‘The Mountain’

We spent a day on ‘The Mountain’. It’s a West Cork location, not too far away from us. The land has a history that touches on many of our interests covered here in Roaringwater Journal – and some of the West Cork people we have written about over the years – so it’s pretty special. We were delighted to be welcomed to it by its present owner, Oliver Farrell: that’s himself, in the pic below. You have met him before, here. Thank you, Oliver, for allowing us to experience this special site, and for letting us put out this post about it.

Previously, the 70 acre ‘Mountain’ site was owned by the Wrights – Lynne and Ian (above): you saw them in the 2022 Ballydehob Arts Museum exhibition, here. When they purchased it – in 1997 – it was rough pasture and bog. They aimed to develop an environmentally and economically sustainable forest using existing grants, and successfully challenged the decision of the Forest Service (through the EU) to only grant aid the planting of alien conifers. They set about transforming it: they had a vision of a ‘pure’ West Cork landscape supporting an ecosystem of native species. Now – many years later – it’s possible to see that the Wrights’ vision was fully justified – and realised. Today Oliver is undertaking essential maintenance work, and is committed to expanding on the inherent sustainable qualities that the site embodies. In fact, ‘The Mountain’ is largely in excellent environmental order.

Interestingly, Ian told us that when they made the decision to buy the site they had only seen it under cloud: the spectacular view wasn’t revealed until later on. We were fortunate on the day of our visit to see the full panorama of Roaringwater Bay stretched out before us.

This dramatic view towards Mount Gabriel is a reward for climbing ‘The Mountain’. The ground was waterlogged on the day of our visit as this autumn has been a time of relentless rainfall, but always interspersed with brief dry patches: it’s great to be out to catch these. Springs rise on the high ground here, and I’m working out that they either feed the Roaringwater River – the water that gives its name to the whole Bay and islands that are central to our view from up here in Nead an Iolair, or another of the many streams that drain the West Cork hills below us.

Oliver stands above one of the spring outlets that form the infant waterway (top), while the stream matures as it flows on down through his land (lower). Below – Oliver and Finola inspect one of the lakes which has been created within the site.

At one stage in his life Ian researched, developed and introduced the building of low–tech ferro–cement boats as a cottage industry on Lake Malawi to help address the problem of unsustainable fishing practices there. At the ‘Mountain’ site he experimented with ferro-cement as a material for establishing a well blended-in shelter and store.

Straddling two townlands, ‘The Mountain’ is an impressive example of how an area of West Cork wilderness has been perfectly moulded into its natural setting. It is an out of the ordinary place which demands exploration.

I’ll be visiting the site, and writing about it more in the future. Oliver will be keen to allow access: keep watching this space.

Bray Railway Station Murals

In a recent post I gave some examples of public art which can be seen on the railway station at Bray, Co Wicklow. I think this subject deserves a more comprehensive airing, so here we go! Just to recap, murals were originally painted here by Jay Roche and John Carter, who won a competition in 1987. Over the years the paintings deteriorated, and were replaced by the same team – assisted by Anthony Kelly and Eileen Maguire – with a very fine set of tiled murals. I’m recording the rest of these in this post, as I am so impressed by the overall work.

Each panel represents a decade in the line’s history. You’ll have to decide for yourselves which decade is which . . .

If only that newspaper headline was really true!

From Wiki Commons 2007: A Panel for Every Decade since 1850s in Bray Railway Station. These are the painted murals.

(Above) some of the painted murals in a fairly advanced state of decay: probably early 2000s. The tiled murals are loosely based on the subjects of the originals, but the artists have respected the variations that the change of medium calls out for:

I mentioned – in Taking Notes – that Brunel was responsible for the line that runs through Bray. Here he is, standing on Bray Station:

And here (above) – also one of the tiled murals on Bray Station – is a portrait of William Dargan. As you can see – considered ‘Father of the Irish Railways’ – Dargan lived from 1799 to 1867. He engineered over 1300 km of railways in Ireland. Working firstly in the UK he was an assistant to Thomas Telford, and oversaw the construction of roads and canals in the Midlands. He returned to Ireland in the 1820s and took an interest in promoting railways here. The first public commuter railway system in Ireland was designed and built by Dargan: it opened in 1834 and ran between Dublin and Kingstown, now Dún Laoghaire. The line as built was ‘standard gauge’ (ie 1,453mm between rails). This was converted to the ‘Irish standard’ of 1,600mm in 1857. The line extended south to Bray in 1854, and to Greystones the following year.

Isambard Kingdom Brunel, an engineer of Britain’s Great Western Railway, informed the Dublin and Kingstown Railway board that he was planning to build a line into South Wales and start a new sea route from Fishguard to Rosslare. He suggested a joint venture for a line from Wexford to Dublin. A coastal route from Bray (rather than inland) was chosen specifically because it would be scenically attractive for travellers. This led to engineering difficulties including tunnels and retaining structures which are still evolving to this day.

Brunel’s vision of a line going from the capital to Wexford and linking with a service of Irish Sea ferries has been fully realised, and is taken for granted. Let’s hope that this line is maintained and continues on far into the future.

I hope you have noticed how the design of the rolling stock has been changing as we go back through the decades. The representation on these murals is accurate, as far as I can see.

I was sorry to miss the sight of restored steam locomotives and carriages coming through Bray and Greystones on Sunday 24 September this year. Here’s a previous Steam Express visit to Wicklow in 2022 (courtesy Irish Independent):

Here in the West we did have some very singular railway lines – look at these posts: The Great Southern Railway: Headford Junction to Kenmare; Aspects of Baltimore; The Flying Snail and Tracking the Trains. Sadly, it’s no longer possible to travel by train in our region: all lines west of Cork City closed on 31 March 1961. Before that you could get to Skibbereen, Ballydehob, and Schull, Bantry and Baltimore and even, on a little branch line, to Timoleague and Courtmacsherry. Don’t we miss those opportunities?

Road Bowling Catch-Up!

There’s a man about to ‘loft’ a bowling ball. Pronounce it Bowling, to rhyme with ‘growling’: in the Irish language it’s Ból an bhóthair – I’ve also seen the term Long Bullets used. This is a match we watched close to home – here in West Cork – all of ten years ago. It’s amazing we haven’t visited the subject again until now. In fact, it’s quite a secretive sport: if you put yourself ‘in the know’ you will be aware when it’s happening. Otherwise it’s something which you may pass by chance on any of the myriad by-roads of our county – and others.

The sport is played mainly in the Counties of Cork and Armagh, although it may be encountered elsewhere in Ireland – in England, The Netherlands, Germany and – nowadays – in many of the United States. But you won’t find it on any Olympic Games timetable, and I’m not sure that it is ever televised: that would be a strange programme, as it’s challenging to follow and involves walks of many kilometres through tangled lanes and byways. Also, I don’t know whether any traffic laws are bent or broken in its pursuit.

Certainly, it has produced its champions.

Here’s one: Mick Barry. The photo is likely to date from around 1955. Mick was All-Ireland Champion on eight occasions between 1965 and 1975. He lived a long life – 1919 to 2014. But he is best-known for having established a record – on St Patrick’s Day 1955 – for lofting a bowl on to the 100 ft high parapet of the Chetwynd Railway Viaduct just outside Cork.

Above – the Chetwynd Viaduct in the 1960s, – after the line was closed, carrying a maintenance train, and – above that – a somewhat fanciful print of the same structure dating from a century before, together with the lead ball used by Barry. The same venue was the scene of another bowling spectacle thirty years later. In 1985 10,000 people showed up to watch a young German named Hans Bohlken loft a 28oz Road Bowl over the viaduct, using a portable ramp to improve his throw (images courtesy Cork Echo):

. . . In Irish road bowling the small iron and steel cannonball called a bowl is hurled down a 1 to 2-mile country lane. Throws can roll 250 or even 300 yards. Similar to golf, the player with the fewest throws to the finish line wins. Excitement builds as two evenly skilled players match each other shot for shot for more than a mile. Often, these memorable matches, called scores, are decided by only a few feet or inches’ distance past the finish line, both players with the same number of throws. The twists and turns of a narrow country lane, as well as the tilt of the road surface (the pitch and camber), provide a rich playing field for strategy and can spark spirited debate among the thrower, his coach and full-throated spectators . . .

WVROADBOWLING.COM

Finola drew my attention to a poem written by folk-poet Liam McGrath, who grew up in Skeaghanore, not far from us here in Nead an Iolair – and therefore as local a ‘folk’ as you could ever find. His work has been collected, but never widely published. Here is his commentary on the ancient pastime of Road Bowling:

Please dear Lord, forgive us all, for that boyish little sin,
When we dashed out from the Rosary, before that last Amen.
Could we only turn back the clock, to re-live those days of Yore,
In the Summer twilight of a Sunday ‘eve, to throw just one more score.

So clearly now each face I see, as we pass Jer Coughlan’s gate,
As the ladies from Ballydehob walked by, looking charming and sedate.
The finishing line was at Stouke cross, then a score the other way.
To stroll the streets of Ballydehob, our young hearts bright and gay.

When’re the twilight lingered on, we had many a thrilling score
’Til the last throw was decided, near Will Regan’s of Clashmore,
Sometimes we changed the venue, our choice, the old Church road.
But the skill and thrill remained unchanged, it was the bowler’s code.

A penny, tossed high in the air, a bowler called the toss.
The first bowl flew from the bowler’s hand, in a score to Raheen Cross.
From Bantry Cross to Skehanore, was also a favourite distance.
Such happy lads in the good old days, when nothing seemed a nuisance.

St Peter and St Patrick, went out for a little walk.
“What’s that iron ball, asked Peter, and who is that happy mob?”
“They are throwing a score, said Patrick, and they’re all from Ballydehob.”

I must conclude this little poem, ‘cause I know it’s getting late,
Only time for a score up Bantry Road, to Charlie Daly’s gate.
Just lofted that turn, near Berry’s house, and my wrist is feeling sore,
So I’ll down this pen, may we meet again, to throw just one more score . . .

LIAM MCGRATH – Died in Australia – 1990

(Above) The McGrath grave in Stouke graveyard, in the next townland above our home. Liam died in Australia and his ashes are interred here.

Leap and its Scarecrows

There’s a village in West Cork called Leap – say “Lepp”. Where does that name come from? As is often the case in Ireland, it all starts with a story . . .

Tradition had it that St Patrick never went west of Leap (in Irish that’s Léim Uí Dhonnabháin, which translates literally as The Leap of O’Donovan), and that’s the sign at the entrance to the village, above. It was St Ciarán of Cape Clear who did all the converting in our part of the world: read about him here. So when The O’Donovan, pursued by British soldiers ‘leaped’ over the deep gorge which you can still see to this day, he was escaping into a much wilder country. The gorge (this is as it looks today – below) divides the West from East Carbery. So difficult was it to pass “beyond the leap” in those old days, that it was said: “beyond the leap, beyond the law”.

Apart from O’Donovans Leap, the village is celebrated today for its associations with Hallowe’en, Ghosts, and Scarecrows. And we are approaching the time of year when these phenomena come to the fore. At the present time, a few shopfronts are being decorated, but there are plenty of Scarecrows waiting in the wings for their moment to arrive!

You can see that Leap – in West Cork – will be worth a visit once the festivities are in full swing: that will be between Monday 23 October and Sunday 5 November this year. Back in 2015 we visited the Leap Scarecrow Festival and wrote this post about it (click here). Interestingly, it became the most popular post we had published up to that time – it’s had around 3,250 views since it first appeared. Have a look at it now – but also remember to go to the village of Leap at the end of this month!

A Swiss Spy in Skibbereen

The story of a Swiss Government foray into West Cork at the time of the Cold War has seeped into folk memory. When we settled in Ballydehob in the early twenty-first century we heard many accounts and – as is often the case – sensation takes preference over sober fact. Nevertheless, the tale is worth telling, and I have set out what I perceive to be accurate. It all centres around the man above – Colonel Albert Bachmann – and two locations: Murphy’s Cove, Tregumna, and Liss Ard House, just outside Skibbereen.

Contrasting atmospheric conditions: Murphy’s Cove, Tregumna, on this misty October day (upper pic) and Liss Ard House on a beautiful June day in 2021 (lower pic). Our story properly begins in 1962 . . .

The cover of Esquire magazine, January 1962 features an article headed ‘9 Places in the World to hide’: one of these places is “Cork – Ireland”. In fact, the article suggested that Cork was considered the safest place in all Europe in which to hide from the predicted nuclear holocaust. I was a teenager in the UK at the time, and remember the worries of everyday life through that year – in particular the Cuban Missile Crisis. 1963 was little better – dominated by Kennedy’s assassination. We didn’t have a television in those days – friends did; but our ears were glued to our wireless sets, not knowing what to believe, or expect. Now – sixty years later – I’m older and wiser. I survived.

. . . COLONEL ALBERT Bachmann, who has died in Cork at the age of 81, was the James Bond of Switzerland. He came to west Cork in 1963, fell in love with the area and bought property there. At the time he was rising through the ranks of Swiss military intelligence, though Switzerland is typically seen as the world’s most neutral state with few if any belligerent enemies. Bachmann took himself on a secret mission to Biafra, then trying to secede from Nigeria, where he implied mysteriously that he was involved in secret arms deals with the Shah of Iran. He passed himself off as an upper-crust Englishman called Henry Peel who smoked a pipe, though with his Germanic accent it is difficult to imagine this disguise was successful . . . He was promoted to Colonel in the intelligence and defence section of Switzerland’s Untergruppe Nachrichtendienst der Armee (UNA). This gave him authority over three units of secret Swiss military intelligence, including a special service set up to respond to any threat of Soviet invasion, which he felt very sure could happen . . . . He hunted with the West Carberry, where he was something of an embarrassment, having his own ideas about which fields he could gallop across without the permission of the owners . . .

Obituary in the Irish Times 14 May 2011

It has been said that, with Swiss military money, he bought 200 acres of land in West Cork, including Liss Ard House (above, from Skyscape). From 1976 onwards, Colonel Bachmann converted Liss Ard into an exile for the Swiss Federal Council (the governing body of the country, which has seven elected members). Known locally as “The Funk Hole of Europe”, it was equipped with all modern high-tech computer facilities long before such equipment was widespread in Ireland. The cellars were dug out and strengthened to store the massive Swiss gold reserves that the government would bring with them.

Above are some of the cottages in Murphy’s Cove that Bachmann bought, possibly also with Swiss money. Ostensibly they were to house fleeing diplomats in the event of the predicted collapse of civilisation. The Colonel’s interests, however were not always related to the Cold War. He set up a pub in Tragumna, the Skibbereen Eagle: named after an infamous local newspaper. Rumour has it that the kitchens were oversized because they would have to feed the exiled envoys. It’s still a popular establishment.

In fact, the more you try to delve into the life of Bachmann, the more enigmas you encounter. Some reports say that he raised the money himself to purchase Liss Ard: the historian Titus J Meier showed in a book that Bachmann acquired the property on the west coast of Ireland with the help of private and institutional sponsors. The Swiss Government only paid annual rent twice, each time amounting to 50,000 francs.

. . . Bachmann was obliged to retire in 1980. An official investigation criticised P-26 [a Cold War stay-behind army in Switzerland charged with countering a possible invasion of the country] as an illegal paramilitary programme, operating as a clandestine, parallel structure within the Swiss security network, and lacking governmental authorisation or control. When Bachmann’s secret army was finally dismantled, its war chest – gold worth six million Swiss francs – was donated to the Red Cross. But he always insisted that it served a vital function. “How vital,” Bachmann told the reporters who sought him out, “I cannot tell you.” . . .

Bachmann’s Obituary in The UK Daily telegraph

Another view of Liss Ard Estate (courtesy Irish Examiner)

Esquire Magazine January 1962

Col Albert Bachmann: born November 26, 1929; died April 12, 2011

Taking Notes

Regular readers will know that I am always on the lookout, in Ireland, for signs of all kinds. They may be humorous, informative or historical – like the one above. This is on the railway station in Bray, County Wicklow. Back in 1987 a competition to design painted murals to enhance the station platforms was won by Jay Roche and John Carter, who produced 19 panels to illustrate the railway through its history.

As you can see from this picture of Bray Station taken yesterday, the panels certainly brighten up this much-used civic concourse.

. . . Each panel is like a window into the past that tells a story about the people, dress or time of the mural. One mural signifying the 1920s, makes reference to a man in a Black and Tan uniform.  On the website Mural to Mosaic, which chronicles the progress of the project, the artists state they are trying to show that dramatic events were unfolding around that significant time in Irish history . . .


The Daily Edge Newsletter 2012

You’ll have noticed that the panels are now made of mosaic. The painted originals suffered from wear and deterioration and the same artists, assisted by Anthony Kelly and Eileen Maguire, have in recent times transformed all of them into the new medium. I think the result of the earlier concept and its newer manifestation are excellent, and provide a great visual diversion for anyone waiting for a train or a Dart (Dublin Area Rapid Transport). In fact, it’s worth missing a train in order to fully appreciate the artwork!

Isambard Kingdon Brunel is the engineer credited with planning the line which, in 1844, was intended to be ‘broad gauge’ all the way to Rosslare. Here he is in a Bray station mosaic, above. I’ll return to this railway in a future post as the full story of it is well worth the telling – even though it’s not West Cork (which, of course had its own interesting railway line).

Before leaving behind the railway, here’s a photo of Bray Head (courtesy of Irish Defence Forces) taken after a gorse fire in the summer of 2018. As well as the Bray to Greystones line you can see the outline of the EIRE sign that was put there in ‘the Emergency’: one of over 80 such signs dotted along the coast, it was a warning to aircraft of all persuasions that they were flying over neutral Ireland.

. . . The ‘Éire’ signs were erected around the Irish coastline from the summer of 1943 onwards, a period when overflights of Irish territory and forced landings of belligerent aircraft (mainly Allied) had increased dramatically. In keeping with the De Valera* government’s policy of discreetly co-operating with the Allies, Allied air crews who landed in Ireland were assumed to be ‘non-operational’, and therefore were not detained (a fact that the Germans noted with displeasure). It made more sense to all concerned, however, if such forced landings could be avoided and so the ‘Éire’ signs were erected to ensure that pilots knew that they were flying over Irish territory . . .

Royal Irish Academy Newsletter

*See our header pic for another reference to Dev!

The EIRE sign above is very clearly delineated: it’s on the cliffs at Toe Head, in ‘our’ County Cork.

This Post Office sign has been kept intact, probably for reasons of nostalgia. I’d doubt there are many today who would proudly proclaim that the sale of cigarettes is one of their mainstays.

(Above) – I couldn’t resist the enigma of this signwriting . . .

. . . But I think the one above leaves us in no doubt who it speaks to.

I’d like to understand the meaning of this Irish road name: one AI translator told me it is ‘thought position’, another ‘location avenue’ . . .

No comment on the two signs above. The following, however, provokes some questions – a window on someone’s world?

What world does this gate open up to?

Promises, promises . . . But I think they found it: