Archaeology

Schull – Delving into History

Last week my post explored a part of the Colla Loop on the Fastnet Trails. That walk passed by a site described on Archaeology Ireland as a possible early Christian settlement: . . . the ancient school of Sancta Maria de Scholia, ‘a place known in early times as a centre of learning’ . . . That information was ascribed to ‘Burke 1914’ but I can find no links to that source anywhere. If anyone can enlighten me, that would be great.

The location of this possible site is in the gorse covered area on the right hand side of the picture above. There is nothing to be seen there today, although such dense scrub could be hiding a lot. That record on the archaeological site is now described as ‘redundant’ – because there is no trace – but is maintained as it does indicate that there has been a tradition of the associations of the place historically. Certainly, if you were a group of wandering monks in medieval times looking for a new home it would have much to commend it – a south facing slope, sweeping views to the ocean below and defensible high ground behind. Not much shelter from the weather, though. The map below shows the possible site on the lower left, but note there are two further candidates, which we will discuss.

I found the historical reference to this possible site intriguing, especially in view of the suggestion that it could have been the original ‘school’ (centre of learning) that supposedly gave the settlement of Schull its name. If you want to delve further into the origins of the name ‘Schull’ – which the Ordnance Survey, interestingly, insisted should be spelled Skull right up to modern times: you can see it on the the Archaeology Ireland record extract above – I commend you to John D’Alton’s fascinating and comprehensive article here. John himself is a well-known long term resident of the village; I would love to have a discussion with John (and likely will when times permit) on some of his conclusions, but he certainly lays the foundations for questioning long-held assumptions. He does, however, posit that the name of the place has sounded the same for over a thousand years. For me, it is reasonable to conclude that ‘Schull’ is most likely to derive from the Irish word scoil – school – and that a ‘centre of learning’ did, indeed, exist in the area anciently. There are precedents enough for sites like this in West Cork. Our own Rossbrin Castle was the home of Finnin O’Mahony – Taoiseach of the clan – in the late fifteenth century and he was known to have established what has been described as ‘the greatest centre of learning in Europe’ on these now remote and deserted shores, while the Sheep’s Head peninsula boasts the remains of a great medieval ‘Bardic School’ close to Kilcrohane. My post of (yes!) eight years ago gives a brief outline. But let’s now turn to those other sites shown above.

Here’s St Mary’s Church, the ruin which sits above – and dominates – the large burial ground to the south of Schull today. Tradition has it that it was built in 1720, but there is a fair bit of evidence to suggest that this ecclesiastical site goes back much further than that. I am indebted to Mary Mackey for her article in Mizen Journal – Volume 8, 2000: A Short History of the Ruins of St Mary’s Church, Colla Road, Schull.

The parish church is first recorded in a decretal letter issued in 1199 from Pope Innocent III to the Bishop of Cork listing the parishes in the diocese. The entry reads “scol cum suis pertinentiis” – Schull with its appurtenances. It is this early spelling of ‘scol’ meaning school which goes some way to authenticating the ancient tradition . . . During the reformation (16th century) when all church and monastic benefices and land were confiscated, the detailed rent roll for the Diocese of Cork records Schull with nine ploughlands, and in 1581 in a list of parishes in the diocese, Schull church is called “Saint Maria de Scoll”. This seems to be the first written record of the name of the church and it adds weight to the theory of the ancient monastic school, and to the origin of ‘Scoil Mhuire’ . . .

Mary Mackey – MiZEN Journal Volume 8

The same article notes that in 1653 the church commissioners stated “Upon 9 plowlands of Schull are the walls of a church” and in May 1700 Bishop Dive Downes, visiting the western part of his diocese records: “The church walls are standing and good, made of stone and lime 84′ long and 24′ broad”. Mackey comments that this was a large parish church compared with others in the Mizen area.

The local population will be very familiar with this ruin, and the graveyard which it overlooks. The grave marker (above) is dedicated to the Reverend Robert Traill – Finola has included him in her Saints and Soupers series. Schull graveyard must have one of the finest prospects of any burial place in the west, with its views out towards Long Island Sound and Roaringwater Bay:

In 1936 we find Con O’Leary writing in A Wayfarer in Ireland (published by R M McBride): . . . Schull, named from Scoil Mhuire, the School of Mary, in the sixth century, is picturesquely situated , with Long Island thrown across the mouth of the bay . . . Well, that’s stretching us back a fair bit – but there’s nothing to confirm it. In the ruins of the church, however, there is one element which leads us to think that the architecture is quite ancient – this cut-stone ogival window in the northeast wall (possibly fifteenth century):

Now let’s turn to the third candidate in our search for Schull’s origins as a ‘great centre of learning’ – shown on the map towards the top of this post to the south of St Mary’s Church. Here is the Archaeology Ireland listing and the record note:

Description: In rough grazing, on a S-facing slope overlooking Long Island to the S and Skull Harbour to the E. Recent reclamation work exposed a level earthen platform-like area (c. 35m E-W; c. 17m N-S) faced externally on its curving S side by a roughly constructed drystone revetment (H 0.2m at W to 1.6m at E). According to local information, this is the location of Scoil Mhuire or Sancta Maria de Scala, a medieval church and school that gave its name to this townland and to Skull village . . .


The Archaeological Inventory of County Cork. Volume 5 (Dublin: Stationery Office, 2009)

The prospect of unearthing ancient history sent us out into the field on an idyllic January day, under an almost surreal clear blue sky. We don’t exactly know what we found, but the expedition was rewarding, if only for the joy of walking through a beautiful country and knowing that other generations had walked here before us.

Always we were in sight of water, and the islands of the Bay beyond. We left the metalled boreen and found a narrow green path lined with old walls.

The path led to a sheltered paddock. We could clearly see the ‘level earthen platform-like area’ and the curved retaining wall supporting it: also, in several areas, there were the vestiges of old walls and probable structures. We immediately sensed the zeitgeist of a place which had tales to tell. Could it really be an early Christian settlement? Did the old stone walls echo the chanting of monks from long ago? Could we look through their eyes and see the grove of trees and the spectacular azure cast of the sea receding to the horizon across all the islands as they had?

The Historic 6″ Ordnance Survey map is the earliest record we have of what existed on the site: it dates, at the latest, from around 1840. There are buildings clearly shown. Could they have been simple farm cottages and barns? Might those buildings perhaps have incorporated much earlier structures?

There you have it: a creation tale (myth, perhaps) for Schull. I will give the last word to a pupil from ‘Skull School’, recorded in the 1930s:

The O’Mahony’s had a stronghold in Castle Island, which is known as the Middle Island. It is situated about three miles from the beautiful village of Schull, which lies by the harbour of the same name. Situated amid picturesque and varied scenery, nestling at the foot of Gabriel’s rough defiles, and fronting the wild Atlantic, it is a charming spot. It was anciently called Scoll Muire (B.V. Mary’s School) and in mediaeval documents it is designated “Sancta Maria de Scholia.” This school is said to have been founded by the “Universitie of Rosse, St.Fachtna’s Carbery”. However this may be – I doubt it – the parish is mentioned as Scol in the Papal Letters of Pope Innocent III. (1199 A.D.). Canon O’Mahony says its site has been identified in south Schull. At all events, Ardmanagh (Monks Hill), on which part of Schull is built, attests the presence of cenobites in the district . . .

Brighid Ní Choithir – Skull School – Dúchas Schools Folkore Collection 1937

Please note that the ‘Sancta Maria Scala’ site is on private land, and permission to visit should be sought.

Sweet Ilen – Part 3

Here is the third instalment of our wanderings along the Ilen – one of West Cork’s most significant rivers. Once a commercial highway connecting the merchants of Skibbereen with the coastal ports and scattered islands, it now plies its way from the summit of Mullagmesha Mountain taking a lazy and often secret course through lush valleys and pastures, showing itself to us only at a few crossing points until, boosted by many tributaries, it becomes a wide tidal waterway heading for Baltimore and the wild Atlantic.

Our explorations so far have taken us from Newcourt upstream to Ballyhilty Bridge. We have yet to ‘top and tail’ the river: that will be done, but only when restrictions and conditions permit. I doubt that we will be searching for the source in the mountains until next spring at the earliest, as those high paths are closed for safety at present. But, back in November, we were able to continue north from Hollybrook Demense and Maulbrack townland.

Images from top include the header showing the river at Caheragh with the distant mountains to the north; an anglers’ seat at Ballyhilty; and the broad river just upstream of Ballyhilty Bridge. The river is still wide as we follow it, but becomes shallower and is interrupted by rapids mixing with contemplative, deep pools (above).

Large parts of the river here are lost in the hinterland. We try to follow every small trackway that might take us close to it – and which certainly take us to the back of beyond – and catch the occasional glimpse such as this one (above), which is probably an ancient ford.

We delight in travelling the tiniest of boreens, which invariably open up new vistas for us, and make us feel so happy to be living in such a beautiful part of our world! This little used lane (above) takes us to the next crossing point – romantically named, as far as I can ascertain, Graveyard Bridge.

Two extracts from the OS maps of c1840 (upper) and c1897 (lower) show the site on the border of Ballaghdown South and Caheragh townlands, where an ancient road crosses the Ilen River. Both maps show a ford and stepping stones at this point. Today we found a bridge there dating (we believe) from the early twentieth century. We also found the remains of the old ford: large cobbles providing a trackway down the the waters’ edge: Finola is following the original line of the lane (below).

This river crossing was of significance in Medieval times. ‘Blessed Mary de Caheragh’ was a monastic site, said to be situated on the hilltop commanding the view above the graveyard. It was no doubt founded here because of the proximity of the watercourse.

1317 December 28, Geoffrey Fitz John de Cogan is presented by the King (by mandate to the Bishop of Cork), to the church of the Blessed Mary de Catheragh, in the King’s gift, by reason of his wardship of the lands and heir of John de Cogan

Tuckey’s Cork Remembrancer, from Durrus History

There are certainly earthworks, embankments and (reputedly) a souterrain on the high ground which overlooks the river, the ford site and the adjacent burial ground connected to Caheragh village. The Historic Environment Viewer suggest that this site (shown on both maps above) is a ringfort and makes no mention of an ecclesiastical settlement. I braved fierce cows and barbed wire to make the steep climb: it was well worth the effort (and the risk) for the views across the old fort ramparts which opened up to the distant mountains. There is no sign, today, of anything remotely monastic up there on the hill. There is another ‘ringfort’ a short distance to the south – enigmatically named ‘Bishopland’. Nowhere can I find any records or accounts of the fort or the small settlement to the south of it named Bishops Village: this confirms that there is still so much early history to be unravelled in the Irish landscape.

Caheragh Graveyard is located beside the Ilen here and it is also well worth making the time to explore. The village and present day church at Caheragh (which has some fine stained glass) are some way off to the west. You can see the spire on the skyline in this view from the graveyard itself (below).

The extensive Caheragh graveyard (above) – a view from the ringfort (and possible medieval site) looking across the river. The ford, roadway and later bridge are on the far left of the picture. Burial grounds are always a magnet for us, and we spent significant time exploring. The Skibbereen Heritage Centre has done sterling work researching this and many other West Cork graveyards: you will find information online here, and more in the Centre itself, which merits many visits. One grave which was important for me is that of the parents of Captain Francis O’Neill, the Chicago Police Chief who came from West Cork and collected thousands of Irish traditional dance tunes and songs which he gathered from the many Irish settlers in Chicago and who had kept the tradition alive far away from their birthplaces. I wrote about Chief O’Neill a few years ago. The ‘Celtic Cross’ memorial below was commissioned by Francis during a visit home in 1906.

Erected By Captain Francis O’Neill

Chicago, USA To the Memory of his Parents

John O’Neill of Tralibane

Died Nov 1867 Aged 66 Years

And Catherine O’Mahoney

Died 1900 Aged 88 Years

Requiescant in Pace

Amen

inscription in Caheragh Graveyard, West Cork

This aerial view above clearly shows the bridge that has replaced the old ford and stepping stones at this site. You can also see the ‘fort’ on the hilltop above it. The bridge should not be dismissed because it is relatively modern: it’s an example of practical civil engineering in Ireland, possibly in the early years of the Free State, and is functional rather than elegant, serving the purpose of helping to open up some of the remoter regions of the west of Ireland.

Here are the previous episodes in this series: Sweet Ilen and Sweet Ilen – Part 2

Mizen Magic 21: Croagh Bay

For our latest Mizen Magic post, we look in detail at an area we have skipped through previously: it deserves to be more thoroughly explored as it’s rich in history but is also, literally, a backwater which rests in a time-warp. Whenever we reconnoitre the shores of Croagh Bay, I’m always taken back to the sixteenth and seventeenth centuries and to the pirates, knights and Earls who made their own little empires in this now remote district. I should probably add that I can’t find an origin or meaning for the name Croagh. But I do know that it is pronounced locally as Crew. It’s even spelt Crewe on some maps (but – late edit – have a look at the enlightening comment by ‘Tash’ at the end of this post). The following image shows a clapper bridge – possibly quite ancient: a modern concrete parapet has been placed over the much earlier stonework:

The header image and the one above are both taken at the same place – the head of the tidal section of the Croagh River, in the townland of Lowertown, not too far west of Schull. It’s rewarding to walk on the boreen that follows the north shore of the river. You will admire some very fine residences and come across tiny quays that have doubtless faithfully served many generations of West Cork families, and which are still in use. Behind you the rugged peak of Mount Gabriel will always be in sight – a familiar local landmark.

The Croagh River is only one of the waterways that you will explore today. The boreen comes to an end but the inlet itself continues out to Long Island Sound, Roaringwater Bay and the mighty Atlantic. Before that, however, there is another which demands attention: The Creek – which goes west towards the settlement of Leamcon.

Upper – an overview of the area covered by this post; centre – looking out over the Croagh River towards Long Island with the high ground above Baltimore in the far distance; lower – Croagh Bay is in the centre with Long Island beyond and Cony Island to the left

The aerial view gives a very good idea of why this particular location was so strategically important: the river estuary and the creek are both hidden out of sight of the main seafaring routes of Long Island Sound and beyond. They are, therefore, perfect safe havens for pirates, smugglers, and those who want to profit from such activities. One well-known profiteer we have encountered before in this Journal is William Hull, described in the High Court of Admiralty papers as ‘a notorious harboro of pirates and receavor of theire goodes’ who nevertheless managed to retain an official post as Deputy Vice Admiral of Munster. In cahoots with Richard Boyle – First Earl of Cork – Hull developed links with privateers and pirates, and hosted a whole fleet of vessels within the hidden inlets of Croagh Bay and Leamcon: the shallow waters were ideal for careening vessels and Hull’s empire allegedly included victualling stations, fish palaces, ale houses and brothels. All this was focussed on the townland of Leamcon which Hull leased initially from the O’Mahony Gaelic overlords. Although Hull’s own castle is now long vanished, we can find traces of his endeavours marked on the early OS maps.

The early 6″ map locates ‘Turret’, ‘Old Battery’ and ‘Site of Leamcon Old House’ within the environs of the present Leamcon House, to the north of the furthest limit of The Creek. Interestingly, there is also what looks like a quay on the water directly below the estate: all these potential antiquities could reasonably date from Hull’s time.

The ‘Battery’, the site of an old wharf and an ancient stone gulley may date from the time of William Hull’s occupation of the townland of Leamcon, which came to an end in 1641, when the O’Mahony’s moved to regain their former holdings. Below is Leamcon House today, looking down to the waters of The Creek. The extensive stone wall on the right hand side of the image is said to incorporate the remnants of a fish palace – another enterprise of William Hull and Richard Boyle:

Centre – extract from the 1612 map (see more on this here), showing Leamcon and Croagh Bay; lower – locating the Bay in relation to the islands of West Cork, from a later 6″ OS map

Before we complete our tour of Croagh Bay we have to travel east along the Croagh peninsula, where we find the intriguingly named Gun Point. There is no sign of a gun there today, nor any record of where the name might have originated. It could be, of course, that in Hull’s time the entrance to these important inlets was guarded.

We were pleased to find a briar still in bloom, but were also intrigued by this gate, above, at the very tip of Gun Point. It was singing to us! The wind which, by late afternoon, had become a bit of a gale, was picked up by the hollow metal rails and created for us a Port na bPucai – ‘song of the spirits’. We recorded it as best we could and then handed it over to our musical friend Paul Hadland. He in turn passed it on to his brother Tony – an electronics wizard, who presented us with the following rendition of our Harmonic Gate. Many thanks, Hadlands!

For the technically minded amongst you, here is Tony’s account of how he processed our recording:

. . . I first of all manually edited out the worst of the very short but irritating wind noise elements. I then traced the frequency band where the music was and applied the Apple AU Bandpass filter, centred on 400 HZ. I trimmed off the ragged beginning, faded out the end, and normalised the volume to -10db. To get rid of more of the background noise I then applied the Acon DeNoise 2 adaptive filter, using its default broadband music setting. The result is the attached file Gate Harmonics . . .

Tony Hadland, November 2020

Book of Lismore

This is a topical post, as only this week we heard the news that the Book of Lismore has been donated to University College, Cork to become the centrepiece of the library there. It will be accessible to students and will contribute to the knowledge and study of Gaelic manuscripts dating from the 15th century.

When we think of ancient Irish manuscripts we might visualise the Book of Kells, which is on display in Trinity College, Dublin. It’s remarkable to think that the Book of Lismore is over 500 years old, but that the Kells manuscript predates it by 600 years: it was created around 800AD. Here’s a scribe (from Finola’s window by George Walsh) who could be from any of those medieval periods when monks and lay brothers worked away in their scriptoriums making, copying and illuminating beautiful works which have become our most precious historical documents:

The Book of Lismore is written on vellum, and was compiled for Fínghin Mac Carthaigh, Lord of Carbery (1478–1505) and his wife Caitlín. It became known as Leabhar Mhic Cárthaigh Riabhaigh. It is entirely in Irish. What has really excited us is that, in introducing the installation of the book at Cork, UCC Professor of Modern Irish Pádraig Ó Macháin mentioned our own locality:

[The book] belongs to a period of creativity which was centred on the coastline of Cork. It is difficult to imagine those seats of learning and literature today when you look at the remote rural landscapes . . . In Rossbrin Castle – the O’Mahony stronghold – translations, treatise and journals were being made using contemporary European resources: it was a proto-university in pre-urban Ireland, paralleled by the vibrant poetic tradition of the O’Daly family in nearby Mhuintir Bháire [The Sheep’s Head] . . .

Pádraig Ó Macháin, 2020 (paraphrased)

Rossbrin (above) was only one of many castles occupied by the Gaelic nobility along the coastline here in the 15th century and beyond: this ties in with my post of last week when I explored a 1612 map and identified many centres of occupation and scholarship which surely made West Cork so vibrant and cosmopolitan in earlier times. Books are known to have originated here – including the first to be written in Ireland on paper – and some of them survive to this day.

All the page illustrations in this post come from the Book of Lismore. It has a complex history and is likely to be by many hands. One – Aonghus Ó Callanáin – is certainly identified within its pages, and another – a friar named O’Buagachain is suggested. Tradition has it originating from the lost Book of Monasterboice and associates it with Kilbrittain Castle, Cork – reportedly the oldest inhabited castle in Ireland, dating from as early as 1035 and possibly built by the O’Mahonys – but also with the Franciscan Friary at Timoleague.

Upper – Kilbrittain castle in the present day: the original building is a thousand years old. Lower – the Friary at Timoleague, a foundation attributed to the MacCarthys in 1240, and plundered in the 17th century

The book fell into the hands of Richard Boyle, First Earl of Cork, during the Irish civil war in June 1642 and ‘vanished’ until its rediscovery in Lismore Castle in 1814. Apparently it was walled up together with the Lismore Crozier. By then the castle was owned by the Cavendishes, Dukes of Devonshire. It is this family that has donated the book to Cork and the nation, through the Chatsworth Settlement Trust.

Upper – Lismore Castle by TS Roberts, Aquatint and etching 1795 print by Samuel Alken. Lower – The Book of Lismore and the Lismore Crozier celebrated in this Celtic Revival stained glass window of St Carthage in Lismore Cathedral. The window is by Watsons of Youghal, and you can read more about them in Finola’s post here

One further thought: today is ‘All Saint’s’ – November 1st. The contents of the Book of Lismore include a section on the lives of the Irish Saints: these lives were translated by Whitley Stokes in 1890 and are available to read online. Finola has used this source in her post about Saint Fanahan, or Fionnchú. We look down on Rossbrin Cove and the ruins of the medieval O’Mahony castle – sometimes described as the greatest centre of learning in Europe! We feel excitement and gratitude that here in West Cork we are linked to this treasure from that age, now in the responsible hands of UCC.

Roaringwater Bay in 1612

Roaringwater Bay must be so familiar to you, if you are a regular reader of this Journal. It’s a land- and sea-scape of hidden coves, inlets, islands, mountains and castles: a treasure trove for explorers and historians. That’s Black Castle at Castlepoint, Leamcon, above – said to have been built by Connor O’Mahony in the mid fifteenth century. Probably the best place to get an overview of the coastline is to climb to the top of Mount Gabriel (407m) and have a look down. You will see stretched out the archipelago of ‘Carbery’s Hundred Isles’ – seen here in autumnal hue – Cape Clear is the distant remote landfall over on the right:

We always have a sizeable pile of books waiting to be pored over. Currently at the top is this study, The Alliance of Pirates, written by Connie Kelleher and just published (2020) by Cork University Press. We have yet to consume every detail, but we do assure you that it’s full of fascinating historical information – not just about pirates, but about life and culture in the west of Ireland in the late sixteenth and early seventeenth centuries. Connie is an ‘underwater archaeologist’ and we have followed her over many years, lecturing and presenting original information which she has gathered together on her subject. We couldn’t fail to be hooked on everything she says, illustrates and writes about, as the focus is on our own doorstep. One linchpin of this book is a map which is dated to 1612. This article from Atlas Obscura explains the map and Kelleher’s approach. It’s worth reading: note that you may be required to register on the Atlas Obscura website (it’s free) in order to access it.

The 1612 chart of the “Pirate Harbours” of southwest Munster which became a valuable source of information for Connie Kelleher‘s studies © SUB GÖTTINGEN 4 H BRIT P III, 6 RARA UNIVERSITÄT BIBLIOTHEK GÖTTINGEN LIBRARY ARCHIVES, GERMANY

The purpose of today’s post is to examine the 1612 map in detail and attempt to identify and relate to many of the places which are named and illustrated. Before that, though – let’s consider how such a chart came to be made. Finola has written previously about how West Cork as a whole was being mapped in the sixteenth and seventeenth centuries here and here. The thing that sets the 1612 map apart, however, is that it was made in secret, and largely from surveys only carried out at sea. Also, it was specifically intended to enable a Dutch fleet to assail the pirate strongholds which became numerous around the area from Baltimore to Crookhaven, centred on Roaringwater Bay and ideal for forays into the wider Atlantic trade routes.

The sheltered waters of Crook Haven – an important recognised centre for careening and victualling ships operating legitimately on the Atlantic trade routes: ships that would become prime targets for the pirates based in secret ‘nests’ along the same coastline

. . . In 1612, having grown tired of the ongoing pirate harassment, the Dutch government lobbied James I for permission to enter the harbours of southwest Ireland to attack the pirates themselves. James I agreed, but only under the conditions that the pirates would be captured alive and handed over, along with captured goods, to the Kings’ ships to be transported for trial by the Admiralty in England.

To prepare their ships for the attacks, Dutch hydrographer Hessel Gerritszoon was tasked with mapping the Irish coastline with a special focus on the “pirate coast” of southwestern Ireland. A large task in front of him, Gerritszoon engaged English cartographer John Hunt to assist. . .

Atlas Obscura

The leeskarte which the hydrographers produced still exists, and has been housed since the mid 1700s in the library at the University of Göttingen in Germany, which acquired it in the mid 1700s. During her researches, Connie Kelleher travelled to Göttingen to examine and document the map, which is a wonderful resource for enlightening us on some aspects of our local history.

. . . It is a type of ‘treasure map’ informing on the heritage within the landscape at the time, which could potentially help us identify other pirate-related locations, including archaeological sites . . .

Connie Kelleher

In this extract from the 1612 map I have focussed on our immediate area – the environs of Roaringwater Bay itself. Many names will ring bells with us (Clere, Baltemor, Rossbren for example); others won’t. For a simple comparison I have chosen a version of the historical 6″ Ordnance Survey map, dating from the late nineteenth century – it’s probably the clearest and best annotated example of what we would recognise around us today in terms of place-names:

Here I have located and labelled our environs, as shown in 1612. It is remarkable that every castle and many significant features are clearly shown. Now, have a look at my red circle around ‘Horse Island + Castle Island’.

There’s an island missing! Opposite ‘Rossbren’ on the mainland is shown a single island: Rosbren. Next to it is Long Island. In fact, there are two islands here – Horse Island and Castle Island. On the 1612 map there is a castle shown on the Rosbren island, but the castle is actually on Castle Island. Somehow, the surveyors have missed this detail: perhaps the visual information which could be got offshore was confusing. What is interesting, though, is that the dotted lines at the east end of Rosbren on the 1612 map seem to mark the line of a causeway, the vestiges of which do appear today at very low tides and the feature exists in local folk memory. That level of detail on a chart, produced in the limited circumstances of its, time is remarkable! You can read more about Castle Island here.

Our view across Rossbrin Cove with its O’Mahony castle and, beyond Rossbrin Castle, Castle Island. On the left of the picture is Horse Island

I want to show you some further details from the 1612 leeskarte. Firstly, here’s a close-up of Crookhaven (Croock haven on the map). Note the scales in Dutch miles and English leagues, and ‘Limcon’ – in fact Leamcon – which was one of the major pirate centres and also the territory of Sir William Hull, a Vice Admiral of Munster from 1609. His job description involved rooting out the plague of pirates in Roaringwater Bay but in fact entailing a lot of profitable collaboration with them. Also of interest here is the depiction of Goat Island – named ‘Cainor’ and a castle – ‘Penar’ which is likely to be Ballydevlin, at the mouth of Goleen harbour; also ‘Don Hog’, which we believe refers to Castlemehigan. There is no trace remaining of either of these two.

Another detail from the map (above) shows Spain Island, Sherkin and ‘Baltemore’. the depiction of galleons in full sail is a fine ornamental ‘illumination’. Also, note the small anchor symbols. In some places on the whole map, anchorage depths are shown: another remarkable factor highlighting the observation skills of the surveyors. Additionally on this detail, note the name ‘Croock’ – Thomas Crook, an Englishman, took a lease on Baltimore Castle in 1605. The ‘Chapl’ below Castlehaven is probably the now ruined church at Myross, detailed in my post here.

Our photograph of old (possibly ancient) steps carved into the rocks at Dereenatra. Connie Kelleher highlights the physical remains that can be found today in many of the former pirate strongholds around the coast of West Cork. Several are in the form of frequently hidden away steps and tying-up points in remote locations. I have included references to ‘pirate steps’ in a previous post. For the full picture, don’t forget to get hold of Connie’s book: it will make an ideal Christmas present for the archaeologists and pirate enthusiasts among you!

Off the M8 – Knockroe Passage Tomb or ‘Giant’s Grave’

The great passage tombs of the Boyne Valley complex in Co Meath – Newgrange, Knowth and Dowth – have been known and celebrated (although not necessarily understood) by antiquarians over many centuries. Here’s an early survey plan of Newgrange drawn by Thomas Molyneux of Dublin in 1700:

The Boyne Valley monuments are famous for their megalithic art – inscribed stones which are integral to the structures, carved some 5,000 years ago. The drawing above shows the carved stones in the great passage which we now know is aligned to the sunrise at the winter solstice. Although quite crudely depicted, these are the earliest representational images we have of passage tomb art in Ireland. A century and a half later the surveyor and antiquarian George Victor du Noyer worked with the newly established Geological Survey of Ireland and became fascinated with the megalithic art of the Loughcrew Passage Tombs in Co Meath. His recording of this, using watercolour sketches, is remarkably accurate:

Another century on, and archaeology – and the recording of ‘ancient’ art – had increased in sophistication. Finola’s work in the 1970s used a combination of direct tracing and photography, and her opus is still one of the most comprehensive and striking collections of images of Prehistoric Rock Art. These differ from Passage Grave Art both in the motifs and the overall design of panels, but are thought to be of comparable age. Here is one of her images, of rock art at Rathruane More in West Cork:

Today’s post focusses on a site which was first noted in 1905 but not categorised or fully explored until the 1980s, when Professor Muiris O’Sullivan of UCD led a detailed excavation, over many years. The report in excavations.ie states:

. . . Knockroe is one of a small number of decorated sites outside of County Meath, and in the overall context of Irish passage tombs its megalithic art is very important. Only a few of the kerbstones are visible but they bear a profusion of kerb ornament which is matched only at the three great tumuli in the Boyne Valley. One of the decorated stones in the western chamber bears a remarkable likeness to the designs at Gavrinis in Brittany, France . . .

To find this gem (known locally as The Giant’s Grave – Finola’s post today describes another one!), you have to turn off the M8 at Cahir, and follow the N24 and N76 towards Ninemilehouse. If this sounds familiar, it’s because we also followed this route when we visited the Killamery High Cross, but this time turn before Ninemilehouse, at Garranbeg, and cross over the River Linguan, then follow the river to the County border (Tipperary / Kilkenny) where you will see signs to Knockroe Passage Tomb and Knockroe Slate Quarries. After your visit it’s easy to join the M9 at Knocktopher and carry on up to Dublin. It will add a little more than half an hour to the journey (plus the many hours you might want to spend exploring the fascinating passage tomb).

The aerial view might help to orientate you, while the 25″ OS map extract (above) dates from the late 1800s and shows the extent of the nearby Victoria Slate Quarry workings then. Slate was evidently taken from this site as early as the 14th century. In the aerial view it is possible to make out a distinct trackway which passes over the centre of the now identified passage tomb. This is clear to see on the site, and at either end the track continues, and is defined by ancient-seeming hedgebanks and established trees :

Tradition has it that the trackway was provided in the nineteenth century by the owners of the nearby Victoria Quarry to allow cattle to access the river when the quarry workings encroached on previous routes. A plan of the passage tomb is shown on the site notice board, and I have marked on it the laneway. This clearly shows the layout of the Neolithic monument, which would have been covered with an artificial mound, enclosing the two chambers. As with the larger monuments in the Boyne Valley – Newgrange, Knowth and Dowth – stones in the passage chambers and some of the kerbs are decorated, and the chambers themselves have solar alignments, reportedly with sunrise (east) and sunset (west) on the winter solstice.

As yet we have not been to Knockroe at the winter solstice – it’s something we would like to do. We have attended the solstice celebration at our own West Cork site, Drombeg Stone Circle, and that is a great community experience. But Pete Smith has provided this fascinating visual record of the Knockroe Solstice recorded in 2016. Thank you, Pete!

But let’s turn our attention to the art at Knockroe. It’s what makes it so special. It’s not as spectacular as the larger examples in the Boyne Valley or Loughcrew (you might think of Knockroe as a ‘country cousin’) – but it is their equal in its scope and variety. And – what we really liked – you can have the place all to yourself! There is no visitor centre, no queueing or paying – nothing to spoil the ambience. It is always freely accessible, and we didn’t see a soul while we were there. It is, of course, merely a skeleton of what it once was – five thousand years ago – but that doesn’t detract from its allure. It’s a place imbued with things we don’t understand, or can only guess at – left behind for us by our distant ancestors. And, hopefully, we will keep it safe for the future.

Muiris O’Sullivan penned a comprehensive article in The Journal of the Royal Society of Antiquaries of Ireland Vol 117, 1987 – The Art of the Passage Tomb at Knockroe, County Kilkenny. This is well illustrated with drawings by Ursula Mattenberger based on rubbings taken directly from the stones. Here is her impression of Stone 8 (numbering from the excavation report), which is directly facing us in the photograph above:

This example is very unusual in the corpus of passage grave art in Ireland. But it bears a resemblance to examples on the island of Gavrinis, in the Gulf of Morbihan, on the southern coast of Brittany, France. This has been noted by several commentators, including Muiris O’Sullivan, and the suggestion has been made that the tomb builders at Knockroe could have been directly influenced by the Gavrinis examples (which are generally thought to be earlier than the Irish parallels). It has even been suggested that passage tomb builders travelled from one site to another (like the medieval cathedral builders), and that this comparison demonstrates this. Have a look at these images from Gavrinis and see what you think (the first is courtesy of Martin Brennan, taken from his The Stars and The Stones, Ancient Art and Astronomy in Ireland, Thames and Hudson 1983):

The excavation of Knockroe involved the removal of earth and debris from the collapsed mound which would have covered the tomb originally. This clearance revealed more of the art and here is an interesting comparison which shows the evolving history of the site. Firstly, our recent photograph of Stone 12, followed by the excavation record of this stone (lower right of the drawing) from the 1980s:

Here is our photograph again, with some of the art from the drawing above superimposed. It’s clear that the full extent of the artwork on Stone 12 was not visible below the red line when the drawing was made: Muiris O’Sullivan notes in his reports that he was aware that some of the art was hidden below what was then ground level.

Ursula Mattenberger’s drawing above also illustrates Rock 5 (upper left) and shows the very distinctive ‘rosette’ motif of six cup-marks. Examples of this motif have been found at rock art sites – including the one on Finola’s drawing of Rathruane More, nearer the top of this post. Here’s a photograph of the Knockroe example:

While making comparisons with rock art (and remembering that passage grave art and rock art are distinctive categories), here’s another decorated slab at Knockroe, not entirely legible in its weathered state. It seems to show a number of incomplete cup-and-ring motifs but in its own right this is known as a horseshoe motif. Below it is another of Finola’s drawings from 1973, perhaps showing something similar at Coomasaharn, Co Kerry:

The Knockroe site is endlessly fascinating. O’Sullivan’s excavations revealed a quantity of smaller quartz boulders which appear to have collapsed from a possible quartz facing reminiscent of Professor O’Kelly’s reconstruction of the Newgrange mound (image below by Tjp Finn via Creative Commons):

Hopefully I have given you enough here to whet your appetite and lead you off the motorway to explore the exceptional remains at Knockroe, Co Kilkenny and, in particular, its remarkable examples of passage grave art.