit the food was excellent. But, like all the humans I meet recently, I’ve been toying with the idea of eating less meat so I will persuade them to go to Antiquity Bookshop Café in Skibbereen for their tasty vegan food more often. BUT. . . see next resolution

Nicola surrounded by her stock in trade in Antiquity, West Cork’s first vegan café

7. Read the books!

The staff keep bringing more books (especially from Antiquity) into the house and they pile up beside me, making me feel guilty that I’m not keeping up. They built a new set of shelves and they are already filled. Honestly, in this day and age, you’d think someone would have invented some kind of scanner-to-brain technology so that Blogs like me wouldn’t have to work so hard.

Just one shelf – yikes!

I have more, but the experts say not to make too many. Right, friends – a little encouragement and I’m sure I will be fine, despite all the malingering and complaining of my staff. Onwards and upwards into 2019!

Favourite Posts of 2018

At this end of the year we reflect with a critical eye on all our 2018 posts – there have been 102 of them – and select just a few which we think stand out in some way. A link is provided for each one, in case you want to have another look yourselves.

Firstly – not just one of our favourites, but the all-time most popular post we have ever published – Ireland’s Newest Stained Glass Window. Finola wrote this in January, and then went on to put together an article in the Irish Arts Review on the same subject later in the year. The window is in St John’s Church in Tralee, a Catholic church, but the project was a joint venture between the Catholic and Anglican congregations. It tells a story of reconciliation, from many angles. The window was designed and made by Tom Denny, one of Britain’s most eminent and respected stained glass artists. Tom is a direct descendant of Sir Edward Denny (1547 to 1599) who was one of the architects and enforcers of the Plantation of Munster. It’s a complex history, and this post is well worth a careful read.

Another post which proved popular was Robert’s detailed account of an archaeological site in West Cork: Knockdrum Stone Fort. This place has everything – a substantial stone structure which probably dates from the first millennium AD; prehistoric Rock Art (one of our favourite subjects – the Knockdrum example is pictured above), likely to be around 5,000 years old; fabulous views (choose a clear day) – and a solar alignment discovered in 1930 by Vice Admiral Henry Boyle Somerville, the younger brother of writer and artist Edith Somerville. In a complementary post, Finola reported on Boyle’s life and tragic death – and gave us insights into the science of archaeoastronomy, expanding on this in a Bealtaine post, following our own experience of Boyle’s discovered alignment at Knockdrum (the sun setting exactly over the fort is pictured below).

Way back in 2017 we started a series of occasional posts bearing the title . . . Off the M8 . . . We do a lot of travelling throughout Ireland (because it’s such a beautiful and historically rich country) and cover the ground between Cork and Dublin quite frequently. The M8 motorway has made this journey quite straightforward, but it has also provided the jumping off point for many an exploration to enhance the journey. One of my own favourite discovered places this year is the magical Glen of Aherlow (pictured above). We thank our good friends and travelling companions Amanda and Peter – she of Holy Wells of Cork and he of Hikelines  – for pointing us to this entrancing valley located between Slievenamuck and the Galtee Mountains in the western part of County Tipperary. We discovered there secret places and stories relating to obscure Irish Saints: have a look at the haunts of St Berrahert and St Péacáin in these posts from Robert.

When I moved from Cornwall to West Cork some years ago I was delighted to find out that our lively adopted village of Ballydehob had a great artistic heritage during the second half of the twentieth century, to rival that of Britain’s westernmost county. West Cork became a cosmopolitan centre for artists, writers, craftspeople and musicians, renowned in its day but never properly celebrated – until this year. I was one of a small group locally who decide to rectify this by establishing the Ballydehob Arts Museum (BAM): our first exhibition . . . Bohemians in Ballydehob . . . using donated artworks, ceramics, storyboards and posters, was staged in Ballydehob’s community building, Bank House, and – presided over by Curator Brian Lalor (one of the surviving Bohemians!) – was the first incarnation of the new Museum, which will be followed up by new exhibitions every year. The picture above (courtesy of Andrew Street) from my post, shows the Flower House which, during the 1960s and 70s, became an iconic focus for the town’s artistic colony.

It was a grand summer altogether, and we were out walking the roads and footpaths of West Cork as much as possible. On a fine day in May we set off to explore the Toormore Loop which is only one of an excellent comprehensive system of trails which has been put in place locally in recent years. This post – Another Grand Day Out on the Fastnet Trails – documents that adventure and, hopefully, will encourage all of you to enjoy this wonderful free resource and immerse yourselves in the nature that’s all around us.

The second most viewed post this year was Finola’s fascinating account of the Rock of Dunamase and the history that it embodies. It’s a place that, for some reason, took us a few years to get to – and it’s Off the M8! But – as you can see from the picture above – climbing the Rock will give you a most rewarding and spectacular view across several counties. The ruin on its summit is inextricably associated with the most turbulent events in Irish History – the coming of the Normans to Ireland in 1169, and the famous marriage of Aiofe (daughter of Diarmuid MacMurrough, King of Leinster) to the Earl of Pembroke, immortalised in the painting by Daniel Maclise (below, courtesy of National Gallery of Ireland). The fortification with its Great Hall on the Rock was a MacMurrough stronghold, and accordingly was part of Aoife’s dowry when she married Strongbow.

Finally (for today, anyway) we look at Finola’s post which comprehensively explores another West Cork treasure: Heir Island – a Modern Paradise (pictured above and below). West Cork has such a diverse landscape, including the inhabited islands of Roaringwater Bay, each one of which is unique. Finola teamed up with her photographer friend Trish Punch and they were shown around the island by islanders Christine Thery and Sarah Mathews, who run the Heir Island Wildlife Project. This post is a great example of how the diversity of life on the island – and here in West Cork generally – brings together so many disciplines and interests: photography, history, wildflowers, wildlife, colourful houses, and art. Everything that Roaringwater Journal tries to encompass, in fact.

West Cork Obscura – Finola’s Picks

The popular Atlas Obscura defines itself as the definitive guide to off-the-beaten-track and little known wondrous places. So we’ve captured that idea and, as our Christmas present to our readers, bring you our own carefully-curated, slightly eccentric, Roaringwater Journal Guide to West Cork’s Hidden Wonders. Robert’s selection is here. No well-know tourist spots for these posts! No car parks and visitor centres! You may need wellies for some, a good map for others, and, although all are accessible, some may require permission.Each place I recommend will link to a blog post with more information. As an example, Sailor’s Hill, just outside Schull (above) is an easy walk and look what you get at the top! 

This is the view from Brow Head, looking back towards Crookhaven, and Mount Gabriel in the distance. Brow Head is much less visited than Mizen Head, but just as spectacular

I’m going to start with some archaeology and a couple of spectacular sites. The first is the Kealkill Stone Circle – but this isn’t just a stone circle, it’s a complex of monuments that includes a five-stone circle, a radial cairn (very rare in this part of the world) and two enormous standing stones. The views are immense in every direction, and the site is easy to find.

We all know about Drombeg – and we love it when the sun goes down at the midwinter solstice, and even when it doesn’t. But fewer people know about another stone circle, equally spectacular, with a spring equinox orientation. It’s called Bohonagh and it’s quite a complex. First of all, there’s a boulder burial, with quartz support stones and cupmarks on the boulder. Then there’s a cupmarked stone, partly hidden in the brambles between the boulder burial and the stone circle. Finally, there’s the circle itself, almost complete, with views in all directions.

Equinox sunset at Bohonagh

We were lucky to have a session there one equinox, and another one with Ken Williams of Shadows and Stone. For access, park just off the main road, across from the salmon coloured house 4.5km east of Rosscarbery and walk up the farm road to the barns and from there to the top of the hill. This is a working farm – please close all gates and be respectful of animals!

Maughnasilly Stone Row broods on the hilltop

A stone row to round out the archaeology sites – this one is at Maughnasilly and I chose it because it’s been excavated, so there’s an informative sign, access is easy and it’s a beautiful, atmospheric site, overlooking a small lake. The row has been calculated to have both lunar and solar alignments.

And from the ground…

A couple of churches now, beginning with the Church of Ireland Church of the Ascension in Timoleague. This is one of those places that is dripping with unexpected stories. As soon as you go through the door your jaw will drop – the whole church, floor to ceiling, is covered in mosaic, partly paid for by an Indian Maharajah. Read the story here and here – and look carefully at the stained glass windows, some of them are among the oldest stained glass we have in Ireland. The key used to be at the grocery store on the main street, but I’m not sure where it is now, so you may have to ask around. Let us know if you find out.

The interior of the church, and one of the beautiful Clayton and Bell windows

You may wonder at my next choice – it’s not everyone’s cup of tea – but the modernist church in Drimoleague is the work of Frank Murphy, the architect hailed as Cork’s ‘Unsung Hero of Modernism’.

I love the spare minimalist space, very rare in West Cork, but it’s the stained glass windows that drew my attention. It’s not that they are particularly beautiful or skilfully done: they’re by the Harry Clarke Studios long after Harry himself had died. It’s that they fascinate me as a social document – they are, in fact, a prescription for how to live your life as an Irish Catholic in the 1950s. As such, they will resonate with anyone of my vintage. Research by the brilliant young scholar, Richard Butler, has revealed that the design was practically dictated by Archbishop Lucey, still a name to invoke an image of the all-powerful churchman of the 20th century.

And a final church, but this one strictly for the windows. (No – not St Barrahanes in Castletownsend for the Harry Clarkes – everyone knows about them already, and this is a selection of lesser-known wonders.) Do NOT go through Eyeries, on the Beara Peninsula, without stepping into the little church of St Kentigern. Here is where we were first introduced to the work of the stained glass artist, George Walsh.

The Annunciation and Nativity window

When Robert wrote his original post, we couldn’t find out much information on George Walsh, but now he has become a friend and I have written about his work for the next issue of the Irish Arts Review (due out in March, 2019) and spent many happy hours photographing his windows and his artwork around Ireland. It’s bold, graphic, modern and incredibly colourful, and the windows in Eyeries, along with the religious themes, tell the story of Ireland and the Beara through time.

Some places to visit now for a good walk or a swim. First, one of my favourite walks is to hike up to Brow Head, at the end of the Mizen Peninsula (you can drive up too, but pray you don’t meet a tractor coming down) and then walk out to the end of the Head (see the second photo on the post for the view from the top of the road). Stop first to explore the ruins of the old Marconi Station – there’s also a Napoleonic-era  signal station and a WW2 Lookout Post. Then wander through the heather and the low-growing gorse until you get to the part where the sea is crashing below, with vertiginous drops off either side. I will leave it to you how far you go from there!

Brow Head showing the signal station and Marconi station silhouetted against the evening sky

Although Barley Cove is well known, Mizen locals love Ballyrisode Beach for a swim or a lounge in the sun. White sand, sheltered bays, and water warmed by running over the shallow bay. The final little beach holds a secret – a Bronze Age Fulacht Fia or Water-Boiling Site, that Robert and I recorded for National Monuments this summer. It was an exciting find, hiding in plain sight. The beach has an association with pirates too!

Ballyrisode Beach – yes, the water really is this colour. The three sided rectangular stone thing is the fulacht fia

The final choice for a walk is Queen Maev’s tomb, a short hike up from Vaughan’s Pass car park, up behind Bantry. For this photograph I am indebted to Peter Clarke, of the wonderful Hikelines blog. He and Amanda (with whom we have explored SO many holy wells)  were our companions that day. When you reach the top there is a small wedge-tomb, but this is one place where the journey is the real story, with the Mizen, the Sheep’s Head and the Beara all spread out before you.

Photograph © Peter Clarke

I leave you with a detail from the George Walsh windows in Eyeries, together with the poem the scene is based on, Pangur Bán, written in the 9th century by an Irish  monk labouring away in a scriptorium in Europe. Here is the poem read, at a memorial service for Seamus Heaney, first in the original Old Irish and then in Heaney’s translation.

Merry Christmas from us! If you live here, get out and about this year to some of our picks, and if you don’t, come see us soon!