Mizen Mud: Recipe for a February Exploration Day

Muddy Boots

It’s been a wet, wet winter, but when the sun shines in February (which it does, honestly!), we are out exploring. This particular day our companions were Jessie, Brandon, Amanda and Peter and our accompaniment was MUD, and lots of it.

Explore Group

Amanda took the photo of the group, and the one of my muddy boots

We had goals – Amanda was after some elusive holy wells and Robert wanted to find the pirate steps at Canty’s Cove for his talk on William Hull and the Leamcon Pirates’ Nest, part of the Ballydehob spring lecture series, ’Talks at the Vaults.’ Jessie is a professional tour guide, wanting to learn more about the Mizen. Finally, I wanted us to swing by Dunmanus Castle so I could check out a few construction details.

Dunmanus Castle and bridge

Dunmanus Castle on its knoll, surrounded by water

You don’t actually need goals like this to go out exploring, but it helps. It gets you into places you wouldn’t normally go, down tiny boreens, into farmyards and across fields. You end up knocking on doors and meeting people who know all about the well, or the old stones, or the legends of the place, or who owns what field and whether he minds people tramping through it. On this occasion we met, for the first time, the near-legendary Pat McCarthy, one of the writers of Northside of the Mizen, and a huge authority on this area. We’ve promised ourselves a return visit with him as we weren’t able to stay long enough for a good talk.

Budds

The best way to start a day like this is with excellent coffee, in Budds of Ballydehob, where we assembled with our map to plot our course. It was off then to Toormore and the Altar wedge tomb. On this occasion we weren’t actually after the wedge tomb (although I can never resist a photo of it) but the little holy well across the road.

Altar Wedge Tombe

Our next stop was Dunmanus, to take a good walk around the castle with the camera, looking for details I had missed on previous visits.

Dunmanus Castle ground floor entrance details: The bar-hole for barring the door once inside; the spud stone and the hanging eye. The hollows are for the pole that the door swings on

And then on to Canty’s Cove. You can read Robert’s post, Canty, for more about this place and its association with Canty the Pirate. Finding the steps wasn’t easy and it was a big thrill when we finally figured out where to look.

from Canty's House

This is the inlet with the pirate steps. Photographing them involved hanging over the edge with someone holding on to your ankles

Pirate Steps

How would you like to climb up these with a keg on your back?

By then we were starving – this exploring is hungry work – so we repaired to O’Sullivan’s of Crookhaven for one of their famous crab sandwiches. Even at that early date the sunshine was so inviting that people were sitting outside with their sandwiches and their pints.

water pump at Crookhaven

Crookhaven Pier

From Crookhaven it’s a quick trip to Lissagriffin, where there’s a medieval church and a bullaun stone doing double duty as a holy well/wart well. The church has a panoramic view over the salt marshes behind Barley Cove Beach as well as interesting architectural features.

Lissagriffin Doorway

Our next holy well was right by the side of the road a couple of miles further east – labelled so we couldn’t mistake it.

Callorus Oughter

Amanda inspects Tobareenvohir – or Tobairín an Bhóthar, the Little Well of the Road

The final one was harder to find and necessitated negotiations of some seriously muddy fields. Tobairín Brón (Little Well of Brone) was in the general vicinity of where we ended up, along with a small monastic site – all very brambly and hard to decipher. But what a place – a view clear out to the Fastnet Rock, with Knockaphuca looming behind us. Cnoc an Phúca means the Hill of the Mischievous Spirit – it’s been tamed, presumably, by the large cross erected on its peak.

Monastic site

Knockaphuca

Fastnet Rock

Read Amanda’s post for her take on the four wells we visited that day.

By then the sun, so warming earlier in the day, had been overtaken by high cirrus clouds, and we were donning jackets and gloves and remembering that it was only February after all. As if to make up for its lack of warmth, it treated us to a magnificent solar halo (I’ve always called them sun dogs)  as we made our way back to the cars.

Sun dog

We were never much more than 30 kms (or about 40 minutes) from home but in that distance we managed to see heritage sites dating from the bronze age through the medieval period up to the recent past, surrounded all the time by the magnificent scenery of the Mizen. You can do this anywhere in Ireland. Using the Historic Environment Viewer of the National Monuments Service, define the area you want to explore, pick your fancy (ring forts? medieval churches? cross slabs? megalithic tombs? castles? rock art?), and off you go.

Peter and Amanda in a holy well

A holy well looks back at Amanda and Peter

Now, if you’ll excuse me, I’m off to buy some wellies…

Words on Roaring Water

from Brow Head

…Anyone who has glanced even cursorily at the map of Ireland, will have noticed how the south-west corner of it has suffered from being the furthest outpost of European resistance to the Atlantic. Winter after winter the fight between sea and rock has raged on, and now, after all these centuries of warfare, the ragged fringe of points and headlands, with long, winding inlets between them, look as though some hungry monster’s sharp teeth had torn the soft, green land away, gnawing it out from between the uncompromising lines of rock that stand firm, indigestible and undefeated…

Naboth’s Vineyard, Somerville and Ross, Spencer Blackett, 1891

hedge and wall

So constantly entranced am I by the character of this remote corner in which we have chosen to settle (in my own experience – admittedly somewhat geographically limited – it is the most beautiful landscape in the world) that I am always excited when I discover that others have shared the same feelings. Consequently I am forever looking out for references to the coastline and country around Roaringwater Bay – particularly descriptive writing – in the wealth of books on West Cork that are harboured by local bookshops, libraries, and our own shelves here at Nead an Iolair: we are most fortunate that some of these books, especially the now out-of-print ones, came with the house! I have sifted through a few of the words: essays, extracts from novels, historical treatise and guidebooks that support my own feelings about the place. All are taken from writers I admire and thoroughly recommend. I present them here for you to take in, together with some hopefully seductive illustrations from the locality, in support of my thesis that there is no better place to be alive.

rosbrin cove days

…I believe that in West Cork water runs uphill. There is a small lake on the very summit of Mount Gabriel, nearly fourteen hundred steep feet above the Atlantic level. Small it is, but so deep that when, once upon a time, a heifer was lost in it, she came out in Schull harbour, on her way to America! (Or that is what the people tell you.)…

 ‘Happy Days!’ – Essays of Sorts, Somerville and Ross, Longmans, green and Co, 1946

stone beach

…There was a line of tables up the middle of the pier, each with its paraffin lamp smoking and flaring in the partial shelter of a fish-box, and each with its wild, Rembrandtish group of women splitting the innumerable mackerel, and rubbing lavish fistfuls of coarse gray salt into each, before it was flung to the men to be packed into barrels. The lamps shone fantastically on the double row of intent faces, on the quickly moving arms of the women, crimsoned to the elbows, on the tables, varnished with the same colour, and on the cold silvery heaps of fish…

Naboth’s Vineyard, Somerville and Ross, Spencer Blackett, 1891

cappacolour

…Think of a wandering road in – let me say West Cork… The way is rough and stony, and (most probably) muddy, but it can claim compensating charms, even though it can hardly fulfil any of the functions proper to respectable roads. And in its favour I would claim the broken varying lines of the hills against the sky. The untidy fences, with their flaming furze bushes, or crimson fuchsia hedges; their throngs of vagabond wild flowers, that can challenge the smug respectability of a well-kept garden. And the inevitable creatures, the donkeys, the pigs, the coupled goats, the geese, that regard the highroad as their lounge and playground. No doubt they exasperate the motorist in a hurry (as are all motorists) but for more tranquil wayfarers they can offer entertainment, almost charm…

‘Happy Days!’ – Essays of Sorts, Somerville and Ross, Longmans, green and Co, 1946

fuschia colour 2(Ireland) …is a land of surprises. She has the gift of unexpectedness, of uncertainty: her people, like her looks, and her weather, can be sometimes charming, often exasperating, but seldom commonplace. Is there another country, reasonably civilised, in which, in the course of a casual idle stroll, records of pre-history can be met with in any field, unconsidered, or found (as I have known) an immense cup-marked stone, built into the wall of a cow-house, ignored by the descendants of those who were once its worshippers? And yet, in characteristic contrariety – as is our way in Eire – in the field next to that cow-house, you can see that the plough has turned aside from its rightful course in respect for a little old deformity of a thorn-tree, which has asserted, for possibly a thousand years, its right to be reverenced and feared…

‘Happy Days!’ – Essays of Sorts, Somerville and Ross, Longmans, green and Co, 1946

sun rays

…In the mirror that memory will sometimes hold for us, I can see Rahyne Glen at four o’clock on a silver autumn morning before the sun has reached it. Opposite, just below the rim of the steep western side of the glen, there is one of the memorials of an older race and its religion. This is a broad slab of pale stone, leaning sideways against the hill, having, somehow slipped off the stones on which it had been supported. The sunlight falls full on it; it catches the eye and holds it. It is a dolmen, and the pale slab was its cap-stone. It marks the grave of a chief. He might have been content with his resting-place, had beauty of scene appealed to him (which seems improbable). Whether contented or no, he has lain there (if the archaeologists may be believed) undisturbed, through all the long centuries. If he were to look out now on those familiar hills he would see no change. His hills have defied civilization. All would look as it might have looked on any fair September morning during past thousands of years. And, I suppose, the pink ling, and the purple heather and the gold of the low-growing autumn furze, would then have spread the same carpet of colour over the hills… The wild stream comes storming through the thorn-bushes of the glen as fiercely as ever it did when the Chieftain and his warriors washed their spears in it… Beyond the glen the country rises, in long swathes of dim green, and purple, and misty blue, to a curving line of hills, and farther and higher still – for the viewpoint is a high one – a narrow flashing line tells of the silver plain below, which is the Western Ocean…

‘Happy Days!’ – Essays of Sorts, Somerville and Ross, Longmans, green and Co, 1946

roaring water

…The indented contours of Raring Water Bay enclose a maze of minute inlets and islands. The name derives from a stream which flows down the side of Mount Kidd amidst a landscape of bracken and boulders. The torrent roars in the narrow gaps and gullies as it rushes towards the sea. The little inlets penetrate the land like miniature fjords and create a sense of safe haven from dangerous seas. Their piers, long abandoned except for the occasional fisherman’s or tourist’s boat, are overgrown and tumbled-down romantic ruins, quiet spots for sighting a lone heron at low tide, grey against grey water. In the narrow defile where the roaring water debouches into the bay nature has done much to reclaim the territory usurped by human purpose. Perhaps, like the closing of a wound, this former embarcation point, which saw many thousands flee a country unable to support them, is being bound in ivy and decorated with wild fuchsia to heal the scar…

West of West – An Artist’s Encounter with West Cork – Brian Lalor, Brandon Book Publishers, 1990

gabriel side

…The islands of the West Cork coast are rather grandly referred to as Carbery’s Hundred Islands, but only Clear Island and Sherkin now sustain a viable population – though, like the other islands off the west coast, there is a steady draining of young people to the cities on the mainland for education and employment. Horse Island off Schull is evocative of the vanished communities of these islands. Silhouetted against the skyline, this piece of low-lying land appears like an old-fashioned, gap-toothed saw; a dark bulk of rock with triangular projections – the gable ends of a row of roofless cottages – biting into the clouds…

West of West – An Artist’s Encounter with West Cork – Brian Lalor, Brandon Book Publishers, 1990

kilcoe days

…Three or more centuries ago, before the landscape of West Cork became bound by a web of roads and fences, its contours would have been best understood when seen from above, from the heights of Mount Kidd or Mount Gabriel. Parallel ribs of rocks and hills, dividing up the pasture land, extended from the base of the mountains to the coast, where long fingers of rocky promontories projected out into the sea. There was a natural order to everything…

West of West – An Artist’s Encounter with West Cork – Brian Lalor, Brandon Book Publishers, 1990

rosbrin shadows

… Beyond Whitehall I rode out to the point at Cunamore where the road ended at a small pier which was the nearest point to Hare Island, also known as Inishdricoll. There was no regular ferry across, but the post boat went over several days a week, and the schoolmistress crossed daily to teach the dozen remaining children. It is a much less dramatic island than Cape or Sherkin, a low-lying slab of land with golden beaches. One road leads to a little village nicknamed Paris – probably a derivation of ‘pallace’ – once the centre of a fleet of lobster boats. Now I listened to an old man lamenting the terrible decline.

   “John has gone and Dennis has died, and we’ll die too, and then the foreigners can have it all.” Already half a dozen of the houses had been bought up by strangers.

   One by one the smaller islands became deserted. It is a long time since they were densely populated, but until quite recently they supported a certain number of families. Only a few years ago I visited Horse Island, just opposite Ballydehob. The last people there, an elderly couple, were living all alone. It was summer, and the old man was sitting in a chair outside his house, his feet in a basin of water. His wife, behind him, fed hens. Next year they were gone. The house, still intact and comfortable, stood empty, the linoleum in place, last year’s calendar on the wall. Down by the pier a plough had been thrown into the water where it looked like a gesture of despair…

The Coast of West Cork – Peter Somerville-Large, Victor Gollancz Ltd, 1974

rosbrin cool

…West of Ballydehob the laneways ran into each other like the veins of a leaf. Many of them were untapped; they seemed empty, with little life except for cattle or a white horse browsing in watery fields beside them. Most seemed to end up at the sea, and each little turn had its own alignment to the bay. One looked across the islands with Kilcoe standing squat and menacing on its headland; the next inlet had a view across to Horse Island; another lane climbed to a hill to where one could see the sweep from Baltimore Beacon and the Gascanane to the shattered tower of Rosbrin castle…

The Coast of West Cork – Peter Somerville-Large, Victor Gollancz Ltd, 1974

Afternoon in Ballydehob 04.2014

…May Day in Schull was the day for ‘bringing in the green’. But the ancient custom is dying out. Only a few branches of green leaves were tied on doors, and a twig of fuchsia dangled from the handle of a bike. “Old pishoges,” an old man muttered as he carefully arranged sycamore round a drainpipe…

The Coast of West Cork – Peter Somerville-Large, Victor Gollancz Ltd, 1974

altar

…Colla harbour and pier is the nearest point to embark for Long Island. Horse Island, Castle Island and Long Island lie in a line just outside Schull harbour. A tradition, quoted by Smith, claims that they were once all one island. “In the latter end of March, AD 830, Hugh Domdighe being monarch of Ireland, there happened . . . terrible shocks of thunder and lightning . . . at the same time the sea broke through the banks in a most violent manner. The island, then called Innisfadda, on the west coast of this country was forced asunder and divided into three parts”…

The Coast of West Cork – Peter Somerville-Large, Victor Gollancz Ltd, 1974

december sun over rossbrin

…From the vicinity off Dunanore, we obtain a view of the coast and the surrounding open, which is one of surpassing beauty, when the summer sun is setting in the far west. Towards the south, as far as the eye can reach, the broad expanse of the Atlantic is stretched before our gaze, the distant horizon dotted here and there by some white sail, or the dark hull of one of those leviathan steamers which ply their busy trades between the Old World and the New. Cape Clear is the first land which greets the American tourist or the returning emigrant on his approach to the old country, and the last cherished spot of his ‘own dear isle’ which bids adieu to the Irish peasant, when he parts, perhaps for ever, from his native country…

Sketches in Carbery, County Cork: its antiquities, history, legends, and topography – Daniel Donovan, McGlashan & Gill, 1876

down below

Priests and Poets, Part 2

BVM

Last week we concentrated on Father James Barry and the poetry he could well have inspired. But there’s a lot more to Stouke graveyard and this post will cover some of the other history revealed  by a wander round this atmospheric place.

IMG_0988

This graveyard is the traditional burial site of many from the islands of Roaringwater Bay. There’s a poignancy to the place names on the headstones – many of these islands are now uninhabited, so these are the last headstones that will bear such inscriptions. As with many West Cork graveyards, much of the ground is scattered with rough, uninscribed, stones, while other graves have modern memorials with full inscriptions. It is customary to visit graves on anniversaries, or at certain times of the year, and always you will find that a few graves still have fresh flowers or other evidence of recent visits.

IMG_0987

The old Irish name for this place is Cillín Stuaice, or Little Church of the Height. There is a suggestion that somewhere in the graveyard is the site of an early church, but if it is here, there is no evidence of it. Except for one thing – a bullaun stone. Robert has written before about the folklore and beliefs associated with bullaun stones, but what exactly are they? Bullaun is an Irish word for bowl – these are bowl shaped depressions in rocks, sometimes portable, sometimes carved into rock outcrops. Although some may date to prehistoric times, many are believed to have originated in the medieval period for the purpose of grinding (acorns, for example) or for crushing ore. Whatever their origin, they are often found in association with medieval churches or other sacred sites such as holy wells, and have assumed their own sacred mantle of meaning. The water that collects in them is often believed to be curative.

P1110096

The bullaun stone in Stouke graveyard is known, according to the Historic Graves account, as the Bishop’s Head. The informative plaque erected by the Fastnet Trails folk tells us that an older name for the townland is Kilaspick Oen, meaning Church of Bishop John. Perhaps this was the Bishop for whom the bullaun stone is named. The story goes that during the time of the penal laws the Bishop was confirming children nearby when the redcoats got wind of his activities and came to arrest him. He was beheaded. The bullaun stone commemorates this act and has been a focus of devotion locally, with people leaving coins and tokens to pay respect and perhaps ask for consideration for special intentions. Additionally, rounds were performed here on St John’s Night – although I am not sure if this tradition has persisted.

Money jars

But last week I promised you more poetry! Inside the gate is a grave of the McGrath family, including the ashes of Liam McGrath who emigrated to Australia but never forgot growing up in Skeaghanore, near Ballydehob.

Although he was active on a number of fronts, his delight was to remember the old times and to capture his memories in verse. He was a true ‘folk poet’ – recalling the past with nostalgia and trying to capture what he saw as the golden scenes of his young life in rural West Cork. Over the years, several of his poems were published in the Southern Star. Local historian Teresa Hickey generously shared with me those she has collected over the years – a real treasure since they are not available online.

Teresa Hickey and poems

Liam McGrath cuttingsTeresa’s personal favourite is Three Bells. It describes the sound of the bells on Sunday morning from Ballydehob’s three churches – Catholic, Church of Ireland and Methodist. Sounds, of course, trigger deep memories, and this poem captures Liam’s recollections of traditional Sunday mornings in the village. Sadly, the Methodist Church has fallen into ruin, so those bells will never again peal over Ballydehob.

Ballydehob showing church on hill

 

St Matthias CoI Ballydehob

Above: The Catholic Church dominates the skyline of Ballydehob. Middle: St Matthias Church of Ireland. Below: The Ballydehob Methodist Church, gradually falling into dereliction

The one I’ve decided to reproduce here is called One more Score and it’s about the unique West Cork pastime of Road Bowling (rhyme bow with cow). For Liam, it was a precious memory, made all the sweeter by a recitation of the roads and locations where the game was played. 

McGrath Poem Just One More Score

The sport of Road Bowling – the object is to get the bowl down the road to the target in as few throws as possible

No doubt I will drop by Stouke Graveyard many more times in the future. I wonder what further history lessons will be revealed…

The Seven Whistlers

curlew title

While researching for this post I picked up the excellent book by Niall Mac Coitir, Ireland’s Birds – Myths, Legends and Folklore and got diverted by a section on Eagles: why wouldn’t I, as we live up here in Nead an Iolair, Eagle’s Nest? I was delighted to discover from this book that Adam and Eve are reincarnated as Eagles and live on the island of Inishbofin, at the mouth of Killary Harbour in Galway. This adds to the list of important people of the world who have ended up in Ireland, including St Valentine in Dublin and Santa Claus (St Nicholas) who rests in Jerpoint Abbey. I’m hoping to discover many more…

My real subject today is the Curlew: we have seen a few of them lately below us in Rossbrin Cove. They are winter visitors from Scandinavia. There is a small breeding population in Ireland, mainly centred in Galway and Mayo, but this has declined catastrophically in recent times, and the bird is now red-listed as a globally threatened species, according to Birdwatch Ireland. Every Curlew sighting, therefore, is an important one.

In Irish bird folklore, the Curlew does not come over in a good light. It has a very distinctive and haunting call, and this has probably contributed to associations with the Otherworld.

Mac Coitor says: …The Curlew was famous for its whistling and screeching calls, which were believed to foretell the arrival of rain or stormy weather… while Scottish poet Norman Alexander MacCaig (1910 – 1996) describes the Curlew’s voice:

Trailing bubbles of music over the squelchy hillside… music as desolate, as beautiful as your loved places, mountainy marshes and glistening mudflats by the stealthy sea…

Curlews fly at dusk, sometimes in groups: this has given rise to accounts of The Seven Whistlers in both Britain and Ireland. One of the earliest collectors of folkore in these islands, Jabez Allies (1787 – 1856), wrote:

…I have been informed that the country people used to talk a good deal about the ‘Seven Whistlers’ and the late John Pressdee, who lived at Cuckold’s Knoll, in Suckley, said that oftentimes, at night, when he happened to be upon the hill by his house, heard six out of the ‘Seven Whistlers’ pass over his head, but that no more than six of them were ever heard by him, or by any one else to whistle at one time, and that should the seven whistle together the world would be at an end…

Another account, from William Henderson, Folk-Lore of the Northern Counties of England and the Borders:

‘I heard ’em one dark night last winter,’ said an old Folkestone fisherman. ‘They come over our heads all of a sudden, singing “ewe, ewe,” and the men in the boat wanted to go back. It came on to rain and blow soon afterwards, and was an awful night, Sir; and sure enough before morning a boat was upset, and seven poor fellows drowned. I know what makes the noise, Sir; it’s them long-billed curlews, but I never likes to hear them.’

It’s that long, curved bill that makes the Curlew so distinct a figure down on the mud flats at low tide. The slim, pliable beak is used to probe in mud and shallow water for worms, crustaceans, and insects, and for exploring stones and shells. In flight the bird has a wonderful aerodynamism and reminds me of that beautiful aircraft – now extinct – Concorde. In my younger days, growing up in Hampshire, I watched the test flights of that plane at Farnborough, and always admired its drooping ‘Curlew’ nose.

JgxBY6H

Irish poetry has been enriched by images of the Curlew. Seamus Heaney’s From the Republic of Conscience:

When I landed in the republic of conscience
it was so noiseless when the engines stopped
I could hear a curlew high above the runway.
At immigration, the clerk was an old man
who produced a wallet from his homespun coat
and showed me a photograph of my grandfather.
The woman in customs asked me to declare
the words of our traditional cures and charms
to heal dumbness and avert the evil eye.
No porters. No interpreter. No taxi.
You carried your own burden and very soon
your symptoms of creeping privilege disappeared…

We can’t leave out W B Yeats – He reproves the Curlew:

O, CURLEW, cry no more in the air,
Or only to the water in the West;
Because your crying brings to my mind
Passion-dimmed eyes and long heavy hair
That was shaken out over my breast:
There is enough evil in the crying of wind.

Four of Yeats’ poems, including Curlew, were set to music by the eccentric English composer Philip Heseltine, who took the name Peter Warlock. The Curlew is a chamber song-cycle setting written for tenor voice, flute, cor anglais and string quartet. Heseltine spent some time in Ireland, including a period on a ‘Gaeltacht island’ (perhaps Cape Clear?) where he sought to learn the Irish language.

Heseltine / Warlock’s The Curlew brings us full circle, as the composer also spent time in Cornwall under the shadow of another Eagle’s Nest – near St Ives – in an area frequented by artists, writers and mystics including D H Lawrence, Aleister Crowley, Virginia Woolf and Patrick Heron. From Eagle’s Nest in West Cork to Eagle’s Nest in West Cornwall… The Curlew is a much-travelled bird… Be careful of the Seven Whistlers!

view from Eagle's Nest

Curlews be here… view of Rossbrin Cove from Eagle’s Nest, West Cork

Beyond the Mizen: Top 14 West Cork Pics of 2015

We were heading home from Hare Island after a Fit Up Theatre Performance, when this happened

We were heading home from Hare Island after a Fit Up Theatre Performance, when this happened

Many of our top Facebook photographs this year were from the Mizen, but not all. You also liked and shared photographs that captured the essence of other parts of West Cork.

Baltimore Bay and Ringarogy Island

Baltimore Bay and Ringarogy Island

I think the Baltimore Bay one was so popular because the colours are SO west Cork. When you get blue sky and clouds, the sea turns this amazing Caribbean blue and the contrast with the green fields and wilder high ground is gorgeous.

Lighthouse Loop, Sheep's Head

Lighthouse Loop, Sheep’s Head

This photograph of our friend Susan Byron of Ireland’s Hidden Gems is one of my favourites this year because of the impression it creates of sheer wildness.

Occasionally we get lucky with the local wildlife. Ferdia, the fox, used to be a regular around our place but has forsaken us recently for neighbours with higher quality leftovers.

Bantry House in winter

Bantry House

It’s possible to get good shots of Bantry House in winter, when the trees don’t obscure it from view.

Kilcoe Castle

Kilcoe Castle is such an icon on the landscape. This photograph shows the neighbourly way it interacts with the other houses around it.

Bardic School Loop, Sheep's Head

Bardic School Loop Walk, Sheep’s Head

This tiny abandoned cottage may have been part of the 17th Century Bardic School near Lake Faranamanagh on the Sheep’s Head. We’re looking across at the Mizen in this shot.

The Beara, from the Sheep's Head

The Beara, from the Sheep’s Head

And here’s the view from the other side of the Sheep’s Head, across to the Beara Peninsula, with the instantly-recognisable bulk of Hungry Hill to the far right.

Priest's Leap Valley

Priest’s Leap Valley

The long climb up to Priest’s Leap starts near Ballylickey and ends at a high mountain pass that separates Cork and Kerry. The views are spectacular from the top, but this shot of a colourful house and farms in the valley on the way up seemed to express something typical of West Cork.

Farm, Sheep's Head

Farm, Sheep’s Head

This farm appears to be carved out of the mountain land behind it.

Barloge Bay, at the entrance to Lough Hyne

Barloge Bay, at the entrance to Lough Hyne

This was taken in November. I love the contrast of the turquoise water with the autumn colours of the bracken-covered hillside.

F

A final sunset to end this post. This was taken last February from the lay-by overlooking Roaringwater Bay on the N71. The light was extraordinary – a once in a blue moon kind of shot. The mussel beds make the water look like floating ice packs.

A big thanks to Celia Bartlett for helping us improve our photographic skills this year. We loved our workshop with her.

Happy New Year to all our faithful readers!

Atlantic Winter

Dingle Beach

When St Brendan of Clonfert set out to discover America in 512 he and his fellow monks had to face the enormity of the Atlantic Ocean in tiny boats built out of wood and oxhides, sealed with animal fat. Up here in Nead an Iolair our view out to the islands of Roaringwater Bay and beyond is dominated by that same ocean and – sometimes – we feel just as small. This year the winter gales have started early, and spates of fierce westerlies have been throwing the Atlantic straight at our windows. The tiles rattle alarmingly while we are tucked up in bed at night. At these times I think of the Saint and what he had to face. But, like Brendan, we always survive the storms, and often wake up in the morning to a calm, clear day – except that you can hear the constant ‘roaring’ of the open sea out over the bay.

celebrating massOn their way to the New World – Saint Brendan and his companions take advantage of a passing Atlantic denizen to celebrate Mass…

The Atlantic has shaped Ireland. The sea is omnipresent: poets have written about it, storytellers have woven tales around it, and composers have tried to capture its spirit in music. Here’s a small section from the impressive ‘Brendan Voyage’ written by Shaun Davey for orchestra and Uillinn pipes – it’s the haunting second movement, played by Liam O’Flynn with the Irish National Youth Orchestra, at a performance in Cork City Hall. It makes me think of the wonderful sunrise on that calm day after the storm…

Brendan Voyage

Long Island Beacon

Brow Head

Mizen Head

Our own Atlantic: telescopic view of a storm battering Long Island, taken from our garden at Nead an Iolair (top), Brow Head, near Crookhaven (centre), and the impressive land and seascape at Mizen Head – Ireland’s most south-westerly point (lower picture). At the head of this page you can see the huge rollers that come into Dingle Bay, Co Kerry

Dogger, Rockall, Malin, Irish Sea:
Green, swift upsurges, North Atlantic flux
Conjured by that strong gale-warning voice,
Collapse into a sibilant penumbra.
Midnight and closedown. Sirens of the tundra,
Of eel-road, seal-road, keel-road, whale-road, raise
Their wind-compounded keen behind the baize
And drive the trawlers to the lee of Wicklow.
L’Etoile, Le Guillemot, La Belle Hélène
Nursed their bright names this morning in the bay
That toiled like mortar. It was marvellous
And actual, I said out loud, “A haven,”
The word deepening, clearing, like the sky
Elsewhere on Minches, Cromarty, The Faroes.

Glanmore Sonnets VII, taken from Field Work by Seamus Heaney, published by Faber and Faber Ltd

Seamus Heaney was deeply affected by the seascape of his native Ireland. Anyone who works on or beside the sea is aware of the resonant names from the Shipping Forecasts, and the poet has used those names here to introduce his word-picture of the elemental Atlantic.

Near Malin Head 2

On the Beara

Donegal Beach

Atlantic contrasts from Mizen to Malin: near Malin Head – Ireland’s most northerly point (top), off the Beara (centre) and a beach in Donegal (lower)

A later traveller over the Atlantic waters was Chistopher Columbus in the 15th century. On the way he looked out for St Brendan’s Isle, a spectral island situated in the North Atlantic somewhere off the coast of Africa. It appeared on numerous maps in Columbus’ time, often referred to as La isla de Samborombón. The first mention of the island was in the ninth-century Latin text Navigatio Sancti Brendani Abatis (Voyage of Saint Brendan the Abbot), from whence it became firmly implanted into Irish mythology. St Brendan took a little party of monks to the island to say Mass: when they returned after a few days to the rest of the flotilla, they were told that they had been away for a year! The phantom island was seen on and off by mariners for years until in 1723 a priest performed the rite of exorcism towards it during one of its apparitions behind low cloud… You can see St Brendan’s Isle for yourselves, above the wonderful giant fish in the second picture down.

Dingle Peninsula

Coast Road

Dingle peninsula (top), and Coast Road in Donegal (lower)

I was pleased to find this Irish Times video made by Peter Cox when he was fundraising for his book Atlantic Light: spectacular photographs of the coastline on Ireland’s Wild Atlantic Way. The excellent aerial views in this film are all taken by a drone… Look out for places you will have seen in our blogs!

atlantic video

We are privileged that the Atlantic Ocean is the abiding but ever-changing feature in our daily lives. It must affect us in unknown ways: I do know that, wherever I go in this world, I will – like Saint Brendan – always be drawn back here to our wonderful safe haven…

St-Brendan-Coin1