A Murmuration

We stood still and listened: the air was filled with humming – Bees swarming in February? But no… it was the murmuring of the pilgrims saying the decades of the Rosary by the grave of St Gobnait…

Making the Rounds at Saint Gobnait's Shrine on the Feast Day
Making the Rounds at Saint Gobnait’s Shrine on the Feast Day

We travelled up into the Muskerry Gaeltacht on Wednesday – 11 February: the Feast Day of Saint Gobnait. It’s a fair journey, and we felt that we had really gone into another world: we crossed over the Mountain of the Fairy – that’s my interpretation of the Shehy Mountains (Shee is Fairy) – others say the Irish Cnoic na Síofra means ‘hills of the animal hides’. For the first time in my life somebody – a passer by – addressed me in Irish… “An bhfuil hata agat le spáráil?” they said – “Have you got a hat to spare?” (I think it was a wry comment about the headgear I was wearing on the day).

Wrapping the ribbons

Our goal was Saint Gobnait’s Church in Ballyvourney, where the Mass was to be heard celebrated in Irish. Also, we wanted to see the 13th century wooden statue which is brought in to the church on this day. When we arrived there was already a queue to buy ribbons and ‘measure’ them against the statue. In fact, it was quite an intricate ritual: first you wrapped your ribbons around the neck of the statue, then around the feet. Some did the same around the stomach – others passed the ribbons under the body of the statue and rubbed them along the surface. Many people kissed the statue and some picked it up and made the sign of the cross with it. We joined in and came away with a clutch of ribbons, now blessed by Saint Gobnait and imbued with health-giving and good-fortune-bringing properties.

Making the 'Measures'
Making the ‘Measures’

The church was completely full for the Mass (it was also broadcast outside), which was celebrated by two Priests and a very robust men’s choir – beautiful singing in Irish. It was an uplifting experience, even though I hardly understood a word. A friendly atmosphere imbued all who were there, and excitement was in the air. Afterwards, we visited the statue again and then headed for Saint Gobnait’s Holy Well, her grave and the ruins of her ancient church, where the ‘Rounds’ were being performed all day. That’s when we heard the humming – it should have been Bees: this Saint has always been associated with them, and her statue which overlooks the pilgrimage site (and which was carved by Seamus Murphy in 1950) is decorated with Bees and with a Deer. This is also part of her story: when she was travelling through Ireland looking for a site to establish her community she was told she must continue on her way until she met with nine white Deer. She found them in Ballyvourney and that’s why in our time the little settlement flourishes on this February day.

We heard that there is another Holy Well, hidden in the woods just outside the town and seldom visited. This is known as Tobar Abán – Saint Abban’s Well. That saint seems to be closely associated with Saint Gobnait although not much is known about the lives of either of them – they lived back in the sixth century.

In the local shop
In the local shop

A visit to the Post Office provided us with the information we needed to get to this intriguing sacred site: walk over the bridge, go into the fields and look for a lone oak tree on the distant boundary – this marks the point where a trackway leads up through the woods. We made our way across a muddy pasture; the oak tree was prominent enough, and the track – but once inside the wood everything was quite densely overgrown. We would never have found it without the instructions, but we also had the help of red and white ribbons tied to trees and posts in strategic places – they had been there for some time: we wondered who set them up?

Tobar Abán is a wonderful site – a lonely outpost of religious sanctity but, for me, probably the most beautiful of all the holy places I have visited in Ireland so far. It’s an unexpected find: set away from everything, deep in an ancient oak wood, silent, still – one could imagine that it has always been like this, passing through generations of turbulent history and yet untroubled by it. Archaeologically it appears to be a cist with a cairn of stones built around it: this would imply pre-Christian origins. The lid of the cist (a burial chamber or repository for bones) is not visible – possibly it is under the large ballaun stone which rests on top. Above this is a small, relatively modern concrete cross embellished with offerings, beads and ribbons: other icons and objects are scattered around the site. The whole mound has a boundary defined by three standing stones, one of which is inscribed with ogham. Everything is covered in a layer of moss which seemed to exude a luminescence in the moist shade of the wood.

crucifix

Saint Abban (or Abbán moccu Corbmaic) seems to have been active in many parts of Ireland, and tradition has it that he lived for three hundred years. The stories that are important here are the ones that link him with Saint Gobnait. It has been said that he founded a monastery in Ballyvourney before she arrived, and that he was her mentor and gave the foundation to her. Some say that Abban and Gobnait were brother and sister. Most important, perhaps, is the tradition that Abban had a cell or church just outside Ballyvourney and that he was buried in that cell when he died in 520. Could it be his grave that we found?

Saint Abban's Shrine - cell - or grave?
Saint Abban’s Shrine – cell – or grave?

Saint Abban’s Well is a little distance from the cist, and is quite unassuming, especially compared to the elaborate wells around Saint Gobnait’s old church. It is merely an opening in a rock set in the ground: an old tray covers it and keeps the leaves out, and a wooden box beside it contains some cups and plastic bottles for collecting the water.

Tobar Aban - Saint Abban's Well
Tobar Abán – Saint Abban’s Well

As we were making our way back across the fields we were surprised to see a lady in a red coat walking with a stick towards us. “Did you find it?” she asked. We assured her we had found the well and the shrine. “And did you see his bones?” she continued, “Last time I was there I lifted up the lid and saw the Saint’s bones inside…” We watched her go off towards the woods; when I looked back again she had disappeared.

Cist, Bullaun and standing stones
Cist, Bullaun and standing stones

There’s so much about the day: the journey across the Mountain of the Fairy; the Irish Mass and the ritual of the ribbons involving a 13th century wooden figure; the Rounds and the humming of the Saint’s Bees; the magical shrine in the woods – and I really do wonder about that lady in the red coat…

Offering at the Shrine of Saint Abban
Offering at the Shrine of Saint Abban

Future Archaeologists at Work

Kilcoe National School Fourth Class - archaeologists of the future!

Kilcoe National School Fourth Class – archaeologists of the future!

A joint post by Robert and Finola, with additional photographs by Kilcoe National School.

Out of the blue this week came a message though the Roaringwater Journal Facebook page: The pupils of 4th class in Kilcoe NS have completed a history project for Discover Cork: Schools Heritage Project, on Archaeology in their local area. Their model and project book are on display tomorrow Tuesday January 20th from 2-3pm in the school hall. They invite you to come and see their work as you already do so much wonderful research on the area.

Delighted, we headed off to the school and were quite bowled over by what we saw. The students had been on field trips to several different types of monuments – a standing stone, a stone pair, a holy well, a cairn, a fulacht fia, a cillín and a ringfort. They had recorded their visits, their questions, and what they learned about each site. The formal archaeology was of interest to them, but also the stories and traditions about each site. They interviewed elderly community members and landowners and looked up the records for their area from the National Folklore Commission.

Once they had gathered all their notes and photographs they constructed a model showing each of the sites, a scrapbook of their records and drawings, another one showing what they had learned about the prehistoric way of life in West Cork, and a large photograph album charting their progress through the whole project.

Impressive as the work was that the children had put into this project, even more striking was their bubbling enthusiasm for what they had done and learned. Each table was manned by one or more of the students, ready to chat with us, show us the model or the photos, and explain everything. And how articulate and open and bright they were! Smiling and cheerful, but also earnest about their subject and falling over each other to add bits of information. It was totally captivating.

They had hiked up to a cairn – a large and mysterious feature on top of a prominent hill. It was said that you could see 15 churches from it. However, the cairn is now surrounded by tall trees as a result of a forestry plantation and therefore there is no longer any view from it. Local people had protested the plantation at the time, concerned that this cairn and its views should be preserved intact, but had lost the battle. In this write-up, I was touched to see a a photograph of my old friend, Bernard O’Regan, the local amateur archaeologist who, 40 years ago, had taken me to see several of the rock art panels in West Cork.

Visiting the Holy Well

Visiting the Holy Well

What a great project these children undertook – hats off to their teacher and the supportive community. The future for conservation and archaeology in West Cork is in safe hands! A huge thank you to Kilcoe National School for the invitation, and to their official photographer for sharing with us the superb photographs of the field trips.

Pilchards and Palaces

Black Castle, Leamcon

Black Castle, Leamcon – also known as ‘The Hound’s Leap’ – William Hull territory

A little while ago I described an outing we undertook exploring some of the archaeological sites on the Mizen Peninsula. We were out again a few days ago checking on some monuments off to the west of us. I had researched the Archaeological Survey Database, and determined to have a look at the ‘Fish Palace’ located in the townland of Leenane, close to Crookhaven – evidently a substantial establishment set up by Sir William Hull and his business partner, Sir Richard Boyle, first Earl of Cork, in 1616.

Leenane Fish Palace in 2015

Leenane Fish Palace in 2015

Hull was a notorious character – his family home was Larkbeare, near Exeter in Devon. He had been appointed Deputy Vice Admiral of Munster in 1609 under James I, and settled in Leamcon near Black Castle or ‘The Hound’s Leap’, one of the O’Mahony castles built along the coast of Roaringwater Bay. Set on a promontory into Toormore Bay, Leamcon  is one of the most defensible of these, only being reached by crossing a narrow bridge. Hull’s job was ostensibly to protect the southern Irish coastline against piracy. In fact, the post seemed to encourage collaboration with the pirates, where it would financially benefit both the Admiralty and Hull himself.

You probably want to know what a ‘Fish Palace’ is? I had seen the term on Irish Ordnance Survey maps, and had established that it is a class of monument in the Archaeological Inventory of County Cork 1992, where it is well described:

‘…Fish palaces: The fishing and curing (smoking, pickling and pressing) of pilchards (Sardinia pilchardis) became an important industry in West Cork during the 17th century. This industry suffered from the erratic pattern of pilchard shoals (some years none would appear in Irish waters) and was in serious decline by the middle of the 18th century. Today, all that remains are the ruins of curing stations, called “pallices” along the coast. The word “palace” is of uncertain derivation, but probably originated in the SW of England where it meant a cellar used for storing fish. Usually the “press wall” is the only standing structure, with its horizontal line of lintelled support niches. These held one end of a press beam; at the other end a heavy weight was suspended and in the middle was a wooden press or “buckler”. The buckler was placed over an open barrel of pilchards and the downward force of the press beam pressed the pilchards into the barrel. Also fish or “train” oil was squeezed out through a drain in the base of the barrel; this was valuable as a luminant and was used by the tanning industry…’

All this has been ringing bells with me: firstly, because I know from the map that a Fish Palace once existed down below Nead an Iolair – overlooking Rossbrin Cove and Castle – but no trace is left now, except that the field there is still known as ‘The Palliashes’; but secondly because when I lived in Newlyn in Cornwall I looked out over Mounts Bay, where a pilchard fishery had been active since the 16th century. This was a huge business, whose heyday was the middle of the 19th century. Pilchard quantities are measured in ‘hogsheads’ – one hogshead holding 3,000 fish: in 1847 the exports of pilchards from Cornwall amounted to 40,883 hogsheads or 122 million fish! By good fortune we have a pictorial record of the activities, as two of the Newlyn School of Artists chose seining as the subject matter for two impressive paintings.

'Pilchards' - Charles Napier Hemy 1897 (Tate Gallery)

‘Pilchards’ – Charles Napier Hemy 1897 (Tate Gallery)

'Tucking Pilchards' Percy Craft 1897 - Penlee Gallery

‘Tucking Pilchards’ Percy Craft 1897 (Penlee Gallery)

*

In the good times Mounts Bay was brimming with seine boats. The pilchards were harvested during the summer when the shoals swam in close to the shore. Lookouts known as Huers were posted on the cliffs, from where the shoals could be seen and semaphore signals were sent out to the waiting boats who let out 400 yard long nets to surround and trap them. The nets were kept upright by floats at the surface and weights at the bottom, presenting an impenetrable wall to the pilchards. The pilchards were then removed by smaller tuck nets and loaded into punts and carried ashore. The seine net provided a convenient keep net in which the fish could be kept alive and fresh until they were processed.

Early photographs of seining, and the fishing fleets working out of Penzanace and Newlyn, Cornwall

During my time in Newlyn there was an active pilchard processing plant – now closed down – but I was fortunate enough to visit the works and see the pressing and preserving taking place, using exactly the same methods that William Hull’s workers employed four centuries before. Just as in those earlier times the main markets for the processed fish were in France and Spain.

Pressed Pilchards (Richard Greenwood)

Pressed Pilchards (Richard Greenwood)

As in Ireland, the pilchard shoals severely declined – probably because of overfishing – and the industry followed. Nowadays there is a small amount of pilchard fishing taking place in Cornwall, but it is barely viable.

Mousehole, Mounts Bay - Ernest Watson

Mousehole, Mounts Bay – Ernest Watson

To the casual observer, our little expedition to the Crookhaven Fish Palace might have seemed pointless – a lot of scrambling through bracken and brambles to find a few old stone walls and the crumbling remains of an abandoned quay. Through our eyes, however, we saw the industry and energy of former days: Irish men and women labouring long and hard to put clothes on the back of a Knight and an Earl…

canned pilchards

Wedge Tombs: Last of the Megaliths

Altar Wedge Tomb on The Mizen Peninsula

Altar Wedge Tomb on The Mizen Peninsula

In Ireland, the tradition of building megalithic (mega=large, lithos=stone) structures that included chambers to house the dead (such as the Boyne Valley Passage Grave complex, or the Court Tomb of Creevykeel) belongs to the Neolithic period, which ended around 2500 BC. About this time, a new style emerged of stone ‘galleries’, oriented towards the setting sun. Their distinctive shape – narrower and shorter at the eastern end – gives them their common name, wedge tombs. This tradition appears to have flourished for about 500 years.

Altar, side view

Altar, side view

In other areas of Ireland wedge tombs were often covered by a mound, but there is little evidence for this in West Cork. The closest parallel to wedge tombs outside of Ireland are in Brittany where allées couvertes date from this period. They are associated in some parts of Ireland (although once again not in West Cork) with Beaker pottery, a distinctive kind of vessel widely distributed across Western Europe. This was a time in which the population was expanding, farming practices were intensifying and a brand new technology was being introduced – it was the dawn of the Copper Age. Thus, we can speculate that wedge tombs mark the confluence of two forces: the new continental technologies of pottery and metalworking and the indigenous tradition of erecting megalithic chambered tombs.

Wedge tombs occur mostly in the western half of Ireland, including many in County Clare such as the Parknabinnia tomb pictured below.

 The largest wedge tomb in Ireland is near Fermoy, north of Cork City. It is typical of many Irish wedge tombs in featuring double walling, evidence of a surrounding cairn, and a sealed end chamber. Interestingly its name, Labbacallee, means the Hag’s Bed – the hag, or wise woman crops up frequently in Irish mythology.

In contrast to Labbacallee, wedge tombs in West Cork are generally smaller and simpler, comprising only one chamber and lacking a covering cairn. However, the distinctive wedge shape is preserved along with one other defining feature: wedge tombs are invariably oriented towards the setting sun. The funerary rite was that of cremation. Votive offerings of white quartz pebbles and small deposits of metal have been found in excavations.

Toormore wedge tomb,  now in someone's garden

Toormore wedge tomb, now in someone’s garden

Prof William O’Brien has excavated wedge tombs in West Cork and studied them, and the culture in which they were built, extensively. Here’s what he has to say, in his book, Iverni, about the society that produced them:

Whereas monuments like Newgrange could only have been built with a large organised input of labour over a long period, the building of wedge tombs was undertaken by small kin groups…This was a small scale society, comprised of local, clan-like groupings…The tomb was a type of shrine, sanctified by an association with ancestors and used for periodic offering and sacrifice to supernatural powers.

A striking aspect of Neolithic, Chalcolithic (Copper Age) and Bronze Age monuments in West Cork is their consistent orientation towards solar events such as sunrise and sunsets on the equinoxes, solstices and cross-quarter days (see our post on Bohonagh stone circle, for example). In this regard, wedge tombs are remarkably consistent in being oriented towards the West. Here’s O’Brien again:

Wedge tombs served as funnel-shaped openings to the Otherworld, facing the descending or setting sun to emphasise the symbolic dualism of light/life and darkness/death.

Toormore, side view

Toormore, side view

Looking for a wedge tomb closer to home, we set out yesterday to find the nearby Kilbronogue site, using the information from the National Monuments Service as a guide. We have found in the past that the mapping of sites is not always accurate and after an hour or two of tramping through a large and very muddy area with a helpful neighbour and his son we had to admit defeat – either the map was wrong, or the monument had disappeared in the recent fieldwork by a digger. Desperately hoping it was the former and not the latter, we found out who owned the land and went to call on him today. Stephen Lynch turned out to be a friendly, cheerful and very knowledgeable organic farmer – he assured us that the tomb would never be damaged in any way and not to worry, he would take us to it. Whew! Half an hour later we were trudging up a path that Stephen had had cut through his ash plantation – on we went and suddenly there it was in front of us – a classic wedge tomb, oriented to the west, built with large slabs that may have been cut from the rock face behind it.

Kilbronogue wedge tomb with its guardian, Stephen Lynch

Kilbronogue wedge tomb with its guardian, Stephen Lynch

Stephen told us the tomb had been used as a mass rock in penal times and that the Protestant farmers who owned all the farms that bordered on the rock had cooperated in allowing the masses to take place – an indication, Stephen said, of the long tradition of friendship between Catholic and Protestant farming families in this area. As with the Altar wedge tomb, also used as a mass rock, we marvelled at how a sacred site, built at least four thousand years ago, would retain its aura of veneration over the millennia, to be used again for religious purposes in the historic period.

Kilbronogue, side view

Kilbronogue, side view

Perhaps the most spectacularly situated wedge tomb we have been to is high on a hill overlooking Bantry. This one is known as Queen Medb’s Tomb and from it there are expansive views of the Beara, Sheep’s Head and Mizen Peninsulas. Climb up to it on a clear day, as the sun is sinking into the sea: in the presence of such awe-inspiring scenery you will find yourself contemplating how the mysteries and the wonders of Irish history and prehistory are written on its landscape.

Queen Medb's Tomb

Queen Medb’s Tomb

Mizen Mission

Tooreen Lake

Tooreen Lake

A joint post by Robert and Finola…

Finola

According to the forecast today could be the last fine day of 2014, so we decided to make the most of it and set off on a mission. And what a day it was! Cold, yes, but with that brilliant light that only happens on crisp winter days.

Looking across Roaringwater Bay

Looking across Roaringwater Bay

Our mission? it was to find a piece of prehistoric rock art I had last visited over 40 years ago in the townland of Castlemehigan, near the end of the Mizen Peninsula. But once in the vicinity of Castlemehigan we couldn’t resist continuing to the end of the tiny road, which climbed up the rocky hills on the northern side of Crook Haven. Parking the car, we climbed to the highest point we could find. We’re used, by now, to the jaw-dropping views around here, but even by Mizen standards, this was something special. 

Crookhaven Village

Crookhaven Village

South of us, across the Haven was the village of Crookhaven nestled in its protective harbour. Looking north we could see across the Sheep’s Head to where the unmistakeable outline of Hungry Hill loomed on the Beara Peninsula. To the west was the White Strand and Brow Head, crowned by the historic Marconi telegraph station and to the east was the whole of Roaringwater Bay: Cape Clear Island, Sherkin, Baltimore, and the ring of hills that run down to the water.

Back in the vicinity of the rock we knocked on the door of a farmhouse to ask directions and permission. Often when we do this we are met with a blank look – not every ancient monument location has survived in the folk memory of the local residents. But this time we hit it lucky, with Florence O’Driscoll – ah yes, he knew it – the mass rock is what we were looking for. I showed him a picture of the rock and he confirmed that was the one, it was on his land and he would take us there.

Castlemehigan Rock

Castlemehigan Rock

My write-up and drawing of the time brought back some memories of an unusual rock with very large depressions, almost more basins than cupmarks. I also had a very clear recollection of being taken to the site by Bernard O’Regan, a local (and well-remembered) amateur archaeologist who was very helpful to me at the time. Because the rock was very overgrown, he had arranged to have it cleaned for me and when we arrived there were two men on top of the rock hacking away the gorse and heather. Nowadays, rock art specialists abide by an ethic of zero surface contact – no clearing or scrubbing allowed!

Castlemehigan rock surface

Castlemehigan rock surface

Although this rock lacks any of the circles, grooves and lines that add interest and appeal to many panels of rock art, it is special in other ways. Several of the cupmarks are unusually large, and one is basin-shaped (that is, with straight sides and a flat bottom).

Oriented to Mount Gabriel to the east

Mount Gabriel clearly visible

Some cupmarks appear to run in rows and the rows run in specific directions – one line of cupmarks run directly east/west pointing at the lake that lies about 100 meters away at the bottom of the field. Another line pointed to Mount Gabriel, about 15 kms away on the distant horizon. The two large basin-like depressions are directly north/south of each other.

row of cupmarks

Row of cupmarks

What could be a standing stone is located a few metres away.

Standing stone?

Standing stone?

In comparing my original drawing, done 42 years ago, there wasn’t much I would change. Some cupmarks appear to have pecked areas between them which conjoin them in a dumb-bell motif. My original decision was that there were two dumb-bells, but perhaps now I would be tempted to say there were three or even four. However, this just illustrates the subjective nature of the recording process. Especially where lichen obscures the surface, decisions like this come down to professional judgement and experience: drawings can differ from one recorder to another, or even from one visit to another when lighting conditions show up more or less of the carving detail.

Original drawing, updated by Robert

Original drawing, updated by Robert

Robert

This earthfast boulder is a beautiful object – not least because of its setting. I love these Mizen landscapes – they have a very particular character. Large areas of rock outcrop are interspersed with the tiniest fields, tracks and bog. Here there are lakes close by – once natural features, they have been turned into reservoirs to serve local communities. The marked rock overlooks one of these – this one supplying nearby Goleen.

Mount Gabriel clearly visible from the Derreennaclogh stones

Mount Gabriel clearly visible from the Derreennaclogh rock

This example reminds me in some ways of the Derreennaclogh rock – it’s of similar size and shape. Also, at Derreennaclogh Mount Gabriel is prominent on the western horizon, and we’ve been told that the setting sun towards the short end of the year appears to ‘roll’ down the slope of the hill at times. At Castlemehigan the rock also looks out to Mount Gabriel – this time to the east. This is a relatively isolated piece of rock art: the nearest recorded example is at Cooradarrigan, on the far side of Schull. It’s tempting to think that the flat, table-like surfaces of both Derreennaclogh and Castlemehigan were considered significant to those ancient people – who made them notable by marking them – because of their settings which relate to unmistakable landscape features. Otherwise, one might question why large areas of flat rock surface in the immediate vicinities – ideal for carving – have apparently been left untouched.

Florence and Finola

Florence and Finola

Florence O’Driscoll, our guide on this expedition, proved to be a fund of information. He had farmed the land which had been his father’s before him. Finola must have met his father when she explored the rocks over forty years ago. Florence carried the stories of the rock from his father’s generation, and probably from generations before that. He told us that the rock had been used as a mass rock in penal times – and that the hill above it was known as Cnocan an Aifreann (the hill of the mass): there is what certainly appears to be a cross carved into the rock surface, close to the large basin (Finola did not record this in her original drawing – she will add it when we update the records). Florence told of the time that the ‘Tans’ (the Black-and-Tans) caught red-handed the Priest celebrating the mass: the Priest threw the crucifix into the lake below the rock (the lake was then smaller than it is now). Ever since then, says Florence, the lake has never run dry – and never will.

Look for the possible cross carving on the right

Look for the possible cross carving on the right

It’s interesting that stories carried through local tradition pay no heed to time or history. They don’t need to: the ‘story’ is a part of the rock, as much as the carvings are. Florence told the tales as if they had happened yesterday. I hope they will continue to be told as long as the rock continues to display its enigmas.

Mass in penal times (Maggie Land Blanck Collection)

Mass in penal times (Maggie Land Blanck Collection)

Footsteps

Morning prayers on the Großglockner, Otto Barth 1911

Morning prayers on the Großglockner, Otto Barth 1911

Is it us? We seem to be following in the footsteps of thieves and wreckers… Back in June 2012 we visited St Manchan’s Church, in Boher, Offaly and saw the splendid shrine of that Saint securely locked in an armoured glass case and mounted in front of the equally magnificent Harry Clarke window depicting him. That was at about 1 o’clock in the afternoon. We were shocked to hear on the news that evening that the shrine had been stolen at 1.30! Two men had taken just a few minutes to break open the case – in spite of alarms and cctv – and make off with the Saint’s remains…

We were relieved to hear the following day that the robbery had been bungled: the shrine was thrown out of the getaway car and landed in a bog: both it and the perpetrators were picked up by the Gardi. I wonder if perhaps the thought of what divine justice might be wrought from on high (from St Manchan himself, even) had put doubts into the minds of the thieves and diverted them from their intentions – whatever they might have been.

Harry Clarke's depiction of the Saint's shrine

Harry Clarke’s depiction of the Saint’s shrine

Nevertheless, the incident led to some considerable debate on whether the reliquary should be returned to the church – where the security was evidently lacking – or whether the original 1,000 year old artefact should be put into Ireland’s National Museum and the replica which happens to be there should be sent back to St Manchan’s. The Boher people campaigned vigorously against this – quite rightly in my opinion – and eventually, after some improvements to the arrangements in the church, the shrine has been restored to where it belongs.

winter

Carrauntoohil Summit – photo by Noel Mulcair: thejournal.ie

So there we were just a week or two ago, honeymooning in the shadow of Ireland’s highest mountain (although warmly ensconsed in a comfortable Kerry hotel) when we heard the news that, not far away, someone had climbed the mountain at night and felled the iron cross that had stood up there for many years, with an angle-grinder! Obviously some point was being made, although nobody was quite sure what that was at the time…

The Mountains of Kerry

Gap of Dunloe, in the shadow of Carrauntoohil

 

The cross is felled...

The cross is felled…

The Carrauntoohil incident sparked off a lively correspondence in The Irish Times. Many were indignant at the act of vandalism, while others took the view that there is no reason why wild places should be ‘sullied’ with religious symbols. Hmmmm… that’s a bit harsh, perhaps: crosses on mountain tops have a been around for a long time all over the world and, ever since prehistory, humans have marked their presence on the landscape with monuments of one sort or another. As you all know, the two of us are fascinated (obsessed might be a more appropriate word) by megaliths, tombs, circles and inscribed rocks – and these are preserved archaeological artefacts – it would be unthinkable for someone to get it into their head that a standing stone should be destroyed because it might have represented someone’s god. At the very least, surely, the subject should be aired and a democratic decision made by a public majority before any such action is taken. Indeed, the subject did get aired after the event and I gleaned that the majority of respondents felt that the iconic cross should not have come down.

Well, this story – like the St Manchan one, has had a happy ending. A group of volunteers has been up to the summit with block, tackle and welding equipment and the cross is back again.

Ireland has many summits adorned with constructed pieces – ancient cairns and tombs, and more modern statues and symbols, not forgetting the wind farms which are another source of controversy. We are all part of human history and one of Ireland’s big attractions for me is that the history is so visible and accessible. In 1968 a white marble Pieta was placed high up on the Goat’s Path in Glanalin townland. It’s someone’s personal monument to a much loved father. In my opinion the melancholy statue enhances the wild place: I make a bee-line for it whenever I’m in the area – partly to enjoy the magnificent view but also, I have to say, because I am fascinated to see how many coins and offerings are put into the outstretched palm of Mary. Look here for a fuller description on the excellent website Sheep’s Head Places.

Hilltop Pieta

Hilltop Pieta

Given our experiences to date I worried a bit about our visits to Holy Cross Abbey and the Cathedral of St Mary and St Anne in Cork, where we came across the shin bone of Blessed Thaddeus McCarthy. But it seems to be ok: fair enough, the fragment of the True Cross was stolen from Holy Cross (it’s now been replaced with another), but long before our visit, while the saintly shin bone seems to have survived unscathed so far. I can’t help looking over my shoulder, though, when we visit such places. Ireland is full of enigmas…

thaddeus

Sacred shin bone – with Angelic guardians

Finola's childhood haunts: the cross on Bray Head, Wicklow

Finola’s childhood haunts: the cross on Bray Head, Wicklow