Atlas Obscura

Roaringwater Bay in 1612

Roaringwater Bay must be so familiar to you, if you are a regular reader of this Journal. It’s a land- and sea-scape of hidden coves, inlets, islands, mountains and castles: a treasure trove for explorers and historians. That’s Black Castle at Castlepoint, Leamcon, above – said to have been built by Connor O’Mahony in the mid fifteenth century. Probably the best place to get an overview of the coastline is to climb to the top of Mount Gabriel (407m) and have a look down. You will see stretched out the archipelago of ‘Carbery’s Hundred Isles’ – seen here in autumnal hue – Cape Clear is the distant remote landfall over on the right:

We always have a sizeable pile of books waiting to be pored over. Currently at the top is this study, The Alliance of Pirates, written by Connie Kelleher and just published (2020) by Cork University Press. We have yet to consume every detail, but we do assure you that it’s full of fascinating historical information – not just about pirates, but about life and culture in the west of Ireland in the late sixteenth and early seventeenth centuries. Connie is an ‘underwater archaeologist’ and we have followed her over many years, lecturing and presenting original information which she has gathered together on her subject. We couldn’t fail to be hooked on everything she says, illustrates and writes about, as the focus is on our own doorstep. One linchpin of this book is a map which is dated to 1612. This article from Atlas Obscura explains the map and Kelleher’s approach. It’s worth reading: note that you may be required to register on the Atlas Obscura website (it’s free) in order to access it.

The 1612 chart of the “Pirate Harbours” of southwest Munster which became a valuable source of information for Connie Kelleher‘s studies © SUB GÖTTINGEN 4 H BRIT P III, 6 RARA UNIVERSITÄT BIBLIOTHEK GÖTTINGEN LIBRARY ARCHIVES, GERMANY

The purpose of today’s post is to examine the 1612 map in detail and attempt to identify and relate to many of the places which are named and illustrated. Before that, though – let’s consider how such a chart came to be made. Finola has written previously about how West Cork as a whole was being mapped in the sixteenth and seventeenth centuries here and here. The thing that sets the 1612 map apart, however, is that it was made in secret, and largely from surveys only carried out at sea. Also, it was specifically intended to enable a Dutch fleet to assail the pirate strongholds which became numerous around the area from Baltimore to Crookhaven, centred on Roaringwater Bay and ideal for forays into the wider Atlantic trade routes.

The sheltered waters of Crook Haven – an important recognised centre for careening and victualling ships operating legitimately on the Atlantic trade routes: ships that would become prime targets for the pirates based in secret ‘nests’ along the same coastline

. . . In 1612, having grown tired of the ongoing pirate harassment, the Dutch government lobbied James I for permission to enter the harbours of southwest Ireland to attack the pirates themselves. James I agreed, but only under the conditions that the pirates would be captured alive and handed over, along with captured goods, to the Kings’ ships to be transported for trial by the Admiralty in England.

To prepare their ships for the attacks, Dutch hydrographer Hessel Gerritszoon was tasked with mapping the Irish coastline with a special focus on the “pirate coast” of southwestern Ireland. A large task in front of him, Gerritszoon engaged English cartographer John Hunt to assist. . .

Atlas Obscura

The leeskarte which the hydrographers produced still exists, and has been housed since the mid 1700s in the library at the University of Göttingen in Germany, which acquired it in the mid 1700s. During her researches, Connie Kelleher travelled to Göttingen to examine and document the map, which is a wonderful resource for enlightening us on some aspects of our local history.

. . . It is a type of ‘treasure map’ informing on the heritage within the landscape at the time, which could potentially help us identify other pirate-related locations, including archaeological sites . . .

Connie Kelleher

In this extract from the 1612 map I have focussed on our immediate area – the environs of Roaringwater Bay itself. Many names will ring bells with us (Clere, Baltemor, Rossbren for example); others won’t. For a simple comparison I have chosen a version of the historical 6″ Ordnance Survey map, dating from the late nineteenth century – it’s probably the clearest and best annotated example of what we would recognise around us today in terms of place-names:

Here I have located and labelled our environs, as shown in 1612. It is remarkable that every castle and many significant features are clearly shown. Now, have a look at my red circle around ‘Horse Island + Castle Island’.

There’s an island missing! Opposite ‘Rossbren’ on the mainland is shown a single island: Rosbren. Next to it is Long Island. In fact, there are two islands here – Horse Island and Castle Island. On the 1612 map there is a castle shown on the Rosbren island, but the castle is actually on Castle Island. Somehow, the surveyors have missed this detail: perhaps the visual information which could be got offshore was confusing. What is interesting, though, is that the dotted lines at the east end of Rosbren on the 1612 map seem to mark the line of a causeway, the vestiges of which do appear today at very low tides and the feature exists in local folk memory. That level of detail on a chart, produced in the limited circumstances of its, time is remarkable! You can read more about Castle Island here.

Our view across Rossbrin Cove with its O’Mahony castle and, beyond Rossbrin Castle, Castle Island. On the left of the picture is Horse Island

I want to show you some further details from the 1612 leeskarte. Firstly, here’s a close-up of Crookhaven (Croock haven on the map). Note the scales in Dutch miles and English leagues, and ‘Limcon’ – in fact Leamcon – which was one of the major pirate centres and also the territory of Sir William Hull, a Vice Admiral of Munster from 1609. His job description involved rooting out the plague of pirates in Roaringwater Bay but in fact entailing a lot of profitable collaboration with them. Also of interest here is the depiction of Goat Island – named ‘Cainor’ and a castle – ‘Penar’ which is likely to be Ballydevlin, at the mouth of Goleen harbour; also ‘Don Hog’, which we believe refers to Castlemehigan. There is no trace remaining of either of these two.

Another detail from the map (above) shows Spain Island, Sherkin and ‘Baltemore’. the depiction of galleons in full sail is a fine ornamental ‘illumination’. Also, note the small anchor symbols. In some places on the whole map, anchorage depths are shown: another remarkable factor highlighting the observation skills of the surveyors. Additionally on this detail, note the name ‘Croock’ – Thomas Crook, an Englishman, took a lease on Baltimore Castle in 1605. The ‘Chapl’ below Castlehaven is probably the now ruined church at Myross, detailed in my post here.

Our photograph of old (possibly ancient) steps carved into the rocks at Dereenatra. Connie Kelleher highlights the physical remains that can be found today in many of the former pirate strongholds around the coast of West Cork. Several are in the form of frequently hidden away steps and tying-up points in remote locations. I have included references to ‘pirate steps’ in a previous post. For the full picture, don’t forget to get hold of Connie’s book: it will make an ideal Christmas present for the archaeologists and pirate enthusiasts among you!

West Cork Obscura – Finola’s Picks

The popular Atlas Obscura defines itself as the definitive guide to off-the-beaten-track and little known wondrous places. So we’ve captured that idea and, as our Christmas present to our readers, bring you our own carefully-curated, slightly eccentric, Roaringwater Journal Guide to West Cork’s Hidden Wonders. Robert’s selection is here. No well-know tourist spots for these posts! No car parks and visitor centres! You may need wellies for some, a good map for others, and, although all are accessible, some may require permission.Each place I recommend will link to a blog post with more information. As an example, Sailor’s Hill, just outside Schull (above) is an easy walk and look what you get at the top! 

This is the view from Brow Head, looking back towards Crookhaven, and Mount Gabriel in the distance. Brow Head is much less visited than Mizen Head, but just as spectacular

I’m going to start with some archaeology and a couple of spectacular sites. The first is the Kealkill Stone Circle – but this isn’t just a stone circle, it’s a complex of monuments that includes a five-stone circle, a radial cairn (very rare in this part of the world) and two enormous standing stones. The views are immense in every direction, and the site is easy to find.

We all know about Drombeg – and we love it when the sun goes down at the midwinter solstice, and even when it doesn’t. But fewer people know about another stone circle, equally spectacular, with a spring equinox orientation. It’s called Bohonagh and it’s quite a complex. First of all, there’s a boulder burial, with quartz support stones and cupmarks on the boulder. Then there’s a cupmarked stone, partly hidden in the brambles between the boulder burial and the stone circle. Finally, there’s the circle itself, almost complete, with views in all directions.

Equinox sunset at Bohonagh

We were lucky to have a session there one equinox, and another one with Ken Williams of Shadows and Stone. For access, park just off the main road, across from the salmon coloured house 4.5km east of Rosscarbery and walk up the farm road to the barns and from there to the top of the hill. This is a working farm – please close all gates and be respectful of animals!

Maughnasilly Stone Row broods on the hilltop

A stone row to round out the archaeology sites – this one is at Maughnasilly and I chose it because it’s been excavated, so there’s an informative sign, access is easy and it’s a beautiful, atmospheric site, overlooking a small lake. The row has been calculated to have both lunar and solar alignments.

And from the ground…

A couple of churches now, beginning with the Church of Ireland Church of the Ascension in Timoleague. This is one of those places that is dripping with unexpected stories. As soon as you go through the door your jaw will drop – the whole church, floor to ceiling, is covered in mosaic, partly paid for by an Indian Maharajah. Read the story here and here – and look carefully at the stained glass windows, some of them are among the oldest stained glass we have in Ireland. The key used to be at the grocery store on the main street, but I’m not sure where it is now, so you may have to ask around. Let us know if you find out.

The interior of the church, and one of the beautiful Clayton and Bell windows

You may wonder at my next choice – it’s not everyone’s cup of tea – but the modernist church in Drimoleague is the work of Frank Murphy, the architect hailed as Cork’s ‘Unsung Hero of Modernism’.

I love the spare minimalist space, very rare in West Cork, but it’s the stained glass windows that drew my attention. It’s not that they are particularly beautiful or skilfully done: they’re by the Harry Clarke Studios long after Harry himself had died. It’s that they fascinate me as a social document – they are, in fact, a prescription for how to live your life as an Irish Catholic in the 1950s. As such, they will resonate with anyone of my vintage. Research by the brilliant young scholar, Richard Butler, has revealed that the design was practically dictated by Archbishop Lucey, still a name to invoke an image of the all-powerful churchman of the 20th century.

And a final church, but this one strictly for the windows. (No – not St Barrahanes in Castletownsend for the Harry Clarkes – everyone knows about them already, and this is a selection of lesser-known wonders.) Do NOT go through Eyeries, on the Beara Peninsula, without stepping into the little church of St Kentigern. Here is where we were first introduced to the work of the stained glass artist, George Walsh.

The Annunciation and Nativity window

When Robert wrote his original post, we couldn’t find out much information on George Walsh, but now he has become a friend and I have written about his work for the next issue of the Irish Arts Review (due out in March, 2019) and spent many happy hours photographing his windows and his artwork around Ireland. It’s bold, graphic, modern and incredibly colourful, and the windows in Eyeries, along with the religious themes, tell the story of Ireland and the Beara through time.

Some places to visit now for a good walk or a swim. First, one of my favourite walks is to hike up to Brow Head, at the end of the Mizen Peninsula (you can drive up too, but pray you don’t meet a tractor coming down) and then walk out to the end of the Head (see the second photo on the post for the view from the top of the road). Stop first to explore the ruins of the old Marconi Station – there’s also a Napoleonic-era  signal station and a WW2 Lookout Post. Then wander through the heather and the low-growing gorse until you get to the part where the sea is crashing below, with vertiginous drops off either side. I will leave it to you how far you go from there!

Brow Head showing the signal station and Marconi station silhouetted against the evening sky

Although Barley Cove is well known, Mizen locals love Ballyrisode Beach for a swim or a lounge in the sun. White sand, sheltered bays, and water warmed by running over the shallow bay. The final little beach holds a secret – a Bronze Age Fulacht Fia or Water-Boiling Site, that Robert and I recorded for National Monuments this summer. It was an exciting find, hiding in plain sight. The beach has an association with pirates too!

Ballyrisode Beach – yes, the water really is this colour. The three sided rectangular stone thing is the fulacht fia

The final choice for a walk is Queen Maev’s tomb, a short hike up from Vaughan’s Pass car park, up behind Bantry. For this photograph I am indebted to Peter Clarke, of the wonderful Hikelines blog. He and Amanda (with whom we have explored SO many holy wells)  were our companions that day. When you reach the top there is a small wedge-tomb, but this is one place where the journey is the real story, with the Mizen, the Sheep’s Head and the Beara all spread out before you.

Photograph © Peter Clarke

I leave you with a detail from the George Walsh windows in Eyeries, together with the poem the scene is based on, Pangur Bán, written in the 9th century by an Irish  monk labouring away in a scriptorium in Europe. Here is the poem read, at a memorial service for Seamus Heaney, first in the original Old Irish and then in Heaney’s translation.

Merry Christmas from us! If you live here, get out and about this year to some of our picks, and if you don’t, come see us soon!