West Cork in Photographs – Your Favourites, Part 1

Navigating Mizen Head

A fishing boat navigates the rocks of Mizen Head

Our Roaringwater Journal Facebook Page features lots of our photographs of West Cork – two or three every week – and we know by the views and the ‘likes’ the ones that capture your imagination. It’s become a tradition here with us at the end of the year to go through them all and show you the top choices. Think of it as our Christmas present to you, our wonderful readers – nothing to read, just images of our gorgeous part of the world to drool over. Of course, we have our own favourites too, even if they didn’t get as many likes as others did, so we sneaked a few of those in here two. This is the first of two posts – the next one in a few days.

Sheeps Head November Day

Sheep’s Head

Chough by the Gate

Chough in the rain

Fastnet in the sunset

Fastnet Lighthouse at sunset

2 0f the 12

Two of the arches of Ballydehob’s famous Twelve Arch Bridge

Roaringwater Bay from Sailors' Hill

Roaringwater Bay from Sailor’s Hill above Schull

Gougane Oratory 2

Gougane Barra in the autumn

To the Mass Rock, Sheeps Head

Walking to the Mass Rock, Sheep’s Head

Kealkill 2

The archaeological complex at Kealkill – a five stone circle, a standing stone pair and a radial cairn

Rossbrin Dawn

Rossbrin Cove dawn

The next batch (Part 2) is now up. Enjoy!

Your Favourite Posts of 2016

Horses at Caherdaniel

It’s that time of the year again! The wonders of technology enable us to know which of our posts have received the most views: we can see how many people clicked on each article although we don’t specifically know who you are! This is great for us, because we can get an idea of what you – our readers – like to see and this helps us when considering what to write in the future. Not that we necessarily always respond to the statistics, because sometimes we just think there are things that you need to know about, regardless of their potential popularity or otherwise!

Not in the ‘top ten’ – but through the year Finola has expanded – and passed on to you – her knowledge of the wildflowers that make the hedgerows and verges of West Cork so colourful (bee in fuschia, left), while Robert has used the Olympic year of 2016 to examine the history of some sporting events in Ireland (Tailteann Games 1924, right)

So, during this year, Finola and I have published exactly 100 articles for Roaringwater Journal: that’s almost one each every week. It’s fascinating for us to look back and see where we have been, what turns our interests have taken, and of course to see how well (or otherwise) our writing was received. Statistics are one thing, but it’s your comments that really inform us – so keep them coming…

From Outposts of Empire: memorials in St Barrahane’s Church, Castletownshend (left) and St Patrick’s Cathedral, Dublin (right)

Top of the board are two posts from Finola: one from the beginning of the year – Outposts of Empire, which researched and reviewed some of the monuments that are to be found in Protestant churches, cathedrals and graveyards in County Cork and Dublin. It’s a rich history of often only distantly remembered soldiers and battles. Why is this such a popular post? Perhaps because 2016 has been the focus for commemorations: the centenary of the Easter rising, and the fact that one hundred years ago many Irishmen were dying in the Great War. That has rather coloured the whole year in Ireland and Finola’s post – which also mentions some of the experiences of her own family – probably touches on many fertile memories.

Skibb men

How are ye keeping?

The next post in popularity dates only from last week: Finola’s latest humorous exploration of how people speak in West Cork – How are you keeping? This has become our top ‘viral hit’ on our Facebook page with thousands of views and 69 shares to date… Finola describes it as her ‘latest instalment of the How to Sound Like You’re From West Cork course’. The fifth of the series so far, it’s hilarious and has clearly captured the imaginations of our local readers.

key

Fourknocks, Boyne Valley: fetch the key and let yourself in…

To balance things out a bit the next two posts in popularity have come from Robert: Aweigh in Kerry – which delighted in the discovery of a boat-shaped house (pictured on the page header – an architectural gem) – and Fourknocks – the Little Giant, an account of a very unusual archaeological site in the Boyne Valley, north of Dublin. We were very taken by this site and its eccentricities: in order to gain access we had to collect the key (from a farm a mile away – and leaving a deposit of 20 euros) and let ourselves into the tomb which has some beautiful rock carvings.

East Window and Apse

Magnificent mosaic work in the Church of the Ascension, Timoleague

Next up is Finola’s Mosaics and Maharajas – an exploration of a wonderful church in Timoleague with walls decorated in mosaic tiling. But there’s also a strange and poignant story which this church reveals to us (read the post)… And – what’s in a name? Well, perhaps the more bizarre – or seductive or beguiling – the title of a post is, the more hits it gets! Finola’s The Murdering Glen (a valley north of Bantry, again, with a story attached) certainly attracted a lot of attention.

On the walk

looking towards west

Upper picture – the murdering Glen; lower picture – Robert’s imagining of the Cape Clear Stone restored to its rightful place on the island…

Robert’s report on the passage tomb on the summit of Cape Clear – and the story of the carved stone that’s now in the Cork Public Museum comes next: Cape Clear – the Stone that Moved, closely followed by Finola’s post on the historic walled town of Youghal in East Cork: Youghal’s Walls. Then we had ‘Auf der Waltz” – The Journeymen, a popular piece about two German apprentice blacksmiths who passed through West Cork this summer as part of their three year travels through Europe gaining experience towards becoming masters of their trade. This was also written by Robert.

on hungry hill

The Journeymen exploring beautiful West Cork: Hungry Hill (photo by Dietrich Eckardt)

Rather than list all the other posts in some sort of ‘order of popularity’, let’s round up with our own favourites. Finola has been enthusiastically researching stained glass windows in churches – wherever we travel. Besides her continuing respect for Harry Clarke – probably Ireland’s finest artist in this medium – she has discovered the identity and work of artists who inherited his mantle when he passed away (far too young) in 1931. The Harry Clarke Studios continued on until 1973 and also produced some stunning work. Have a look at Discovering Richard King to appreciate just one of the artists who followed after Harry. Another of Finola’s great posts on this medium – The Christmas Story, One Window at a Time – appeared only two weeks ago.

HC Studio, Athlone

The spectacular stained glass work of Richard King, a small detail from Sts Peter and Paul’s Catholic Church in Athlone

For myself, the subject that has engaged me most this year is my Travel by Water’ series: seven posts (so far) on the Irish Canals inspired by my review of Green & Silver – a book which I was given as a prize at school in 1963! We retraced the steps of L T C Rolt, the author of the book, and his wife Angela who took some very atmospheric photographs as they travelled around the Irish waterways in 1946 – exactly 70 years ago. To celebrate my own 70th birthday this year we attempted to replicate each of the photographs as closely as possible with present-day views of the same scenes. The venture has turned out to be a real social history of Ireland and the changes that have happened during that interval of time.

ballycowan sunset

Travel by Water – ghostly reflections beside the Grand Canal at Ballycowan

So thank you to all of you – our readers. Without you our work on Roaringwater Journal would have been pointless. With you – and with the value of your comments and discussions – we feel the whole exercise is well worthwhile – so, please, let us know your own personal favourites… We certainly intend to keep the Journal going for a few years yet! Don’t forget, there is a full index in the Navigation Page – here. And, I’m sure you all know by now, anything highlighted in blue is a link to something else: either another one of our posts in the Journal, or to another relevant source of information on the subject. Good hunting!

cover

Winter Storage

approaching the cradle

As you all know, boys can’t resist toys, especially radio-controlled ones. Sorry if this sounds sexist – I’m quite sure that there are many girls out there who like them as well. But, when it comes to Boys’ Toys nothing can quite compare to the piece of equipment which we have just down the boreen in Rossbrin Cove…

boatyard ltd

Up here in Nead an Iolair we are well placed to keep an eye on all the nautical coming and going in and out of the Cove through the spring and summer, and extending into the autumn. There is considerable activity because, at the end of the Cove, is Jimmy Murphy’s boatyard – and that’s where many of the boats that ply the waters of Roaringwater Bay during the sailing season are ‘laid up’ during the winter months. Just occasionally we have seen a single boat riding out – and surviving – the January gales afloat, but that’s not to be recommended. Far better to be safe and sound out of the water – and out of harm’s way – in the security of the yard.

from the terrace

Rossbrin Cove – the viewpoint from the terrace of Nead an Iolair: the main October activity is bringing the boats into the yard for winter storage

So, what’s the boys toy? Well, if you are technically minded, the full description is a Wise 16T immersible slipway boat hoist. This may or may not fill you full of excitement with the heart beating a little faster than usual but, let me assure you, it’s a fine sight to behold when it’s doing its stuff. I had the opportunity to behold it yesterday when I looked down from our terrace and noticed a sailing boat (with sails furled) making its way through to the far end of the Cove, where the boatyard is situated. That’s a sure sign that the Wise 16T is coming out and is on its way down to the slipway. Not wanting to miss a good photo opportunity (it was a beautiful October day), down I went as well!

Header picture – the Shaughraun approaching its winter quarters. Above left – expert navigation: the Shaughraun entering the boat hoist; above right – the slings are tightened to secure the boat ready for its journey up the slipway

I suppose what makes the Wise 16T such a compelling draw for this boy is the sheer size of it, and the fact that the whole contraption is controlled from a little box hanging around Jim Murphy’s neck: he doesn’t even have to be on board to operate it! For me it somehow brings back memories of travelling by steam train in the days of my distant youth when I always made sure I got to see the driver and the fireman on the footplate handling the huge monster that was the hissing, thundering locomotive (I did achieve my dream of travelling on the footplate once, but that’s a completely different story). Rather, though, the Wise 16T is probably more akin to my youthful aspiration to be in charge of a radio controlled model plane and to be able to make it loop, dive and spin spectacularly, thereby thrilling the admiring crowds. Sadly, this aspiration was never fulfilled. All the more reason, therefore, to hurry down to the water and catch a glimpse of the Wise 16T in action.

through the branches

The boat hoist looks a bit like a giant insect, albeit having only four legs. At the end of each leg is a wheel, and each wheel is turned – and steered – by hydraulics powered by a diesel engine mounted high up in the frame of the hoist: this is to keep the engine above water while the main body of the lift is immersed as it negotiates the slipway. Hydraulics also operate the slings which secure the boat once it has been expertly navigated into the lift. All this can be done by the remote radio controller, although there is also a driving position on the structure itself – again, mounted high enough to be out of the water.

out the water

Top left – the driving wheels (it’s all done by hydraulics); top right – the diesel engine casing can be seen mounted high up in the frame to avoid immersion. Above – Jim steers the machine up the slipway using a radio controller

I was able to closely observe the whole operation: the boat (the Shaughraun) approaching the immersed lift, being secured by the slings, then raised clear of the water as the Wise 16T climbed up the slipway; the crew were still on board. The boatyard is a little way from the slip and along one of Rossbrin’s narrow lanes, so I was able to see how Jim – walking in front – expertly drives the whole ensemble using his little remote box. There was quite a lot of activity on the water on the day, with small boats being pulled out and mounted on trailers, and soon there was a bit of a traffic snarl-up on the lane with the small boats following along behind the big ‘insect’ going – understandably – at a slow pace as it made its way round bends and past overhanging trees and bushes.

traffic jam

in the boatyard

Top – West Cork traffic jam! Below – safely entering the gates of Rossbrin Boatyard, and ready to settle in for the winter

However much of a hold-up it might have been to the traffic following behind (and it was barely a couple of minutes) the delay must have been more than outweighed by the sheer spectacle of the machine in action. I was delighted to have seen the Wise 16T from a close vantage point. Many thanks to Jimmy Murphy, Rossbrin Boatyard Ltd and the crew of the Shaughraun for allowing me to share the experience.

remote controller

Rossbrin Boatyard ‘Skipper’ Jimmy Murphy in full control!

Late Bloomers: Invasive, Naturalised and Native

Creeper on white cottage wall

This is my last wildflower post! You must be getting tired of my wildflower obsession by now. So, no more after this one. (Well, at least not in 2016.) The thing is, I had assumed that there was nothing left to see at this point. We are in October after all, and autumn is coming early this year after a cool and misty summer. But a walk today put flight to that notion.

Bee on Ivy Flower

Bracken undergrowthThe ivy flowers are alive with bees right now (above) and the bracken is putting on its winter coat

The predominant colour of the countryside is changing now as the brackens take on their winter amber-brown. The ivy is in full flower. Stand near a patch and you will be instantly aware of the hum. Our little black Irish bees are gathering while they still can and depend on this late flowering and ubiquitous plant for the last remaining nectar. Ivy honey is darker in colour and can smell a little rank, but it has a great reputation as a soothing cure for coughs and colds (especially if mixed with a little whiskey).

Bee on Ivy 2

Red Admiral on IvyThe bees and the Red Admiral Butterflies depend on this late flowering ivy

The trees haven’t quite started to turn yet, but brambles and creepers are in brilliant autumn reds. On our walk today this white cottage wall with its scarlet creeper caught my eye.

Creeper on cottage wall

A couple of surprises awaited us today. The first one was to come across a stand of Indian Balsam. This alas, is an invasive species, introduced as far back at 200 years ago from the Himalayas. The distribution map at the Botanical Society of Britain and Ireland does not show it in West Cork, but I guess I can now say it’s here. In fact, I submitted a report to Invasive Species Ireland – anyone can do this via their Alien Watch Program. Although it is certainly beautiful, it’s a divil – read all about its negative impacts on the Invasive Species Ireland website. Among its other attributes, it has a explosive seedpod that can throw seed up to six metres!

Indian Balsam

Indian Balsam – Invasive Species Ireland lists it with Rhododendron, Japanese Knotweed and Giant Hogweed as the most damaging invasive species

So  what’s the difference between non-native plants that are labelled invasive versus this that are called simply naturalised? Although it can be a matter of debate and perception, in the main we use the term invasive for those non-native plants that spread to such a degree as to exclude native species from the habitat they favour, or cause damage to the environment or the economy. Happily, the only invasive species we encountered on our walk was the Indian Balsam. However, we did come across lots of non-native, naturalised flowers too.

Greater Periwinkle

The Greater Periwinkle – seen a few days ago on The Mizen

The first one (actually seen a few days ago) is this beautiful Greater Periwinkle. It’s not a native plant but has been here a long time. It’s supposed to have great medicinal properties, especially as a laxative and, in an ointment it’s good for, er, piles. According to Zoe Devlin’s Wildflowers of Ireland (my go-to guide) The 17th century herbalist, Nicholas Culpeper wrote ‘that the leaves eaten by man and wife together, cause love between them. Ooh – think I might head back to where I saw it…

Ivy-leaved Toadflax

Ivy-leaved Toadflax

Another non-native species is the Ivy-Leaved Toadflax – not an attractive name for a very pretty little creeper found commonly on rock walls. During the 1600s, wealthy Brits started to import Italian marble into England in the form of building material and statuary. The Toadflax came along for the ride and is now so completely naturalised that few people realise it’s not a native plant. They look wonderful on rock walls but it’s not usually necessary to plant them yourself. According to one source I read, seeds, complete with a starter-pack of organic growing medium, are usually delivered by birds.

Pink Sorrel

Pink Sorrel

The final non-native flower we saw today was the pink sorrel. I thought at first it was Herb Robert, which is a native plant that grows everywhere and is still blooming, but closer examination revealed  a deeper pink, a more massed growth pattern and very different foliage. It’s a garden escape, now naturalised across the south and south east of Ireland.

Fuchsia on bare branches

Actually, I suppose I also have to add the fuchsia to the naturalised non-native list, even though we think of it as the quintessential West Cork flowering shrub. It’s still hanging in there, even though most of the leaves have dropped already.

Creeping Buttercup

Tormentil

The native plants still bravely blooming to delight us tended to be tiny, but bright enough among the grasses, brambles and bracken to immediately catch the eye. We saw Herb Robert, Prickly Sowthistle, Tormentil and patches of what might be Sea Radish (or perhaps not). 

Prickly Sowthistle

Prickly Sowthistle

Herb Robert is such a hardy little flower – it seems to peep out and last longer than almost everything else in the hedgerows. Birds love the seeds of the Prickly Sowthistle – it has guaranteed its survival by appealing to them and providing food when other sources are fading.

Herb Robert

Sea Radish

Herb Robert (top) and possibly Sea Radish

As  a member of the cabbage family, the leaves of the Sea Radish are edible, if a little peppery. Interestingly, it normally finishes flowering in July, so the ones we found today must be in a particularly sheltered spot. But this also raises the possibility that this is a different plant. Can anyone help identify it?

Tormentil Patch

And finally the strangely named Tormentil – it sounds like it may cause pain but in fact it’s the opposite. There are all kinds of medicinal uses for this little flower and its parts, some of which relieve the ‘torment’ of pain. It also, according to this website,  imparts nourishment and support to the bowels and the fresh root, bruised, and applied to the throat and jaws was held to heal the King’s Evil. You heard it here first!

Ballycummisk Coppermine and Gabrial

Our walk today, along one of the Fastnet Trails, took us past the old Ballycummisk mine site and gave us distant views of Mount Gabriel

The Old Mine Road

to the castle

Exactly two years ago I wrote a piece for this Journal – A Moment in Time – remarking on the very specific changes that we become aware of at the end of the summer: the holiday homes being closed up and shuttered; the boats being taken off their moorings and stored away in the boatyard; the shorebirds returning to their winter quarters. I finished up by pointing out that our own summers never end: we enjoy living in Cappaghglass just as much in the darker, colder days at the turning of the year as we do when the sun is high in the heavens.

cove gray day

high road gray day

Top – starting point: Rossbrin Cove on a gray day. Bottom – The Old Mine Road wearing its raincoat

It is an idyllic life and we are privileged to have the quiet boreens to ourselves in all weathers. We have talked about Rossbrin Cove so often, in its many seasonal variations: for today’s post I’m taking the upward road through the townland, the route that I call The Old Mine Road. This road – or more accurately this series of lanes and byways – will take the traveller from the Cove into the little town of Ballydehob, and will pass through an old copper mining district which, two hundred years ago, saw heavy industry, intermittent employment, smoke, noise, pollution and desperate human working conditions where now ‘peace comes dropping slow’ with only the crying of the Choughs over an undisturbed backdrop of rock, heather and coarse grasses – and the occasional jumble of stones showing where there were once buildings, shafts and crumbling walls marking the old mine complex.

cappaghglass

captain's house sun

Top – the landscape of The Old Mine Road: Mount Gabriel dominates the horizon to the west. Bottom – looking from the road towards Roaringwater Bay: in the foreground is the site of old mine workings, now reclaimed by nature, with one of the two Mine Captain’s Houses in the centre and the stump of an old mine chimney on the right

A walk along The Old Mine Road on a benign late September day will be rewarding because of the good air, the distant views to the Mounts Gabriel and Kidd, and with the bays of Roaringwater and Ballydehob below. You will find medieval history in the form of towerhouse castles, modern economy delineated by distinctive lines of mussel ropes spilling over the water and always alongside you the immediate wildness of a natural, undisturbed landscape. Views change as the way winds and dips – always interesting, always different, however many times you follow these routes.

mussel ropes

waving grass

mine buildings

Top – mussel ropes abundant in the Bay. Middle -waves of grass in the wild landscape to the north of the road. Bottom – ruins of old mine buildings can still be seen from the road

Autumn brings with it a certain melancholy. Time passes, our lives move relentlessly forward. We enjoy the changing of the seasons but we want to know that there will be so many more seasons to see. Each one will bring us unique experiences.

blue in the grass

from the road

Top – wildflowers in abundance on the boreens of Cappaghglass. Bottom – signs of old workings in the fields below the road

As I walk the old road, I can’t help trying to picture the scenes there from other times. I wonder what feelings the hard working miners had – did they take in the changing light and the views? Did they see the way the grasses moved with the wind, creating waves on the landscape? Did they have any time to notice nature’s fine details – the incredible variety, colours and designs of the wild flowers? Or was theirs just a drudging commute from cottage to workplace at dawn and dusk?

ballydehob wharf

The end of the road: Ballydehob Wharf, which would have seen great activity (intermittedly) when the mines were in full swing. Cappagh Mine was operating between 1816 and 1873, with its maximum output of about 400 tons of ore being produced in 1827

The poet Seamus Heaney has much to say about the hardship – and order – of a physical working life; his own father had worked the land and the poet was infected with memories of his younger days. This poem – Postscript – has a different emphasis but strikes me as a similar commentary on encounters with the landscape, although it’s concerned with another geography:

…And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightning of a flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully-grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you’ll park or capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open…
wall and heather

Champions for Ireland

wolfhounds

Irish Champions – ancient warriors, wolfhounds and rain at the Tailteann Games 1924

We heard hearty cheers coming across the water on Friday, when Ireland won the Olympic silver medal in the Lightweight Men’s Double Sculls Final. The cheers we heard were not coming from Rio, however (although there were plenty there), but from Lisheen, the tiny West Cork parish that’s just around the corner from us. That’s where Gary and Paul O’Donovan hail from. We think they have declared a public holiday there in honour of the two rowing brothers who, prior to this title, won gold at the European Championships in Brandenburg in Germany this year – the first Ireland rowing crew to become European Champions. This success set me looking at the records of Irish Olympic achievements over the years.

NGI 941

The Liffey Swim by Jack Butler Yeats, painted in 1923. Courtesy National Gallery of Ireland

Independent Ireland was represented at the Olympic Games from 1924 onwards. No Irish athletes won medals in 1924 but Jack Butler Yeats won a silver medal for the above painting and Oliver St John Gogarty won a bronze medal for literature in that year. Did you know that between 1912 and 1948 competitions in the arts were part of the Olympic Games? For a small nation Ireland has made its mark in the games: in Melbourne in 1956 Irish athletes and boxers won 5 medals between them – a gold, a silver and three bronze, and in London in 2012 boxers, athletes and a showjumper won 6 medals – a gold, a silver and four bronze. 1996 was a memorable year when, in Atlanta, Michelle Smith won 3 golds and a bronze for swimming.

An original cover from the 1924 programme for the Tailteann Games, an artist’s perception of the ancient games and (right) two medals struck for the Games

While researching this information I came across Tailteann Games. The word is pronounced ‘tell-tin’. The eleventh century Lebor Gabála Érenn (the Book of the Invasions of Ireland) states that the games were founded by Lugh Lámhfhada, Lugh of the Long Arm – the first High King of Ireland – as a mourning ceremony for the death of his foster-mother Tailtiu. Lugh buried Tailtiu underneath a mound in an area that took her name and was later called Teltown in County Meath, not far from the Hill of Tara. It’s perhaps significant that the games took place around the festival of Lughnasa – at the beginning of August. Accounts vary as to the historical periods in which the games were held: some say as early as 1800 BC, while a more generally accepted dating seems to be from the 6th to the 9th centuries AD: the festival died out after the Norman invasion but was later revived as the Tailten Fair, consisting of contests of strength and skill, horse races, religious celebrations, and a traditional time for couples to contract ‘trial’ marriages. These were allowed under Brehon Laws: couples could meet and live together for a year and a day – at the end of this time either party could end the marriage on the ‘Hills of Separation’.

Presumably these photographs are from the ‘Opening Ceremony’ of the 1924 Tailteann Games held in Croke Park

While the 1924 Olympics were being held in Paris (where Finola’s grandfather was a member of the Irish team) a revival of the Tailteann Games was held in Croke Park, Dublin. This ‘meeting of the Irish race’ or ‘Irish Olympiad’ had been announced by Éamon de Valera in Dáil Éireann in 1921 to celebrate the founding of the Irish Free State, but the event was delayed because of the Anglo-Irish War and the Irish Civil War. Organised by the Gaelic Athletic Association (GAA), it was open to all people of Irish birth or ancestry. Participants came from England, Scotland, Wales, Canada, the USA, South Africa and Australia as well as Ireland. 

image

Note the media presence at the 1924 Tailteann Games: newsreel cameras mounted on to motor vans  

Tailteann Games were held again in 1928 and 1932. The name survives today as Rás Tailteann, which is an 8 day international cycling race around parts of Ireland. This race has run every year since it was founded in 1953 and has developed into a much sought after event by professional and amateur teams from many parts of the world: it is able to award qualifying points that are required for participation in Olympic Games and World Cycling Championships.

Fireworks_at_the_First_Tailteann_Games_August_15,_1924

No modern games ceremony would be complete without a fireworks display: (top) this unusual photograph shows the fireworks at the 1924 Tailteann Games. (Lower left) a 1958 poster for the Rás Tailteann. (Lower right)  We watched this year’s Rás Tailteann on the road to Ballydehob. (Below) Paul and Gary O’Donovan – West Cork lads in Rio on Friday added a 2016 Olympic Silver to their many achievements (photo afloat.ie)

brothers