Pilchards and Palaces

Black Castle, Leamcon

Black Castle, Leamcon – also known as ‘The Hound’s Leap’ – William Hull territory

A little while ago I described an outing we undertook exploring some of the archaeological sites on the Mizen Peninsula. We were out again a few days ago checking on some monuments off to the west of us. I had researched the Archaeological Survey Database, and determined to have a look at the ‘Fish Palace’ located in the townland of Leenane, close to Crookhaven – evidently a substantial establishment set up by Sir William Hull and his business partner, Sir Richard Boyle, first Earl of Cork, in 1616.

Leenane Fish Palace in 2015

Leenane Fish Palace in 2015

Hull was a notorious character – his family home was Larkbeare, near Exeter in Devon. He had been appointed Deputy Vice Admiral of Munster in 1609 under James I, and settled in Leamcon near Black Castle or ‘The Hound’s Leap’, one of the O’Mahony castles built along the coast of Roaringwater Bay. Set on a promontory into Toormore Bay, Leamcon  is one of the most defensible of these, only being reached by crossing a narrow bridge. Hull’s job was ostensibly to protect the southern Irish coastline against piracy. In fact, the post seemed to encourage collaboration with the pirates, where it would financially benefit both the Admiralty and Hull himself.

You probably want to know what a ‘Fish Palace’ is? I had seen the term on Irish Ordnance Survey maps, and had established that it is a class of monument in the Archaeological Inventory of County Cork 1992, where it is well described:

‘…Fish palaces: The fishing and curing (smoking, pickling and pressing) of pilchards (Sardinia pilchardis) became an important industry in West Cork during the 17th century. This industry suffered from the erratic pattern of pilchard shoals (some years none would appear in Irish waters) and was in serious decline by the middle of the 18th century. Today, all that remains are the ruins of curing stations, called “pallices” along the coast. The word “palace” is of uncertain derivation, but probably originated in the SW of England where it meant a cellar used for storing fish. Usually the “press wall” is the only standing structure, with its horizontal line of lintelled support niches. These held one end of a press beam; at the other end a heavy weight was suspended and in the middle was a wooden press or “buckler”. The buckler was placed over an open barrel of pilchards and the downward force of the press beam pressed the pilchards into the barrel. Also fish or “train” oil was squeezed out through a drain in the base of the barrel; this was valuable as a luminant and was used by the tanning industry…’

All this has been ringing bells with me: firstly, because I know from the map that a Fish Palace once existed down below Nead an Iolair – overlooking Rossbrin Cove and Castle – but no trace is left now, except that the field there is still known as ‘The Palliashes’; but secondly because when I lived in Newlyn in Cornwall I looked out over Mounts Bay, where a pilchard fishery had been active since the 16th century. This was a huge business, whose heyday was the middle of the 19th century. Pilchard quantities are measured in ‘hogsheads’ – one hogshead holding 3,000 fish: in 1847 the exports of pilchards from Cornwall amounted to 40,883 hogsheads or 122 million fish! By good fortune we have a pictorial record of the activities, as two of the Newlyn School of Artists chose seining as the subject matter for two impressive paintings.

'Pilchards' - Charles Napier Hemy 1897 (Tate Gallery)

‘Pilchards’ – Charles Napier Hemy 1897 (Tate Gallery)

'Tucking Pilchards' Percy Craft 1897 - Penlee Gallery

‘Tucking Pilchards’ Percy Craft 1897 (Penlee Gallery)

*

In the good times Mounts Bay was brimming with seine boats. The pilchards were harvested during the summer when the shoals swam in close to the shore. Lookouts known as Huers were posted on the cliffs, from where the shoals could be seen and semaphore signals were sent out to the waiting boats who let out 400 yard long nets to surround and trap them. The nets were kept upright by floats at the surface and weights at the bottom, presenting an impenetrable wall to the pilchards. The pilchards were then removed by smaller tuck nets and loaded into punts and carried ashore. The seine net provided a convenient keep net in which the fish could be kept alive and fresh until they were processed.

Early photographs of seining, and the fishing fleets working out of Penzanace and Newlyn, Cornwall

During my time in Newlyn there was an active pilchard processing plant – now closed down – but I was fortunate enough to visit the works and see the pressing and preserving taking place, using exactly the same methods that William Hull’s workers employed four centuries before. Just as in those earlier times the main markets for the processed fish were in France and Spain.

Pressed Pilchards (Richard Greenwood)

Pressed Pilchards (Richard Greenwood)

As in Ireland, the pilchard shoals severely declined – probably because of overfishing – and the industry followed. Nowadays there is a small amount of pilchard fishing taking place in Cornwall, but it is barely viable.

Mousehole, Mounts Bay - Ernest Watson

Mousehole, Mounts Bay – Ernest Watson

To the casual observer, our little expedition to the Crookhaven Fish Palace might have seemed pointless – a lot of scrambling through bracken and brambles to find a few old stone walls and the crumbling remains of an abandoned quay. Through our eyes, however, we saw the industry and energy of former days: Irish men and women labouring long and hard to put clothes on the back of a Knight and an Earl…

canned pilchards

Wedge Tombs: Last of the Megaliths

Altar Wedge Tomb on The Mizen Peninsula

Altar Wedge Tomb on The Mizen Peninsula

In Ireland, the tradition of building megalithic (mega=large, lithos=stone) structures that included chambers to house the dead (such as the Boyne Valley Passage Grave complex, or the Court Tomb of Creevykeel) belongs to the Neolithic period, which ended around 2500 BC. About this time, a new style emerged of stone ‘galleries’, oriented towards the setting sun. Their distinctive shape – narrower and shorter at the eastern end – gives them their common name, wedge tombs. This tradition appears to have flourished for about 500 years.

Altar, side view

Altar, side view

In other areas of Ireland wedge tombs were often covered by a mound, but there is little evidence for this in West Cork. The closest parallel to wedge tombs outside of Ireland are in Brittany where allées couvertes date from this period. They are associated in some parts of Ireland (although once again not in West Cork) with Beaker pottery, a distinctive kind of vessel widely distributed across Western Europe. This was a time in which the population was expanding, farming practices were intensifying and a brand new technology was being introduced – it was the dawn of the Copper Age. Thus, we can speculate that wedge tombs mark the confluence of two forces: the new continental technologies of pottery and metalworking and the indigenous tradition of erecting megalithic chambered tombs.

Wedge tombs occur mostly in the western half of Ireland, including many in County Clare such as the Parknabinnia tomb pictured below.

 The largest wedge tomb in Ireland is near Fermoy, north of Cork City. It is typical of many Irish wedge tombs in featuring double walling, evidence of a surrounding cairn, and a sealed end chamber. Interestingly its name, Labbacallee, means the Hag’s Bed – the hag, or wise woman crops up frequently in Irish mythology.

In contrast to Labbacallee, wedge tombs in West Cork are generally smaller and simpler, comprising only one chamber and lacking a covering cairn. However, the distinctive wedge shape is preserved along with one other defining feature: wedge tombs are invariably oriented towards the setting sun. The funerary rite was that of cremation. Votive offerings of white quartz pebbles and small deposits of metal have been found in excavations.

Toormore wedge tomb,  now in someone's garden

Toormore wedge tomb, now in someone’s garden

Prof William O’Brien has excavated wedge tombs in West Cork and studied them, and the culture in which they were built, extensively. Here’s what he has to say, in his book, Iverni, about the society that produced them:

Whereas monuments like Newgrange could only have been built with a large organised input of labour over a long period, the building of wedge tombs was undertaken by small kin groups…This was a small scale society, comprised of local, clan-like groupings…The tomb was a type of shrine, sanctified by an association with ancestors and used for periodic offering and sacrifice to supernatural powers.

A striking aspect of Neolithic, Chalcolithic (Copper Age) and Bronze Age monuments in West Cork is their consistent orientation towards solar events such as sunrise and sunsets on the equinoxes, solstices and cross-quarter days (see our post on Bohonagh stone circle, for example). In this regard, wedge tombs are remarkably consistent in being oriented towards the West. Here’s O’Brien again:

Wedge tombs served as funnel-shaped openings to the Otherworld, facing the descending or setting sun to emphasise the symbolic dualism of light/life and darkness/death.

Toormore, side view

Toormore, side view

Looking for a wedge tomb closer to home, we set out yesterday to find the nearby Kilbronogue site, using the information from the National Monuments Service as a guide. We have found in the past that the mapping of sites is not always accurate and after an hour or two of tramping through a large and very muddy area with a helpful neighbour and his son we had to admit defeat – either the map was wrong, or the monument had disappeared in the recent fieldwork by a digger. Desperately hoping it was the former and not the latter, we found out who owned the land and went to call on him today. Stephen Lynch turned out to be a friendly, cheerful and very knowledgeable organic farmer – he assured us that the tomb would never be damaged in any way and not to worry, he would take us to it. Whew! Half an hour later we were trudging up a path that Stephen had had cut through his ash plantation – on we went and suddenly there it was in front of us – a classic wedge tomb, oriented to the west, built with large slabs that may have been cut from the rock face behind it.

Kilbronogue wedge tomb with its guardian, Stephen Lynch

Kilbronogue wedge tomb with its guardian, Stephen Lynch

Stephen told us the tomb had been used as a mass rock in penal times and that the Protestant farmers who owned all the farms that bordered on the rock had cooperated in allowing the masses to take place – an indication, Stephen said, of the long tradition of friendship between Catholic and Protestant farming families in this area. As with the Altar wedge tomb, also used as a mass rock, we marvelled at how a sacred site, built at least four thousand years ago, would retain its aura of veneration over the millennia, to be used again for religious purposes in the historic period.

Kilbronogue, side view

Kilbronogue, side view

Perhaps the most spectacularly situated wedge tomb we have been to is high on a hill overlooking Bantry. This one is known as Queen Medb’s Tomb and from it there are expansive views of the Beara, Sheep’s Head and Mizen Peninsulas. Climb up to it on a clear day, as the sun is sinking into the sea: in the presence of such awe-inspiring scenery you will find yourself contemplating how the mysteries and the wonders of Irish history and prehistory are written on its landscape.

Queen Medb's Tomb

Queen Medb’s Tomb

Mizen Mission

Tooreen Lake

Tooreen Lake

A joint post by Robert and Finola…

Finola

According to the forecast today could be the last fine day of 2014, so we decided to make the most of it and set off on a mission. And what a day it was! Cold, yes, but with that brilliant light that only happens on crisp winter days.

Looking across Roaringwater Bay

Looking across Roaringwater Bay

Our mission? it was to find a piece of prehistoric rock art I had last visited over 40 years ago in the townland of Castlemehigan, near the end of the Mizen Peninsula. But once in the vicinity of Castlemehigan we couldn’t resist continuing to the end of the tiny road, which climbed up the rocky hills on the northern side of Crook Haven. Parking the car, we climbed to the highest point we could find. We’re used, by now, to the jaw-dropping views around here, but even by Mizen standards, this was something special. 

Crookhaven Village

Crookhaven Village

South of us, across the Haven was the village of Crookhaven nestled in its protective harbour. Looking north we could see across the Sheep’s Head to where the unmistakeable outline of Hungry Hill loomed on the Beara Peninsula. To the west was the White Strand and Brow Head, crowned by the historic Marconi telegraph station and to the east was the whole of Roaringwater Bay: Cape Clear Island, Sherkin, Baltimore, and the ring of hills that run down to the water.

Back in the vicinity of the rock we knocked on the door of a farmhouse to ask directions and permission. Often when we do this we are met with a blank look – not every ancient monument location has survived in the folk memory of the local residents. But this time we hit it lucky, with Florence O’Driscoll – ah yes, he knew it – the mass rock is what we were looking for. I showed him a picture of the rock and he confirmed that was the one, it was on his land and he would take us there.

Castlemehigan Rock

Castlemehigan Rock

My write-up and drawing of the time brought back some memories of an unusual rock with very large depressions, almost more basins than cupmarks. I also had a very clear recollection of being taken to the site by Bernard O’Regan, a local (and well-remembered) amateur archaeologist who was very helpful to me at the time. Because the rock was very overgrown, he had arranged to have it cleaned for me and when we arrived there were two men on top of the rock hacking away the gorse and heather. Nowadays, rock art specialists abide by an ethic of zero surface contact – no clearing or scrubbing allowed!

Castlemehigan rock surface

Castlemehigan rock surface

Although this rock lacks any of the circles, grooves and lines that add interest and appeal to many panels of rock art, it is special in other ways. Several of the cupmarks are unusually large, and one is basin-shaped (that is, with straight sides and a flat bottom).

Oriented to Mount Gabriel to the east

Mount Gabriel clearly visible

Some cupmarks appear to run in rows and the rows run in specific directions – one line of cupmarks run directly east/west pointing at the lake that lies about 100 meters away at the bottom of the field. Another line pointed to Mount Gabriel, about 15 kms away on the distant horizon. The two large basin-like depressions are directly north/south of each other.

row of cupmarks

Row of cupmarks

What could be a standing stone is located a few metres away.

Standing stone?

Standing stone?

In comparing my original drawing, done 42 years ago, there wasn’t much I would change. Some cupmarks appear to have pecked areas between them which conjoin them in a dumb-bell motif. My original decision was that there were two dumb-bells, but perhaps now I would be tempted to say there were three or even four. However, this just illustrates the subjective nature of the recording process. Especially where lichen obscures the surface, decisions like this come down to professional judgement and experience: drawings can differ from one recorder to another, or even from one visit to another when lighting conditions show up more or less of the carving detail.

Original drawing, updated by Robert

Original drawing, updated by Robert

Robert

This earthfast boulder is a beautiful object – not least because of its setting. I love these Mizen landscapes – they have a very particular character. Large areas of rock outcrop are interspersed with the tiniest fields, tracks and bog. Here there are lakes close by – once natural features, they have been turned into reservoirs to serve local communities. The marked rock overlooks one of these – this one supplying nearby Goleen.

Mount Gabriel clearly visible from the Derreennaclogh stones

Mount Gabriel clearly visible from the Derreennaclogh rock

This example reminds me in some ways of the Derreennaclogh rock – it’s of similar size and shape. Also, at Derreennaclogh Mount Gabriel is prominent on the western horizon, and we’ve been told that the setting sun towards the short end of the year appears to ‘roll’ down the slope of the hill at times. At Castlemehigan the rock also looks out to Mount Gabriel – this time to the east. This is a relatively isolated piece of rock art: the nearest recorded example is at Cooradarrigan, on the far side of Schull. It’s tempting to think that the flat, table-like surfaces of both Derreennaclogh and Castlemehigan were considered significant to those ancient people – who made them notable by marking them – because of their settings which relate to unmistakable landscape features. Otherwise, one might question why large areas of flat rock surface in the immediate vicinities – ideal for carving – have apparently been left untouched.

Florence and Finola

Florence and Finola

Florence O’Driscoll, our guide on this expedition, proved to be a fund of information. He had farmed the land which had been his father’s before him. Finola must have met his father when she explored the rocks over forty years ago. Florence carried the stories of the rock from his father’s generation, and probably from generations before that. He told us that the rock had been used as a mass rock in penal times – and that the hill above it was known as Cnocan an Aifreann (the hill of the mass): there is what certainly appears to be a cross carved into the rock surface, close to the large basin (Finola did not record this in her original drawing – she will add it when we update the records). Florence told of the time that the ‘Tans’ (the Black-and-Tans) caught red-handed the Priest celebrating the mass: the Priest threw the crucifix into the lake below the rock (the lake was then smaller than it is now). Ever since then, says Florence, the lake has never run dry – and never will.

Look for the possible cross carving on the right

Look for the possible cross carving on the right

It’s interesting that stories carried through local tradition pay no heed to time or history. They don’t need to: the ‘story’ is a part of the rock, as much as the carvings are. Florence told the tales as if they had happened yesterday. I hope they will continue to be told as long as the rock continues to display its enigmas.

Mass in penal times (Maggie Land Blanck Collection)

Mass in penal times (Maggie Land Blanck Collection)

Footsteps

Morning prayers on the Großglockner, Otto Barth 1911

Morning prayers on the Großglockner, Otto Barth 1911

Is it us? We seem to be following in the footsteps of thieves and wreckers… Back in June 2012 we visited St Manchan’s Church, in Boher, Offaly and saw the splendid shrine of that Saint securely locked in an armoured glass case and mounted in front of the equally magnificent Harry Clarke window depicting him. That was at about 1 o’clock in the afternoon. We were shocked to hear on the news that evening that the shrine had been stolen at 1.30! Two men had taken just a few minutes to break open the case – in spite of alarms and cctv – and make off with the Saint’s remains…

We were relieved to hear the following day that the robbery had been bungled: the shrine was thrown out of the getaway car and landed in a bog: both it and the perpetrators were picked up by the Gardi. I wonder if perhaps the thought of what divine justice might be wrought from on high (from St Manchan himself, even) had put doubts into the minds of the thieves and diverted them from their intentions – whatever they might have been.

Harry Clarke's depiction of the Saint's shrine

Harry Clarke’s depiction of the Saint’s shrine

Nevertheless, the incident led to some considerable debate on whether the reliquary should be returned to the church – where the security was evidently lacking – or whether the original 1,000 year old artefact should be put into Ireland’s National Museum and the replica which happens to be there should be sent back to St Manchan’s. The Boher people campaigned vigorously against this – quite rightly in my opinion – and eventually, after some improvements to the arrangements in the church, the shrine has been restored to where it belongs.

winter

Carrauntoohil Summit – photo by Noel Mulcair: thejournal.ie

So there we were just a week or two ago, honeymooning in the shadow of Ireland’s highest mountain (although warmly ensconsed in a comfortable Kerry hotel) when we heard the news that, not far away, someone had climbed the mountain at night and felled the iron cross that had stood up there for many years, with an angle-grinder! Obviously some point was being made, although nobody was quite sure what that was at the time…

The Mountains of Kerry

Gap of Dunloe, in the shadow of Carrauntoohil

 

The cross is felled...

The cross is felled…

The Carrauntoohil incident sparked off a lively correspondence in The Irish Times. Many were indignant at the act of vandalism, while others took the view that there is no reason why wild places should be ‘sullied’ with religious symbols. Hmmmm… that’s a bit harsh, perhaps: crosses on mountain tops have a been around for a long time all over the world and, ever since prehistory, humans have marked their presence on the landscape with monuments of one sort or another. As you all know, the two of us are fascinated (obsessed might be a more appropriate word) by megaliths, tombs, circles and inscribed rocks – and these are preserved archaeological artefacts – it would be unthinkable for someone to get it into their head that a standing stone should be destroyed because it might have represented someone’s god. At the very least, surely, the subject should be aired and a democratic decision made by a public majority before any such action is taken. Indeed, the subject did get aired after the event and I gleaned that the majority of respondents felt that the iconic cross should not have come down.

Well, this story – like the St Manchan one, has had a happy ending. A group of volunteers has been up to the summit with block, tackle and welding equipment and the cross is back again.

Ireland has many summits adorned with constructed pieces – ancient cairns and tombs, and more modern statues and symbols, not forgetting the wind farms which are another source of controversy. We are all part of human history and one of Ireland’s big attractions for me is that the history is so visible and accessible. In 1968 a white marble Pieta was placed high up on the Goat’s Path in Glanalin townland. It’s someone’s personal monument to a much loved father. In my opinion the melancholy statue enhances the wild place: I make a bee-line for it whenever I’m in the area – partly to enjoy the magnificent view but also, I have to say, because I am fascinated to see how many coins and offerings are put into the outstretched palm of Mary. Look here for a fuller description on the excellent website Sheep’s Head Places.

Hilltop Pieta

Hilltop Pieta

Given our experiences to date I worried a bit about our visits to Holy Cross Abbey and the Cathedral of St Mary and St Anne in Cork, where we came across the shin bone of Blessed Thaddeus McCarthy. But it seems to be ok: fair enough, the fragment of the True Cross was stolen from Holy Cross (it’s now been replaced with another), but long before our visit, while the saintly shin bone seems to have survived unscathed so far. I can’t help looking over my shoulder, though, when we visit such places. Ireland is full of enigmas…

thaddeus

Sacred shin bone – with Angelic guardians

Finola's childhood haunts: the cross on Bray Head, Wicklow

Finola’s childhood haunts: the cross on Bray Head, Wicklow

Lough Hyne Holy Wells

sea shell Local tradition (and there is no better source of knowledge!) has it that you can relieve any eye problems with the waters from  Tobarín Súl – one of the holy wells close by Lough Hyne. The name is Irish for Little Well of the Eyes and, if proof were needed of the efficacy of the cure, you will find hanging from the branches of the trees around the well white canes and spectacles presumably left behind by modern day pilgrims who are no longer in need of them after visiting the well.

There is no doubt that Tobarín Súl and its near neighbour – Skour Well – are actively visited: offerings abound. Most commonly, rags and ribbons adorn the surroundings of a well. According to Anna Rackard (Fish Stone Water – Holy Wells of Ireland, Atrium 2001):

…Traditionally, rags were used to wash the afflicted part of the body with water from the well and were then tied to the tree or bush. As the rag deteriorated, the pain faded away. In some parts of Ireland, when the rag is tied to the tree, the tree itself ‘takes on’ the pilgrim’s pain…

The Eye Well decorated

The Eye Well decorated

Tobarín Súl is set beside a narrow lane which winds up Knockomagh Hill in the townland of Highfield, to the north of Lough Hyne. The Skour Well is a little way further up the same hill. Nobody seems to know the origin of the name: one suggestion is that the word Skour comes from the Irish ‘sceabhar’ meaning ‘slope’ or ‘slant’, indicating its position on the side of a hill. Whatever the origin, it’s another colourful well, also adorned but with a more religious flavour – rosary beads, candles and statuettes.

Christian iconography at Skour Well

Christian iconography at Skour Well

Some sources suggest that this well is dedicated to St Brigit, but I think that is a confusion with two more holy wells which are reputed to be close beside an ancient ruined church dedicated to her on the south side of the lake. Skour Well, however, is clearly devoted to Mary and ’rounds’ are performed here: it’s said that pilgrims drop white pebbles into the water on completing each circuit. On May Eve the local priest conducts a mass at the roadside here.

Inscription at Skour Well

Inscription at Skour Well

White pebbles in Skour Well

White pebbles in Skour Well

So here we have a fascinating meeting of beliefs: two wells almost side by side, one seemingly an ancient centre for traditional cures and the other a Christian site. Both are powerful places.

Lough Hyne

Lough Hyne

We have mentioned the lake itself in previous posts. We have yet to visit St Brigit’s little church to try and find the other wells (the Archaeological Survey database says they are no longer visible) but we must look for the place where St Brigit knelt and left imprints of her knees in the rock!

St Brigit knelt here!

St Brigit knelt here!

Amanda found St Brigid’s knee prints“…The forecast being good I decided an adventure was needed. We headed out for Lough Hyne – I had read that there was an ancient church, holy well and cross slab in the vicinity. It looked do-able on the map. We parked and set forth. Quite a long walk down a small road skirting the lough, so green and leafy with sheer rocky sides dripping with moisture. We got to where the smaller road should have been leading onto a peninsula jutting out onto the lake but it seemed to go onto private land and there were big gates. Suddenly a woman came out to check her post and I was over there like a flash. Once she’d got over her amazement that anyone should know about this obscure church she was very helpful. The whole headland was her land and it was brimming with interesting things. She gave us firm instructions and allowed us to venture forth. The boreen down was long and green and so beautiful – full of the most amazing variety of wildflowers – primroses, buebells, anemones, violets, Irish spurge. We found the church – teeny, roofless with a beautiful arched doorway. Her husband was buried close by – his epitaph had him down as a philosopher. Her instructions to the holy well were exact – climb up onto a stone and approach on your knees, – for safety rather than holy reasons I imagined, but maybe not. A teeny, two pooled well with lovely fresh water – and the knee prints of St Brigid on each side! Really. I tested. Perfect fit…” (taken from Amanda’s Blipfoto description) Amanda mentions the cross slab – there’s a story about this in Brigid: Goddess, Druidess and Saint by Brian Wright – The History Press 2009:

…There are traditions from many parts of Ireland and Britain of stones that return to their original spot when moved and an example of such a ‘homing stone’ involves St Brigid’s Church, Lough Hyne, Co Cork. There, about 150ft north east of the church is a piece of a broken pillar about 18 x 15in bearing an incised cross. One Day this was carried away by a fisherman who took it to his house, but the very next morning he found it had gone and it was discovered back in its original spot. The fisherman drowned shortly after and everyone knew he had been punished for daring to remove this holy stone…

Homing stone? The ancient cross by St Brigid's Church

Homing stone? The ancient cross by St Brigid’s Church

Three Pilgrims in West Cork

Glebe Church, on the Ilen River

Glebe Church, on the Ilen River

The guest speaker at this Thursday’s Skibbereen Historical Society meeting was Louise Nugent, speaking on the topic of Pilgrimage in Medieval Ireland. We became familiar with Louise’s work though her blog of the same title – a blog which manages to be consistently erudite and down-to-earth and entertaining all at once – and suggested her as a speaker. This also gave us the opportunity to meet Louise in person (she is as engaging and as knowledgeable as her blog) and, the next day, show her a little bit of our part of West Cork.

One of the great delights of following Louise’s blog is realising that the concept of pilgrimage – a spiritual journey undertaken for a variety of purposes – is still very much alive in Ireland. Local veneration of shrines, relics and holy wells is common and often involves a mass or prayers on special days. The “journey” involves going to the shrine, and sometimes moving around it in a set pattern or round. Larger scale pilgrimages, such as the annual trek up Croagh Patrick or a stay at Lough Derg in Donegal or a Novena at Holy Cross Abbey, transcend the local and attract pilgrims from around Ireland. In her talk, Louise also described the popularity of pilgrimage in Medieval times to holy sites outside Ireland such as York, Santiago de Compostela, Rome, or Jerusalem. Those who completed the Santiago Camino wore scallop shells to signify their pilgrim status, an image we had just seen the previous weekend in Cork in the Cathedral of St Mary and St Anne, where we came across a shrine to Blessed Thaddeus McCarthy. There was a statue, a painting, scrolls, but most fascinating of all a reliquary containing a leg bone! Blessed Thaddeus lived in the 15th Century and was appointed a bishop twice but was never able to take up his see because of the activities of the rival clan O’Driscoll.

On our day with Louise we concentrated on the area around Skibbereen. We started off by visiting the 18th Century Church at Glebe, on the banks of the River Ilen. The church and graveyard enjoy a picturesque and peaceful setting and a wander around the graveyard yielded interesting headstones.

Holy Rosary Church at Aughadown, window detail

Holy Rosary Church at Aughadown, window detail

From there we went to the ruined medieval church at Kilcoe, stopping for a quick peak at the notable windows in the Church of the Most Holy Rosary at Aughadown. They deserve a fuller description at a future date, so for now I will include a detail from the rose window at the back of the church, designed and executed by the Harry Clarke studios in 1941.

The church at the tip of the Kilcoe Peninsula was already a ruin in the early 17th century. Although a simple rectangular structure, the pointed arched doorway and the tiny ogival windows mark it as medieval, perhaps as early as 14th or 15th century. Romantic and atmospheric as it is, it has the added advantage of a clear view of Kilcoe Castle, famously restored by Jeremy Irons and gently glowing in the afternoon light as we were there.

Two of the three pilgrims at a holy well

Two of the three pilgrims at a holy well

Louise’s special interest is in holy wells and several audience members the night before had come forward with information about local wells and the practices and beliefs associated with them. Two of the best known and most beloved local wells are situated close to each other at Lough Hyne. Robert is writing about these wells this week so I will leave the detailed description to him.

Our final stop was the village of Castletownshend and the Church of St Barrahane, filling two different functions. First, Louise had been to visit a holy well dedicated to St. Martin of Tours in Clare, and we wanted to show her the Harry Clarke window that Robert had described in his Martinmas post. Second, a trip to St Barrahane’s is always a pilgrimage of a different sort for me, as it is the final resting place of three of my heroes. The first two, of course, are the writing team of Somerville and Ross – more about them in this post. The third is Vice-Admiral Boyle Somerville, brother of Edith and a keen amateur archaeologist worthy of a post to himself in the future.

St Louis: detail of Harry Clarke window in St Barrahanes, Castletownshend

St Louis: detail of Harry Clarke window in St Barrahanes, Castletownshend

Come back soon, Louise – these two pilgrims have lots more to show you!