Fastnet Trails: Rossbrin Loop, Part 2

Start this walk at the Rossbrin boat slip

Start this walk at the Rossbrin boat slip

A joint post by Finola and Robert

In Part 1 of this trail post, we took you around the first leg of the Rossbrin Loop trail, which we have broken into two shorter rambles.

This one is steeper and climbs higher, but it’s full of interest and you can take it as easy as you like. For this walk, you park at the Rossbrin boat slip, at the eastern end of Rossbrin Cove.

Rossbrin trails route revised Export

You won’t need off-road boots and you can take the dog. Give yourself two to three hours, depending on whether you decide to do the detour to see the wedge tomb. This is a nice, rambling pace, with lots of time to stop and chat to anybody you meet, admire the wonderful views, take lots of photographs, and maybe indulge in a picnic along the way. 

The first hill affords lovely views back to Rossbrin Castle

The first hill affords lovely views back to Rossbrin Castle

Set off north and turn right after the boat yard and then left up the hill. As you ascend you will see the remains of old mine workings to your left. The earliest records of mining at Ballycummisk refer to 16 tons of ore raised in 1814 and 42 tons in 1815. In 1838 a shaft was sunk 20 fathoms, mainly through barytes and shale. In 1857, 174 tons of ore were sold, mainly copper. By 1861 the mine was recorded as being ‘one of the best developed and very satisfactorily worked.’ The ‘Lady’s Vein shafts’ are marked on the OS 6” map. The Ballycummisk Mining Company worked the mine from 1872. In 1878 a section down to 228 fathoms was noted, but in the same year the mine was recorded as ‘abandoned’. Nowadays some concrete pillars and the slag heap are the most visible remains of the once thriving mine-site.

Old Mine site

There are extensive views over the countryside beyond the old mines

At the top of the hill, where you will find a sign to the riding stables, turn left and head through the townland of Ballycummisk with pleasant country views to the west. Once you get to the crossroads you may see a little wayside stall selling vegetables on the honour system. If you’ve brought a backpack, this would be a good place to stock up on carrots, potatoes, or yellow tomatoes.

Beware of the bull

Wayside StallAt this point, we recommend a detour to see the Kilbronogue wedge tomb. Turn left and walk until you reach the next crossroads. Go straight through the crossroads and a short distance on you will see a lay-by on the right side of the road. Step over the wire and find your way up the path that has been generously maintained by the landowner. In early summer this path is awash with ox-eye daisies. It meanders up through a birch plantation until you emerge in a small clearing to find the wedge tomb.

Path to wedge tomb, Kilbronogue

Like most wedge tombs, this one is orientated to the west – take a look at our post Wedge Tombs: Last of the Megaliths for lots of information on this class of Bronze Age monuments. This is a lovely example, and we are grateful to Stephen Lynch for ensuring its wellbeing and providing access to it.

Kilbronogue Wedge tomb

Retrace your steps to the second cross roads and turn left up the hill, turning right when your reach a T junction, and then take the left fork at the Y. This is a pleasant country road – farmland stretches on either side, with ruined or abandoned houses dotted here and there among the neat modern farmhouses with their colourful paint and bowery entrances.

In spring and summer the hedgerows are heady with wild flowers of every variety.

Turn right again at the next junction and you will come shortly to the beautiful and atmospheric Stouke burial ground. Although we have read that there are the ruins of an old church in this graveyard, we have never found it. But there are other items of great interest here, the traditional burial place of many island dwellers. In the centre you will find the grave of two priests, Fathers James and John Barry, who were parish priests here during the time of the famine. According to the Historic Graves listing for Stouke  “Sarah Roberts who is buried here in this tomb, died at an early age… worked as a housekeeper for the parish priest… When his sister died and was also buried here, Sarah’s coffin was in perfect condition. She was reburied with the parish priest even though she was not a Catholic. People of the parish come to pray at this tomb on the 24th June at John’s Feast Day.”

A little way to the right of this grave is a rock, partially covered by heather, that contains a bullaun stone, known locally as the Bishop’s Head. Once again, according to the Historic Graves entry, “The bishop was confirming children in a nearby church. Red coats came in and beheaded the bishop.”

Amanda photographs the bullaun stone

Amanda photographs the bullaun stone

There are offerings of coins in jars at the bullaun stones, and at the priests’ grave. Leave one too, along with a prayer or wish for a loved one.

Bishops Head bullaun stone, Stouke Graveyard

Bishop’s Head bullaun stone, Stouke Graveyard

From Stouke the road drops down to a cross roads. Go straight through and start to climb again up to Cappaghglass. Ignore the left turn and carry on until you reach a Y junction. Take the right fork, pass all the ripe blackberries (if you’re able) and as you crest the hill the whole of Roaringwater Bay is laid out before you. Few views in the country can equal this one for sheer scope: all the islands in Carbery’s Hundred Isles come into view, The Baltimore Beacon gleams on its rocky outcrop to the east, while the Fastnet Rock sits sturdily on the horizon, and the Mizen Peninsula stretches away to the west.

Roaringwater Bay from Cappaghglass

Descend the steep hill, turning right at the T junction, and meander down to Rossbrin Cove.

Shaft of Sun

Now a peaceful boat harbour, Rossbrin in the 15th Century was the domain of Finghín O’Mahony, the Scholar Prince of Rossbrin, a man who used the riches extracted from taxes paid by Spanish and French fishermen to fund a centre of learning here in Rossbrin where scribes and learned men wrote and translated books which still exist today. The ruined section of the castle still standing gives little evidence of the erudite court that was once respected throughout Europe. A fish ‘palace’ for processing pilchards once provided employment to the people of Rossbrin, but little trace remains of it, or the holy well at the shore that once attracted those seeking cures for their ailments.

Kayaks at Rossbrin Cove

If the weather’s warm and the tide’s in, this is a good spot for a dip. No? Well, a photograph, then. 

We hope you’ve enjoyed the two Rossbrin Loop walks – do let us know how you got on.

Ballycummisk Mine

Ballycummisk Mine

Irish Roads

Heading towards the light

Driving the Gap of Dunloe in Kerry – it can only be done in winter.

To give you a flavour of what it’s like to drive in Ireland, I’ve put together a few of my favourite photographs of the roads we’ve travelled. Sometimes I wonder if we will get to the point where we take for granted the spectacular scenery which is such an everyday occurrence for us, but then we find ourselves pulling over once again to wonder at the wild landscape, the grandeur of the mountains, the way the sea cuts deeply into the sandstone cliffs, the old castles and ruins that dot the fields – and we know that we will never tire of Irish roads.

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I’ve chosen only photographs that have roads in them, so you can get the feel of travelling in Ireland. And yes, it does rain in Ireland and the clouds come down and cover everything and then driving isn’t as much fun. Find a pub to hole up in, wait a while, and try a prayer to St Medard

Dingle

Of course some  of you, dear readers, do this every day, like we do, so tell us your own favourite Irish roads – or share a photograph on our Roaringwater Journal Facebook page if you like.

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Obstacles are common – so don’t drive too fast along the rural roads as you never know what might be around the bend.

Tractor pace

And there’s no point in being in a big hurry…
Only room for one at a timeThere’s only room for one at a time

We do have freeways/motorways in Ireland, and tolled highways, and congested city streets with honking traffic. Our advice is to get off the highways and out of the cities as soon as possible. Get on this road, for example, that runs through the Black Valley in Kerry, and see where it takes you.

Black Valley, Kerry

Happy driving in Ireland!

By the lighthouse

Fastnet Trails: Rossbrin Loop, Part 1

A joint post by Robert and Finola

In Robert’s post about the Fastnet Trails, we introduced you to this new trail system, and in particular to one of the delightful walks – the Lisheenacrehig Loop. Today’s post is about another of the walks – the Rossbrin Loop. This walk is all on country boreens, so you can wear your ordinary walking shoes and take the dog if you like but keep him on a leash and stick to the road. You will pass other dogs on the way, as well as fields of livestock.

The high road

You can do this whole walk as laid out in the brochure. It’s just under 12km and will take you at least three hours, but probably more if you like to stop to explore, take pictures, have a chat along the way. Oh, and see where it says ‘easy grade’? Take that with a pinch of salt – this walk will give you a good work out as it takes you from sea level to 70m (230ft) and back again.

Rossbrin Trail 1

But we know that many of you like to take an easier pace and, like us, might find a 12km loop a bit intimidating, so we’ve decided to give you another option. We will lay out a 2-walk option for you, beginning with Walk 1 now, and we will do Walk 2 in a future post. We provide our time estimate for a meander rather than a march. And – a disclaimer: our suggestions depart slightly from the official Fastnet Trail and have not been sanctioned by that group. Where you depart from the marked trail, you walk at your own risk.

Walk 1: Ballydehob, Greenmount, Foilnamuck, Cappaghglass, Ballydehob

Time: 2 to 2.5 hours (with diversion)

Level: Easy but some steep stretches

Take: Binoculars and camera

Twelve Arch Bridge

Park in the Ballydehob car park just east of the river estuary and start by taking the lovely nature walk that takes you over the 12 Arch Bridge. This beautiful structure was once part of the West Carbery Tramway and Light Railway. A train ran across this bridge from 1886 to 1947 – Robert has written about The Flying Snail that traversed West Cork, but for a real flavour of what it was like read Poisson d’Avril in Somerville and Ross’s The Irish R.M. Here’s the first paragraph:

The Irish R.M.The atmosphere of the waiting-room set at naught at a single glance the theory that there can be no smoke without fire. The stationmaster, when remonstrated with, stated, as an incontrovertible fact, that any chimney in the world would smoke in a south-easterly wind, and further, said there wasn’t a poker, and that if you poked the fire the grate would fall out. He was, however, sympathetic, and went on his knees before the smouldering mound of slack, endeavouring to charm it to a smile by subtle prodding with the handle of the ticket-punch. Finally, he took me to his own kitchen fire and talked politics and salmon-fishing, the former with judicial attention to my presumed point of view, and careful suppression of his own, the latter with no less tactful regard for my admission that for three days I had not caught a fish, while the steam rose from my wet boots, in witness of the ten miles of rain through which an outside car had carried me.

Ballydehob Quay saw brisk trade in the days before the Bay silted up. The lovely old Pier House once functioned as a coal warehouse. 

Greenmount Stream

Following the walkway, you emerge by the school and turn left on to the Greenmount Road. This can be a busy stretch, so be careful along here. Once you get to the turquoise shed, turn left. Here you find yourself beside a burbling stream that empties into Ballydehob Bay at a small and picturesque pier. This and others like it were busy piers in the old days, serving the fishing boats as well as the sand boats that worked these waters, dredging sand to be used as fertiliser and building material. Nowadays this little inlet seems hardly navigable and the same blue and white boat has been moored here for a long time.

Greenmount Quay

The road climbs steadily up now past working farms. Looking back towards Ballydehob you can see the Bay and even the 12 Arch Bridge in the distance.

Pastoral

As you round a corner your view changes  and Kilcoe Castle comes into view. Now home to Jeremy Irons, who has restored it beautifully from a complete ruin, it was a classic 15th century tower house owned by the McCarthy Clan. So well was it situated and defended that the inhabitants were able to hold out for two years in the aftermath of the Battle of Kinsale (1601). Situated on a tiny island and glowing a soft amber colour, it is a beloved landmark in these parts.

Kilcoe Castle from Greenmount

Below you is a shallow bay that is a haven for shorebirds and seals. If the tide is out linger a while and use your binoculars to see what you can pick out along the tidal flats below you. If you’re lucky the seals might be out along the rocks, sunning themselves. Once underway again, you’ll pass an old cottage on the left. A recently-dug pond in its garden is already full of water lillies.

Water lillies

Continue now along the narrow boreen and brace yourself for the climb to the highest point  of the walk. No longer on leafy lanes, you are now walking on a bare plateau with panoramic views in all directions. The whole of Roaringwater Bay gleams before you. To the east, towards Kilcoe, lie the mussel beds that now dot this part of the Bay. Sherkin Island and Cape Clear are on the horizon, as is the Fastnet Rock. Ahead of you is the looming shape of Mount Gabriel, dominating the skyline as it does in so many parts of West Cork.

Fields of Cappaghglass

If you look carefully here you will see that the gorse and bracken barely conceals the outline of tiny field walls. There was a large population around here once and a thriving industry. Read Robert’s piece, Copper Country, for more about the mining activities of Cappaghglass. There are a few clues left – the stump of a large chimney that once provided a prominent landmark but that was felled by lightning can still be seen.

Rust and heather

Don’t turn left here (as the trail map wants you to) but instead continue straight on and turn right at the T junction and descend to the crossroads. From the crossroads you can go right and follow the road back to Ballydehob. But if you still have the energy and want to prolong the walk a little, there a diversion here that is worth considering. Turn left and climb the hill until the road flattens out. About 500m from the crossroads look up and to your left and you will see the silhouette of a large ring fort. A tiny green lane leads up to it between some houses but it is on private land.  

Ballycummisk Ring Fort

Irish ring forts generally date to the Early Medieval period – this one may be between 1500 and 1000 years old and would have been the enclosure of a farm house. A wooden fence on top of the earthworks would have kept wolves out and animals in. But the prominent position of this one also meant that it would have been a high-status dwelling. There are hints of a fosse (an outer ditch), which was a defensive feature, and reports of a souterrain, or underground passage, situated in the middle. The ridges of lazy beds – the traditional potato-growing grooves – cross the interior of the fort, indicating that this ground was used to feed a family until the area was de-populated in the aftermath of the famine. There is a large standing stone, known locally as Bishop’s Luck, above the ring fort. This could be Bronze Age or even older.

Textures

It’s an easy walk, downhill all the way, back to Ballydehob. You’ll be more than ready for a coffee and cake in Budds or a lovely bowl of soup in the Porcelain Room by the time you get there. Tell them the Roaringwater Journal sent you.

Wall E lurking

See you next time for Walk 2.

The Gift of Harry Clarke

The Gift

This post was inspired by a gift from my oldest and dearest friend – three books on stained glass passed on to me because he is moving from his home of the last 65 years, a home in which I spent much happy time. A loyal reader of our blog, he knows of my  enthusiasm for stained glass, an obsession I shared with his late wife, the wonderful Vera, whom I still carry in my heart.

The Kendal Coghill Window, Church of St Barrahane, Castletownshend, Co Cork

The Kendal Coghill Window, Church of St Barrahane, Castletownshend, Co Cork

One of the books is the exhaustive and erudite study of Harry Clarke by Nicola Gordon Bowe. The other two are more general, although each of them devotes a section to the work of Harry Clarke. My initial intention was to look at Harry Clarke as a illustrator, with special reference to his portraiture, using a variety of windows as examples. I may still do that in the future. However, I’ve decided that for now, just one window perfectly illuminates what I want to say about Harry Clarke this time. It’s a window we have both used before in posts (Robert in his Martinmas piece, and I in a couple of places) – the Kendal Coghill window from St Barrahane’s in Castletownshend. Through this window I hope to show you the unique genius of Harry Clare, but also how he drew from life and from great art to create his stained glass panels. (For more on Harry Clarke’s life, see my previous post, The Nativity – by Harry Clarke.)

Kendal Coghill, drawn by his niece, Edith Somerville

Kendal Coghill, drawn by his niece, Edith Somerville

Who was Kendal Coghill? He was born and bred in Castletownshend, Edith Somerville’s uncle and a distinguished soldier, rising to the rank of Colonel. He served in India, where he took a kindly and active interest in the young Irish soldiers in his regiment. One of his melancholy duties was writing to their mothers to advise of their deaths. He was also “excitable and flamboyant”, writes Gifford Lewis in her excellent book, Somerville and Ross: The World of the Irish R.M.. As one of the leaders of the amateur spiritualist movement in Castletownshend he introduced Edith and her brother Cameron to automatic writing. By all accounts he was generous and warm hearted and it was his compassion that the window was to emphasise. The two subjects were chosen carefully – Saint King Louis IX of France, and St Martin of Tours. Coghill could trace his ancestry to King Louis, famed for his beneficence, and St Martin was the patron saint of soldiers.

Contrasting styles

Contrasting styles

The first thing that strikes you upon entering St Barrahane’s is the contrast between this window and the others (by Powells of London) on the south side. Alongside the conventional Powells the Clarke blazes with colour and with detail. Every square inch is individually worked, there are no repeated patterns or conventional scrolls. Examine the borders, for example, filled with abstract and colourful motifs, never recurring.

St Louis detail: each motif in the border is uniquely designed and coloured. The robe intrudes in front of the border, lending a £D effect.

St Louis detail: each motif in the border is uniquely designed and coloured. The robe intrudes in front of the border, lending a 3D effect

chokiHarry’s habit of placing figures at different heights adds visual interest to the side-by-side panels and may have been influenced by Japanese pillar prints, which were also a major factor in the design aesthetic of Frank Lloyd Wright. A church window is by its very nature long and narrow and the design challenge this poses had first been explored by Japanese artists whose woodblock prints were hung vertically on walls, or fixed to house posts. Contrast the static, forward-facing, identically scaled figures in the Powell window with the dynamic composition of the Clarke panels. The St Martin figure, in particular contains two figures and manages to tell a whole story, like this example of a pillar print.

The choice of the window and the management of the commission rested with Edith Somerville. Harry Clarke stayed with her in Drishane while executing the final placement and she liked him very much. Beside the Kendall Coghill window which is the subject of this post there are two other Clarke windows in St Barrahane’s. But St Barrahane’s, as Gifford Lewis explains, is not…”typically Protestant. High Church, Anglo-Catholic influence is in restrained evidence besides the astounding blaze of Clarke’s windows. Jem Barlow, the medium, claimed that at a service one Sunday in St Barrahane’s the spirit figure of Aunt Sidney appeared, caught sight of the Clarke windows, started, then exclaimed “Romish!” and dissolved.”

Above St Louis,

Above St Louis, “a parade of the poor and diseased”

Saint Louis occupies the left panel. He is depicted with an alms purse in his left hand and a crucifix instead of a sceptre in his right hand. Look carefully – above him are the poor and sick that were the objects of his constant charity. Here’s what Nicola Gordon Bowe has to say about this section of the window:

Dimly visible…is a small procession of the heads and shoulders of the poor and diseased who used to feed at his table. These again show Harry’s unique ability to depict the gruesome, macabre and palsied in an exquisite manner…The seven men depicted, old, bereft, angry or leprous, are painted on shades of sea-greens and blues, mauves and grey-greens, in fine detail with strong lines and a few brilliant touches, like the grotesque green man’s profiled head capped in fiery ruby, the leper helmeted in clear turquoise with silver carbuncles, and the aged cripple on the right in ruby and gold chequers.

Poor men

This section, it seems was likely influenced by a painting that Harry was familiar with from visits to the National Gallery in London – Pieter Bruegel’s Adoration of the Kings

Detail from Pieter Bruegel's Adoration of the Kings

Detail from Pieter Bruegel’s Adoration of the Kings

The ship in which he sailed to the crusades is depicted above King Louis.

Ship

Saint Martin, in the right panel, is depicted in the act of cutting his cloak in two, to give half to a beggar. Martin’s face is archetypal Clarke – the beard, the aquiline nose, and the large eyes filled with compassion for the beggar.

St Martin of Tours

St Martin of Tours

The helmet is worth a closer look. First of all, it is beautifully and finely decorated in the niello style, and second, it is topped with a tiny figure, sphinx-like, with long wings. Nicola Gordon Bowe points to the influence of Burne-Jones here, to the helmet worn by Perseus in The Doom Fulfilled.

Burne Jones' The Doom Fulfilled

Burne Jones’ The Doom Fulfilled

Clarke also found his inspiration in life drawing. He used himself for a model occasionally, but also ordinary people from the streets of Dublin. The beggar may have been based on one familiar to him. His face is dignified despite his wretched condition and his patches are rendered in as exquisite detail as is the Saint’s armour.

Beggar

The beggar may have been based on a familiar Dublin figure

The beggar's hand

The beggar’s hand

Finally, at the very top of the window two haloed figures look down. Harry Clarke had a thing for red hair and this is a perfect example of how he used that preference to good effect. Once again, although the figures are similar in size, there is no repetition – these are no ‘standard’ angels – each has his own wonderful garments and stance.

Red haired angels

Stained glass artists typically sketch their designs on paper first and these images are referred to as cartoons. Harry Clarke’s cartoons for the Coghill windows must still exist. Nicola Gordon Bowe describes them as drawn “loosely in thick charcoal, the design boldly expressed with detailing and shading minimal, but still conveying a good idea of how every part of the window would look.” The finished window, she says, “reveals a new freedom of treatment, the painting on the glass reflecting the free drawing of the cartoons.” This is an artist and craftsman working at the height of his powers – an interesting subject for the question that Robert poses in his post this week.

Saint Martin, armour detail

Saint Martin, armour detail

Family-Friendly Archaeology

Dramatic Skies over Maughanasilly Stone Row

Dramatic Skies over Maughanasilly Stone Row

West Cork is crammed with prehistoric monuments but many are not really accessible for all family members because of the terrain. Others are on private land where the landowner is reluctant to grant permission, or where frisky bullocks make traversing a field a bit risky. So we’ve done some homework on easy-to-reach sites and planned a route for you in which you can have a) a Grand Day Out and b) a tour through some of the best West Cork Bronze Age sites and one Medieval Castle.

The Kealkill complex: one of the sites you'll visit today

The Kealkill complex: one of the sites you’ll visit today

Load the kids and Grandma into the car, stick Discovery Map 85 in your pocket (or use the one we’ve provided in this post), wear boots or wellies, and off you go! By the way, we strongly advise leaving the dog at home when on a field trip like this. If you must bring him, please keep him on a leash, since you will be on private farmland at each site except Carriganass.

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Oh – and the frisky cattle? Keep an eye out – they weren’t around when we did our reconnaisance but you never know when that can change. These two photos are by Amanda Clarke, used with permission.

Kealkill Monuments

Our starting point is Ballylicky – here’s your opportunity to pick up a picnic at the marvellous Manning’s Emporium. And if you like your day today, consider signing up for one of their Culture Kitchen tours – an innovative mix of history, prehistory and artisan food that will lead you still further into the prehistoric (and culinary) hinterland of West Cork.

Mill Little Group of Munuments

Mill Little Group of Monuments

1. Mill Little Complex

From Ballylicky, head west along the scenic seaside road towards Glengarriff for a couple of kilometres and take the first turn right at Snave. You’ll be following the Coomhola Rive as it tumbles down between high hills. Once you’ve crossed Snave Bridge continue for about a km, take the second left and then immediately right. One km on, take a left and then the next right. Park along here and the Mill Little complex is in a field on the left.

Stone Pair

Stone Pair

This is a complicated site, comprising a stone pair (don’t be confused by the other stones around the pair, which have been piled here), three boulder burials, and a small five-stone circle. All these monuments probably date from around the same time – the Bronze Age, about three to four thousand years ago. A particular feature of West Cork archaeology is that boulder burials, standing stones (single, in pairs, or in rows) and stone circles are often found together. Stone circles and stone rows are oriented towards significant solar events, such as the rising solstice sun or the setting sun at an equinox. At a site like this, it is possible that all the features formed a large observational arena, with the stone row, boulder burial and stone circle providing multiple alignment possibilities and marking both solar and lunar events.

Boulder burial showing support stones. Five-stone circle in the background

Boulder burial showing support stones. Five-stone circle in the background

The boulder burial nearest the stone circle is the most classic in appearance – a large glacial erratic sitting on top of three support stones. Excavations at boulder burials in West Cork, however, haven’t really yielded evidence of actual burials – perhaps the term is a misnomer!

Three boulder burials at Mill Little

Three boulder burials at Mill Little

2. Carriganass Castle

Retrace your steps back towards Ballylicky and take the road to Kealkill – or try an overland route using the map. At Kealkill take the left fork signposted to Gougane Barra and you will see Carriganass Castle almost right away.

Carriganass Castle

Carriganass is an excellent example of the medieval tower house – take a look at this post for more about these structures in West Cork. There’s easy parking around the back and lots of explanatory signs around the castle. This is a good place for a picnic, or you can wait until after you’ve been to Maughanasilly, since you will come back this way. If it’s a hot day (don’t laugh – it can happen!) the kids will enjoy a dip in the river here. There are also some looped walks starting from here – mark them for a future expore.

3. Maughanasilly Stone Row

Continue past the back of the castle. At the first junction take the left fork and continue until you see a small lake on your left. Shortly after you will come to a cross roads. Turn right and park – the stone row is in the field on your right.

Maughanasilly Stone row. Note the row forms a slight arc

Maughanasilly Stone row. Note the row forms a slight arc

This is a good example of a multiple stone row and occupies a very dramatic setting on a knoll overlooking the lake. Note that, instead of being straight, the stones form a slight arc. This is deliberate, as is the placement of the stone lying flat on the ground. According to one expert, this stone “is placed so that anyone walking up to it and standing with toes touching its edge is looking straight at the equinox.” This stone row also appears to have been an important one for lunar observations. It takes the moon over 18 years to complete its cycle and from this site observations of the lunar maximums (the most extreme northerly and southerly moonrises) were likely made.

The stone row with recumbent stone

The stone row with recumbent stone

Ponder on the sophistication of our Bronze-Age ancestors: much of the knowledge they built up so that they could keep track of time and seasons had to be re-learned by later people.

Maughanasilly Stone row  - a lunar observatory?

Maughanasilly Stone row – a lunar observatory?

4. Kealkill Stone Circle

Back you go to Carriganass (picnic now, if you haven’t done so already) and on to the village of Kealkill – a pretty and well-kept village (and home to a famous St Patrick’s Day parade). The stone circle is signposted from the village – just follow the steep and winding road that runs up from the church. After a sharp bend to the right, take the first left turn. There’s enough room to park at a small pull-out. The walk across the field to the circle is invariably muddy and squelchy so make sure to wear your boots here.

Kealkill standing stone pair, stone circle and radial cairn

Kealkill standing stone pair, stone circle and radial cairn

This is yet another complicated site. There is a standing stone pair, a five-stone circle and a radial cairn. But perhaps the first thing you will notice is the spectacular view. From this spot you can see all the way down the spine of both the Sheep’s Head and the Beara Peninsula to the South-West, and across the valley to the Shehy Range to the North and East.

From the Kealkill Site

From the Kealkill Site

One of the stone pair is over 4m high. But it’s broken – and may originally have stood over 6m high.  Imagine the difficulty of erecting this!

The first thing you notice - that standing stone!

The first thing you notice – that standing stone!

The radial cairn is a mysterious monument – nobody is quite sure of its function – and relatively rare. Once again, these cairns are often found in conjunction with other monuments – stone alignments or stone circles. This one was excavated, but nothing conclusive was found to help determine its function. Note the small upright projecting stones that look like the face of a clock among the cairn stones.

Kealkill radial cairn

Kealkill radial cairn

5. Breeny More Stone Circle and Boulder Burials

This is just a little way up from the Kealkill circle and on the other side of the road. We haven’t had time to visit it properly yet, so my photograph was taken from near the road. There’s a multiple stone circle here, with four boulder burials within it. There’s not much left of the stone circle, but the portal stones and recumbent remain, so the alignment can be discerned. The boulder burials are laid out in square formation in the centre – a very unusual occurrence, since boulder burials are normally outside the circle. The site is on a natural ridge, with similar spectacular views to the Kealkill Stone Circle. One writer has speculated that if trees were removed it would be possible to see the tall standing stone at Kealkill from this site.

Breeny More complex from the road

Breeny More complex from the road

We hope you enjoy your day! Let us know how you got on.

A Tale of Four Churches

Kilcoe Medieval Church

Kilcoe Medieval Church

Kilcoe is a magical place. The story of its four churches leads us from the dawn of Christianity in Ireland through turbulent times and many centuries when religious differences and sectarian strife marked all aspects of life in Ireland.

The four churches: 1, Kilcoe Medieval Church  2, Mass Rock 3, Kilcoe 19th Century Church 4, Kilcoe Modern Church of the Most Holy Rosary

The four churches: 1, Kilcoe Medieval Church. 2, Mass Rock. 3, Kilcoe 19th Century Church. 4. Kilcoe Modern Church of the Most Holy Rosary

We love going down to the Medieval church at Kilcoe or wandering the boreens along the Roaringwater River. Those boreens are now part of the Fastnet Trail Network and last weekend, at the Launch, we were treated to a talk about the locality from Fr Patrick Hickey, Parish Priest of Timoleague and a noted scholar of West Cork History. This blog post was inspired by that talk – thank you, Fr Hickey!

Inside the church, showing the ogival windows, the altar, piscina or stoup, and a small recessed cupboard

Inside the church, showing the ogival windows, the altar, piscina or stoup, and a small recessed cupboard

Kilcoe gets its name from St Coch, a nun said to be a colleague of St Ciarán of Cape Clear, who preached Christianity in Ireland before St Patrick, in the 5th Century. It is possible she founded a church here, but what we do know is that one was built in Medieval times – a building that still exists although the ivy is doing its best to take it over.

It’s a beautiful and atmospheric place, on the water, overlooking Roaringwater Bay. Two castles are in view: Kilcoe and Rincolisky, a McCarthy and an O’Driscoll Castle respectively. Each has a fascinating history that deserves a post of its own sometime. Some special features remain in this ruined church – windows with carved ogees, a lovely arched doorway, a piscina (for washing vessels) or stoup (for washing hands), a recess for storing vessels and the remains of a possible altar.

We don’t know exactly when this church was built or by whom, but we do know it was in ruins by 1615. Perhaps it was destroyed by the same forces that laid siege to Kilcoe Castle after the Battle of Kinsale in 1601 – a period that marked the end of the Old Gaelic Order in West Cork.

The Medieval church, with Kilcoe Castle in the background.

The Church, with Kilcoe Castle in the background

The rise of the Protestant Ascendancy class in the aftermath of that fateful battle privileged the Church of Ireland (transplanted Anglicanism) over the Catholic faith and a series of new laws, gradually getting harsher, were designed to suppress ‘Romanism’. This culminated in the enactment, in 1695, of the infamous Penal Laws. While attendance at mass was initially tolerated, churches could only be built from wood and away from roads. Eventually, priests were expelled from Ireland and after that mass had to be held in secret, with priests moving from hiding place to hiding place. At Roaringwater Pier Fr Hickey talked of the typical cargo of the smuggling ships that plied their trade from there: each ship to arrive from France would be carrying tobacco, brandy – and a priest!

From this period we find the Mass Rocks scattered around rural Ireland, identified on the basis of local tradition. The one at Ardura Beg is just up from a tiny pier that would have offered possibility of a quick escape. Many stories have come down of lookouts warning of the approach of the ‘red coats’ and the miraculous ways in which priests would make their escape. (See here and here for examples.)

Sheona and Amanda examine the mass rock at Ardura Beg

Sheona and Amanda examine the mass rock at Ardura Beg

Places of worship must be located where they are accessible and the first two are close by the sea, which afforded the easiest travel routes in Ireland for most of its history. However, roads were constructed eventually and the next two churches were located along these new routes. The first one, we’ll call it the Old Church, was built along the new road that led from Skibbereen to the Beara Peninsula. After 1778 the anti-Catholic laws were gradually relaxed, although it was not until 1829 that full Catholic Emancipation was won by Daniel O’Connell. The Old Church was probably built around 1800 and was a simple ‘barn-style’ edifice which served an impoverished and famine-stricken populace for a hundred years.

Left, the Old Church near Roaringwater Pier. Right, an example of a simple ‘barn style’ church in West Cork

By the turn of the 20th Century it was deemed unfit for purpose. Nowadays it is a gentle green space, lovingly tended and in use as a grotto. Children were buried there – it was not a cillín, but a consecrated graveyard – and a memorial remembers them now.

Grotto and Chirdren Memorial. A place for contemplation

Grotto and Children’s Memorial. A place for contemplation

Catholic Emancipation ushered in a long period of church building by the newly-confident Catholic majority. The new road from Skibbereen to Ballydehob was constructed at the end of the 19th century and the New Church was built there in 1905, right beside the bridge over the Roaringwater River.

Kilcoe Church and Bridge

Bridge over Roaringwater River

The two styles of churches common at the time were Neo-Gothic, Influenced by continental cathedrals, and Hiberno-Romanesque which took its inspiration from the Early Medieval Romanesque style of Old Ireland and featured wonderful doorways and round towers. The Kilcoe New Church, the Church of the Most Holy Rosary, was built in the Neo-Gothic style, with a large rose window at the eastern end.

Kilcoe, Church of the Most Holy Rosary

Kilcoe, Church of the Most Holy Rosary

Originally the side-aisles did not have seats – poorer people could stand there for mass, while those who could afford a penny would occupy the pews. As the church fund grew, thought was put into ornamentation and stained glass was commissioned for several windows. The rose window was executed by the Harry Clarke Studios in 1943 and shows scenes from the life of Christ and of Mary.

The Rose Window, by the Harry Clarke Studio

The Rose Window, by the Harry Clarke Studio

The Altar and side windows were the work of Sarah Purser’s Tower of Glass. The choice of stained glass – from Dublin-based Celtic Revival artists rather than the English or Continental firms that supplied most church glass at the time –  was a choice that demonstrates the nationalistic feelings that were rife in West Cork at the time.

Irish History is written large on her landscape. In this one small area – these sites are within a couple of kilometres of each other – we see encapsulated sixteen hundred years of history, starting with St Coch and ending with the latest incarnation of a church at Kilcoe. Their beauty and their peaceful settings have been hard won. They should serve to remind us that peace and tolerance must always be cherished and safeguarded.

Rincolisky Castle from Kilcoe Medieval Church

Rincolisky Castle from Kilcoe Medieval Church