Nature

Gather Your Seaweed

collecting sand

Today is Oiche Fhéile Bhríde – St Brigid’s Eve. The Saint’s festival – tomorrow – marks the beginning of Spring: we will feel the lengthening of the days, and we have to be alert for so many portents.

Firstly – Hedgehogs. Watch out for your Hedgehogs: to see one is a good weather sign, for on Brigid’s Eve the Hedgehog comes out of the hole in which he has spent the winter, eyes up the weather and, if he likes the look of it, starts his foraging. If he goes straight back in again, then you’ll know that the storms will continue! This is according to Kevin Danaher, a frequent contributor on our seasonal folklore. The wind direction on the eve of the festival ‘…betokens the prevailing wind during the coming year; the festival day should show signs of improving weather, although an exceptionally fine day is regarded as an omen of poor weather to come…’

For those of us who live by the sea we have to be alert for Rabharta na Féile Bríde, the spring tide nearest to St Brigid’s day, as it is said to be the most significant one of the year – that’s when the difference between high and low tide is the greatest. Danaher, The Year in Ireland, Mercier Press 1972, notes: ‘…The people were quick to take the opportunity of cutting and gathering seaweed to fertilize the crops and of collecting shellfish and other shore produce. In a few places a live shellfish, such as a limpet or a periwinkle, was placed at each of the four corners of the house, to bring fishing luck and ensure plentiful shore gathering…’ But don’t forget that it’s not until Good Friday that you harvest the Mussels.

along the strand

All the photographs in this post are from the collection of Tomás Ó Muircheartaigh, who documented life in rural Ireland between the 1930s and the 1950s – an invaluable pictorial record of the times

This is the day to make – and eat – your bairin-breac: ‘…On St Brigid’s Eve every farmer’s wife in Ireland makes a cake, the neighbours are invited, the madder of ale and the pipe go round, and the evening concludes with mirth and festivity…’ (Danaher). I’m holding out hopes that Finola will oblige and get out her delicious barm-brack recipe. Of course, the mirth and festivity will follow as she soaks the fruit in whisky! The Saint travels around the countryside on the eve of her festival, bestowing her blessing on the people and their livestock. We must be sure to leave out for her a piece of our cake: ‘…Often a sheaf of corn was put beside the cake, as refreshment for the Saint’s favourite white cow which accompanied her on her rounds. Others laid a bundle of straw or fresh rushes on the threshold, on which the Saint might kneel to bless the house…’ (Danaher).

collecting seaweed

Tonight we will hang a piece of red ribbon outside our door: ‘…One traditional story says that St Brigid wove the first cloth in Ireland and worked into it white healing threads which were said to have kept their healing power for centuries. In many places in Ireland it was customary to put a piece of silk ribbon, red being the preferred colour, outside the house on the Eve of St Brigid’s Day, much in the same way as articles of clothing or cloth left out on the saint’s eve would be endowed with St Brigid’s blessing when they became known as the Brat Bhríde (Brigid’s cloak). It was believed that St Brigid, when travelling around the country on the Eve of her Day, would see and touch the ribbon, so endowing it with her blessing and conferring on it some of her healing power. After this it was referred to as the ribín Bhríde…’ from Brigid: Goddess, Druidess and Saint Brian Wright, The History Press 2009. This reminds me very much of another saint – Gobnait – who also has a February festival. It’s going to be a busy month! To start it off it’s essential that we make our bogha Brídhe – St Brigid’s Cross.

carrying the seaweed

The Seven Whistlers

curlew title

While researching for this post I picked up the excellent book by Niall Mac Coitir, Ireland’s Birds – Myths, Legends and Folklore and got diverted by a section on Eagles: why wouldn’t I, as we live up here in Nead an Iolair, Eagle’s Nest? I was delighted to discover from this book that Adam and Eve are reincarnated as Eagles and live on the island of Inishbofin, at the mouth of Killary Harbour in Galway. This adds to the list of important people of the world who have ended up in Ireland, including St Valentine in Dublin and Santa Claus (St Nicholas) who rests in Jerpoint Abbey. I’m hoping to discover many more…

My real subject today is the Curlew: we have seen a few of them lately below us in Rossbrin Cove. They are winter visitors from Scandinavia. There is a small breeding population in Ireland, mainly centred in Galway and Mayo, but this has declined catastrophically in recent times, and the bird is now red-listed as a globally threatened species, according to Birdwatch Ireland. Every Curlew sighting, therefore, is an important one.

In Irish bird folklore, the Curlew does not come over in a good light. It has a very distinctive and haunting call, and this has probably contributed to associations with the Otherworld.

Mac Coitor says: …The Curlew was famous for its whistling and screeching calls, which were believed to foretell the arrival of rain or stormy weather… while Scottish poet Norman Alexander MacCaig (1910 – 1996) describes the Curlew’s voice:

Trailing bubbles of music over the squelchy hillside… music as desolate, as beautiful as your loved places, mountainy marshes and glistening mudflats by the stealthy sea…

Curlews fly at dusk, sometimes in groups: this has given rise to accounts of The Seven Whistlers in both Britain and Ireland. One of the earliest collectors of folkore in these islands, Jabez Allies (1787 – 1856), wrote:

…I have been informed that the country people used to talk a good deal about the ‘Seven Whistlers’ and the late John Pressdee, who lived at Cuckold’s Knoll, in Suckley, said that oftentimes, at night, when he happened to be upon the hill by his house, heard six out of the ‘Seven Whistlers’ pass over his head, but that no more than six of them were ever heard by him, or by any one else to whistle at one time, and that should the seven whistle together the world would be at an end…

Another account, from William Henderson, Folk-Lore of the Northern Counties of England and the Borders:

‘I heard ’em one dark night last winter,’ said an old Folkestone fisherman. ‘They come over our heads all of a sudden, singing “ewe, ewe,” and the men in the boat wanted to go back. It came on to rain and blow soon afterwards, and was an awful night, Sir; and sure enough before morning a boat was upset, and seven poor fellows drowned. I know what makes the noise, Sir; it’s them long-billed curlews, but I never likes to hear them.’

It’s that long, curved bill that makes the Curlew so distinct a figure down on the mud flats at low tide. The slim, pliable beak is used to probe in mud and shallow water for worms, crustaceans, and insects, and for exploring stones and shells. In flight the bird has a wonderful aerodynamism and reminds me of that beautiful aircraft – now extinct – Concorde. In my younger days, growing up in Hampshire, I watched the test flights of that plane at Farnborough, and always admired its drooping ‘Curlew’ nose.

JgxBY6H

Irish poetry has been enriched by images of the Curlew. Seamus Heaney’s From the Republic of Conscience:

When I landed in the republic of conscience
it was so noiseless when the engines stopped
I could hear a curlew high above the runway.
At immigration, the clerk was an old man
who produced a wallet from his homespun coat
and showed me a photograph of my grandfather.
The woman in customs asked me to declare
the words of our traditional cures and charms
to heal dumbness and avert the evil eye.
No porters. No interpreter. No taxi.
You carried your own burden and very soon
your symptoms of creeping privilege disappeared…

We can’t leave out W B Yeats – He reproves the Curlew:

O, CURLEW, cry no more in the air,
Or only to the water in the West;
Because your crying brings to my mind
Passion-dimmed eyes and long heavy hair
That was shaken out over my breast:
There is enough evil in the crying of wind.

Four of Yeats’ poems, including Curlew, were set to music by the eccentric English composer Philip Heseltine, who took the name Peter Warlock. The Curlew is a chamber song-cycle setting written for tenor voice, flute, cor anglais and string quartet. Heseltine spent some time in Ireland, including a period on a ‘Gaeltacht island’ (perhaps Cape Clear?) where he sought to learn the Irish language.

Heseltine / Warlock’s The Curlew brings us full circle, as the composer also spent time in Cornwall under the shadow of another Eagle’s Nest – near St Ives – in an area frequented by artists, writers and mystics including D H Lawrence, Aleister Crowley, Virginia Woolf and Patrick Heron. From Eagle’s Nest in West Cork to Eagle’s Nest in West Cornwall… The Curlew is a much-travelled bird… Be careful of the Seven Whistlers!

view from Eagle's Nest

Curlews be here… view of Rossbrin Cove from Eagle’s Nest, West Cork

Beyond the Mizen: Top 14 West Cork Pics of 2015

We were heading home from Hare Island after a Fit Up Theatre Performance, when this happened

We were heading home from Hare Island after a Fit Up Theatre Performance, when this happened

Many of our top Facebook photographs this year were from the Mizen, but not all. You also liked and shared photographs that captured the essence of other parts of West Cork.

Baltimore Bay and Ringarogy Island

Baltimore Bay and Ringarogy Island

I think the Baltimore Bay one was so popular because the colours are SO west Cork. When you get blue sky and clouds, the sea turns this amazing Caribbean blue and the contrast with the green fields and wilder high ground is gorgeous.

Lighthouse Loop, Sheep's Head

Lighthouse Loop, Sheep’s Head

This photograph of our friend Susan Byron of Ireland’s Hidden Gems is one of my favourites this year because of the impression it creates of sheer wildness.

Sparrowhawk
Robin on gorse
Ferdia

Occasionally we get lucky with the local wildlife. Ferdia, the fox, used to be a regular around our place but has forsaken us recently for neighbours with higher quality leftovers.

Bantry House in winter

Bantry House

It’s possible to get good shots of Bantry House in winter, when the trees don’t obscure it from view.

Kilcoe Castle

Kilcoe Castle is such an icon on the landscape. This photograph shows the neighbourly way it interacts with the other houses around it.

Bardic School Loop, Sheep's Head

Bardic School Loop Walk, Sheep’s Head

This tiny abandoned cottage may have been part of the 17th Century Bardic School near Lake Faranamanagh on the Sheep’s Head. We’re looking across at the Mizen in this shot.

The Beara, from the Sheep's Head

The Beara, from the Sheep’s Head

And here’s the view from the other side of the Sheep’s Head, across to the Beara Peninsula, with the instantly-recognisable bulk of Hungry Hill to the far right.

Priest's Leap Valley

Priest’s Leap Valley

The long climb up to Priest’s Leap starts near Ballylickey and ends at a high mountain pass that separates Cork and Kerry. The views are spectacular from the top, but this shot of a colourful house and farms in the valley on the way up seemed to express something typical of West Cork.

Farm, Sheep's Head

Farm, Sheep’s Head

This farm appears to be carved out of the mountain land behind it.

Barloge Bay, at the entrance to Lough Hyne

Barloge Bay, at the entrance to Lough Hyne

This was taken in November. I love the contrast of the turquoise water with the autumn colours of the bracken-covered hillside.

F

A final sunset to end this post. This was taken last February from the lay-by overlooking Roaringwater Bay on the N71. The light was extraordinary – a once in a blue moon kind of shot. The mussel beds make the water look like floating ice packs.

A big thanks to Celia Bartlett for helping us improve our photographic skills this year. We loved our workshop with her.

Happy New Year to all our faithful readers!

Coomkeen, Summer and Winter

Coomkeen Road, winterThe Coomkeen Loop Walk on the Sheep’s Head is one of the most richly satisfying walks in West Cork. And that’s saying something, in this land of jaw-dropping vistas and absorbing heritage.

Start, summer

The start of the trail in June

We walked it in June with our friends Amanda and Peter and again in November with our friend John. We had extraordinary days on both occasions. While the November day was cloudless, the one in June provided enough scattered cloud to supply that variation in light and shade that lends such atmosphere to the West Cork landscape.

And in November

And in November

To reach the start of the Coomkeen trail, drive from Durrus towards Ahakista and turn right at the Church of Ireland (before you get to the pier). Ascend to the top of that road and you will find a parking spot and the clearly marked trailhead. There are various ways you can do this walk. The complete loop is a 7km walk that brings you along the spine of the peninsula before you drop down onto tracks and then the road back up to the parking place. Our own favourite option is to walk until you reach the little lake and then retrace your steps along the ridge. Lough na Fuilla, Lake of Blood, is so called, the story goes, because thirst-crazed cattle found it dry and attacked each other in their frenzy.

Lough na Fuilla

Either way is fairly easy, although the complete loop presents a long steep climb back to the starting point. As with all Sheep’s Head walks, be prepared for any weather, wear good boots, bring a camera and leave the dog at home. If you want more information, consult the section on the Durrus Trailhead in Walking the Sheep’s Head Way.

Winter fields on Bantry Bay

Winter fields on Bantry Bay

Perhaps you think that it sounds fine to go for a mountain hike in June – but November? Yes, it was a little cooler and a lot windier, but the November hike was just as spectacular as the June one had been. Most striking of course, is the change in colour.

In summer the foxgloves are everywhere

In summer the foxgloves are everywhere

Because this is a ridge walk, the views are immense. To the north is Bantry Bay and Whiddy Island with its huge oil tanks. Beyond that are the mountains of the Beara, looking as wild and remote as, in fact, they are. To the south is Dunmanus Bay and the Mizen Peninsula. 

The Summit

The Summit

Amanda and Peter were able to show us an enormous standing stone on our June trip, although we missed it in November.

Rooska East standing stone

But we did visit the same ruin of a small farmhouse on the north side of the ridge. Incredible to think that someone eked out a living so high up. Although only a few broken down walls remain, the poignancy of the site comes from what was once a garden by the house, with thorn trees still bravely clinging on.

Further on are the remains of booleys – small huts used by the young people sent to mind the cattle on the high ground during the summer. Perhaps the little farmhouse was part of that endeavour.

Robert and John inspect the little ruined farmhouse

Robert and John inspect the little ruined farmhouse

Running along the ridge and crisscrossing the mountain are the remains of old stone walls. Impossible to tell how long ago they may have been first built, or how recently they functioned to separate pastures.

Walls, Summer

Walls, winterIn November the dominant colours are the blond of the grasses (called fionán, pronounced fyuh-nawn) and the amber, brown and honey tones of the bracken and heather, interspersed with the greenery of gorse and pasture. Although visually stunning, the predominance of the fionán (properly called Purple Moor Grass) and bracken have a less positive underlying meaning. They take hold where the hillside has been set on fire time and again. The fires that we often see here are supposedly to control the gorse and increase grazing for sheep, but in fact according to Birdwatch Ireland, repeat burning “has led to a loss of cover (protection) for Red Grouse…depletes moorland fauna, and can lead to soil acidification, leaching and thus soil degradation.”

In summer, it’s all green but the wild flowers provide bursts of colour.

Bog cotton
sundews
wild orchid

In November, the only wild colour to be found came from a yellow brain fungus on a dead gorse trunk. Yes, it’s really called that, and is normally yellow but darkens after dry weather. It’s not feeding on the gorse, apparently, but on other fungus that is feeding on the wood. Charming.

Yellow brain fungus on gorse?

Do the walk, any time of year. Then show the photos to your friends and watch them make plans for a trip to West Cork. Or should we just keep this our secret?

Contemplating the route

Atlantic Winter

Dingle Beach

When St Brendan of Clonfert set out to discover America in 512 he and his fellow monks had to face the enormity of the Atlantic Ocean in tiny boats built out of wood and oxhides, sealed with animal fat. Up here in Nead an Iolair our view out to the islands of Roaringwater Bay and beyond is dominated by that same ocean and – sometimes – we feel just as small. This year the winter gales have started early, and spates of fierce westerlies have been throwing the Atlantic straight at our windows. The tiles rattle alarmingly while we are tucked up in bed at night. At these times I think of the Saint and what he had to face. But, like Brendan, we always survive the storms, and often wake up in the morning to a calm, clear day – except that you can hear the constant ‘roaring’ of the open sea out over the bay.

celebrating massOn their way to the New World – Saint Brendan and his companions take advantage of a passing Atlantic denizen to celebrate Mass…

The Atlantic has shaped Ireland. The sea is omnipresent: poets have written about it, storytellers have woven tales around it, and composers have tried to capture its spirit in music. Here’s a small section from the impressive ‘Brendan Voyage’ written by Shaun Davey for orchestra and Uillinn pipes – it’s the haunting second movement, played by Liam O’Flynn with the Irish National Youth Orchestra, at a performance in Cork City Hall. It makes me think of the wonderful sunrise on that calm day after the storm…

Brendan Voyage

Long Island Beacon

Brow Head

Mizen Head

Our own Atlantic: telescopic view of a storm battering Long Island, taken from our garden at Nead an Iolair (top), Brow Head, near Crookhaven (centre), and the impressive land and seascape at Mizen Head – Ireland’s most south-westerly point (lower picture). At the head of this page you can see the huge rollers that come into Dingle Bay, Co Kerry

Dogger, Rockall, Malin, Irish Sea:
Green, swift upsurges, North Atlantic flux
Conjured by that strong gale-warning voice,
Collapse into a sibilant penumbra.
Midnight and closedown. Sirens of the tundra,
Of eel-road, seal-road, keel-road, whale-road, raise
Their wind-compounded keen behind the baize
And drive the trawlers to the lee of Wicklow.
L’Etoile, Le Guillemot, La Belle Hélène
Nursed their bright names this morning in the bay
That toiled like mortar. It was marvellous
And actual, I said out loud, “A haven,”
The word deepening, clearing, like the sky
Elsewhere on Minches, Cromarty, The Faroes.

Glanmore Sonnets VII, taken from Field Work by Seamus Heaney, published by Faber and Faber Ltd

Seamus Heaney was deeply affected by the seascape of his native Ireland. Anyone who works on or beside the sea is aware of the resonant names from the Shipping Forecasts, and the poet has used those names here to introduce his word-picture of the elemental Atlantic.

Near Malin Head 2

On the Beara

Donegal Beach

Atlantic contrasts from Mizen to Malin: near Malin Head – Ireland’s most northerly point (top), off the Beara (centre) and a beach in Donegal (lower)

A later traveller over the Atlantic waters was Chistopher Columbus in the 15th century. On the way he looked out for St Brendan’s Isle, a spectral island situated in the North Atlantic somewhere off the coast of Africa. It appeared on numerous maps in Columbus’ time, often referred to as La isla de Samborombón. The first mention of the island was in the ninth-century Latin text Navigatio Sancti Brendani Abatis (Voyage of Saint Brendan the Abbot), from whence it became firmly implanted into Irish mythology. St Brendan took a little party of monks to the island to say Mass: when they returned after a few days to the rest of the flotilla, they were told that they had been away for a year! The phantom island was seen on and off by mariners for years until in 1723 a priest performed the rite of exorcism towards it during one of its apparitions behind low cloud… You can see St Brendan’s Isle for yourselves, above the wonderful giant fish in the second picture down.

Dingle Peninsula

Coast Road

Dingle peninsula (top), and Coast Road in Donegal (lower)

I was pleased to find this Irish Times video made by Peter Cox when he was fundraising for his book Atlantic Light: spectacular photographs of the coastline on Ireland’s Wild Atlantic Way. The excellent aerial views in this film are all taken by a drone… Look out for places you will have seen in our blogs!

atlantic video

We are privileged that the Atlantic Ocean is the abiding but ever-changing feature in our daily lives. It must affect us in unknown ways: I do know that, wherever I go in this world, I will – like Saint Brendan – always be drawn back here to our wonderful safe haven…

St-Brendan-Coin1

 

November Dark

November Dark

Dramatic sky over Nead an Iolair on November Dark this year

The month opened with Snap-apple night and tales of pucás and little folk. From the rising of the moon on November Dark the mackerel would make their way to deeper water; it was the end of the seine season. With the crops all in and hill grazing finished, fires were set on the hills and preparations made for the winter. There was little employment for the months ahead… (from Northside of the Mizen by Patrick McCarthy and Richard Hawkes 1999)

I have mentioned this reference to ‘November Dark’ in previous posts but, apart from the Northside book, I have been unable to find any other allusions to the term – either on the internet (which is usually a sure source of every conceivable fact or fiction) or on our bookshelves (which are overflowing with volumes on Irish culture, traditions and folklore). According to McCarthy and Hawkes it points to the appearance of the November new moon: this year it occurred last Wednesday – the 11th – which was also Martinmas.

bookshelf

A gallimaufry on the bookshelves at Nead an Iolair

Once, the day had particular significance: …With the rising of the moon from November Dark the mackerel made their way to deep water; it would be the end of the seining season. Most of the barrels of fish were collected by ships from September onwards. Limerick Steam coasters and ships from England and America anchored offshore, and the barrels would be taken to them. The faller boats took five to eight barrels per trip to the ships. They were hauled up by a derrick, two at a time, into the hold. Often 300 barrels would be loaded onto one ship… Although the barrels of fish were taken throughout the season by the fish buyers, it was on November Dark that the seine crews received their money… (from Northside)

Seining: the huer (top) watched for the arrival of the shoals and then signalled their location to the boats at sea; the lower photograph shows seine netting on the beach at Greystones, Co Wicklow

Historical evidence documents seining in the South West Coast of Ireland from County Waterford, to County Kerry, from the 16th century onwards. This was an important industry with Baltimore, Dunmanus, Schull, Sherkin, Kinsale, Bantry and Whiddy Island as centres, together with outlying curing stations called Fish Palaces or Pallices, of which there were significant numbers along the Southern coast. The fish – usually pilchards – were caught by means of a seine net: two boats, the seine boat and the so-called follower (locally called the ‘faller’) were used. The seiner, a large boat pulled by perhaps a dozen or more oars, carried the net, which was often 300–400 yards long. An experienced fisherman acted as a huer by directing fishing operations from a suitable vantage point ashore. From high land, the huer could see the shoals of pilchards clearly, and he alerted the seine boat, by shouting (the ‘hue and cry’) or making suitable signs as to the location of the shoal. Often the shoals were too far out to be seen from the land, and one of the crew – known as  a spyer – had the job of locating them from on board. On a given signal, the net was shot around the shoal by the seine boat, and in the meantime, the free end of the net was picked up by the faller, with a crew of perhaps five or six, pulling the ends of the net together. The footropes of the net were gradually drawn up until the fish were completely enclosed, and by means of baskets the fish were transferred from the net to the boats.

Tucking

Cornish ‘Tucking’ – gathering in the pilchards from the seine net – by the Newlyn School artist Percy Robert Craft: the original painting is in the Penlee Gallery, Penzance. As the seining season advanced, the Cornish boats followed the shoals to the west coast of Ireland

…After the season’s fishing all the nets were barked in a ceiler (a flat bottomed iron pot) at Dunmanus or Goleen… The ceiler would be full of boiling water and bark (a non-sticky type of tar), and the nets were steeped for a good spell. Barking drove out the salt and would preserve the cotton mesh for the next year’s fishing. The nets, when being repaired, were spread out in a field. In Dunkelly the field was called the Seine Field, and at Gurthdove it was at Willie’s Paircnafarriga. Only the experienced and older men were allowed to repair the nets, as the younger lads rarely had enough care for a job that had to be done so well… (from Northside…)

The Barking Pot at Goleen has been restored as a historic site: sadly the pot is no longer in use

Seining was used to catch pilchard, mackerel, herring and pollock off the Irish coast. A ‘Kerryman’ article by Ted Creedon in the Irish Independent back in 2003 gives a very comprehensive account of the living made in pre-war years – this is a short extract:

…Mike Séamus O’Sullivan of The Glen, St Finan’s Bay, was a member of the crew of the last seine boat to land a catch in South Kerry. Mike began fishing lobsters with his father when he left school aged sixteen.

“That was before the war and lobsters were making four shillings a dozen in those days, but when the war came the fishing really got going in these parts,” Mike told The Kerryman this week.

“We were catching mackerel, pollock, herring and they were cured and boxed at Renard Point before going by train to England. The seine boats were catching all mackerel in the war years and prices were about two shillings per hundred, but one day in 1942 an English buyer arrived at Renard Point and offered £3 a hundred!” Mike recalled.

“There was a fortune made in those days then and the local buyers put their prices up to £4 a hundred for the mackerel to keep the English buyer out!” he said…

mending nets

Mending the nets – in this case in a traditional Irish kitchen: a photograph by Tomás Ó Muircheartaigh, who documented life in rural Ireland between the 1930s and the 1950s. The Irish caption to this photo suggests that the net was damaged by a shark

We have been looking back through our archive of the photographs which we’ve taken here on or around ‘November Dark’ in past years. There’s quite a contrast: we have had times of golden sunsets and warm days when we could sit out, while this year has brought a period of wild storms and grey skies.

Mizen Sunset November

November evening

November contrasts: our view a year ago (above) and (below) in the last day or two, brief respite from a period of Atlantic storms

November Dark – have any readers a recollection of this term? We’d like to know – and record – memories of the day and its significance here in West Cork…

sad end for a seine boat

From Northside of the Mizen – the photo is captioned ‘A sad end for a seine boat’