Peter Somerville-Large and The Coast of West Cork

I was out of the country when the writer, Peter Somerville-Large, died in October – I just realised this week that he is gone. What another loss to the world of Irish culture and writing. I never met Peter, but we exchanged letters in the aftermath of me publishing the post I wrote in 2014 and which I reproduce below – a review of his most beloved book, The Coast of West Cork. The book is still in print, although the newer paperback editions lack the black and white photographs of the original.

Here’s an example, and it’s one that shows why this book is such an important record of its time, the early 1970s. According to Mindat, The Coosheen Copper Mine was. . .

Once dubbed the “richest mine in the world” by a correspondent with the London Times, . . . worked a small but extremely rich copper deposit close to the surface from 1839-1877. The mine briefly reopened in 1888-1890 and again in 1906-1907 but only produced a trivial amount of ore. . . On the top of the hill 5 fenced off shafts can be seen and the largely obliterated ruins of the engine house built in August 1860 (bulldozed by the local council in the 1980’s as it was deemed both dangerous and an eyesore!).

This photograph of Ballydehob reminds us what a thriving commercial town it was. 55 years later, you can still recognise the shopfronts, although few are actively trading.

The final photograph from the original edition of the book that I want to share is of a temperance meeting in Skibbereen. Do any of our readers remember this?

And now, here is the original post, written 11 years ago, 1n 2014

The Coast of West Cork

Coast of West Cork cover

Every personal library in West Cork, maybe in Ireland, has a copy of the book The Coast of West Cork by Peter Somerville-Large. First published in 1972, it is a classic of travel writing – amusing, learned, thoughtful – that still holds up as a fascinating portrayal of this part of the world. The photograph above is of the front cover of the book, signed by the author, that I brought with me to Canada when I emigrated in 1974. Forty years later, I am living on the very spot where this photograph was taken! It took me a while to figure this out, as the picture is actually reversed. [EDIT: note that when this photograph was taken, in 1970, the castle was still intact – most of it collapsed in a storm in 1974. For what it looks like now, see Robert’s 2020 post, The Castle of Rossbrin.]

Peter Somerville-Large, now in his 80s, is still writing. He is connected to the old Castletownshend families (Edith Somerville was a relation and he mentions Townsend aunts) and was already very familiar with West Cork when he set out to tour it by bicycle in the spring of 1970. He takes every road, every byway and boreen, and describes in detail the scenery, the characters and the conditions along the way.

Grand road for cycling!
Grand road for cycling!

Far more than a travel diary, this is a comprehensive account of West Cork. Somerville-Large’s erudition is impressive. Either before or after his journey he spent many hours in the National Library, researching the history, folklore, archaeology and literature of the area and he weaves this knowledge seamlessly into his narrative. Because of his own personal background, he is able to include stories and anecdotes from the Big Houses of the gentry. A great aunt

…remembered going down to a cellar which was filled with swords used to arm the tenants during the time of the Whiteboys and also with empty stone wine jars which had carried wine smuggled in from France. From this cellar there was believed to be a passage underground to the O’Driscoll Castle of Rincolisky, whose truncated remains are to be found in a neighbouring field…An earlier Townsend sent his…page down the passage to see if it was clear. The boy was never seen again.

Castletownsend Castle
Castletownshend Castle

His affection for the place leads him to mourn the loss of population from the Islands of Roaringwater Bay.

One by one the small islands became deserted…Only a few years ago I visited Horse Island, just opposite Ballydehob. The last people there, an elderly couple, were living all alone. It was summer, and the old man was sitting in a chair outside his house, his feet in a basin of water. His wife, behind him, fed hens. Next year, they were gone. The house, still intact and comfortable, stood empty, the linoleum in place, last year’s calendar on the wall. Down by the pier a plough had been thrown into the water where it looked like a gesture of despair.

Looking across to Horse Island
Looking across to Horse Island

He documents the importance of the creamery in the social life of the townlands, the old occupations of fishing and mining and the loss of such sources of income, the string of castles that dot the coast and the great irish families that built them, the brash new bungalows springing up around the scenic areas, the awful legacy of the famine, and the sheer beauty of the scenery. He is conscious of a way of life passing. Going out of his way to visit a sweathouse (a feature of the Irish countryside in times past) he ends up in the O’Sullivan’s kitchen, drinking whiskey and eating biscuits.

Mrs. Sullivan told me that the valley was once thickly populated, and when she was a girl there had been sixty children at the school that closed last year. The way of life had gone with it…Once it had been a great place to live in, her husband said. There were monthly fairs at Ballydehob and Schull, and he had walked all the way to Bantry with the cattle and all the way back again.

Deserted cottage
Deserted cottage

The parts I have quoted deal with the area around where we live, but the bicycle trip stretches from Clonakilty to the Beara Peninsula. Describing West Cork as it was in 1970, it is now an important historical document in its own right, alongside such accounts as Thackery’s Irish Sketchbook of 1879, or the Pacata Hibernia of 1633. Mostly, however, it is a charming, engaging and fascinating depiction of a special place.

Over the hill to Durrus
Over the hill to Durrus

West Cork’s Earliest Church: The Skeams Part 1

The highlight of last week was a trip around Roaringwater Bay in a traditional wooden boat, the Saoirse Muireann, visiting the Skeam Islands. Our captain was Cormac Levis, who led us last year on a trip to Castle Island and who is encyclopaedic in his knowledge of Roaringwater Bay.

Now, you may be tempted, as I was, to pronounce this The Skeems, but you can mark yourself out as a true local by referring casually to the Shkames. Called after St Céim (pronounced Kame), apparently, although this particular saint is surprisingly controversial, cropping up as Céin, Keane, or Kame, depending on the authority. THE authority, Pádraig O’Riain, in his Dictionary of Irish Saints is uncharacteristically silent on this saint, so we turn to the Mizen Journal for more information. The Mizen Journal was the much-missed publication of the Mizen Archaeological and Historical Society and it combined well-researched articles with lots of local lore. Bernard O’Regan was a highly-regarded local historian, interviewed by two others, Lee Snodgrass and Paddy O’Leary, before his death in 1994. In the interview he gave this account:

When St Ciaran left Cape Clear to go to the continent to be educated, he left his brother Kame and his sister in Cape [Clear]. Kame then built a wooden church on the West Skeam (Inis Kame, Kame’s Island).

The Bernard O’Regan Story Part 2

Mizen Journal No 4

Remember the bit about the wooden church, as we’ll come back to that. 

According to the geologist Anthony Beese, the West Skeam and the East Skeam were once probably joined, and possibly to Heir Island also, since the seas are very shallow between them. Based on geomorphological evidence, and Keating’s 17th century History of Ireland, Beese estimates that the islands may have separated due to storm activity some time between the 5th and the 9th centuries. Such a scenario, he says, would explain the lack of evidence for an early medieval settlement and burial ground on Heir Island

His own interpretation of the placename is more prosaic – rather than being based on a saint, he speculates that the Irish word scéimh (pronounced shcay-ev) might be apt – it means an overhang, a projecting rim or edge. He says:

The attitude of the cliffs of the Skeam Islands is determined by the subvertical dip of bedding planes, and when walking over the ridges, the feeling is one of looking down from a high table, boats below your feet, the rocky shore hidden.

Anthony Beese

The Natural Environment and Place-Names of the Skeam Islands

Mizen Journal, Vol 8, 2000

The goats on East Skeam certainly appreciate the cliffs.

So take your pick – the Skeams are named from a saintly church builder from Cape Clear, or the name reflects the geology of the island. Which side are you on?

West Skeam has a fascinating history, as evidenced by the barely-hanging-on remains of an early Christian Church. It’s a small single chamber with antae and a splayed linteled doorway. In the photo above, courtesy of the Irish Times, it’s the small ruin on the bank halfway along the beach. Take a look at my post Irish Romanesque – an Introduction for more about this kind of early, pre-Romanesque Church. It is presumed that antae – the projections of the side walls beyond the gable wall – reflect an earlier form of wooden church in which those projections helped to hold up the roof and provide shelter over the entry. The survival of this feature is known as a Skeuomorph – an imitation in the stone-built form of the earlier wooden construction method. 

This little church is very significant – It’s the only one of its kind in West Cork. For many years it has been falling into the sea. Although once, Beese notes, it would have been high and dry, successive storms and the prevailing winds have eroded the bank it stands on over the centuries. Local people, Cormac included, tell of bones eroding out of the bank. The archaeologist Edward Fahy conducted a brief survey in 1962. The drawing above and one at the top of this post are from that report, and here is the conclusion:

Inhumed burials are visible in the cliff for a distance of almost thirty feet to the north and south as well as within the church itself where they are overlain by some soil and 18” of collapse from the walls. The burials extend downwards to foundation level of the building and appear to post-date it. The density of burials is not high and the skeletons are laid parallel to the axis of the church with their feet to the east. One grave is slab-lined but the rest are simple inhumations.

The architectural features of the church, dry stone building, simple doorway with inclined jambs and without architrave, the antae and the estimated length/breath ratio of the interior suggest a ninth century date for the structure. It is to be regretted that this, the only church of its date in the area is to be allowed to crumble into the sea.


Edward Fahy

Skeam Island Church,

Journal of the Cork Historical and Archaeological Society, 1962

A proper excavation was conducted by Claire Cotter in 1990, necessitated by a proposal by the OPW to build a wall to protect the church from further erosion. Here’s what the bank looked like when Fahy reported in 1962, and it was in an even more perilous condition by 1990.

Cotter published her findings in an article, Archaeological Excavations at Skeam West, in the Mizen Journal, Vol 3, 1995. The excavation was confined to the burial grounds – that is, the area outside the church itself. It revealed that burials had been taking place there long before the stone church had been built! In fact, radiocarbon dating of the first phase, containing 24 individuals, mostly adult males, assigned a date range of 430 to 770AD.

Phase 2, consisting of 15 bodies buried in the north side of the church, once again mostly adults, but this time one body could be identified as female. Rather than in body-shaped cuttings, some of these bodies had been placed in pits, and they were in a semi-propped up positions. These burials dated from 550 to 855. 

This is what the church looks like now from the landward side. It’s very overgrown, but you can clearly see the antae and the linteled entry

Phrase 3 encompassed 33 bodies and dated from 1165 to 1395, after which the graveyard went out of use. Some of these graves may have had markers – a stone cross and notched stones were found.

Another interesting find, Cotter tells us:

In a number of burials the head was marked by small flat stones – generally one stone set close to the head on each side. This may indicate that the bodies had been placed on timber planking – the cradle stones would subsequently support the head and keep it in position when the timber planks had rotted away leaving a void within the grave. Remains of such timbers have been found in early medieval graves in England. In the case of Skeam, such timber planking could have formed part of a bier, perhaps used to carry the body on the sea journey. Two burials of newborn infants also belong to this phase and these had been placed on large stone flags.

It looks as if this burial ground was accommodating people from the other islands. Apart from a cillín on Heir Island, there are no burial grounds on East Skeam or on Heir. A midden to the south of the church contained lots of fish and shellfish remains, as well as fragments of seal and whale bones, and cattle sheep and pig bones. This activity dated to the 16th and 17th centuries.

Cotter, in her discussion, says the following:

There are no historical references to the church on Skeam west. It lies in the parish of Aughadown; and a decretal letter of Pope Innocent III [that’s him, below] issued in 1199 refers to “Aughadown and its appurtenances” and the Church in Skeam West may well have been included in these. Local tradition attributes the origins of some ecclesiastical foundation on the island to Ceim or Keims, a brother of Kieran of Cape Clear. This would place the foundation in the pre-patrician period and the site is therefore of great interest. Was the stone church built to replace an earlier wooden structure – perhaps destroyed by the storm which washed up the deposit of shingle visible at the north side of the present building?

. . . Small church sites such as Skeam were generally located within an enclosure which defined the termon or area of sanctuary of the church, and the ditch uncovered to the south of the church is probably the remains of such an enclosure. The question as to whether these foundations should be regarded as monastic has been much discussed in recent years. Some scholars suggest that these ecclesiastical foundations should be regarded as small church sites which provided essential religious services for the local community. Others would argue that the majority of these foundations began as monasteries and only later assumed a community role. In many examples the earliest burials are exclusively male and only at a later stage do we find mixed burial i.e. adults and children of both sexes.

. . . The burial ground at Skeam West appears to have been used over a long period perhaps as long as the 900 years. During its later history it may have been used by a wider community drawn from the neighbouring islands and coastal district as well as the Skeams.

She adds:

The human burials uncovered during the excavations were re-buried on the island in 1992 in what is hopefully their final resting place.

Above is the OPW wall, which seems to be doing the job of arresting erosion for the moment.

There’s lots more to tell you about the West Skeam Island, including fascinating details as to who owned it, and what life was like there. And we haven’t even arrived at the other Skeam Island, East Skeam, yet! Next time. 

One final note – the island is privately owned and monitored by video link. A disembodied voice reminded us that we were trespassing, at which point we left. 

Marconi and Brow Head

WordPress, to my dismay, has now labelled all the content on this blog as ‘by Finola’. This is due to the necessity, for various reasons, of adjusting ‘ownership’ and management parameters. It’s a bit heartbreaking, though, as it’s no longer easily discernible which of the posts (approx half of the 1,132 posts so far) were written by Robert. So every now and then I thought it would be good to highlight one of his older posts. So here is his wonderful account, written originally in 2014, and titled In Search of Ghosts, of the spirits that haunt Brow Head.

ruin

 Lonely and wild – Brow Head is the most southerly point on the mainland of Ireland. There are ghosts here: ghosts of ancient people who created the stone monuments, perhaps 5000 years ago, that are now inundated by every tide in the bay at Ballynaule below this Irish ‘Lands End’; ghosts of early farmers who began to lay out field boundaries criss-crossing this windswept promontory; ghosts of the defenders of an empire who feared a French invasion that never happened; ghosts of the prospectors who sunk two shafts – now barely protected by rusting wire – during the nineteenth century copper mining era; and, lastly, ghosts of the pioneers of our own digital age, represented in the brooding ruins that crown the hilltop here above West Cork’s remotest village, Crookhaven.*

Brow Head - haunt of ghosts
Brow Head – haunt of ghosts
Charles Motte
Napoleon setting his sights on the British Empire 1804 (Charles Motte)
Facing up to Napoleon: Brow Head Signal Tower, built in 1804
Facing up to Napoleon: Brow Head Signal Tower, built in 1804 in anticipation of a French invasion

 We can be very specific about one ghost: Guglielmo Marconi – born at Bologna, Italy, on April 25, 1874 to Giuseppe Marconi, an Italian country gentleman, and Annie Jameson, daughter of Andrew Jameson of Daphne Castle, Enniscorthy, County Wexford, Ireland. The Jamesons were and are renowned distillers of Irish Whiskey. It’s reasonable to say that Marconi was an ‘Irish Italian’, and that heritage was reinforced when in 1905 he married Beatrice O’Brien, daughter of the 14th Baron Inchiquin. Marconi’s fame is that he pioneered the commercial application of electromagnetic waves – or Radio.

 

Marconi - wishful thinking!
Marconi – wishful thinking!

At the age of twenty one, Marconi was able to demonstrate to his father how, without any visible physical link (without wires), he could transmit dots and dashes through the rooms of their home in Pontecchio. “…When I started my first experiments with Hertzian waves…” he is quoted as saying, “…I could scarcely believe it is possible that their application to useful purposes could have escaped the notice of eminent scientists…” His parents used their influence to help him travel to England to meet the Engineer-in-Chief of the British Post Office with the result that in 1896 Marconi obtained the first ever patent in wireless telegraphy.

Signal Station at Poldhu, Cornwall, 1914
Signal Station at Poldhu, Cornwall, 1914

Marconi’s ambitions started in a room in Italy: by December 1901 he was able to send messages from Poldhu, Cornwall, to St John’s, Newfoundland, a distance of 2100 miles – an historic achievement. In his attempts to bridge the Atlantic with Radio waves he had explored the west coasts of Britain and Ireland for suitable telegraphic locations. One of his destinations was Crookhaven, which he visited many times – using the Flying Snail en route!

The Marconi Wireless Telegraph Station at Brow Head - exactly 100 years ago
The Marconi Wireless Telegraph Station at Brow Head – exactly 100 years ago

 Brow Head was one of a number of transmitting stations set up by Marconi and it got off to a flying start soon after opening in 1901 when, in the presence of Marconi himself, Morse signals were received from Poldhu, 225 miles away. The fact that the Atlantic gap was conquered only a few months after this shows the rapid pace of developments at that time.

Calling America...
Calling America…

 The village of Crookhaven had long been the first and last port of call for ships going between Northern European ports and America. Over the centuries ships stocked up here with provisions before tackling the open sea. Because of this, the major shipping lines had agents here. Reuters and Lloyds had flag-signalling and semaphore equipment on Brow Head to communicate with the maritime traffic, superseded by the telegraph station. At the end of the 19th Century it was said that “…you could cross the harbour on the decks of boats…” Up to 700 people are reputed to have lived in the area at that time: now, Crookhaven has a permanent population of no more than 40. An article written by one of the telegraph operators in 1911 summarises:

…As Crookhaven is the first station with which the homeward bound American liners communicate it is naturally a busy station. By the aid of wireless all arrangements are made for the arrival of the ships, the landing and entraining of the passengers and mails, whilst hundreds of private messages to and from passengers are dealt with. Messages are also received from the Fastnet Lighthouse, which is fitted with wireless, reporting the passing of sailing ships and steamers. These messages are sent by vessels not fitted with wireless by means of signals to the Fastnet, thence by wireless to Crookhaven, whence they are forwarded to Lloyds and to the owners of the vessels…

Engraving by Mary Francis Cusack, 1875
Engraving by Mary Francis Cusack, 1875

 We have some first hand accounts of the workings of the signal station in its heyday from the handwritten log books of Arthur Nottage – for many years landlord of the Welcome Inn at Crookhaven – who died aged 90 in 1974. In 1904 he arrived in West Cork (from England) to work on a shift basis with one other man as Marconi telegrapher at Brow Head. Until 1914 he operated the Morse code apparatus with a salary – generous for the time – of £1 per week.

Arthur Nottage of Crookhaven
Arthur Nottage of Crookhaven

 A hundred years ago telegraphy had advanced to such a stage that it was no longer necessary for stations to operate close to the shipping lanes, and small, isolated sites such as Brow Head were closed down. Legend has it that in 1922 the Irregulars destroyed the buildings during the Civil War.

Becoming Archaeology: the ruins on Brow Head today
Becoming archaeology: the ruins on Brow Head today

 Finola and I have both been inspired by the landscape and atmosphere of this Atlantic frontier. It’s a place we will return to. All West Cork landscapes are impressive, but this is a place apart. If you want to feel at the end of the world, walk here: you won’t meet many others, even in the height of the visitor season. Perhaps that’s because it’s haunted – but in the best possible way. Like so much of Ireland the world has come here – a mark has been made – memories have been left behind. Now, you hear the ghosts in the ever-present currents of wind and surf.

Base of Marconi's mast at Brow Head
Base of Marconi’s mast at Brow Head

 *I am grateful to Michael Sexton and the Mizen Journal (Number 3 1995) for many fascinating items on the Crookhaven Telegraph Station not recorded elsewhere.

Rossbrin Review

The weather so far this year is breaking records for coldness, wetness and evapotranspiration – while Earth as a whole continues to get warmer. In simple terms that means it’s not pleasant to wander too far from home. I decided to walk down to the shoreline of Rossbrin Cove – all of ten minutes – and see what the winter storms may have washed up: often an interesting diversion.

Above: looking down on Rossbrin Cove with some of the islands of Roaringwater Bay beyond. It is a natural harbour, and there is a thriving boatyard at the western end of it. The difference between low and high tides is around 2.5 metres on average, and much of the inlet dries out when it is at an extreme low. I timed my walk to arrive when the tide was fully down, as I wanted to explore the exposed mud-flats, with hopes of finding intriguing detritus.

Not an inspiring start! In fact, as I continued my review, I noted that there was very little other than the natural environment – weather-worn boulders, skeletal shells and masses of seaweed – to disturb the order of things in Rossbrin on this February day. If our harsh storms had been of some positive effect it was perhaps to flush out any washed-up debris that might have accumulated in the winter – being now past St Brigid’s Day I consider it appropriate to call the season spring.

No matter that the exploration was superficially disappointing, the magic of this little bit of West Cork soon took over, and my mind was filled with the enormity of its history. There was a university here in medieval times: manuscripts were written here in the castle that has become a crumbling pile. Ravens and seabirds now rule over the stronghold. I walked on.

The margins of the cove are lined with ancient banks. At every turn there is a composition which a maestro could frame: I make do with a camera. Rossbrin inspired our artist friend Peter Clarke . . . Thank you, Peter!

Evidence of more recent history: possibly a pot which was used in the process of tarring a clinker boat hull. No doubt vessels were built on these shores – and used to make basic livings. There is still fishing activity in and around the cove; mussel beds thrive in Roaringwater Bay; seaweed collection happens also. In summer months the deeper waters of Rossbrin are occupied by leisure orientated sailing craft. I enjoy the calm days of winter when there is hardly anything on the water. I watched a small flock of oystercatchers scurrying and foraging with their brilliant beaks, and then I turned for home.

The Rossbrin oystercatchers were uncooperative, and wouldn’t let me photograph them. Instead I have imported this wonderfully atmospheric painting by Cornish based artist Steve Sherris. Thank you, Steve

We have posted extensively about Rossbrin Cove, its history and its people. Have a look at these:

The Down Survey – Closer to Home

Looking at Rossbrin

Rossbrin Calendar

Fastnet Trails: Rossbrin Loop 2

Outlook: Unsettled!

Exactly ten years ago I wrote a Roaringwater Journal post titled Outlook: Changeable! It was about the weather and – interestingly – things haven’t changed much in that respect over a decade. So I thought it was worth a re-run, with some adaptations. The new title, for a start – Outlook: Unsettled! – is apt, perhaps, for the whole world we are living in today and not just the weather. The year 2014 produced the fiercest storm – Darwin – that many in West Cork (and beyond) had experienced in their lifetimes. Certainly we had property damage, felled trees and powerlines, and were without electricity, phone and internet for very many days.

Examples of the damage caused by Darwin in 2014: neighbouring cables felled (upper) and boats toppled from their keel blocks in Rossbrin Boatyard

From January 2014: …One of my favourite expressions about the weather was learned from an elderly gentleman who had lived all his life in Hampshire, England. …Tis black over Will’s Mother’s… This would have described very well the scenes around us in Nead an Iolair when we awoke this morning. As an Englishman I would be expected to talk about the weather all the time; Irish people are not far behind in this, probably because there is such a variety of weather – even in a single day – that it demands to be described. …Is iomaí athrú a chuireann lá Márta dhe… means: …There is a lot of weather in a March day… This might just as well refer to a January day, or a day in any month in our experience. To illustrate this we decided to try a time lapse video, using an iPhone and a tripod. We had to shoot it through the window, hence the reflections – just as well because during the process we had torrential hail to add to the variety. So this is a thirty minute session of Irish weather coming in to Roaringwater Bay compressed to thirty seconds, each frame being shot a second apart:

By asking around the locality I have compiled some Irish expressions for weather. These are ones that I particularly like:

A snipe won’t stand in the morning… (meaning expect icy weather)

It’s a hure of a day… (meaning it’s a hure of a day – Finola has her own version here)

 Bad aul’ day isn’t it?

And – very occasionally – The Sun does be splittin’ the stones

Coming back to 2024 It’s worth delving into the archives of the The Schools’ Folklore Collection: the following entries were written down in the 1930s and provide an insight into weather-lore from the time:

“…When the sheep go under the wall there is a sign of rain.
When the curlew begins to whistle there is a sign of rain.
When the cricket begins to sing there is a sign of rain.
There is a sign of rain when the hills look near.
When the dust is flying off the road there is a sign of rain.
When the river is roaring there is a sign of rain.
When the fire is blue there is a sign of rain.
When the clouds are running in the sky there is a sign of rain.
When the smoke from the chimney is going up straight there is a sign of rain.
When the sky is red in the morning it is a sign of a wet day.
When there are a lot of clouds in the sky it is a sign of rain.
When there is a rainbow in the morning it is a sign of a rain.
The South wind brings most rain in this district. A red sky is a sign of a storm.
Black clouds are a sign of rain.
When the swallows are flying it is a sign of rain.
When the dog is eating grass it is a sign of rain.

When rain is expected the cat lies near the fire.
The crows lie on the walls when rain is expected.
The nearer the ring is to the moon the farther the rain is from us.
The farther the ring is from the moon the nearer the rain is to us.
When the lake is rough it is a sign of rain.
When the water-fall roars it is a sign of rain.
When the soot is falling it is a sign of rain.
When the cricket comes into the house it is a sign of rain.

If a robin comes in very near the door of the house its the sign of bad weather.
If crows fly in flocks together and are always cawing its the sign of rain.
The South and South West winds are the most that bring rain.
If the ducks quack loudly and the cricket sings sharply its the sign of rain.
A ring around the moon at night is the sign of rain…”

All these sayings have been collected by informants Willie Noone, John Monoghan and Michael Halloran, Co Mayo. It’s instructive that they are only about rain.

This is a record of the Earth Wind Map from early January, 2014. It’s centred over Ireland. Only 109 km/h is recorded. That’s classified as “Violent Storm” and just a few km/h short of a hurricane. Storm Darwin hit wind speeds of 177 km/h. That was a record for the time, but it’s worth noting that the greatest wind speed ever measured (so far) in Ireland was 191 km/h at Fastnet Lighthouse, County Cork on 16 October 2017. That’s just across the water from us here at Nead an Iolair! Here it is seen from our house (by Finola) on a happily calm day…

Looking Back on 2023: Robert

This is my favourite image of the year! I published a post about the architecture of Bantry Library, and it proved to be our most popular . . . This limited edition print, a collaboration between Dermot Harrington of Cook Architects and Robin Foley of Hurrah Hurrah is celebrating the upcoming 50th Anniversary of the completion of Bantry’s Library in 1974, and some refurbishment work is being undertaken for the occasion. For me, the print captures perfectly the iconic graphic of this most unorthodox design.

We both wrote 52 posts this year, each of around 1,000 words, and all fully illustrated. Above is a pic of one of the penstocks which brings the water into the turbine casings at Ardnacrusha Power Station (courtesy of ESB Archives). This incredible engineering feat – well ahead of its time – was constructed between 1925 and 1929, and was integral to the supply of electricity throughout Ireland’s young state by harnessing water power from The Shannon. West Cork benefitted from Rural Electrification, and I thoroughly enjoyed researching and writing a series of posts on the whole subject.

. . . Once a community was connected, or about to be connected, the ESB held public demonstrations of household appliances. These were then sold bringing electric irons, kettles, stoves to homes. The demonstration evening in Glenamaddy was held in January 1951. The handwritten report records that it took place “in the very fine Esker Ballroom”; these events were social occasions that brought communities together. The Glenamaddy evening “was attended by about 90, including 50 women. As is usual, the women appeared to be more keen than the men and more inclined to ask questions (and to argue). After the demonstration, a melodeon player turned up and an impromptu dance got under way” . . . Small towns and rural townlands became brighter and winters less harsh and Christmas more special as the fairy lights began to shine. It also gave rise to a rural Irish icon as every house had the Sacred Heart picture with the (electric) red lamp (below): many didn’t get a kettle and washing machine until later on . . .

ESB Archives

The whole series on Rural Electrification was written during the summer and can be read through this link: https://roaringwaterjournal.com/tag/electrification-of-ireland/

Since 2018 our own Museum in Ballydehob has been showing exhibitions of the work of locally based artists. This year it was the turn of the Verlings – John and Noelle. John died, sadly, in 2009; Noelle is still alive and kicking and assisted Brian Lalor and myself in assembling an excellent collection of the work of these two creative residents of our village, assisted technically and ably by Stephen Canty. BAM is a really valuable resource in setting out the unique history of the artistic community here in West Cork from the 1950s onwards.

A wonderful photograph (courtesy Geoff Greenham with many thanks) of St Bridget’s Catholic Church in Ballydehob. The interior was reordered by John Verling.

. . . The gold fish hand drawn in the background of the altar and the depiction of one fish swimming against the shoal continues to evoke admiration from locals and visitors alike. He also designed the two ‘windswept thorn’ stained glass windows and etched the brass surround of the tabernacle. The Altar slab, composed of a vast monolith like the capstone of a dolmen, is a distinguished piece of sculpture and a tribute to his imaginative capacity . . .

JOHN VERLING WEBSITE: HTTPS://WWW.JOHNVERLING.COM

There was great drama off the coast of Ballydehob on the night of 22 September 1973, and its 50th anniversary was duly celebrated in Roaringwater Journal!

. . . AS an inspector from the aeronautical section of the Department of Transport and Power arrived in Ballydehob to begin an investigation into Saturday night’s plane crash off the Cork coast, it was learned last night that the pilot of the Piper Cherokee almost lost his life in his efforts to save the other three men on board. Michael Murphy (23), of Mercier Park, Curragh Road, Cork, who was sitting next to the pilot, Eric Hutchins of Ballinlough, Cork, said that Mr Hutchins was concentrating so much on getting the plane down that he was knocked unconscious at impact. Mr Murphy, together with Noel O’Halloran, of St Luke’s, Cork, and James McGarry, of Monkstown, Co Cork, had been braced for the crash and scrambled free on to the wing. But then they found that they could not get out Mr Hutchins who was unconscious. Mr O’Halloran then went back into the rapidly sinking plane and between them they pulled Mr Hutchins free and threw him into the water. The three men then swam ashore taking 40 minutes to reach land at Fylemuck, as they had to support the injured man all the way . . .

IRISH PRESS, MONDAY 24 SEPTEMBER 1973

All four crew and passengers on the plane survived the ditching, but the aircraft itself (a photo taken in its good days, above) was a write-off. Those living locally who remembered the event gathered to mark it in Schull, on the anniversary.

That’s Keith Payne, above. He’s one of the many artists who has lived in West Cork for a significant part of his life – at Leamcon, and he was deservedly given an exhibition in The Blue House Gallery, Schull, in September this year. He has always been fascinated by ‘early markings’, including Rock Art: he contributed dramatically to our own Rock Art exhibition at The Public Museum, Cork, in 2015.

That’s a spectacular large canvas by Keith inspired by Rock Art at Derreenaclogh, West Cork (on the right, above). It’s from an earlier exhibition by Keith in County Clare in 2018, at the Burren College of Art Gallery in Ballyvaughan, Co Clare. The work below is titled Cave Entrance.

Throughout the year I continued to publish posts on some of my favourite subjects: Irish signs, advertising and curiosities. I’m always avidly collecting these, and will have some to show in 2024, for sure. In the meantime, let’s hope our general news becomes more positive as we move forward in this disorienting world of ours . . . Have a good new year, everyone!

And here’s a little PS . . . Way back in January, before I had the idea to write about Rural Electrification in Ireland historically, I penned a post about how I saw Ireland very much at the forefront of harnessing wind power – all at sea. Here it is!